How swapping chattery offices for self-employment can make conversations at the newsagent feel like Christmas.
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This week he released a studio video of "Milagrosa," a piece with Mr. Zenón's characteristically chattery pulse.
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Like the recordings he made with the duo, the A-side's a chattery mesh of styles and sounds.
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A bright chattery mountain stream runs the length of the park, and on either side are tangled thickets of birds and flowers.
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Chattery vocal samples and asymmetrical kick-drum patterns are staples of the genre, but Jlin's take somehow felt even more blistered and broken.
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It's eight tracks of chattery hi-hats, anxious arpeggiations, and blown-out drum programming that fly by at what seems an impossibly rapid clip.
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Despite the concept of some joke-shop chattery teeth coming to life to protect their owner being an incredibly silly one, though, the story somehow works.
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From terrifying grandmothers to murderous chattery teeth, I've picked out 13 of my favourite King short stories below, broken down by the collection you can find them in.
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Chattery samples make their way across the audio field and synthesizer lines trace graceful arcs, but they never feel overcrowded, a collection of thoughtful marks rather than anxious scribbles.
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Saint and UNIIQU3's transformation of a vocal take into a chattery percussive part and M-80-like kick-drums make this one feel like it could level a stadium.
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The King half, based on "Chattery Teeth," is an especially galling choice for an adaptation: There is no feasible way to turn the titular novelty item into anything remotely threatening.
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The encounter takes place in the subterranean ambience of a production by Jam City with wavery bass tones, chattery percussion and countless layers of Kelela's nonchalant voice ricocheting through the haze.
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Today's its all chattery, street-corner huddles of students from the University of Bath's Virgil Building (once the local police station), the odd street cleaner, and quick, dangerous overflights of opportunistic pigeons.
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The best bits are on songs like "Terrarium," where all the reference points blur together, when rave airhorns accompany blurry ambience, chattery Jersey-ish vocal chops, and bass drops befitting big-tent performances.
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Often that means blistering a Bluetooth speaker with something punishing—say the chattery, crowd-dispersing chaos of Wolf Eyes' "Stabbed in the Face"—especially when the responsibility has been unwillingly foisted upon me.
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The innovation of "Alone" was that took the best of those moments—a beautiful sunrise of a synth line, a chattery vocal sample—and imbued them with a special sort of post-millennial alienation.
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They deal in twitchy drones, free-associating ambient music, cathedral-sized instrumentals, and chattery sound art—all of which is united in a spirit of pushing boundaries and celebrating the rich histories of electronic composition.
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Both the pseudo-house rave-up of "Big Time Sensuality" and the chattery "Earth Intruders" snuck into the lower reaches of the Billboard Hot 100, and 2007's Volta peaked at #7 on the album chart.
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Leaning heavily on chattery vocal samples and stuttering percussion (as well Portishead's most anxious track), it lumbers forward with a sense of embodied locomotion—the strange combo of awkwardness and grace that can only come from human movement.
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On the record, there's serpentine breaks ("Planet Lonely"), chattery deep house ("We Are Going Nowhere"), slo-mo techno, and a number of other major moments in rave history—but it's all linked by a distinctively airy, magic-hour ambiance.
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Built around a two-stepping drum loop, a chattery vocal sample, and a lead synth line that recalls slamming a fist on a keyboard, it's an anthem for those who remember that ecstasy's the whole point of this dance music thing.
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Mostly, by Power's track selection, that seems to manifest in the clangorous realms of industrial music, noise, and EBM—there's a machinic track from Coil, chattery body horror from Wolf Eyes, and even a Skinny Puppy jam in the mix.
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Scene stalwart MikeQ and the comp's itinerant experimentalists—like Byrell the Great, LSDXOXO, and Skyshaker—each offered their own vibrant takes on the slivered samples and chattery percussion that mark the style, but something about the track, credited to Beek and Commentator Buddah, felt a little different.
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Across the five short pieces, there's moments like the surreal vocal warping of "Kyrie," or the chattery found samples that underpin "O" that offer wrinkles to the more placid moments of their labelmates—getting lost in darkness before finding a way back to more glimmering passages.
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"Chattery Teeth" is a short story by American writer Stephen King. It was originally published in Cemetery Dance and was later collected in Nightmares & Dreamscapes.
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Davids (2002), p. 53. The Benedictine chronicler Alpert of Metz describes Theophanu as being an unpleasant and chattery woman. Theophanu was also criticized for having introduced new luxurious garments and jewelry into France and Germany.Davids (2002), p. 54.
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Quicksilver Highway is a 1997 television comedy horror film directed by Mick Garris. It is based on Clive Barker's short story "The Body Politic" and Stephen King's 1992 short story "Chattery Teeth". The film was originally shown on television before being released on home media.
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Screenshot The player controls a pair of disembodied lips, similar to a Chattery Teeth toy, named Mighty Mouth.Game manual at AtariAge. Various fast food menu items fly across the screen and the mouth earns points by catching them. The player must avoid eating the purple pickles.
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This species appears shorter tailed and larger headed than meadow pipit. Its call is a "schrip" like yellow wagtail, and the song, given in flight, is a chattery "tsivrr tsivrr tsivrr tsivrr". This species is named after the French naturalist Sabin Berthelot, one-time resident of the Canary Islands, by Carl Bolle.
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"The Night Flier" and "Dolan's Cadillac" were both adapted to films of the same respective names. "Chattery Teeth" was adapted into a segment of the film Quicksilver Highway. "Sorry, Right Number" was telecast as an episode of Tales from the Darkside before it was published in Nightmares & Dreamscapes. "The Moving Finger" was adapted into an episode of the TV show Monsters.
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In the film Help!, at the opening of the song, the head of the cult, Clang (Leo McKern), appears from underneath a manhole cover in the middle of Ailsa Avenue, London, where parts of the film were shot. He stays there for the whole song, which the Beatles play in Lennon's quarters of the Beatles' shared flat. The flute part of the song is performed by George's in- house gardener (who also trims his grass carpet with chattery teeth).
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Thomas wanted to "invite new viewers to the show" by "trying to start with a clean slate" and ridding the show of references to former plotlines and character development. With regards to "Welcome Wagon", Thomas stated that he "wanted episode one this year to not rely much on past knowledge." He also tried to make the episode "very sort of breezy, and chattery and funny." The episode reintroduces the case of the Hearst serial rapist, a storyline presented in a second-season episode.
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The main story is centered on Aaron Quicksilver (played by Christopher Lloyd), a travelling showman who tells horror stories to the people he meets. He first runs into a newly married couple who are hitchhiking, to whom he tells the story "Chattery Teeth", about a man who is saved from a dangerous hitchhiker by a set of wind-up toy teeth. He later runs into a pickpocket to whom he tells "The Body Politic", a story about a man whose hands rebel against him.
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During the struggle, Hogan wrecks the van, and before the hitchhiker can recover and kill him, the teeth come to life and gruesomely dispatch the criminal. Hogan passes out to the vision of the Chattery Teeth dragging the hitchhiker's body off into the desert. Nine months later, Hogan stops again at the same convenience store, where he is unexpectedly reunited with the "broken" teeth again. The store owner's wife recounts how a disheleved young man- Hogan's would-be carjacker and murderer- was found dead out in the desert, presumably killed by wild animals.
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Jerry mixes and drinks a potion as the title card and credits are shown. After Jerry drinks the potion, he discovers that it gives him the power of superspeed; he tests this out by eating Tom's canister of sardines, along with the last bit of gravy and bits of his skin. Afterwards, Tom initially assumes that a ghost was eating his food, but concludes that it is a bug equipped with a jetpack and chattery teeth. Tom slips a large watermelon slice around the corner and readies a flyswatter.
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"Lane Boy" is composed in the key of A minor while Tyler Joseph's vocal range spans one octave and four notes from a low of F4 to a high of C6. The song's breezy instrumentation maintains a distinctive Caribbean groove, which is underscored by a plucked melody and Dun's drumming. Joseph delivers his lyrics in a hard, staccato style of rapping over a kaleidoscopic mixture of electronic beats, chattery programming and bouncy reggae rock. With a frenetic vocal style, he both raps in double-time and belts melodic lines as the composition meanders into dub-inspired passages before entering a convulsive drum'n'bass section.
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In the story, salesman Bill Hogan notices an odd pair of walking "Chattery Teeth" (odd due to their unusually large size and the fact that they are made of metal) in a convenience store display. The clerk ends up giving Hogan the teeth, claiming they had been dropped and no longer work. Hogan is unable to dismiss another oddity- his sense that the teeth are somehow sentient and want to kill him. As he leaves the convenience store, Hogan reluctantly (having been robbed by a hitchhiker once before) gives a ride to a hitchhiker outside the convenience store; his fears prove prophetic when the young man tries to carjack him and then kill him.
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When playing Dr. Charles George, Matt Frewer had a tough time making the hand move as if it had a separate mind; it took around three days for him to master the trick, and by the third day was having "hand nightmares" while resting between shoots. Steve Johnson handled the chattery teeth effects, while Flash Film Works and Bill Mesa was responsible for the moving hands. Around 90% of the hands were digitally animated with LightWave 3D and composed in the shots with the Chyron program Liberty. The more practical hand effects, such as George's left hand, were performed by Christopher Hart, whose work as a magician got him hand-only characters in projects such as three Addams Family films.
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