130 Sentences With "choreographs" | Random Sentence Generator

English choreographs the group's routines for their shows and videos.

She continues to dance while using a wheelchair, and choreographs performances.

Evan Cabnet directs and Chase Brock choreographs the triple-time dance.

Lorne Michaels and Stuart Thompson will produce; Casey Nicholaw directs and choreographs.

Alas, it's a central thing: he choreographs, a lot, and never memorably.

Dickey choreographs interactions between the body and the surrounding that expose desires and discomforts.

There has to be fighting, so Child choreographs a ridiculous biker bashing very early.

Mr. Morris choreographs six couples as they stream, repeating the same phrase one after another.

The lighting team then synchronizes and choreographs nightly light shows, which continue through December 31.

Drew McOnie directs and choreographs to a pop-inflected score by Marius de Vries and Eddie Perfect.

"I want to do some modeling and more dancing," she said, noting that she choreographs all her routines.

Jamilah is the president of her chapter and choreographs all of the step routines that help win regional competitions.

In this excerpt, Vera choreographs an introduction to man-of-interest Roman Orellanos, but quickly finds his girlfriend more captivating.

Jerry Mitchell, who made a hit of "Kinky Boots" — another show known for a knockout red dress — directs and choreographs.

Offermann choreographs fights with slashing swords, horses charging from both pages toward the center, and Yvain's devoted lion leaping in.

Art Review Julio Le Parc, a student of Lucio Fontana, choreographs a motorized movement-of-the-spheres dance, poetic and hypnotic.

Sara Mearns, a New York City Ballet principal dancer, plays the angel; her husband, Joshua Bergasse, choreographs some new seraphic dances.

The apartment is on the first floor so that Mr. Corcoran would not disturb any downstairs neighbors when he choreographs tap dances.

If City Ballet is run by a person who neither teaches nor choreographs, it will move far in spirit from the Balanchine-Kirstein principle.

Sure to turn your day around, this comedy and dance group choreographs some of the most enjoyable, silly, strange, and mesmerizing dances you'll see today.

There's a little bit of winking hostility in Jones' script, seen again when he choreographs a key scene around two millennials eating avocado toast together.

Mark Morris, who has employed several ethnic styles over the decades, choreographs and directs, in collaboration with the Silk Road Ensemble and the painter Howard Hodgkin.

Besides the pirouette Lee attempts to orchestrate at the end of Hold your breath, dance slowly, there are other ways he sneakily choreographs a visitor's movement.

None seem to have adhered to established diplomatic practice, in which the State Department choreographs the sequence of the calls and provides policy guidance and translating services.

D'Amelio choreographs her own dances and posts several TikToks a day, some of which include lip sync videos, vlogs, and more casual takes of her doing various activities.

When Lauren Lovette choreographs, it's as if the steps in her body are in a race to see which ones can get out first: She's just that natural.

"I cannot stop watching anything and everything @emmaportner choreographs—she's even made a sometimes dancer of her wife (and my own #Juno) @ellenpage," Garner wrote on Instagram in April.

The two-person duel choreographs each player's motion, so one might be told to strike in a specific direction, while the other gets told to block that same area.

An air-traffic-control-style system choreographs the movements of the 700 bots scurrying over an area the size of three football pitches, with just half a centimetre to spare between them.

"I cannot stop watching anything and everything @emmaportner choreographs—she's even made a sometimes dancer of her wife (and my own #Juno) @ellenpage," Garner wrote alongside a reposted video of Portner dancing.

Entertainment Tonight reports that there are a variety of reasons Carey is no longer working with Anthony Burrell, who choreographs and dances on her tours as well as serving in his managerial role.

At 85033 years old, Haven is a vibrant, gifted child who has a luminous smile, plays school with her little brothers, choreographs her own dances to Taylor Swift, and gives giant bear hugs.

Just as Ms. Martin talks about the horizontal line, Mr. Ratmansky, with hypnotizing patterns and moments of stillness, choreographs not just bodies but vibrations that allow the stage to pulsate rhythmically and sculpturally.

Ms. Piccoli, a former ballerina who mostly choreographs for Off Broadway musicals and experimental operas, found this job via Craigslist, thinking it might be fun to create a one-off dance piece involving dogs.

Lanthimos, his camera gliding through gilded corridors and down stone staircases — in exquisitely patterned light and shadow, with weird lenses and startling angles — choreographs an elaborate pageant of decorum and violence, claustrophobia and release.

Like the best musicians in this realm, she understands that rests for breath can be just as unsettling as the outright assaults, and choreographs those moments in a dangerous sort of ballet: pause, pounce, repeat.

Childs, 78, mostly choreographs for others these days, but she danced her 1973 work "Particular Reel" as part of MoMA's Judson exhibition this past fall, her measured gestures still assured and her presence still potent.

Mark Elder conducts; Darko Tresnjak (a Tony Award winner for "A Gentleman's Guide to Love & Murder" on Broadway) directs, in his Met debut; Austin McCormick choreographs the Bacchanale, one of opera's most famous orchestral excerpts.

In the slower, more lyrical second section of the music, two couples do a beautiful double pas de deux imbued with swirling lifts and skaterlike glides — unusual for Ms. Childs, who rarely choreographs partnered work.

In their characteristically smart, postmodern way, the piece's directors, Paul Lazar and Annie-B Parson (who also choreographs), create a parable of what they call "the obsessively annotated life," mixing dance and music, text and song.

In this dance-theater work, Mr. Heginbotham choreographs his response in a series of vignettes that come to life through dance, text, projected images and a score composed, arranged and curated by Brooklyn Rider and the Silk Road Ensemble's Colin Jacobsen.

But Miike choreographs and executes the proceedings with such deftness and enthusiasm that the movie feels like a standard revisited by a particularly inventive jazz pianist: the changes are familiar, but the variations set them in an exciting new environment.

As well as giving Ms Gaga her first lead role, the film is the directorial debut of Bradley Cooper, star of "The Hangover" and "Silver Linings Playbook", who choreographs proceedings with such bullish energy and intimacy that the camera almost bumps into the actors.

There is an element of grisly, grotesque comedy in the gap between who the Puccios — Arquímedes, above all — really are and who they pretend to be, and Mr. Trapero, whose other features include the intense prison drama "Lion's Den," choreographs the contradictions of their domestic life with ferocious wit.

While Brussels choreographs the first withdrawal of a sovereign state from the EU, May, a far from secure leader hemmed in by opponents in government and her own Conservative party, must now try to get the deal approved by her cabinet and, in the toughest test of all, by parliament.

The two were true creative partners: Although Fosse came up with the ideas for his jerky, hyper-specific movements ("Bob choreographs down to the second joint of your little finger," Verdon once said), Verdon's innate playfulness and deep well of technical knowledge helped Fosse's steps come alive on the stage.

But at a deeper level of the city's neurology, Mr. de Blasio's supreme belief in his own way of doing things, his taste for patronizing lecture, his tendency to justify an absence of humility on the grounds that he is driven by virtue above all, seem well synchronized to the invasion of an equally righteous Silicon Valley ethos, and the culture of disconnection it choreographs.

In 2015, Malakhov joined the Tokyo Ballet as an artistic advisor. He performs worldwide as an international guest-star artist, and choreographs and stages ballets for various ballet companies.

Sudeshna Swayamprabha is a Bangladeshi dancer. She dances and choreographs classical dances such as Manipuri, Bharatnatyam and Kathak. She learnt dance from Amala Shankar and her mother Sharmila Banerjee.

Begovic was born and raised in Toronto. When she was 10 she became a competitive dancer and an assistant dance teacher as well. Now she choreographs competitive dances for different studios.

Stephen Preston (born 1945) is an English flautist specialising in period performance of baroque and classical music on original instruments. Additionally he plays modern flute and choreographs historical forms of dance.

The judges would help him maintain the fake party climate. Another element for the success of his shows were the Chacretes, professional dancers that would make choreographs to the music and cheer up the show.

He has also sung a song dedicated to Ram Charan. In 2014, Bollywood actor Salman Khan appointed Jani Master for Jai Ho as choreographer. He also choreographs award ceremonies. He continues to choreograph in feature films.

Barbara Duffy (born October 8, 1959) is an American dancer and educator. Duffy performs tap dance, teaches dance and also choreographs dances. Duffy has formed several dance groups in New York City and has appeared on Sesame Street and 60 Minutes.

Will choreographs the group number which Marley led. Will suggests that Brittany should meet with Emma daily to deal with the impact of being held back to repeat her senior year. Will and Emma also get married in the end of Season 4.

The GIMP Project is a New-York based modern dance project by the Heidi Latsky Dance company, and originally produced by Jeremy Alliger of Alliger Arts. Heidi Latsky choreographs work for four professional dancers and four dancers with physical disabilities, who perform integrated dance pieces.

Bruno Marcotte was born October 10, 1974 in Montreal, Quebec. His sister, Julie, is a figure skating choreographer, who choreographs for his students. In July 2014, it was announced that he was engaged to Meagan Duhamel. The couple married on June 5, 2015 in Bermuda.

The dancers included Lynn Schwab, Cintia Chamecki and Pia Neises. The group debuted in Speedball at the New York City Tap Festival in 2001. The group was reorganized in 2007 and again debuted at the festival, dancing 423-4323. Duffy dances, choreographs works and teaches dance.

Bradley James "Brad" Allan (born 14 February 1973 Melbourne, Australia) is an Australian martial artist, action choreographer, actor and stunt performer. He worked in the Hong Kong film industry as a member of the Jackie Chan Stunt Team and now choreographs action scenes in Hollywood films.

With the help of his dance partner, Samara choreographs a dance album. It gets instant views and liking. Unknowingly its on the song made by Amit. Samara and his friend got the song when Amit accidentally dropped the Hard Disk on the road bumping to Samara one day.

Reid-Quarrell also choreographs and movement directs for theatre and screen including shows for Trevor Nunn and pop videos for Depeche Mode, Casio Kids and Boy Kill Boy. He is also known to compose songs and incidental music for his band Katts&Dawgs; as well as for other artists and projects.

Gregory Kozak is the Artistic Director of Scrap Arts Music. Before Scrap Arts Music, Gregory co-founded and performed in S•W•A•R•M (Symphonic Work Assembly of Rhythm and Movement) from 1995–1998. Kozak composes music, creates invented instruments, and choreographs movement. He is an ensemble musician and a concert soloist.

Tituss Burgess was originally cast as the Caterpillar but was later replaced by E. Clayton Cornelious.Hetrick, Adam and Jones, Kenneth."Broadway's 'Wonderland' Adds E. Clayton Cornelious; Casting Complete" Playbill.com, November 19, 2010 Boyd directs, Derricks choreographs, and the design team is the same, except for the addition of sound designer Peter Hylenski.

Parshwanath Upadhye is an Indian classical dancer, choreographer and teacher. He is trained in the traditional Mysore style of Bharatanatyam. Along with his wife Shruti, Parshwanath choreographs, directs, produces and presents his work at national and international venues under the banner of Upadhye School of Dance and Punyah Dance company, Bangalore, India.

Whiteside records electronic pop, rap, and dance hall music under the stage name JbDubs. He writes and produces his own music and directs, choreographs, and produces his own music videos. The music video for his single I Hate My Job has been featured on PerezHilton.com, HuffPost, After Elton, Instinct, Shangay Spain, Up2U Thailand, and MTV3.

Every prisoner at CPDRC, apart from the old and the infirm, has a part in the routine. Garcia directs and choreographs each of the dances. The inmates' participation is said to be completely voluntary, with no prisoner being forced to dance. "It would be different if they are being forced to dance", declared Rubio.

Jani Master (born Shaik Jani Basha; 2 July 1982 in Nellore, Andhra Pradesh) is an Indian dance choreographer who predominantly works in Tollywood. He has also worked in Kannada, Tamil, and Hindi films. He choreographs in a wide range of dancing styles, but he is mostly known for his Western and Folk style dancing.

HATS is characterized by a series of cultural dances, performed by various clubs such as Filipino Student Union, MeCHA, Black Student Union, Creators University, Polynesian Club, and East Asian Student Union. Each participating club choreographs a dance to cultural music. Newark Memorial also has a Ballet Folklorico that has been in existence for over 10 years.

The head of a ballet company is called the artistic director. He or she is usually a retired dancer, and often he choreographs some of the company's productions himself. In a large company he will have one or more assistants. Day to day coaching of the dancers is the responsibility of one or more ballet masters and ballet mistresses.

Misdirection is perhaps the most important component of the art of sleight of hand. The magician choreographs his actions so that all spectators are likely to look where he or she wants them to. More importantly, they do not look where the performer does not wish them to look. Two types of misdirection are timing and movement.

She still choreographs pom competition routines for her former high school. She became a song leading instructor for the United Spirit Association where she teaches cheer camps to high school and middle school students all over the west coast. Tiffani did not compete on season seven of ABDC in order to focus on school, but she is still part of Fanny Pak.

Toth founded several ballet schools throughout her career beginning with New England Ballet where she specialized her instruction using the Bournonville method. In 2002, Edra Toth began the Edra Toth Academy of Dance & Music in Wolfeboro, New Hampshire and Dover, New Hampshire. Toth resides in New Hampshire and teaches ballet students as well as directs and choreographs ballets for the Northeastern Ballet Theatre.

In this event a player choreographs and executes a routine to music. Much like figure skating, players are given scores for technical and artistic merit. These scores take into account choreography, difficulty, variety, and execution. At the open level, singles routines are 2 minutes long, doubles routines 3 minutes; at the intermediate level and in women category, routines are 90 seconds.

Andrew Baterina also choreographs for famous Korean-American singer Jay Park. SoReal Cru performed with Jay Park to his song "Abandoned" at The Korean Music Festival. They have a hip-hop dance studio, SoReal Studios, in Houston, Texas. Crew member Brian Puspos competed once again on the seventh season of America's Best Dance Crew as a member of Mos Wanted Crew.

Jennifer Wootton Mascall (born December 11, 1952) is a modern dance choreographer, performer, and teacher. After completing a formal training at York University, she went on to work with several dance companies, and as an independent dancer and choreographer in parts of Europe, the U.S and Canada. She is the founder and Artistic Director of Mascall Dance where she teaches and choreographs.

Since 2009, Mariana regularly produces and choreographs fashion shows all over the world. Her contribution across the globe includes China-, New York-, Los Angeles- and Amsterdam- Fashion week. Besides fashion shows, she started producing commercials for brands as McDonald's, FBTO, Rabobank and Marie Stella Maris. Furthermore, Mariana was responsible for the U.S. production of Matt Simons’ music video: Catch and release.

House plays are musicals that each colour house choreographs and later performs. The plays are run by the year eleven students, who choose music, dance routines, story line and performance costumes for their house. Practices are held on Fridays and Saturdays at the school. The performance is generally held on a Saturday, with a matinee performance added to the schedule in 2009.

Choral director Erin Huss became the new chorus teacher in the 2008–09 school year and retired at the end of the 2012 school year to be replaced by Dustin Brandt. Personality's dances are often choreographed by student directors with dance experience and are revised by the choir director. Huss founded the musical theatre class because of her experience in the area and choreographs all dances.

Following her retirement in 2007, Wildish founded a dance variety show called the "Performing in New York Showcase," for which she functions as Producer and Artistic Director. This event is intended to give adult students an opportunity to perform, and a variety of dance companies are invited to participate. As part of this effort, Wildish also choreographs and stages an act danced by students from her classes.

He has also appeared around the world with such companies as the Royal Opera House, Archaos and the Royal Shakespeare Company where he underwent in-depth Shakespearean training tutored by Cicely Berry. He also choreographs and movement directs for theatre and screen, including shows for Trevor Nunn and pop videos for Depeche Mode ("Fragile Tension"), Casiokids ("Finn Bikkjen") and Boy Kill Boy ("No Conversation").

He also choreographs for advertising campaigns including The GAP, Issey Miyake, and Hugo Boss. For Theater he has choreographed The Green BirdBroadway, in 2000, Cats in Italy in 2009 for Compagnia della Rancia and is the choreographer and aerial choreographer for the Broadway show musical adaptation of the Spider-Man comics, working again with directorJulie Taymor2011. In 2014 he choreographed the opening ceremony for the Sochi Olympics.

When James catches Sarah using the school pool in the nude, he enters and soon they develop a romantic interest. The relationship between James and Sarah improves and they soon begin living together. The school superintendent warns James that he doesn't believe the relationship will work, but James is adamant at staying with Sarah. James choreographs a dance with his students, which inexplicably upsets Sarah.

Tierou is a former student of the National Institute of Arts at Abidjan. He theorized and codified African dance and defined an African dance vocabulary, using ten basic movements that are common to all African cultures. In 1988, Unesco hired him as a consultant for research into dance in Africa through 1996. From 1993 to 1996 he trained dancers and choreographs during a 3-year tour in 20 African countries.

She also taught Bollywood dance in Kuala Lumpur Performing Arts Centre (KLPAC). Sahajananan choreographs, conducts workshops, dance lecture demos and creates new Bharatanatyam, Bollywood, Modern/Classical fusions and experimental dance. In October 2011 she performed in the Short and Sweet Dance festival at KLPAC, where she attracted attention with her profound grace in Bollywood dance and in her dancing roots Bharathanatyam and Odissi. She performs on stage extensively.

Abbey appears as a special guest judge and choreographer on the hit TV show So You Think You Can Dance and choreographs for the So You Think You Can Dance franchise internationally. She also was chosen to represent Australia on the reality television show Superstars of Dance on the NBC Network. As of the sixteenth season, she has also been the creative director and choreographer for Dancing with the Stars Australia.

Linda dresses Tina up like a dog, ties a wheelbarrow to her back in lieu of a sled, and choreographs an elaborate musical number that Tina can neither sing nor remember. When Tina does the presentation, she tears off her dog outfit and wheelbarrow in a fit of frustration. The teacher and class are both impressed, believing she embodied the “savage” themes of the book with her performance.

Classes are usually 30–60 minutes in length and may include the use of equipment such as a barbell, aerobic step, or small weights. In freestyle aerobics, the instructor choreographs the routine and adjusts it to the needs and wants of her/his class. There is often no difference between base movements in freestyle and pre-choreographed programs. It is practiced to improve aerobic fitness, flexibility and strength.

Moses Pendleton (born March 28, 1949) is a choreographer, dancer and the artistic director of MOMIX. MOMIX is a dance company that he formed in 1981 as an offshoot of the Pilobolus, which he had co-founded while a senior at Dartmouth College in 1971. He remained a full-time member with the company until 1980. He choreographs dance sculptures that bring together acrobatics, gymnastics, mime, props, and film.

It is composed by around 160 members of the cast and crew. With a license and no copy rights, Quimera takes original Broadway plays and bring them to life in their own theatres. The perform in several places, like: Teatro Teresa Carreño, El Poliedro de Caracas, Estadio Universitario (UCV), La Rinconada, etc. The plays are based on their original versions: same scenography, characters, dialogues, choreographs, costumes, running time, breaks, language, etc.

The film cost around RM 2.8 million. Filming took place in Kuala Lumpur, Petaling Jaya and Banting, Selangor from 7 May to 11 June 2018. MMA fighter Saiful Reza choreographs the scenes as well as training the actors. The film also features appearances by established MMA fighter such as local fighters Saiful Merican, Peter Davis, Jihin Radzuan, Rashid Salleh, Andy Teh; and international fighters James McSweeney "Sledgehammer" and Davron Kuronboev.

Hertz has perpetuated the Regency dance tradition at science fiction conventions in the United States since the 1980s, with the practice continuing to the present day. Hertz currently instructs dance workshops and choreographs balls across the nation,Hertz, John. "The English Regency and Me" Mimosa #26, pp. 39–41 and in addition has written an article on Regency era dancing, included in the West of the Moon collection.

Laurel Lawson is a modern dancer who performs, choreographs, and teaches dance for dancers in wheelchairs. Lawson became a member of the Full Radius Dance company in 2004 and is currently a member of the Kinetic Light dance collective. Lawson is best known for her role in Descent, a dance performance by Kinetic Light. This queer and interracial love story was inspired by the stories of Venus and Andromeda.

She attends one of his classes and begins to enjoy dancing once more. Encouraged by Karl, Polina choreographs a duet for the two of them to dance. Polina's father dies and she goes to Moscow where her mother tells her that her father always wanted her to be a great dancer. Polina returns to Antwerpen where she and Karl perform their piece for a programmer who books them into the Montpellier Festival.

Under Karl Johanstiden : 1835-1838 She was seen as a role model in her role interpretations. In her own choreographs, such as Max och Emma (Max and Emma) (1842), she introduced traditions from Paris. Sophie Daguin never married. During this epoch, unmarried women where formally minors who needed a guardian to manage their finances, but the law allowed for unmarried women to apply for legal majority, and Sophie Daguin successfully did so in 1832.

Founder Doug Brennan is the stage manager for the Fallon House venue. Producing Artistic Director Scott Viets directs and choreographs the majority of the company's musicals, as well as select dramas. He and Managing Director Becky Saunders took over those roles from founders Dennis and Sara Jones in August, 2017. Sierra Repertory annually produces 8 shows at the two venues and plays to an audience of more than 65,000 people per year.

In Summer 2015, Rihanoff and Windsor took part in the Touring Theatre Production of Puttin' On The Ritz, as well as Dance Weekends around the county. Rihanoff choreographs a number of professional and commercial dance works. These have included both Burn the Floor and Dancing on Wheels, which she choreographed with Fortuna. She has also choreographed dance routines inside the television commercials, including those for St Tropez suntan lotion, Panache bras and MeMeMe Cosmetics.

Inarra Saarinen is the artistic director and choreographer who creates animations, imports them into the virtual reality environment Second Life, and then choreographs using the animations. The avatar dancers are from all over the globe and are not automated in any way but truly dance with each other and the music. Her company began in 2006 and is still performing. Other companies, ZeroG Skydancers, director DC Spensley (Dancoyote Antonelli), also established in 2006 and also still performing.

Ballet Arizona has a wide repertory of works by well- known choreographers such as Balanchine, Christopher Wheeldon, and Twyla Tharp. Artistic Director Andersen also choreographs his own works for the company, and has reinterpreted many classical ballets including Coppélia, Romeo and Juliet, Swan Lake, and The Nutcracker.Ib Andersen In October and November 2008, the company presented Andersen's new version of A Midsummer Night's Dream. The company performs regularly at Phoenix Symphony Hall and the Orpheum Theatre.

Kilian O'Callaghan (born 1963) is a male ballet dancer, choreographer and education administrator from Monkstown, County Cork, Ireland. One of the few Irish male students of the Royal Ballet School, he is a former member of the Scottish Ballet, and a former Principal Dancer with the Royal New Zealand Ballet. He teaches and choreographs, notably with the Irish National Youth Ballet, and works as a course and quality officer for the National College of Art and Design in Dublin.

A particularly energetic, chaotic and anarchistic dramatist, Richard Bonner, choreographs Els' work. Els and Maddy marry and have a daughter Sara. They move to Boston where she starts a career at a prestigious private school, while Els settles for being a watchman at an art museum and stay-at-home father. After a few years, Bonner's fringe career in Manhattan artsy circles gets a surprise wealthy sponsor, and Bonner invites Els to compose for his works.

Those of the Djatpangarri style, tell of everyday events. The lyrics differ much from song to song, and can vary from performance to performance, improvised by the musicians and lead "songman", within certain structures and patterns. The leader of the ritual choreographs not only the dancers, but also the music, in this form, in contrast to western Arnhem Land, where the songman leads. Bunggul is often used to describe the dance component of the ceremony, while manikay refers to the songs.

Later, Nomi and James have a brief fling; the affair ends when James gives the dance routine he choreographs for Nomi to Penny (Riffel), a former coworker of Nomi's whom he gets pregnant. Cristal arranges for Nomi to audition for the chorus line of Goddess. Tony Moss, the show's director, humiliates Nomi by asking her to put ice on her nipples to make them hard, while Cristal eagerly watches offstage. Furious, Nomi abruptly leaves the audition after scattering ice everywhere in a fit.

Despite Jonathan's objections, Cooper choreographs a rock/pop music- based ballet for the workshop. Three ballets are presented; Jonathan and another choreographer create the other two respectively—the two more "traditional" ballets are not danced to actual ballet music, however. The first (not shown, beyond entrances of the corps and soloist from the wings) is to Mendelssohn's Italian Symphony, while Jonathan's ballet (choreographed by Christopher Wheeldon) is set to Rachmaninov's 2nd Piano Concerto. Cooper's ballet (choreographed by Susan Stroman) mirrors the relationship between himself, Jonathan, and Kathleen.

The author composes new groups from the members of two families and their surroundings, and choreographs their story in several parallel lines of action. Through a network of dialogues and inner monologues, the present is problematized and the past uncovered. The characters embody the opportunism and adaptability of the followers; the unbroken violence of the perpetrators; and the devastation and escapism of the next generation. In the background is the unresolved problem of overcoming the past of National Socialism in the time of the Wirtschaftswunder.

Marilyn Wood is an American choreographer, intermedia artist, and dancer. Marilyn Wood is an internationally renowned creator of contemporary, city- scale intermedia performances, otherwise termed “Celebrations,” that have taken place worldwide for the past 25 years. As a dancer/choreographer who “choreographs cities,” Marilyn Wood's Celebration Events bring communities together to celebrate their vitality and diversity in a unique experience of spectacle and participation in urban environments. Her work has been recognized as re-inventing the spirit and drama of the ancient festival in contemporary life.

Liu made his debut in 1972's Taiwanese martial art movie Great Boxer as a role of Yanoryu Karateka, although the box office wise it flopped. His real success came from the movie Secret Rivals, alongside with Hwang Jang-lee and Don Wong Tao. Director Ng See-yuen further more brought Liu to the attention, with the likes of films such as Snuff Bottle Connection and Secret Rivals 2. Combining with amazing choreographs from the likes of Yuen Woo-ping, Corey Yuen and Alan Chui Chung-San, Liu's leg showcase was fantastic on films.

An aerobics class Freestyle aerobics is an aerobics style in which a group instructor choreographs several short dance combinations and teaches them to the class. This is usually achieved by teaching the class one to two movements at a time and repeating the movements until the class is able to join the whole choreography together. Aerobic music is used throughout the class. This is sometimes followed by a strength section which uses body weight exercises to strengthen muscles and a stretch routine to cool down and improve flexibility.

In 2013, Magallanes figured as a character in Nikolai and the Others, a play by Richard Nelson produced by the Lincoln Center Theater and presented at the Mitzi E. Newhouse Theater in New York. Depicting a gathering of Russian éemigré artists in the 1940s, the play includes a scene in which Balanchine choreographs Orpheus on Magallanes and Tallchief as Stravinsky looks on. Magallanes and Tallchief were played by Michael Rosen and Natalia Alonso; Balanchine was portrayed by Michael Cerveris. The play had a short run and was not a critical success.

In 2001, Carter was named "Professor of the Year" by the Carnegie Foundation for the Advancement of Teaching and the Council for Advancement and Support of Education, the first dance teacher in over a decade to receive that honor. Carter was also awarded the 2001-2002 Outstanding Commitment to Teaching Award by the Alabama Alumni Association. He was most recently Guest Rehearsal Director for Dance Brazil 2005 Season in Bahia, Brazil, and teaches and choreographs for the Alvin Ailey Summer Intensive Program (2001–present) in New York City.

1, Post-Modern Dance Issue (1975), 34. Often, pieces she choreographed, such as Street Dance (1964), were accompanied by a monologue that would explain not only her movements but what it's about. In a 2018 interview conducted by Rachel F. Elson of Dance Magazine, Childs states that she is “responding to the music” when she choreographs. She will listen to the music then think about all the different sequences, trying to figure out “where there could be musical transitions that we abide by, and where there are ones we don't abide by”.

For each new work he choreographs, Shen Wei typically designs all the visual elements including the sets, costumes and make-up, film projection and lighting as well. In addition to creating works for the proscenium, Shen Wei has also created works for fashion shows, art exhibition openings, and other cultural productions for international companies. In July 2008, he choreographed a fashion show at Paris Haute Couture for the label WUYONG, by the Chinese designer Ma Ke. In 2004, Shen Wei received the Nijinsky Award for Emerging Choreographer and, in 2007, he received the MacArthur Award.

The musical opened on Broadway at the Palace Theatre on April 12, 2015, following an engagement at the Théâtre du Châtelet in Paris. Christopher Wheeldon directs and choreographs, with the cast led by Robert Fairchild, Leanne Cope, Veanne Cox, Jill Paice, Brandon Uranowitz and Max von Essen. The creative team consisted of Bob Crowley (sets and costumes) and Natasha Katz (lighting) as well as Jon Weston (sound) and 59 Productions (projections). The musical score was adapted, arranged and supervised by Rob Fisher, orchestrations were by Christopher Austin, dance arrangements by Sam Davis, musical supervision by Todd Ellison and musical direction by Brad Haak.

Encrypted cryptography supposes that, in addition to verification, they offer higher-level solutions for advanced cryptographic methods without the need for programmers to become cryptography specialists. Distributed applications could be built from subsystems that allow identification or verification of architectural points that expose secret data. For example, ideally, a programming system that uses encrypted choreographs guarantees, or at least helps, minimize situations where a person (legally licensed or hacker) holds both encrypted private data and encryption keys related to the same resources. In this way, the administrators or programmers of these subsystems have fewer possibilities to perform internal attacks on privacy (the level with frequent attacks).

Trained as a gymnast and in modern dance and classical ballet in Montreal and New York City, Ginette Laurin began her dancing career in Montreal at the beginning of the 1970s. After creating several works as a choreographer, she founded O Vertigo, a company known for its expressive power and the unerring realization of its artistic vision. Besides creating works at O Vertigo, Ginette Laurin has choreographs pieces for other dance companies including Les Grands Ballets Canadiens and Introdans in the Netherlands, and for film. She also transmits her knowledge as an instructor at Université du Québec à Montréal (UQAM) and at European festivals, and through workshops held by O Vertigo.

The song went on to top major Korean music charts for a record-breaking seven consecutive weeks,[3] and won the group the Song of the Year award at the 9th Mnet Korean Music Festival.[4] Their following EPs followed its predecessor's footsteps: Hot Issue yielded "Last Farewell" (Korean: 마지막 인사; Revised Romanization: Majimak Insa) while Stand Up spawned "Day by Day" (Korean: 하루하루; Revised Romanization: Haru Haru); both singles were chart-toppers. Seungri continued to hone his dancing skills by competing against bandmate Taeyang in several dance competitions, as well as against Super Junior's Eunhyuk, TVXQ's Yunho and Shinee's Taemin. He also choreographs a large portion of Big Bang's dances.

Native American Hoop dance usually focuses on very rapid moves, but sometimes speed and creativeness balance the scoring between Hoop dancers who use only four hoops but dance to extremely fast songs, versus dancers with 20 or more hoops who danced to a slower drumbeat. Every dance is as individual as the person who choreographs it. Some dancers mimic animals or birds or working of hunting, fishing, planting and harvesting. In elaborate sequences of moves, the hoops are made to interlock, and in such a way they can be extended from the body of the dancer to form appendages such as wings and tails.

Meanwhile, a vivacious member of the choir who choreographs their routines, Earla (Angela Grovey), after a long dry stretch, finds passion first with Mr. Hsu (Francis Jue), whose weak heart gives way by morning, and later with Justin (Roy Huang). The town's tough times forces another choir member, Caleb (Andy Karl), and his family out of business. Vi Rose and G. G. come to blows in a confrontation, Olivia's frustration with her mother boils over, and G. G. threatens Pastor Dale with disendowing the church if the choir is not allowed to compete in the finals with the new arrangements. During the movie Randy befriends Walter and begins to teach him how to play the piano.

Sher-Machherndl danced with the Dutch National Ballet and with the Bavarian State Ballet in the 1980s and 1990s. He relocated to the United States after his tenures with these companies and founded Lemon Sponge Cake Contemporary Ballet in Boulder, CO in 2003, under which he choreographs and performs in original works. Additionally, Sher-Machherndl has created choreography for Finnish National Ballet, Vienna State Opera Ballet, Bavarian State Ballet, Scapino Ballet, Salzburg Ballet, Cleo Parker Robinson, Santa Fe Dance Festival, Lines Ballet BFA and Training Program, Ballet Next, University of Colorado, Colorado State University, University of Wyoming, Kuopio Dance Festival, Moving People Dance, American College Dance Festival, and Colorado Ballet Training Program.

In Asia, the action choreographer takes over the scene during the fight scene. This means that for action scenes filmed in Asia, the choreographer becomes the director and is in full control over camera placements, camera angles, and the relationship between the drama and the action; therefore the main director is not needed at all. While in Hollywood, on the other hand, Yen explains that the action choreographer simply choreographs the actions with the director, who still maintains full control of such settings and camera angles. Yen's work as a choreographer won him "Best Action Choreography" awards at the 27th Hong Kong Film Awards and the 2008 and 2011 Golden Horse Film Awards.

And that, in a teacup, sums up everything that's right, and wrong, about this appealingly noisy but ultimately flyaway first blockbuster of summer". In his review for the Los Angeles Times, Kenneth Turan wrote, "But the ringmaster of this circus, the man without whom nothing would be possible, is director De Bont, who now must be considered Hollywood's top action specialist. An expert in making audiences squirm and twist, at making us feel the rush of experience right along with the actors, De Bont choreographs action and suspense so beautifully he makes it seem like a snap." Time magazine's Richard Schickel wrote, "when action is never shown to have deadly or pitiable consequences, it tends toward abstraction.

Laurie Ann would later choreograph the music video for the hit song "Just Dance" by Lady Gaga with whom Water would later work.Laurie Ann Gibson Choreographs Lady Gaga's Just Dance Music Video It was at this time that Water connected with The Inc. (formerly Murder Inc.) CEO Irv Gotti and produced and wrote the song "Na Na Na", recorded by R&B; artist Lloyd for his album Street Love although it did not make the final cut of the album. In 2008, he co-produced with Jerkins the song "Weather Girl" previously slated to be released on Grammy award-nominated recording artist Mario's upcoming album D.N.A.. The song was written by Lady Gaga.

King was formerly a member of the faculty of Virginia Commonwealth University's School of the Arts. She teaches and choreographs award-winning dance pieces, including the annual Legend of the Poinsettia, which in 2016 featured among its dancers Frances Wessells. Included in the classes taught by Ana King are master classes in dance taught by invitation at Virginia arts councils, cultural organizations, and colleges. The Latin Ballet Company of Virginia's educational programs taught by King include subjects such as "Spanish through Dance" about Hispanic language/culture, "Dance as Therapy" for special-needs children, "ELL (ESL) through Dance" with a goal of assimilating international children/families, and "EveryBody Reads!" which is a literacy program.

It included a folk song, which is said to be the introduction song and which was shot from 31 March 2009 onwards in Goa featuring Jai, Vaibhav, Aravind Akash, Premji and Sneha, along with Ajay Raj, who choreographs the song, Payal and around 500 Goans. The second schedule, lasting 40 days, was completely shot in Goa itself, which featured only the male lead actors: Jai, Vaibhav and Premji Amaran. It was completed in mid-June, after which the crew returned to Chennai. The third and last schedule was shot from 5 July onwards on the Langkawi Islands, an archipelago of around 100 small islands in the Andaman Sea, which belongs to Malaysia, where many popular Tamil and Hindi film were shot.

Infocom ported its large series of interactive text-based adventure games to the Models I/III; the first, Zork I, was marketed by Radio Shack. Adventure International's text adventures began on the TRS-80, as did Sea Dragon by Westmoreland and Gilman, later ported to the other home micros. Android Nim by Leo Christopherson was rewritten for the Commodore PET and Apple. Many games are unique to the TRS-80, including Duel-N-Droids, also by Christopherson, an early first-person shooter 13 Ghosts by Software Affair (the Orchestra-80, -85 and -90 people) and shooters like Cosmic Fighter and Defence Command, and strange experimental programs such as Christopherson's Dancing Demon, in which the player composes a song for a devil and choreographs his dance steps to the music.

" Gary Goldstein of the Los Angeles Times wrote: "Hauck, with a strong assist from Bill Fernandez's clever, well-modulated Techniscope lensing, impressively choreographs the movie's continuous takes with a nice balance of intimacy and breadth. Hauck's a talent to watch." Dennis Harvey of Variety magazine called it a "a supremely self-conscious genre exercise" but praised Hawkes for his performance: "As a spiritually "lost" man searching for a more literally lost woman, Hawkes has just the offhand gravitas required for a noir hero. Yet in a movie where character backstory and plot coherence hardly figure, any emotional realism the actor provides is wholly his invention." Sheri Linden of The Hollywood Reporter wrote: "With its overt nods to movies, nonlinear structure and purple-tinged dialogue, the self-conscious artifice of Hauck’s first feature can be suffocating.

According to an interview Franklin had done, he best choreographs by visualizing the dancers and their movements in his head. After a few years in Washington, D.C., Franklin began a freelance career reviving and staging works around the United States and developed artistic associations with many ballet companies including Cincinnati Ballet where he was artistic director for two years and later Director Emeritus, Dance Theatre of Harlem where he became artistic advisor in 1989, Chicago Ballet, Tulsa Ballet, the Oakland Ballet, Pittsburgh Ballet Theatre, and American Ballet Theatre. In 2005, Franklin was featured in the documentary film Ballets Russes, recounting his years with the famous company. Into his 90s, Franklin continued to perform with American Ballet Theatre, appearing in mime roles such as the Friar in Romeo and Juliet, Madge in La Sylphide, and the Prince's Tutor in Swan Lake.

Lip Sync is one of UConn's signature Homecoming events, in which teams from the Cultural Centers and Greek organizations compete in a high-energy lip syncing contest. Each team choreographs a routine set to popular songs, and performs in front of thousands of fans in Gampel Pavilion. The annual Spring Concert organized by the Student Union Board of Governors (SUBOG) has attracted top artists and bands such as Outkast and Third Eye Blind in 2000, Guster and Nelly in 2001, Fat Joe and Nine Days in 2002, 50 Cent and Busta Rhymes in 2003, Ludacris and Kanye West in 2004, Nas and Fabolous in 2005, O.A.R. in 2006, Dashboard Confessional, Reel Big Fish and The Starting Line in 2007, Method Man, Redman, Flo Rida and T-Pain in 2008, 50 Cent and Naughty by Nature in 2009, Jack's Mannequin and KiD CuDi in 2010, B.o.

As a tribute to Uday Shankar, and to consolidate his legacy, Amala Shankar worked hard to present to the world – choreographs of Shankar, as well as new innovations created with help of Guru P. Raghavan (Kathakali Guru at the Centre for 45 years), and her team of dedicated and wonderful musicians. The performing troupe of Uday Shankar India Culture Centre toured widely through the world and within India, with the support of Government of India and private funding bodies. The legacy created by Uday Shankar's genius and Amala Shankar's excellent ability as a teacher, remains in the hands of the next generations of wonderful dancers both Uday Shankar and Amala Shankar trained – as an organic process, hopes to generate healthy minds and bodies of creative thinkers and dancers engaged in empowering more and more people through dance. Amala Shankar recreated major productions and dances of Uday Shankar, such as Samanya Kshati, Mahamanav – shadow play, Labour and Machinery (Full length dance productions).

Mysskin is known for his peculiar combat sequences using elaborate storyboardMysskin choreographs fights with storyboardMysskin says storyboarding helps cut costs and real unarmed martial strikes and stances;Mysskin storyboarding combat sequence for Thupparivaalan unconventional shots (like close-ups of feet); diegetic sound, light, silhouette and shadow; stage techniques (like monologue, face-floor, motion- freeze); staccato background score; meticulous scene and set construction; irony-laden dialogues; ellipses; minimalism; deep characterisation (with archetypal hairdo, dress, accent, posture, gesture, locale, furniture); limited use of song choreography; and neo-noir renditions where the lead role is not infallible. Mysskin is known to start film shoot only after a bound script is ready. He rigorously annotates his scripts with cues and camera lens focal lengths for each scene.Films can be made without songs or heroines, says MysskinCuss words are needed for realism, says Mysskin He says that his films are influenced by the works of Akira Kurosawa.

International Figure Skating Magazine, 1998 and 2003. Based at the Chelsea Piers rink complex in New York City, Ice Theatre of New York was the first not-for-profit professional ice dance company in the U.S. and the first to receive funding from the National Endowment for the Arts, New York State Council on the Arts, and New York City Department of Cultural Affairs. Italian ice dancer, choreographer and aerialist, Elisa Angeli, is Ice Theatre of New York’s Ensemble Director. Ice Theatre of New York has performed works by choreographers such as Marc Bogaerts, Edward Villella,Gia Kourlas (October 22, 2013) “Ballet Master Dips His Toe in the Ice Rink: Edward Villella Choreographs Ice Theater Show,” New York Times Jacqulyn Buglisi, Alberto del Saz, Carlos Orta, Twyla Tharp, Jean- Pierre Bonnefoux, Peter Martins, Lar Lubovitch, Elisa Monte, Susan Marshall, Joanna Mendl Shaw, Tommy Steenberg, Frank Nowosad, David Dorfman, Bill Woehrle, Rob McBrien, Nathan Madden, Jim May, Gary Beacom, Peter DiFalco, Charles “Chucky” Klapow, Matthew Nash, Judy Blumberg, Gaiane & Akop Akopian, Lorna Brown and Florentine Houdinière.