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72 Sentences With "class difference"

How to use class difference in a sentence? Find typical usage patterns (collocations)/phrases/context for "class difference" and check conjugation/comparative form for "class difference". Mastering all the usages of "class difference" from sentence examples published by news publications.

Kit's anger, on the other hand, is channeled into frustration about class difference.
It's a story that comes at class difference from the other side of the equation.
They talk about that experience and how their class difference has affected their friendship over the years.
Mr. Khan (who worked with a dramaturge, Ruth Little) keeps the essentials: class difference, love, betrayal, death, revenge, forgiveness.
"Too Heavy for Your Pocket" dramatizes questions of class difference within the black community that rarely get broached onstage.
Status is always up for grabs, being tracked, and on the nuances of class difference Vapnyar has an especially precise eye.
Amber and Barnett's class difference, for instance, is woven into the show's "Will they or won't they?" narrative about the couple.
"When a cop addresses one of the Catfish Row citizens, it shows that class difference even more clearly," Mr. Paul said.
Mansoor tries to resist her initially, conscious of the class difference between them, but eventually finds himself unable to resist Muggu's charms.
John Hughes films like Pretty In Pink emphasized class difference, and showed how cutthroat wealthy people could be to those on the outside.
"That anti-establishment sensibility has in recent years become this conflation of progressivism with out-of-touch-ness and class difference," said Griffin.
His commitment to plain, inexpensive, widely available materials is ethical and aesthetic, and certainly not about promoting class difference or celebrating one's entrepreneurial shrewdness.
As for Canelo, we spoke to him too and he told us exactly how he's eating to make up that two-weight class difference ... and you'd be surprised.
The same thing is true of those that depict addiction, or poverty, that depict the small, glancing slights of class difference, of the places where some people can go and others cannot.
She tells Noah that Cole is moving to Vermont and reminds him that she is not his friend by referencing their class difference — if only she knew how broke everyone is, eh?
It's a travel disaster movie that derides the hubris of human beings, and sets up a class difference between its leads to emphasize how men in power devalue the lives of poor people.
This worked out much better—in hindsight, the original song would've colored the conflict between Connie and Steven's families as a class difference, while the new song better portrayed two loving families having an awkward time.
The heartbreaking images of this mass exodus have exposed the class difference between the workforce of construction site laborers, waste collectors, cooks, and house painters who keep Indian cities running and the city-dwellers they work for.
The class difference between two of the tight-knit friends, Mike Wheeler and Will Byers, is never mentioned; it doesn't have to be, since we're reminded with every establishing shot of Will's dilapidated ranch home or Mike's tidy colonial.
In a quieter, less chaotic time, prominent white liberals like Mark Lilla writing books and making speeches decrying identity politics (whatever the heck that is) and preaching about the need to recognize class difference would make sense, and even be welcome.
If you're looking for something a little more overtly perverse, "Slack Bay," a Bruno Dumont comedy about class difference and cannibalism set in a French beach community that seems at least partly out of one of Hergé's "Adventures of Tintin," will do the trick.
If the manifest motivation for the exercise from the beginning was a strong suspicion that England's class distinctions remained insuperable, there was an equally important if latent hope that the broadening out of the middle-class emphasis on education, abstemiousness, modesty and discipline might confound the base perpetuation of class difference.
The marriage of learned musician and former prostitute woman results in class difference tragedy. Isaak loses everything. However, Roberta leaves his child behind. ; :A German woman.
She left the SDAP in 1905 as the party prioritized elimination of class difference over gender differences as well as the SDAP's abandonment of advocacy of women's voting rights.
Feld, Nicola. "Identity and the Lifestyle Market". In Rosemary Hennessy and Chrys Ingraham (Eds.) Materialist Feminism: A Reader in Class, Difference, and Women's Lives. New York and London: Routledge, 1997.
The consequence of class difference further manifested in her life at the age of 13, when she had to stop attending school because education was only accessible to the privileged class which could afford private schools. Besides class difference, gender discrimination also denied Helena access to further education. For a working-class family in London in the late 1890s, education was not a priority for girls. The Guttridge family decided to fund the education of their sons instead of daughters.
Rich people become rulers and exploit the poor. They agitate the peoplewith nationalist euphoria to sideline the reality of class difference. Class deprivation is a result of capitalism. So that means capitalism attacks us from both within and outside.
The békés represent a small minority in the French Antilles and control much of the local industry. The 2009 French Caribbean general strikes were to some degree aimed against the class difference that exists between the békés and the predominantly Black majority population.
Brooke also commits himself to unsuccessfully campaigning against the "Poor Law". Despite the treatment of class difference, Dawson does not use diction and thoughts which are convincingly lower-class in many of her lower- class characters, such as Nell, instead giving them more refined dialects.
This created a class difference with the richer households in the north and poverty in the south, a division that exists until today.Camargo Ponce de León, s.a., p.8 An important architect for the expansion and development of Bogotá in the 1930s and 1940s was Austrian Karl Brunner von Lehenstein.
The ring saves Lyonel. The Queen recognises it as that of a banished nobleman, whose innocence has since been proven. Lady Harriet is now willing to accept his courtship as there is no longer a class difference to stand between them. She is filled with remorse for the way she has treated him.
In many Mrinal Sen movies from Punascha (1961) to Mahaprithivi (1992), Kolkata features prominently. He has shown Kolkata as a character, and as an inspiration. He has beautifully woven the people, value system, class difference and the roads of the city into his movies and coming of age for Kolkata, his El-Dorado.
The Kelvey children can not be accepted by the other children at school and other families because of the social-state of their parents. 3\. Here Mansfield portrays how parents poison their children with their perception and bring in class difference between children who should be together as friends. 4\. Children don't know the world.
Juliet was born on November 9, 1955. Schor grew up in California, Pennsylvania where her father developed the first specialty health clinic for miners in a small Pennsylvania mining town. As she grew up she gained a stronger sense of class difference and labor exploitation. She also found herself reading Marx at a young age.
Helena Gutteridge in1911From 1886 to 1892, Helena attended the Holy Trinity Church School until she was thirteen years old. She learned basic reading, writing, arithmetics, history and poetry. Students were constantly reminded that they were indebted to the Cadogan Family for their education. As such, the idea of class difference became ingrained in Helena from a young age.
Shayan tells his parents that he loves Hajra, his university fellow, and wants to marry her. Firstly, Shayan's father (Noor Hassan) disagrees due to class difference but further on he agrees. Hajra resists to the proposal as she is mentally disturbed due to the incident with Rehan. The story unfolds and she tells Shayan about wjat happened with her.
Edward Morgan Forster (1 January 1879 – 7 June 1970) was an English fiction writer, essayist and librettist. Many of his novels examine class difference and hypocrisy, including A Room with a View (1908), Howards End (1910) and A Passage to India (1924). The last brought him his greatest success. He was nominated for the Nobel Prize in Literature in 16 separate years.
When she attends the birthday party of one of the wealthier students, Marie is made aware of class difference. She sees that not everyone lives as she does, and she is humiliated. When John discovers Aunt Helen is working as a prostitute he kicks her out of the house. Elly and Marie are left to support the family when John leaves them again.
Felice Yeskel was born on April 6, 1953 and raised in Manhattan, the only child of Harry and Phyllis Yeskel. Yeskel was Jewish. Yeskel's father drove a truck to collect flour sacks from bakeries around New York City. Yeskel's first experiences of class difference began when she attended a program for "gifted children" at Hunter College Elementary School, with many economically privileged children.
Randy is shocked to learn that Mae is also a dancer, but he politely asks her to join them for dinner. Mae declines, but waits anxiously for Peggy to return home. That night, an ecstatic Peggy tells Mae that Randy has proposed. The next day, when Randy asks Mae for her consent, she warns him that there is a class difference between him and Peggy.
Architecture is one way to differentiate between socio-economic classes. The Huaca living quarters and the common unit living quarters are one obvious and extreme difference in architecture that shows the socio-economic class difference. The pyramids, like Huaca Grande, were signs of power for the Moche. They were constructed quickly with a timesaving method in order to have immediate power and likely put poor people to work and subordinate them.
Zara Hidayatullah (Sanam Baloch) and Maleeha Sami (Aamina Sheikh) were two close friends for a span of seven years. Zara belongs to a lower-middle-class family while Maleeha comes from an upper class household. Yet their class difference did not threaten their unbreakable bond. Maleeha had been there for her friend through many hardships, but she never really felt the extent of anguish which plagued Zara's life.
Violence that women of color experience becomes significantly worse due to race and class difference. This is because of the lack of resources that poor black women have limited access to that may help remove them from these dangerous situations. These resources include, lack of financial means, responsibility of children, employment discrimination, and many others. These are intrinsic with the racism that black women experience, which further marginalizes them. 2\.
The young Carl Czerny, who later became a renowned music teacher himself, studied with Beethoven from 1801 to 1803. In late 1801, he met a young countess, Julie Guicciardi, through the Brunsvik family; he mentions his love for Julie in a November 1801 letter to a friend, but class difference prevented any consideration of pursuing this. He dedicated his 1802 Sonata Op. 27 No. 2, now commonly known as the Moonlight Sonata, to her.
Although used clothing was commonly sent for the lower class communities, it is now commonly found within other social classes in Africa. Secondhand clothing is found in everyday apparel for many people, regardless of their class difference. This is because there was always a variety of clothing and it was a good price. However, typically in Muslim regions, such as North Africa, do not partake in this trade due to religious reasons.
This film version differs from the book in several ways, and most of the differences involve Hindley Earnshaw. First it takes a more sympathetic look at Hindley. Usually portrayed as being a cruel oppressor of Heathcliff, in this version he is persecuted by his father and lives in Heathcliff's shadow. Also in this version, Nelly Dean, the narrator, is shown as being in love with Hindley and unable to express her feelings due to their class difference.
In 1931, he visited Paris, where he first met his distant cousin, Oscar Milosz, a French-language poet of Lithuanian descent who had become a Swedenborgian. Oscar became a mentor and inspiration. Returning to Wilno, Miłosz's early awareness of class difference and sympathy for those less fortunate than himself inspired his defense of Jewish students at the university who were being harassed by an anti-Semitic mob. Stepping between the mob and the Jewish students, Miłosz fended off attacks.
Her father married another woman, who did eventually give birth to his son Hamad. The family has to face hardships as a result of all this Kashaf develops insecurity and concerns about gender inequality, class difference and distrust in men. Rafia works as the principal of a government school, and gives tuitions to children along with her daughters, in the evening to make ends meet. Kashaf, her eldest daughter, gets a scholarship to a prestigious university, where she meets Zaroon, who comes from a rich family.
Most of these palaces still remain in the city center. Their abundance led Charles Joseph Latrobe, a man of high standing in Australia, to name Mexico City the "city of palaces" in his book "The rambler in Mexico." This moniker is often erroneously attributed to the famous scientist and savant Alexander von Humboldt, who traveled extensively through New Spain and wrote The Political Essay of the Kingdom of New Spain, published in 1804. Such need for pomp made for an extreme social class difference.
The story concerns a young married woman, the former Constance Reid (Lady Chatterley), whose upper class husband, Sir Clifford Chatterley, described as a handsome, well-built man, is paralysed from the waist down due to a Great War injury. In addition to Clifford's physical limitations, his emotional neglect of Constance forces distance between the couple. Her emotional frustration leads her into an affair with the gamekeeper, Oliver Mellors. The class difference between the couple highlights a major motif of the novel which is the unfair dominance of intellectuals over the working class.
Arthur believes that Norah is actually the treasure and that her father will never let her go. After Norah speaks to her father alone, Joyce decides to give Norah to Arthur. In the meantime, Dick has discovered that there is iron in the bog and this could be why Murdock wants to know what's in the bog so badly. After Murdock learns of Arthur and Norah's engagement, Murdock asks for Norah's hand and when she refuses Murdock becomes very angry and makes rude comments about the social class difference between Arthur and Norah.
Due to her mistrust for men and views about class difference she does not mix with other students. She and Zaroon don't get along with each other especially due to Zaroon's flirting nature and jealousy of her out-performing him, a topper until then. However, Zaroon tries to patch up with her but his attempts are repeatedly rebuffed. One day she over hears Zaroon saying that he was only trying to be friendly as a challenge and to trap Kashaf and tarnish her image, Kashaf starts hating him outright.
The main character's experiences in the theatrical profession and her perpetual motion through the city allow her to make observations on social conditions while exploring the issues of gender, sexism, and class difference. As Waters' debut novel, Tipping the Velvet was highly acclaimed and was chosen by The New York Times and The Library Journal as one of the best books of 1998. Waters followed it with two other novels set in the Victorian era, both of which were also well received. Reviewers have offered the most praise for Tipping the Velvet's use of humour, adventure, and sexual explicitness.
The differences between related terms and words which encompass aspects of racial admixture show the impact of different historical and cultural factors leading to changing social interpretations of race and ethnicity. Thus the Comte de Montlosier, in exile during the French Revolution, the equated class difference in 18th-century France with racial difference. Borrowing Boulainvilliers' discourse on the "Nordic race" as being the French aristocracy that invaded the plebeian "Gauls", he showed his contempt for the lowest social class, the Third Estate, calling it "this new people born of slaves ... mixture of all races and of all times".
During the trilogy they are at odds over class difference (Billy comes from working class origins), Prior's sardonic treatment of the hospital staff, and Rivers's own moral misgivings about the war. During Regeneration Prior commences a tentative romance with Sarah, a young munitions worker. In The Eye in the Door we discover that he is bisexual, as he has a dalliance with Captain Manning. In the first novel of the series we learn that Prior was emotionally abused by his father, an abrasive wife-beater, an experience that also helped shape the man he would become.
Children watching cartoons on television, circa 2012. Some communications researchers argue that television serves as a developmental tool that teaches viewers about members of the upper, middle, working, and lower-poor classes. Research conducted by Kathleen Ryan and Deborah Macey support this theory by providing evidence collected from ethnographic surveys of television viewers along with critical observational analysis of characters and structure of America's most popular television shows. A limited scope of findings of such studies demonstrate a shared public understanding about social class difference, which were learned through the dialogue and behavior of their favorite on-screen characters.
Josef Winkler was born in Kamering near Paternion in Carinthia (Kärnten) and grew up on his parents’ farm. He describes his home as a world without language ("sprachlose Welt") and early on felt drawn to language as a mode of self-expression. He grew up in the context of a difficult triangle – a rather rough father, by whom he felt rejected; a mother who lost her own brothers early on and fell silent; and a deaf-mute farmgirl. When his mother explained that there was no money for books, Winkler soon recognized the (intellectual) class difference between the sons of farmers and teachers.
Faulkner received her Ph.D. in philosophy from La Trobe University in 2006. Faulkner was the Chair of the Australasian Society for Continental PhilosophyExecutive Committee from 2012 to 2015 and is presently the Society's Deputy Chair. She is also a member of the project Living Archives on Eugenics in Western Canada. In her 2011 book, The Importance of Being Innocent, she discusses the concept of innocence in regards to children, arguing that it the idea of "innocent childhood" serves a broader social need to manage anxieties about the pressures placed upon adults by contemporary life, as well as racial, gender, and class difference, rather than serving the needs of children.
Toshiro Mifune as page Katsunosuke, who courted Oharu The story opens on Oharu as an old woman in a temple flashing back through the events of her life. It begins with her love affair with a page, Katsunosuke (Toshirō Mifune), the result of which (due to their class difference) is his execution and her family's banishment. Oharu attempts suicide but fails and is sold to be the mistress of Lord Matsudaira with the hope she will bear him a son. She does, but then is sent home with minimal compensation to the dismay of her father, who has worked up quite a debt in the meantime.
Marxist feminism is focused on investigating and explaining the ways in which women are oppressed through systems of capitalism and private property. As stated previously, materialist feminism was developed as an improvement upon Marxism, as it was felt that Marxist feminism failed to address division of labor, especially in the household. The current concept has its roots in socialist and Marxist feminism; Rosemary Hennessy and Chrys Ingraham, editors of Materialist Feminism: A Reader in Class, Difference, and Women's Lives, describe material feminism as the "conjuncture of several discourses—historical materialism, Marxist and radical feminism, as well as postmodernist and psychoanalytic theories of meaning and subjectivity".
The latter identification has received scant acceptance. Modern critics accept that the poems were addressed to a young man, and they view the language of class in the sequence from 56–59 in terms of a complex dynamic of class difference and desire. The speaker's metaphoric description of love as enslavement is complicated and enriched by the fact that here, the speaker is literally as well as figuratively subordinate to the beloved. For Helen Vendler and Stephen Booth, among others, the rhetoric of enslavement is ironic: it highlights the element of exaggeration in the speaker's rhetoric, thus hinting that those emotions spring more from self-pity than from justified hurt.
It has been argued that with Black militancy and the Black Power movements on the rise, "Black Anti-Semitism" increased leading to strained relations between Blacks and Jews in Northern communities. In New York City, most notably, there was a major socio-economic class difference in the perception of African Americans by Jews.Cannato, Vincent "The Ungovernable City: John Lindsay and his struggle to save New York" Better Books, 2001. Jews from better educated Upper-Middle-Class backgrounds were often very supportive of African American civil rights activities while the Jews in poorer urban communities that became increasingly minority were often less supportive largely in part due to more negative and violent interactions between the two groups.
Bridge's life in which nothing dramatic seems to happen, and her first name, "India", is indicative of the elusiveness of life and excitement: "It seemed to her that her parents must have been thinking of someone else when they named her". As the novel progresses it becomes clear that the elusiveness of the excitement that could be associated with her first name is symptomatic, and Mrs. Bridge goes from one almost-realization to the next. Her almost- realization of class difference occurs when she is struck, in a bookshop, by a book called Theory of the Leisure Class (a social critique of conspicuous consumption), a book she skims through and is disquieted by.
Set in 1950s Tunisia, the film is about a 25-year-old woman, Alia, who returns to her place of birth—a prince's palace in which her mother, Khedija, worked as a house servant and mistress. Alia had fled the palace ten years earlier, at which time she spent burying tortured memories of her childhood. In her visit to pay respects for the death of the prince, Alia wanders through the largely abandoned palace where she is confronted by these memories represented as detailed flashbacks of her childhood. She begins to piece together a narrative about her mother's sexuality and sexual exploitation in a space ordered by gender and class difference, and is re-awakened to her persistent questioning about her father's identity.
The series highlight untapped topic of unexpected old age pregnancy and the intense social pressure associated with it. The story opens with a beautiful chemistry of Momina (Hiba Bukhari) and Arham (Danish Taimoor), who are in love despite the social class difference in them. Arham's Mother (Seemi Pasha) and sister are against his wish to marry Momina just because Momina belongs to middle-class family but both of them can't do much about it since Arham has got vote of his father (Shehryar Zaidi) who is also a friend of Momina's Father (Mehmood Aslam). Fairy tale love story of Momina and Arham faces an intense situation when Momina's mother gets pregnant while Momina is expected to get married in a few months.
According to the Qing dynasty cookbook Suiyuan shidan this is the ancestral form of dumpling in superior soup.顛不棱即肉餃也,糊面推開,裹肉為餡蒸之。其討好處全在作餡得法,不過肉嫩去筋作料而已。餘到廣東,吃官鎮台顛不棱,甚佳,中用肉皮煨膏為餡,故覺軟美。, "what Dumpling in Soup is and how it is produced" - . The use of shark fin as an ingredient of dumplings appeared in the 1980s, when the economy of Hong Kong was growing rapidly. Part of the Chinese restaurants would like to produce something luxury so as to emphasize the class difference or attract consumers.
She states that "materialist feminism argues that material conditions of all sorts play a vital role in the social production of gender and assays the different ways in which women collaborate and participate in these productions". Material feminism also considers how women and men of various races and ethnicities are kept in their lower economic status due to an imbalance of power that privileges those who already have privilege, thereby protecting the status quo. The term material feminism was first used in 1975 by Christine Delphy. The current concept has its roots in socialist and Marxist feminism; Rosemary Hennessy and Chrys Ingraham, editors of Materialist Feminism: A Reader in Class, Difference, and Women's Lives, describe material feminism as the "conjuncture of several discourses—historical materialism, Marxist and radical feminism, as well as postmodernist and psychoanalytic theories of meaning and subjectivity".
This and later deportations were primarily based on social class difference, it targeted intellectuals, people employed previously by the state, businessmen, clergymen, students, railworkers. The majority of those targeted were ethnic Romanians, but there were many representatives of other ethnicities, as well. The protests of the Romanian population of Bukovina that found themselves under the Soviet rule brought about serious Soviet reprisals, including of ethnic character. In the winter and spring of 1941, the Soviet troops (NKVD) opened fire on many groups of locals trying to cross the border into Romania (for more, see: Fântâna Albă massacre). Between September 17 and November 17, 1940, by a mutual agreement between USSR and Germany, 43,641 "ethnic Germans" from the Chernivtsi region were moved to Germany, although the total ethnic German population was only 34,500, and of these some 3,500 did not go to Germany.
Raeis was born in Egypt to a Palestinian Father and Egyptian mother ، After a successful modeling career, Yasmin Raeis's decision to join the filmmaking industry as an aspiring actress marked a dramatic turn in her life, which paved the way for a more acute turning point when she was unexpectedly selected for her career- defining role in Mohamed Khan's Factory Girl in 2014. Yasmin played the role of a working girl who falls under the spell of love, transcending with this experience class difference to finally stand alone in face of a merciless traditional society that is afraid of love. Standing out as one of her most indelible performances, Khan predicted that the young Actress's performance will definitely land her a prestigious Best Actress award, later turned out to be true as the young actress received her first Best Actress award at Dubai International Film Festival 2013.
Ann's best friend, banker Ada Okereke (Mildred Iweka) is married to school teacher Nduka (Bimbo Manuel), but the couple face several problems including their class difference (Ada is the daughter of wealthy parents while Nduka is from a more humble background), Nduka's jealousy, and Ada's inability to conceive. Ada is later revealed to be an Osu which infuriates Nduka's mother (Obiageli Molube) who refuses to accept an 'untouchable' as her daughter-in-law, and is on a mission to break up the couple. Nkemji (Uche Mobuogwu), an uncouth teenager from family friend Peace Fuji's village, is brought into her son's home as his new spouse but Nduka, who would later work for Haatrope Investment, has no interest in her as he loves his wife dearly. Nduka is also jealous of the friendship between his wife and her old boyfriend Kunle Ajayi (Paul Adams), a Haatrope Investment employee who has unrequited love for Ann.
In 1972, Gaines published his first novel, Stay Hungry. This work of fiction focused on the subculture of bodybuilding during the early 1970s, and revolved around the lives of three characters in Birmingham, Alabama: Craig Blake, a young heir from a family of Southern gentry; Mary Tate Farnsworth, a young woman of working-class background; and Joe Santo, a bodybuilder, athlete and Renaissance man figure of French Canadian and Menominee Indian ancestry. As well as exploring the culture of bodybuilding in great detail, the novel also dealt with themes of class difference, spirituality and self-identity. In 1976, Stay Hungry was made into a motion picture starring Jeff Bridges, Sally Field and Arnold Schwarzenegger (the latter in one of his earliest roles.) In 1974 Gaines created Pumping Iron: The Art and Sport of Bodybuilding, a photo-essay with photographs by George Butler which focused in even further detail on the professional bodybuilding scene during the 1970s.
The subsequent League Cup tie against Championship club Lewes on the 16th displayed the big class difference, Arsenal scored nine goals, with hattricks by Miedema and Little, with Van de Donk, McCabe and Evans each adding another goal to the scoreline, Lewes was unable to get a goal in leaving the score at 0–9. The thumping didn't stop there, Yeovil Town saw seven goals ending in the back of their net on 19 September (away), with Jordan Nobbs scoring a brace and Mead, McCabe, Miedema, Dominique Bloodworth and Little all scoring a goal. The team who held them to a season-defining 0–0 draw in the previous season was unable to respond to this firepower, ending the game in 0–7. Greatest opposition came from West Ham United on the 23rd (home), who were able to go ahead on two occasions via goals by Kate Longhurst in a game that saw some sloppy defending and goalkeeping.

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