It's chockful of VHS-esque filters, throwback graphics, and of course, really, really bad acting.
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"The Green New Deal is chockful of utopian ideas but completely devoid of concrete plans to implement any of its overreaching policies," said Sen.
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Kevin Fallon, The Daily Beast: The script is chockful of the kinds of platitudes that would ordinarily arm critics with enough artillery to eviscerate a movie for being corny, heavy-handed, or unforgivably maudlin.
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On TV, Jim Sciutto provided a post-SOTU fact-check about Trump's immigration claims... -- More: The Post's team says the SOTU was "chockful of stretched facts and dubious figures..." (WaPo) Trump never mentioned the shutdown... ...But Stacey Abrams brought it up in the Democratic response.
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To be sure, this is Western music, chockful of backbeats, strings and vocal harmonies. But like the original 49ers, the listener is headed into a desert land of drought and famine — the dark side of the California Dream."Press Kit for Mr. Bungle's California Warner Bros. Records, 1999 The songwriting process for California was much less collaborative than the band's previous albums. Despite having a more accessible sound than prior releases, saxophonist Clinton McKinnon has stated, "It wasn’t some attempt at reconciling how much we’d previously tortured our audiences with white-noise [...] it wasn’t some conscious attempt to normalise our music or make it all the more palatable.
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A year into the new century, ahead of Beyoncé's iconic status solo, music journalist Lola Ogunnaike, in Vibe magazine, profiled the lead singer's R&B; group, Destiny's Child. "Chockful of sophisticated, ball-busting, and often comical hits that berated brothers," its 1999 or second album, The Writing's on the Wall, "earned the group reputations for being everything from gold-digging male bashers—a charge the girls heatedly deny—to new-millennium feminists out to challenge the bitches-ain't-shit posturing that plagued much of late-'90s R&B; and hip hop." But, months earlier, on her own second album,Frank Hoffmann, Rhythm and Blues, Rap, and Hip-hop (New York: Facts On File, Inc., 2006), p 166, remarks on Lil' Kim's debut or 1996 album, "The record, which entered the pop charts at number 11 due in large part to its effervescent dance arrangements, represented something of a challenge to the misogynistic posturing of male gangsta rappers".
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