Use your phone on the shitter like a CIVILIZED person.
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Now I find myself accused of behavior that any civilized person would condemn unreservedly.
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In the ancient world, well-expressed gender fluidity was the mark of a civilized person.
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Dancing on another's grave — even metaphorically — is not the mark of a highly civilized person.
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"He's a gentle, civilized person who turns into a crazed monster about the Cubs," she explained.
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You don't need to sweep or dust daily so long as you take off your shoes upon entry like any civilized person.
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It's not just a threat... (APPLAUSE) HUCKABEE: — to Israel or to America, it's a threat to every civilized person on this Earth.
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The ability to enjoy beauty at a "physical and intellectual remove," as Vanderbilt explains, became one of the markers of a civilized person.
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" And after Ms. Lysette's statement, he told The Hollywood Reporter that he was upset to "find myself accused of behavior that any civilized person would condemn unreservedly.
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In order to become a Chanyuan Celestial you must be: 1\. a civilized person. 2\. a kind person. 3\. a wise person. 4\.
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Over time Islam became valued as a central aspect of what it meant to be a civilized person (in Swahili muungwana, mstaarabu), that contained assigning prestige to things connected with the distant Islamic heartlands.
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Hence, he bankrupts and absconds leaving behind the family. During that plight, Shantamma rides out courageously and fosters the children. Behold of her struggle the elder one Ramu aims to carve his brother as a civilized person. Years roll by, Ramu (Akkineni Nageswara Rao) exerts himself and Shankar (Nambiar) successfully accomplishes the school file.
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The term kwi has roots in the Kpelle word kwi-nuu (foreigner or civilized person).Ayodeji Olukoju, Culture and Customs of Liberia, 2006, pg. 112 The Kpelle tribal members defined kwi as a person who spoke fluent English and wore Western attire. They also associated kwi status with Monrovia, Liberia's capital city, which they referred to kwi-taa (foreigner town or civilized town).
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The film begins with a reporter writing articles about underworld dons and the reasons why people enter the underworld and become gangsters. The film revolves around the main character Satya (Shiva Rajkumar), a son of a priest who turns into a gangster for love. But the same love brings him back into being a civilized person. But there are twists involved in the movie as to why he is provoked to turn into a gangster, how he is rejected by his family and relatives and also the girl for whom he had to become a gangster in the first place and many other events which are the key scenes to watch for in the movie.
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Authors tend to present such legend as a symbol of Christianity's victory over paganism, represented by a harmful dragon. A turning point came after the Battle of the Frigidus of 395, ending the last serious attempt at a pagan revival in the now Christianized Roman Empire. After the defeat of Eugenius, the conservative pagan families of Rome gave up their resistance to Christianity and began to re-invent themselves to maintain their social leadership. By this time the Christian hierarchy had adopted classical education and culture as the marks of the civilized person, thus bringing the two social groups into alliance. Under the regency of Stilicho (395–408), some paganism was still tolerated, but later in the 5th century, legislation against pagan possessions, and other pagan practices, became increasingly strict.
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During the 1990s, MLT's major project has been obtaining a home of their own to stage small productions, conduct workshops, and provide space to store and build sets, to rehearse, as well as store props and costumes. The desire to do smaller plays in addition to MLT's yearly big musicals resulted in the production of an original play One Civilized Person in 1995 as a part of the Marblehead Festival of Arts and later, productions of Exit the Body, The Cemetery Club and Bullshot Crummond, all staged at the Tower School in Marblehead. 1998's major production of The Wizard of Oz staged at the Aldrich Center played to sold out audiences. During the production of The King and I in the Fall of 1999, the Marblehead Board of Selectmen awarded the School Street Firehouse to Marblehead Little Theatre.
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Tarzan's jungle upbringing and eventual exposure to Western civilization form another common theme in literary criticism of the novel. Berglund notes that Tarzan's ability to read and write sets him apart from the apes, the African villagers, and the lower-class sailors in the novel, and culminates in Tarzan recognizing himself as a human for the first time; moreover, he sees himself as a man who is superior to others unlike himself. Jeff Berglund argues that this realization exemplifies Burroughs' portrayal of whiteness and literacy as fundamental to civilization through implying that Tarzan's growth into a perfectly civilized person stems from his Western, white heritage and ability to read and write. However, Mikko Tuhkanen claims that the apparently civilized qualities of Tarzan, such as his interest in reading, threaten his survival as a human in the jungle.
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I would like to remind those who may think that criminals should have no rights (although such an attitude is completely unacceptable for a civilized person), that in Russia there is an enormous number of completely innocent people who suffer behind bars, and even in the most advanced countries there are always innocent prisoners since court and prosecution mistakes are always possible. … I hope that in a humane society there will be no such institution as a prison. However, we live in the present rather than in the future, and it means that we have to deal with the existing problems. From my perspective, we cannot abolish prisons by a decree, so we have to reform them.“ Then he describes the appalling living conditions in prison including lack of light, harsh discipline, unbearable transportation measures, poor food quality, overcrowdedness and other urgent problems and elaborates on some possible improvements.
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