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56 Sentences With "chief character"

How to use chief character in a sentence? Find typical usage patterns (collocations)/phrases/context for "chief character" and check conjugation/comparative form for "chief character". Mastering all the usages of "chief character" from sentence examples published by news publications.

So the principal Theme never appears, even as in some late dramas (…) the chief character is never on the stage.
One week after Ivanka Trump served as her father's chief character witness at the Republican gathering in Cleveland, Ms. Clinton introduced her mother at the convention inside the Wells Fargo Center, making the case for Hillary Clinton's compassion and maternal touch.
A star of "Stranger Things," David Harbour, invoked his police chief character at the Screen Actors Guild awards this week in an acceptance speech on why we should "punch some people in the face when they seek to destroy the weak and the disenfranchised and the marginalized" to loud applause.
There are one or two of them here, you know.” “Who?” we asked. “Oh, men like the boss of James Bond, the operative who’s the chief character in all my books,” said our host.
Raphael's appearance in Soulcalibur III was changed heavily, designed to represent his evil demeanor and royal image. The chief character designer of the game, Hideo Yoshie, stated that the change made Raphael "more distinctive".OPM staff. Behind the Game: Soul Calibur III . 1Up.com.
Now You See Love, Now You Don't is a 1992 Hong Kong comedy film written and directed by Mabel Cheung and Alex Law. In this film, the chief character, played by Chow Yun-fat, who himself grew up in Lamma Island, consistently speaks the Waitau language.
This article is about Esther in rabbinic literature. Esther was the chief character in the Book of Esther. She is counted among the prophetesses of Israel. Allusions in rabbinic literature to the Biblical story of Esther contain various expansions, elaborations and inferences beyond the text presented in the book of the Bible.
This part of the interview is very important regarding his statement about the selection of the name James Bond. He told the journalist that he was in New York to visit "the operative who's chief character in all my books." He specifically says this person is also a former secret service man.
Hippias Major (or What is Beauty? or Greater Hippias (, Hippías meízōn), to distinguish it from the Hippias Minor, which has the same chief character) is one of the dialogues of Plato. It belongs to the early dialogues, written while the author was still young. Its precise date is uncertain, although a date of c.
Ysengrimus, from a twelfth-century MS in the Bibliothèque nationale de France. Ysengrimus is a Latin fabliau and mock epic, an anthropomorphic series of fables written in 1148 or 1149, possibly by the poet Nivardus. Its chief character is Isengrin the Wolf; the plot describes how the trickster figure Reynard the Fox overcomes Isengrin's various schemes.
The novel had ‘Asghari’ from Mirat-ul-Uroos as the chief character, although here Asghari is a school teacher. The idea of female education is a core theme of this books. That is done by giving lessons in general education and physical sciences through conversations between a teacher and her student. This publishing was also a great success.
Mister Pip (2006) is a novel by Lloyd Jones, a New Zealand author. It is named after the chief character in, and shaped by the plot of Charles Dickens' novel Great Expectations. The novel is set against the backdrop of the civil war on Bougainville Island during the early 1990s. Jones had covered the war in Bougainville as a journalist, but was unable to visit.
This book was followed by The Beethoven Medal (1971) and Pennington’s Heir (1973). In The Beethoven Medal, Pat - now a music student - meets 16-year-old Ruth Hollis (chief character of Fly-By-Night and The Team, also by Peyton). While his musical talent is developing, he has yet to master his natural aggression. In 'Pennington's Heir', Pat and Ruth marry and have a son.
Peter Pan and Wendy come across the Indians (who refer to themselves as "Injuns") once arriving in Neverland. Wishing to learn more about them, the Lost Boys ask the Indians three questions: "What Makes the Red Man Red?", "When Did He First Say 'Ugg'?" and "Why Does He Ask You 'How?'" This song is performed by "the big-nosed, guttural Chief character" accompanied by his tribesmen.
Cat Face is somewhat unusual, because it tells a continuous story over thirty episodes so far. It's written by Weebl's wife, Sarah Darling. The first 7 episodes are animated by Weebl whilst episodes 8 and onwards were mostly animated by Ben Smallman, aka Wonchop, though Weebl is still credited for the art. The chief character is a white cat that has a very large head and continuously levitates.
The Geste du roi is the title of one of the literary cycles that compose the Chansons de Geste. In the Chansons of the Geste du roi, the chief character is usually Charlemagne or one of his immediate successors. A pervasive theme is the King's role as champion of Christianity. This cycle contains the first of the chansons to be written down, the Chanson de Roland or The Song of Roland.
Quatermass and the Pit is a British television science-fiction serial transmitted live by BBC Television in December 1958 and January 1959. It was the third and last of the BBC's Quatermass serials, although the chief character, Professor Bernard Quatermass, reappeared in a 1979 ITV production called Quatermass. Like its predecessors, Quatermass and the Pit was written by Nigel Kneale. The serial continues the loose chronology of the Quatermass adventures.
However, not every critic praised it. Roger Ebert gave it a mere two stars out of four and criticized the stupidity of the deputy police chief character, saying that "all by himself he successfully undermines the last half of the movie". The Hunt for Red October also received positive reviews from critics. Nick Schager, for Slant Magazine, called the film "a thrilling edge-of-your- seat trifle that has admirably withstood the test of time".
The members of Clamp all share a single workplace and as such do not need to arrange specific meetings. Nanase Ohkawa acts as the group's spokesperson, producer-director, and storyboarder. Mokona is the chief character designer, while Igarashi and Nekoi work for the background; however, the three often shuffle their roles. Sometimes, they may split the work of the characters and backgrounds or have one person draw all the art depending on the story.
The theater occupies the interior of the first block of South Potomac Street, and was originally entered through the ground floor of the apartments. The chief character of the theater, even prior to the 1974 fire that destroyed the front block and main lobby, was to be found in its interior. The interior is primarily neoclassical in character, with Art Deco influences. The house features a prominent proscenium arch framing the stage house.
Struan and Company is based on Jardine Matheson & Company, which continues to exist as an Asian trading company. The chief character, Ian Dunross, is believed to be a composite character of two real life Jardine Matheson tai-pans, Sir Hugh Barton and Sir Michael Herries. Rothwell-Gornt is based on Butterfield and Swire, now known as Swire Pacific. Quillan Gornt is based on two Swire tai-pans, John Kidston "Jock" Swire and William Charles Goddard Knowles.
For example, in the 1992 movie Now You See Love, Now You Don't, the chief character, played by Chow Yun-fat who himself grew up in Lamma Island, consistently speaks the Weitou dialect. In a more general sense, Weitou Hua can refer to any variety of Chinese spoken in the villages of Hong Kong, including Hakka and rural Yue dialects. In contrast, the majority of Hong Kong residents speak standard Cantonese, while the majority of Shenzhen residents speak Mandarin.
Ayscough was the son of Dr. Francis Ayscough, dean of Bristol, by a sister of the first Lord Lyttelton. For some time he held a commission in the Guards. In 1776, he produced at Drury Lane Theatre a play, a version of the Semiramis of Voltaire, Richard Yates representing the chief character; an epilogue was provided by Richard Brinsley Sheridan. The tragedy had eleven representations, and the English author enjoyed three benefits on account of it.
In 1767, King Hsinbyushin of the Konbaung dynasty brought back Siamese captives to the Inwa (Ava), the kingdom's capital. Among the captives were Siamese court dancers who performed the Ramayana (Yama Zatdaw) wearing masks. In this epic, Rama is the hero and chief character, Sita is the heroine, and Dasa-Giri is the villain demon. In a typical segment, Rama is enticed away by the Golden Deer, who is a transmogrified form of the demon sister of Dathagiri (Ravana).
The narrative provides the framework within which the problem of interest can be addressed. A constant theme in his work is the fate of liberalism. Critics pointed out that he had made Lord Chief Justice Sir Edward Coke, the chief character of his book The Struggle for Sovereignty in England (1950), into a liberal long before liberalism had come into existence. Reviewers noted that the sub-text in his The Culture of Western Europe (1961) was the triumph of totalitarianism over liberalism.
Medieval Gusli players (painting by Victor Vasnetsov) Written documents exist that describe the musical culture of the Rus'. The most popular kind of instruments in medieval Russia were thought to have been string instruments, such as the gusli or gudok. Archeologists have uncovered examples of these instruments in the Novgorod region dating as early as 11th century. (Novgorod republic had deep traditions in music; its most popular folk hero and the chief character of several epics was Sadko, a gusli player).
Jeff Matsuda (born 1970) is a Japanese American animator and concept and comics artist who served as the chief character designer for both Jackie Chan Adventures and The Batman and is the president and creative director of X-Ray Kid Studios. Matsuda was discovered by Rob Liefeld after submitting some Wildcats samples pages to Liefeld's Extreme Studios and Jim Lee's Wildstorm. However, Matsuda's first published artwork, depicting the X-Force character Cable, appeared in the letter art section of Wizard Magazine.
Plighted troth: a Dramatic Tale by CF Darley, a very long, Elizabethan-style drama on a religious controversy (Catholic versus Protestant), was Macready's unluckiest misjudgment. Believing the gloomy, turgid affair to be a work of 'fine thoughts expressed in massive language', he had approached it with confidence. But it lasted only a single night. Darley had called his chief character Gabriel Grimwood: Eliza Grimwood happened to be the name of a girl brutally murdered in Waterloo Bridge Road, and the gallery fastened on this.
The chief character in The Home is Elisa Frank and her relations to her husband, Judge Frank, and her children form the main theme. Fredrika and her own sisters served as models for the daughters whose characters are convincingly described. Petrea, “ready to give away indiscriminately the presents which had been given to her,” is the author herself. Tenderness is shown in the description of the death of Henrik (her brother August), while her humor is at its best where Petrea and Jeremiah are described.
The anime adaptation of Black God was produced by Sunrise, directed by Tsuneo Kobayashi with Reiko Yoshida as the series' supervisor and Hiroyuki Nishimura as the series' animation director and chief character designer. Among the Japanese voice actors involved in the Sunrise production include Noriko Shitaya, who played Kuro, and Daisuke Namikawa as Keita. Other voice actors for the production include Sayaka Ohara as Akane Sano, Yukari Tamura as Excel and Jōji Nakata as Steiner. Its title is called Kurokami: The Animation or Black God: The Animation.
On March 16, 1934, The Prizefighter and the Lady premiered at the Capitol Theater in Berlin. However, when permission was sought to show a German-dubbed version, Nazi Minister of Propaganda Joseph Goebbels had the film banned in Germany because, as one of his underlings stated, "the chief character is a Jewish boxer" (Baer's grandfather was Jewish). Baer contended, however, that "They didn't ban the picture because I have Jewish blood. They banned it because I knocked out Max Schmeling" on June 8, 1933.
This is part of the series of "Davidic Psalms" (mizmor le-david). Traditionally, their authorship was attributed to King David; however, in scholarly exegesis this attribution has been variously qualified or challenged since the late 19th century. The Hebrew particle le, can mean "for", "about", or "by", so that it remains open to interpretation whether these psalms originate with David, or whether the heading refers, rather, to the chief character of the poetry, as being concerned with Davidic kingship in the narrow sense, or even divine kingship more generally.Hans-Joachim Kraus (1993).
Pachypodium bicolor is a species of plant in the family Apocynaceae. The species has a habit of a low growing somewhat pendulant shrub with a thickened trunk and a densely branched crown composed of numerous branches. It has been elevated from a "forma" taxonomical ranking of Pachypodium rosulatum variety rosulatum forma bicolor to a full species by Lavranos and Rapanarivo in 1997. A "forma" is a specific taxonomic ranking below subspecies and usually designates the smallest degree in taxonomical nomenclature recording the slightest difference between taxa, typically based on one chief character.
Her later novels included En Skizze efter det virkelige Liv (A Sketch from Real Life, 1853) and Minona. En Fortaelling (Minona: A Tale, 1854). En Skizze efter det virkelige Liv is the story of two sisters who were orphaned at an early age, and the men with whom they develop relationships; the older sister rejects her suitor, feeling that men are weak, while the younger sister falls in love. Minona created new controversy with its complex plot involving unwed mothers and incest; Minona, the chief character, overcomes her incestuous attraction after converting to Christianity.
In the 2017 miniseries Batman: White Knight, an unnamed Clayface appears as a chief character. Criminal Jack Napier (a version of Joker who was temporarily cured of his insanity after being force-fed pills by Batman) uses the Mad Hatter's mind control technology to control Clayface, while slipping small particles from his body into the drinks of many of Batman's other villains. This allows Napier to control a small army of villains via this Clayface's ability to control parts of his body that had been separated from him.
The Lonely Road is a 1936 British drama film directed by James Flood and starring Clive Brook, Victoria Hopper, Nora Swinburne and Malcolm Keen.BFI.org The film was released in the United States as Scotland Yard Commands. The film was based on the novel Lonely Road by Nevil Shute, who had visualised the chief character as the actor Clive Brook and had sent a copy of the novel to Brook. Shute visited the studio, and was pleased to see the film made (though the payment for film rights was not large by American standards).
Ture is a character in the folklore of the Zande people of North Central Africa. A trickster figure, he is "the chief character in Zande folktales", in which he employs what among the Azande is called sanza, or speech with a double meaning. According to E. E. Evans-Pritchard, who collected and published a number of Zande stories, most of them involve Ture. In one Zande animal story, he is named in a short song as someone who might call a child to entice it away from her mother.
In fiction, a character (sometimes known as a fictional character) is a person or other being in a narrative (such as a novel, play, television series, film, or video game).Baldick (2001, 37) and Childs and Fowler (2006, 23). See also "character, 10b" in Trumble and Stevenson (2003, 381): "A person portrayed in a novel, a drama, etc; a part played by an actor". The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. Derived from the ancient Greek word χαρακτήρ, the English word dates from the Restoration,OED "character" sense 17.a citing, inter alia, Dryden's 1679 preface to Troilus and Cressida: "The chief character or Hero in a Tragedy ... ought in prudence to be such a man, who has so much more in him of Virtue than of Vice... If Creon had been the chief character in Œdipus..." although it became widely used after its appearance in Tom Jones in 1749.Aston and Savona (1991, 34), quotation: From this, the sense of "a part played by an actor" developed.Harrison (1998, 51-2) quotation: Character, particularly when enacted by an actor in the theatre or cinema, involves "the illusion of being a human person".
It chief character that distinguishes Pachypodium bicolor from other species with yellow corolla is the presence of a white corolla tube or throat to the flower. Pachypodium bicolor is part of the Pachypodium rosulatum complex, where discussion centers on rather one is dealing with one species with many varieties, as Gordon Rowley argues, or many separate distinct species. The corolla, the collective term for the petals of a flower or the inner whorl of the perianth, in the nexus for taxonomical confusion of the taxon. Pachypodium bicolor is endemic to Madagascar in the low, open, deciduous, western forest growing on porous sandstone.
In the show, Bolt must use his superpowers to save his owner and co-star Penny, whom he loves dearly, from the evil Dr. Calico. However, Bolt believes that he actually has the superpowers possessed by his television character, a delusion the directors of the show maintain by tricking Bolt into thinking his adventures are real, in order to make his performance more authentic. The character Bolt was created by Chris Williams and Byron Howard together with the chief character designer Joe Moshier. Much of the inspiration for the character was provided by John Lasseter who also oversaw Bolt's visual development.
Didactic poems took this form without being regarded as blasphemous. Religious drama did not thrive in the Byzantine era. The only example is the Suffering of Christ (Christus Patiens, Χριστὸς пάσχων ), written in the 11th or 12th century; of its 2,640 verses, about one-third are borrowed from ancient dramas, chiefly from those of Euripides, and Mary, the chief character, sometimes recites verses from the "Medea" of Euripides, again from the "Electra" of Sophocles, or the "Prometheus" of Aeschylus. The composition is evidently the production of a theologian trained in the classics, but without the slightest idea of dramatic art.
However, reviewers were not in universal agreement on any of these points. Maguire wrote in the New York Times: > What keeps this densely realised confection aloft is that very quality of > reverence to the writers of the past. The chief character in Jonathan > Strange and Mr. Norrell isn't, in fact, either of the magicians: it's the > library that they both adore, the books they consult and write and, in a > sense, become. Clarke's giddiness comes from finding a way at once to enter > the company of her literary heroes, to pay them homage and to add to the > literature.
Joyce Ballou Gregorian wrote a trilogy of fantasy novels, sometimes called the "Tredana Trilogy," that takes place in a parallel world, focussed on the city of Tredana, its inhabitants and neighbors, in a part of that world which resembles the Middle East. The chief character is Sibyl Barron, from our own world, whose life is entwined with the other world. Her love of horses shows in her trilogy, and some horses she owned were written into the books. She also collaborated with her father, Arthur T. Gregorian, and her nephew, Douglas Christian, on a book on Armenian oriental rugs.
Joseph of Arimathea was no longer the chief character in the Grail origin: Joseph's son, Josephus, took over his role of the Grail keeper. The earliest versions of the grail romance, however, do not call the grail "holy" or mention anything about blood, Joseph or Glastonbury. In 1191, monks at the abbey claimed to have found the graves of Arthur and Guinevere to the south of the Lady Chapel of the Abbey Church, which was visited by a number of contemporary historians including Giraldus Cambrensis. The remains were later moved and were lost during the Reformation.
Promoting naturalistic attitudes over belief in the supernatural, the author rejects the popular belief in retribution: his bad characters suffer no punishment. The characters in these stories are intellectuals, perhaps based on the author's friends and contemporaries. Wu also portrays women sympathetically: the chief character Du treats his wife as a companion instead of as an inferior. Although it is a satiric novel, a major incident in the novel is Du's attempt to renovate his family's ancestral temple, suggesting the author shared with Du a belief in the importance of Confucianism in life in spite of his criticism.
Barrett H. Clark's comments: "as one of Gerhart Hauptmann's experiments in dramatic form, The Weavers is highly significant. Instead of a hero, he has created a mob; this mob is, therefore, the protagonist—or chief character—and if individuals emerge from the rank and file they are not thrust into the foreground to stay long. It is the weavers as a class that is ever before us, and the unity of the play is in them and in them alone; they are only parts of a larger picture which will take shape as the story advances, and are not intended to be taken as important individuals."Barrett H. Clark.
Over the centuries, Skarga became a character in a number of other artistic works, including a novel by Józef Ignacy Kraszewski, though he has never been the chief character in any literary work longer than a poem. In 1936, on the 400th anniversary of Skarga's birth, with the endorsement of Poland's President Ignacy Mościcki and the Polish government, the Polish writer Zofia Kossak-Szczucka proposed that Skarga be beatified. Nearly eight decades later, Skarga's cause for beatification was inaugurated on 12 June 2013. In 2012, on the 400th anniversary of his death, the Polish Sejm declared that year the "Year of the Reverend Piotr Skarga".
The name of the chief character, and title of the play, Matsukaze, bears a poetic double meaning. Though Matsu can mean "pine tree" (松), it can also mean "to wait" or "to pine" (待つ). Matsukaze pines for the return of her courtier lover, like the woman of Akashi in the Genji, and like the woman in Zeami's play Izutsu. Tyler also draws a comparison between the names of the two sisters to a traditional element in Chinese poetry, referring to different strains of music as the Autumn Rain and the Wind in the Pines; Autumn Rain is strong and gentle intermittently, while the Wind in the Pines is soft and constant.
Bulwer-Lytton humanised Gothic art and evoked its poetry to suit the Victorian era. In Zanoni, Bulwer-Lytton alludes to deep Rosicrucian mysteries regarding the four elements, secrets which only initiated Rosicrucians have the power to reveal, the ultimate goal being the discovery of the Elixir of life and the attainment of immortality and eternal youth. This is all depicted in Zanoni himself who at the time of Babylon abandoned all human passions to become immortal but during the French Revolution, to become human again, he falls in love and dies in the guillotine. The name Zanoni is derived from the Chaldean root zan, meaning "sun", and the chief character is endowed with solar attributes.
According to Toriyama, Goku is more of a selfish person than a hero as his main interest in the story is to fight strong opponents rather than protecting the innocent. As a result, Toriyama was angered when the anime adaptations of Dragon Ball started portraying Goku as more heroic than his manga counterpart. Dragon Ball GT chief character designer Katsuyoshi Nakatsuru said he agonized over designing Goku's Super Saiyan 4 appearance, which was the idea of the show's producers, questioning whether it was necessary to go further with the transformations. Because Super Saiyan 4 is brought about while in a Saiyan's Ōzaru form, he made the hair more "wild" and covered Goku's body in red fur.
Owing to the importance of the Book of Job, the Talmudists occupied themselves frequently with its chief character. One of the amoraim expressed his opinion in the presence of Samuel ben Nahmani that Job never existed and that the whole story was a fable.Tractate Baba Bathra 15a An opinion couched in similar words and pronounced by Simeon ben Lakish was interpreted to mean that such a person as Job existed, but that the narratives in the drama are inventions.Genesis Rabba 57 Apart from these utterances, all of the rabbis took it for granted that Job existed, but they differed widely as to the epoch in which he lived and as to his nationality, two points of discussion closely connected.
For two years he played leading parts with Robert Downing, then created the part of General Delarouche in Paul Kaubar. Drouet played Citizen Pierre in a Charles Coghlan play of the same name (1899) and Colonel Jack Brereton in a drama based on Paul Leicester Ford's novel Janice Meredith. In this four-act play, which opened in 1900, Drouet played the lead, opposite Mary Mannering debut in the title role. He next appeared in two Clyde Fitch hits: He created the chief character, John Austin, in The Girl With the Green Eyes, which ran 108 performances at the Savoy Theatre in New York beginning in 1902; and he gave 89 performances of The Woman in the Case at the Herald Square Theatre in 1905.
Tibón has been especially interested in the history of personal and topographical names. His book América: Setenta siglos de la historia de un nombre (1945) constitutes what has been called a "novelized study in which a word is the chief character". He argues that the name "America" is "a masterpiece of chance", and proceeds to trace its etymology from the personal name of Amerigo Vespucci to its Germanic original Amalric and to ancient roots, which he claims to link to the meaning "land of industrious and powerful men". In Origen, Vida y Milagros de su Apellido, he extended this method to the discussion of personal names, providing elaborate historical genealogies and anecdotes to create a narrative of humanity though names.
The 2002 Pedro Almodóvar film Talk to Her (Hable con ella) has the chief character Benigno tell a story called The Shrinking Lover to Alicia, a long-term comatose patient whom Benigno, a male nurse, is assigned to care for. The film presents The Shrinking Lover in the form of a black-and-white silent melodrama. To prove his love to a scientist girlfriend, The Shrinking Lover protagonist drinks a potion that makes him progressively smaller. The resulting seven-minute scene, which is readily intelligible and enjoyable as a stand-alone short subject, is considerably more overtly comic than the rest of Talk to Her—the protagonist climbs giant breasts as if they were rock formations and even ventures his way inside a (compared to him) gigantic vagina.
The work dates from the second quarter of the 12th century and comes from a church of the Bishop of La Seu d'Urgell and was acquired in 1905. It is one of the masterpieces of the collection of panel painting of the MNAC. The frontal, the item covering the front of the altar, stands out for the quality of its bright colours and because it illustrates some of the characteristics of composition in Romanesque art, such as bilateral symmetry, abstraction of the background, with no reference to space or context, and the unnatural geometrical treatment of form to be observed in the folds of the clothing. It also shows certain conventions of representation, such as so-called hierarchical perspective, which consists in representing the chief character in a larger size.
Very popular in terms of Caribbean story-telling, and a direct transfer from West Africa to the Caribbean are the Anancy Stories (Nancy Stories) told throughout the region. Ananse is the Asante word for spider. The trickster Anancy (also known as Ananci, Ananse, Anansi, Ananci Krokoko, and Brer Nancy), with his quick-witted intelligence and his knack for surviving the odds, often through trickery, is the most popular of this genre of African-Caribbean folk-tale characters, although there are other West African influences in folk story characters, including the hare (chief character in the Yoruba folktales) and the tortoise, which features in the stories of the Ibo people. In addition to these stories, African religious figures also comprise a significant part of Caribbean folklore, many of the supernatural folklore figures possessing characteristics which are identical with those of African deities, and include: "Papa Bois", who appears in many different forms, sometimes as a deer, or in old ragged clothes, sometimes hairy and though very old, extremely strong and muscular, with cloven hoofs and leaves growing out of his beard.

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