The film, directed by Benjamin Dickinson, explores the life-changing aspects of a new pair of AR glasses called Augmenta.
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The weight training could be changing aspects of the brain, including the levels of various neurochemicals that influence moods, he says.
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Angela Merkel, the German chancellor, has admitted her policy of welcoming refugees is unpopular and is open to changing aspects of it.
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By combining a vibrant lip color in shades of bougainvillea, hot coral, or orange-red with eyeshadows and liners in sunny yellow, marigold, or copper, the color-changing aspects of a spectacular sunset are represented without looking garish.
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And because of Epic's design decisions over the last few months, which include drastically changing aspects of the map by adding new locations and more loot to find, games have accelerated even faster toward the final 20 or 30 players.
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Tessa Hill-Aston, the president of Baltimore's branch of the N.A.A.C.P., said she was heartened to see that the Police Department had already implemented reforms — like testing body cameras and changing aspects of prisoner transport — and hoped the consent decree would bring more.
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As the recording process continued, Zappa brought in revised scripts and improved the work by editing or changing aspects with which he was dissatisfied. Zappa attempted to produce Thing-Fish as a Broadway production. In promotion of the planned musical, a photo sequence based upon the "Briefcase Boogie" scene was shot for the pornographic magazine Hustler, accompanied by plot excerpts from the scene. The sequence was 28 pages long.
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The move is part of a three-year plan that includes cutting 300 jobs in an attempt to reduce losses and break even by 2019. The paper and ink are the same as previously and the font size is fractionally larger. An assessment of the response from readers in late April 2018 indicated that the new format had led to an increased number of subscriptions. The editors were working on changing aspects that had caused complaints from readers.
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Because dogs often bark excessively due to stress, boredom, or frustration, changing aspects of an animal's environment to make them more content is a suitable way to quiet them down, rather than forcibly silencing a distressed animal. Spending more time with an animal, such as playing, walking, and other bonding activities, will keep them occupied and make them feel more at ease. If the animal is stressed, it is best to remove the object that is causing them discomfort.
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Moves can reasonably be attributed some definite value, such as 20 points or fewer, rather than simply being necessary to compete. Both players set limited objectives in their plans, in making or destroying territory, capturing or saving stones. These changing aspects of the game usually occur at much the same time, for strong players. In brief, the middlegame switches into the endgame when the concepts of strategy and influence need reassessment in terms of concrete final results on the board.
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Computer and synthesizer technology joining together changed the way music is made, and is one of the fastest changing aspects of music technology today. Dr. Max Matthews, a telecommunications engineer at Bell Telephone Laboratories' Acoustic and Behavioural Research Department, is responsible for some of the first digital music technology in the 50s. Dr. Matthews also pioneered a cornerstone of music technology; analog to digital conversion. At Bell Laboratories, Matthews conducted research to improve the telecommunications quality for long-distance phone calls.
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The castle grounds, with its diverse trees, its ponds and its changing aspects tracking the changing of the seasons, offered to Gard a multitude of subjects. Since he could only make short trips there for a day or two, he chose to make drafts. He tried to seize the effects of light, wind, fog, snow, rain, playing in the trees, the meadows, the water or the sky. The light is expressed in prominent fluid brushstrokes, which do not seek to flatter the layman's eye.
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Siddhasena's main contribution in the Sanmatitarka is his analysis of the Jain theory of Anekantavada. According to Jeffery Long, Siddhasena divides two the seven classical Jain nayas (standpoints, viewpoints) into two categories: "those which affirm the substantiality of existence (dravyāstikanayas) and those which affirm the impermanent, changing aspects of existence (paryāyāstikanayas)." This view sees the best account of reality as one which includes permanence and impermanence, identity and difference in a complex set of contradictory relations. Siddhasena also argued that the number of possible nayas or viewpoints of reality is potentially limitless.
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100 lists tables of trousers heights to allow the waistcoat covering the waistband to come down just below the narrowest point of the chest. Though serving less purpose, this high height was duplicated in the daywear of the period. Since then, fashions have changed, and have rarely been that high again with styles returning more to low-rise trousers, even dropping down to have waistbands resting on the hips. Other changing aspects of the cut include the length, which determines the break, the bunching of fabric just above the shoe when the front seam is marginally longer than height to the shoe's top.
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Ending the stage with a Cool rank often results in a special level ending, and clearing all stages on Cool Mode unlocks a bonus mode with characters Katy Kat and Sunny Funny. Rank-changing aspects of a level are only apparent during the first of every two lines. If the player successfully times the first line of a pair, but fails on the second, the rank meter will not blink Bad or Awful. Likewise, once the game has been cleared, a Good play is only necessary on the first of every two lines to be able to get Cool mode on the second line.
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He came to the United States in 1890, and made his first appearance at Palmer's Theatre (later, Wallack's Theatre) in New York, 10 November 1890, when he again acted in The Middleman, and the greeting that hailed him was that of earnest respect. When Willard played the part of Judah Llewellyn for the first time in America, 29 December 1890, at Palmer's Theatre, he gained a verdict of emphatic admiration. Willard had long been known and esteemed, in New York, by the dramatic profession and by those persons who habitually observed the changing aspects of the Stage on both sides of the ocean, but to the American public his name had been comparatively strange. He sailed to England, then returned again to the United States in 1896, remaining till 1903, when he made 13 American tours. Mrs.
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Paul Cézanne, Bathers, 1874–1875, oil on canvas, 38.1 × 46 cm (15 × 18.1 in), Metropolitan Museum of Art, New York City The preoccupations of Gleizes, to considerable extent beyond those emancipated by Cézanne, was to play with the mobile, dynamic, changing aspects of the same form relative to the position of the painter. Les Baigneuses, along with other compositions by Gleizes and his fellow Salon Cubists from this period (1911-1912), tend to coordinate a variety of views of the same subject, or a multiplicity (in the Bergsonian sense) of different angles in one picture. This attempt clearly shows the importance of both the time element and the mobile properties in the sequence of events. According to Gleizes, the artist would accommodate either several successive moments in time projected onto a single space, or multiple spaces projected onto the canvas at the same time.
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Of > course, to make possible such constancy it is also necessary that this > content be organized, not only through relatively fixed association but also > with the aid of the rules of logic, and of our basic categories of space, > time, causality, universality, etc. ... there will be a strong background of > recurrent, stable, and separable features, against which the transitory and > changing aspects of the unbroken flow of experience will be seen as fleeting > impressions that tend to be arranged and ordered mainly in terms of the vast > totality of the relatively static and fragmented content of [memories]. Bohm also claimed that "as with consciousness, each moment has a certain explicate order, and in addition it enfolds all the others, though in its own way. So the relationship of each moment in the whole to all the others is implied by its total content: the way in which it 'holds' all the others enfolded within it".
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