74 Sentences With "chipped off" | Random Sentence Generator

He chipped off a piece, swallowed it, and managed a smile.

Amazingly, the paint was chipped off when we pressure washed the hull.

"But it's underneath the kneecap, I chipped off a piece," she said.

But, as happened at Notre Dame, the paint chipped off on contact.

The painting is torn and cracked, and large areas of the pictorial surface have chipped off.

The museum said on Friday a patch of paint in the lower left corner had been chipped off.

The boat looks like hell because there has been a lot of cosmetic damage, a lot of paint chipped off.

Building began around 850 years ago, but pollution and the passing of time have chipped off large chunks of stone.

Some of the materials have deteriorated, the paint has chipped off or they've just been worn out from being played with.

Victor nearly lost his life in the fall when a bone chipped off his neck and just missed cutting an artery.

South32, which was chipped off mining giant BHP Billiton in 2015, resolved to pay a final dividend of 6.2 cents a share.

It's also unlikely to be scratched or chipped off by metal utensils, since, as we've established, it's chemically bonded to the cast iron.

One Christmas, my mother gave me that painting — she had it restored for me because one of the ballerinas' feet had completely chipped off.

Convinced she's found proof of a bullet being fired toward her house, Stacey shows Mike where a part of her garage's wall has been chipped off.

But it's probably a remnant chipped off of Proteus, the largest and outermost of Neptune's inner moons, which just happens to have a giant crater on it.

The horse's owner -- Brian Trump -- tells us Victor nearly lost his life in the fall when a bone chipped off his neck and just missed cutting an artery.

The simulation team fired spacecrafts to try to divert the 140- to 260-meter space rock, but part of it chipped off and headed for New York City.

Residents of Atlantic City, which has a population of 40,000 and a poverty rate above 30 percent, were stunned to see the Trump brand being chipped off casino facades.

"When Isao Takahata died, I cried like I have never cried before, and I felt like a part of me had been chipped off from the shock," he said.

I had to make a circular hole, but I had to leave a little "eggshell" of bone intact over the SSS that could be chipped off with a delicate instrument.

On a side wall of Boodle's club, the fourth building on the site, the Smithsons added a bay window that almost seems to have been chipped off one of the towers.

However, in only a week of testing I chipped off part of the clamp that hooks the bike together, which doesn't bode well for the bike's longevity over the long haul.

In the newly established Yellowstone National Park, the city slickers of the 1870s washed their socks in hot springs, carved their names on fragile volcanic rocks and chipped off fragments for their mantelpieces.

Shares dropped more than 10 percent and chipped off more than $31 billion in market capitalization for Walmart, which has been rushing to build e-commerce sales to head off Amazon's online dominance.

As the family talked about the eggs in the recording, her husband Jay Cutler explained that two of them looked ready to hatch based upon a "little black tip" that was chipped off of their edges.

After leaving the Japanese port of Sasebo on January 11, the crew of the Pueblo had to deal with equipment failure, frigid weather that meant ice had to be constantly chipped off instruments, and rough seas.

With plaster chipped off walls and pavements destroyed with wrecking balls (Michael Heizer is pictured during the creation of "Bern Depression" below), it was an avant-garde exhibition unlike anything that had been shown in a museum before.

Marie, 60, revealed on The Talk on Monday that she "chipped off a piece" of her kneecap in the tumble, but that's not stopping her from performing in every last show of the Las Vegas residency she shares with brother Donny Osmond.

Silversides are like popcorn to larger fish, and even the smallest bits, impatiently chipped off the block and flung into the waters below the pier, were eagerly devoured by small bluefish and striped bass; inadvertent chumming on our part, until we caught on.

There's an Impressionist painting whose full moon has turned into a crescent because of paint losses, drawings that need to be reframed, and a piece by Thomas Hart Benton, due to hit the auction block soon, with areas of gouache that have chipped off.

The company, which was chipped off mining giant BHP Group in 2015, said its profit was also boosted by record ore production at its Australia Manganese operations, while higher average realised prices for its commodities during the half-year helped its sales revenue rise by about $300 million.

What results can take numerous forms: a plan to shrink Detroit; a pedal-powered tractor; an ironic board game explaining the housing market; a jewelry business employing formerly homeless women to make items using chipped-off graffiti; an online tool for mapping commute times; labels on baby products with child-rearing tips.

His shape is irregular and dumpy, his flanks are decorated with the outline of the lotus flowers, buds and leaves, the pottery has chipped off his near fore-foot, giving the impression, at all events in the colour-print, of a grey woollen sock bursting through a boot … but it is impossible to look at him for long without a feeling of awe and a realisation of the vastness of eternity.

These rock fragments are chipped off from the original boulder by impacts of large meteoroids.

The upper portion of the body is mostly chipped off, while the lower part of his pedestal is recently broken.

The lower half of the face (the chin area) is chipped off. The foot with a plinth is connected to base. The calf is well preserved, while Moschophoros's eyes are absent. The rest of the sculpture is in a fine state.

In late December 2012, the Archbishop of San Salvador, José Luis Escobar Alas, ordered the removal of the façade without consulting the national government or the artist himself. Workers chipped off and destroyed all the 2,700 tiles of the mural.

It is also safe to presume that a certain number of the innumerable visitors to the Bimini Road have chipped off pieces of it. Scientific sampling and souvenir hunting would have left behind modern "tool marks" on the various blocks composing the Bimini Road for later investigators to find.

In Pakistan, Oldowan tools have been found at Riwat during a 1980s excavation. Many of the stones found at this site were considered waste products of stone tool production, as they were small flakes chipped off of larger stones. In total, 1,479 tools and flakes were discovered at this site.

His work could also formerly be seen in the tiled ceramic mural he created for the facade of that city's Metropolitan Cathedral in 1997. In late December 2012, Archbishop José Luis Escobar Alas ordered its removal without consulting the national government or the artist, and workers chipped off and destroyed all the 2,700 tiles of the mural.

It is said the Saint Michael presented himself to the bishop and ordered the cave to be consecrated under his name. It is now known as the Sanctuary of Monte Sant'Angelo. Relics associated with the said apparition, such as that found inside this church, may have been rocks chipped off from the cave or pieces of cloth that has touched it.

According to the local people it has rolled down from the upper hill terraces. The only visible portion if the rock reveals seated Padmapani on a high throne in lalitasana in pensive mood. His right hand rests on the right thigh, while the left one on the left thigh holding a lotus stem. The relief is damaged and chipped off at various places.

Once the concrete had cured and formwork removed, the fins and the aggregate were chipped off with a hammer that revealed the rough surface of the aggregate. This technique apparently hides the normal discoloration that takes place with concrete that is formed with standard formwork; although, it is consistently used as a surface texture on the exterior and interior of the Yale building.

Norton later satisfied the obligation with his role in the 2003 film The Italian Job. In January 1998, 20th Century Fox announced that Pitt and Norton had been cast. The actors prepared by taking lessons in boxing, taekwondo, grappling, and soapmaking. Pitt voluntarily visited a dentist to have pieces of his front teeth chipped off so his character would not have perfect teeth.

The original document is preserved by the Prussian Privy State Archives. Reconstruction with inscription according to the 1393 description The seal is about in diameter (the exact size is impossible to determine because its edges have chipped off). It depicts a ruler sitting on a bench, covered by a cushion or drapery. The ruler wears a royal mantle and a crown.

The right arm holds a scepter decorated with a large lily, while the left arms holds an orb with a cross. The empty field around the figure is decorated with a Gothic diamond-shaped latticework. The diamonds have a tiny cross in the middle of them. The legend where Mindaugas' name and title should appear is almost completely chipped off.

The wax is then replaced by the molten metal, often using brass scrap as basic raw material. The liquid metal poured in hardens between the core and the inner surface of the mould. The metal fills the mould and takes the same shape as the wax. The outer layer of clay is then chipped off and the metal icon is polished and finished as desired.

A small tablet, not fluted, of Pacific rosewood (Orliac 2005), 22 × 6.8 × 1.8 cm. One end is chipped off, but no glyphs are missing. However, there appears to have been reworking, with the glyphs of line r5 planed off and the adjacent line v1 cut into the planed edge. Fischer also notes underlying hair-line glyphs which suggest to him that K may be a palimpsest.

Designs, now lost, were supplied to both sets of craftsmen. The coppersmiths' contract stipulated that the effigies were to be made of gilded copper and latten and to lie under canopies. They were to be crowned, their right hands were to be joined, and they were to hold sceptres in their left hands. Their joint tomb is now damaged, and the hands of the effigies are chipped off.

The final voyage of many Victorian ships was with the final letter of their name chipped off. In the 1930s, it became cheaper to 'beach' a boat and run her ashore as opposed to using a dry dock. The ship would have to weigh as little as possible and run ashore at full speed. Dismantling operations required a rise of tide and close proximity to a steel- works.

Woman pounding stone flakes into a threshing board The working of pebbles was similar to the working of flint, except that with pebbles only the outside layer was chipped off. Thus, the pebbles were essentially "peeled" and discarded (unlike flint stones, whose interiors were worked until they were used up); using only the cortical flakes. Covering the board with stone flakes was mainly the work of women called enchifleras. The task is monotonous and repetitive.

' During field trials, AP's reported that the inlays often chipped off, giving the shield a worn look. Additionally the pins that held the shield to the uniform often broke off. Following a redesign, the inlays were deleted, and the pins were replaced by a clasp much the same as found on civilian police badges. Starting in February 1959, distribution of the new Air Police Shield to units across the Air Force was begun, and completed in 1960.

The Trust charges a small entry fee to allow access to the King's Men circle. It emphasises a preservation ethos, attempting to prevent any damage to the megaliths, and has reinforced the paths around the site, enabling wheelchair access to the Whispering Knights. The sites have experienced vandalism in this period; in the summer of 2001 a piece of the King Stone was chipped off, while in April 2004, yellow gloss paint was splashed onto the King's Men. Some of these may be protests against the use of the site by modern Pagans.

In 1914, when World War I broke out, a return to the Congo became impossible as passenger ship traffic ended. Benga became depressed as his hopes for a return to his homeland faded. On March 20, 1916, at the age of 32 or 33, he built a ceremonial fire, chipped off the caps on his teeth, and shot himself in the heart with a borrowed pistol."Ota Benga", Encyclopedia Virginia He was buried in an unmarked grave in the black section of the Old City Cemetery, near his benefactor, Gregory Hayes.

She lived in Kingston, Ontario, where she was the artistic director of Theatre Kingston from 2007-11. She was the artistic director of Chipped Off Performance Collective, a feminist/queer company that collaborates with local artists and community groups to create original performances that speak to the needs and concerns of marginalized Kingstonians. She also managed the TYA troupe Barefoot Players, and was a faculty member of the Queen's University Dan School of Drama and Music. She acted in and directed works at the Factory Theatre, Tarragon Theatre and Nightwood Theatre in Toronto.

In 1954, a new Viharn building was built at the temple to house the statue. It was moved to its new location on 25 May 1955; there are a variety of accounts of what exactly happened next, but it is clear that during the final attempt to lift the statue from its pedestal, the ropes broke and the statue fell hard on the ground. At that moment, some of the plaster coating chipped off, allowing the gold surface underneath to be seen. Work was immediately stopped so that an evaluation could be made.

Chert was a hard stone that the Lacandón used to make arrowheads and other lithic tools. A large piece of chert (also called a core) would first be heated and then bone is struck with a round hammerstone (made of volcanic rock) against the core, using indirect percussion fragments were chipped off to make prismatic chert blades. A hammerstone (probably imported from the Guatemalan highlands) was also found nearby the chert fragments. The stone was identified as being a hammerstone because of its smooth and rounded from use and fits comfortably in the hand and has scratches and chips from use.

Arthur Ehlmann, a professor of geology at the Texas Christian University and an expert in meteoric research, chipped off a piece of the stone and pronounced it to be made of limestone, which was plentiful in the area. Generally, meteorites are not composed of limestone. Local newspapers, TV and the Texas Mutual UFO network sensationalized the story trying to explain how it could be a meteorite despite its composition, lack of burning as it would have had if it zipped through the atmosphere. A meteorite of this size would have "caused widespread devastation", yet nothing of this sort occurred.

Wojciech Kętrzyński paid special attention to the fact that seal's legend with Mindaugas's name and title is almost completely chipped off while the rest of the seal and the act are generally well-preserved. He arrived to the conclusion that the legend was destroyed on purpose. He further stipulated that the act was forged while Mindaugas was alive and that the seal belonged to a completely different person, perhaps Magnus III of Sweden or Andrew II of Hungary. Antoni Prochaska dismissed any doubts regarding authenticity based on the fact that the act was mentioned in a papal bull.

Chock competed with an injury after bone fragments chipped off her right ankle in August 2017, just before Champs Camp. She and Bates won silver medals at the 2017 Cup of China and 2017 Internationaux de France, which meant that they qualified to their fourth consecutive Grand Prix Final. They placed fifth in the short dance, third in the free, and fifth overall at the December event in Nagoya, Japan. At the 2018 U.S. Championships, Chock/Bates placed third in the short dance, first in the free dance, and third overall, scoring 0.52 less than the champions, Madison Hubbell / Zachary Donohue, and 0.33 less than the Shibutanis.

The Golden Buddha, officially titled Phra Phuttha Maha Suwanna Patimakon (; ), commonly known in Thai as Phra Sukhothai Traimit (), is a gold Maravijaya Attitude seated Buddharupa statue, with a weight of 5.5 tonnes (5,500 kilograms). It is located in the temple of Wat Traimit, Bangkok, Thailand. At one point in its history the statue was covered with a layer of stucco and coloured glass to conceal its true value, and it remained in this condition for almost 200 years, ending up as what was then a pagoda of minor significance. During relocation of the statue in 1955, the plaster was chipped off and the gold revealed.

The Oldowan (or Mode I) was a widespread stone tool archaeological industry (style) in prehistory. These early tools were simple, usually made with one or a few flakes chipped off with another stone. Oldowan tools were used during the Lower Paleolithic period, 2.6 million years ago up until at least 1.7 million years ago, by ancient Hominins (early humans) across much of Africa, South Asia, the Middle East and Europe. This technological industry was followed by the more sophisticated Acheulean industry (two sites associated with Homo erectus at Gona in the Afar Region of Ethiopia dating from 1.5 and 1.26 million years ago have both Oldowan and Acheulean tools).

The side and back walls and the altar area was reinforced by cement by local priest which according to heritage conservationists caused the loss of the structure's integrity and authenticity. The structure was declared a National Cultural Treasure (NCT) by the National Museum of the Philippines (NMP) in 2001. The declaration also covers the convent ruins of the church complex. In 2015, a restoration was accomplished on the church building under the watch of the National Historical Commission of the Philippines but the lime plaster or palitada used to cover the facade chipped off in less than a year which led to heritage conservationists criticizing the national heritage body.

In GMAW, however, the electrode wire does not have a flux coating, and a separate shielding gas is employed to protect the weld. This eliminates slag, the hard residue from the flux that builds up after welding and must be chipped off to reveal the completed weld. The choice of a shielding gas depends on several factors, most importantly the type of material being welded and the process variation being used. Pure inert gases such as argon and helium are only used for nonferrous welding; with steel they do not provide adequate weld penetration (argon) or cause an erratic arc and encourage spatter (with helium).

McBrain was born in Hackney, London, and first wanted to learn the drums at a young age after watching Joe Morello performing with The Dave Brubeck Quartet on television. At the age of ten, he started to play drums with pots, pans and other kitchen utensils, before, to his parents' dismay, he began drumming on the gas cooker with a pair of knives and chipped off the paintwork. McBrain recalls that he was eleven or twelve before his father bought him his first drum kit, "which was basically one snare, one tom-tom, one cymbal, two drumsticks and a pair of brushes." He soon started playing Rolling Stones and Beatles covers with school bands, before he began regularly playing "pubs and weddings" by the age of 14.

The British premiere took place on 15 February 1987, with Okko Kamu conducting the London Philharmonic at the Royal Festival Hall; also on the program was Gounod's St. Cecilia Mass. The performance of Sallinen's Fifth, which commenced London's three-month multi- venue, multi-orchestra 'Spotlight on Finland' music festival, was received positively, with The Financial Times characterizing the work as consisting of "icy fragments of symphonic material [that] have been chipped off to clink and tinkle in Sallinen's structural cocktail shaker". While noting the Fifth Symphony's "allusions to other music" (in particular its "post-Sibelian desolation"), The Sunday Times applauded the "vitality of Sallinen's rhythms and the sheer eventfulness of his scoring," as well as his "imaginative and masterly ... handling of the large orchestra".

While reviewing his mummy, the archaeologists that discovered Imhotep note not only was he buried alive as indicated by his struggle, but that sacred spells meant to protect his soul on its journey to the underworld were chipped off his coffin, so his soul would be condemned in the afterlife. Imhotep escapes from the archaeologists and ten years later has assumed the identity of Ardath Bey, a modern Egyptian. In this form, he helps a new team of archaeologists find the tomb of Anck-es-en-Amon. When Bey meets a woman, Helen Grosvenor, who bears a striking resemblance to Anck-es-en-Amon, he realizes that she is a reincarnation of the princess and attempts to mummify her and make her his bride.

The cave dwellers of that time used handaxes of flint or limestone for killing animals (gazelle, hippopotamus, rhinoceros and wild cattle which roamed the Coastal Plain) and for digging out plant roots. As tools improved slowly over time, the hand axes became smaller and better shaped, and scrapers made of thick flakes chipped off flint cores were probably used for scraping meat off bones and for processing animal skins. The upper levels in the Tabun Cave consist mainly of clay and silt, indicating that a colder, more humid climate prevailed as glaciers formed once more; this change yielded a wider coastal strip, covered by dense forests and swamps. The material remains from the upper strata of the cave are of the Mousterian culture (about 200,000 - 45,000 years ago).

Eberhardt also showed the Pearces an inscription similar to that of the Dare Stones on a ledge inside a cave near the Chatahoochee River. This find was not assigned a number until the ledge was chipped off and taken by a teenager. After negotiating for the surrender of the fragments, the Pearces identified them as Dare Stone Number 47. The message simply establishes that Eleanor had been living near the cave since 1593. This and Stone 25 indicated a six-year period in a single location, making it reasonable to expect Eberhardt to find more stones nearby. During the course of September 1940, Eberhardt brought another thirteen stones (Numbers 32-35 and 37-45), again defying instructions to leave them in situ and again claiming they were discovered near his home.

Kvabiskhevi is a three-nave basilica built of stone on a small terrace of a high rocky mountain slope, its eastern façade leaning against the rock—the face of which had been purposefully chipped off—and the three other sides overlooking the steep abyss into the Kvabiskhevi canyon. The terrace can only be accessed via a trail from the northeast leading up to the church from the Kvabiskhevi guard station of the Borjomi-Kharagauli National Park. Difficult to access, the church served in the Middle Ages as a wartime shelter for the locals, whose ruined dwellings and rock-cut shelters are found below the church. The village, at that time known as Kvabi ("a cave"), was completely depopulated shortly after the Ottoman takeover of the area in 1578—a Turkish census of 1595 listing only six permanent residents—and the church was abandoned.

The oldest shrine at this place was built above the Smadh of Sidh Baba Chaurangi Nath (Bhagat Pooran Mall, son of Raja Shalivan of Sialkot, now in Pakistan) under which also lay the grave of Sidh Baba Masth Nath who lived in the mid-eighteenth century AD. The shrine of Sidh Baba Tota Nath, in this campus, had frescoes painted in the early nineteenth century and done in Rajput style. Some of these near the dome have had the colors chipped off and are fading fast. The present Mahant was indifferent to the preservation of these fine frescoes, which are very important for art historians. In January 2012, Chand Nath, the present Mahant of the Mutt, had all the old memorial chhatris that belonged to Siddh Baba Mast Nath, Tota Nath, Megh Nath, Mohar Nath and Chet Nath demolished in one go to create way for a fabulously planned temple structure to be raised on the same lines as that of Akshardham at Delhi.

The 2015-2018 £3.1 million grant-funded renovation project (part-funded by £1.4m of grants from the World War I Centenary Cathedral Repairs Fund) was carried out by Bristol-based Purcell. It involved replacement of the lower, failed asphalt roofs and associated glazing, which were causing leaks and staining and risked closure of some areas of the building, as well as re-leading the higher roof with 86 tons (95 short tons, 77 long tons) of a thicker gauge of lead, and slight modifications to address leaks, working closely with the Lead Sheet Association to create long-lasting work that matched the building's historic aesthetic. Repairs were made to the cladding areas where pieces had flaked or chipped off, using Corennie granite chippings that matched the original materials. A hexagonal glass roof on the left-hand turret of the Portal of St Paul was added to accommodate t he fire escape from the roof terrace above the Baptistery.

A historic pump house and water wheel at Stoneleigh Abbey has been restored to its former glory as part of a large restoration project to save and protect structures in the grounds, along with reinstating many of the views and walks inspired by Sir Humphry Repton's designs from his Red Book also on display at the Abbey. Mr Tony Bird OBE Chairman of the Stoneleigh Abbey Charitable Trust has overseen the full restoration not only of the large wheel but also the full restoration of the 1851 Tangye of Birmingham water pump. The repairs to the Pump House were partly funded by Natural England, including replacement of the roof, years of lime scale being chipped off, and the water wheel itself restored. Stoneleigh Abbey Trustee Dorothy Ingle said: “It is wonderful to see the wheel turning and people being able to see how the pump house was used now fully restored to its former glory. The wheel doesn’t pump water to the house any more but it still represents part of the history of how the garden and house was operated 100 years ago.