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86 Sentences With "change places"

How to use change places in a sentence? Find typical usage patterns (collocations)/phrases/context for "change places" and check conjugation/comparative form for "change places". Mastering all the usages of "change places" from sentence examples published by news publications.

It's in the final furlong generally when the horses change places and the winning deal appears.
Arnaud Beltrame, volunteered to change places with the hostage and was subsequently killed by the attacker, Radouane Lakdim.
The text and image are mixed and change places depending on the viewer's perspective, nationality, and language of origin.
I say now that I would change places with you in an instant, but if given the opportunity, would I?
"We should think heavily about places, and how we might change places to interrupt gun violence as a disease," he said.
Like many Shepard plays, "Simpatico" operates according to what might be called a perverse buddy system, in which twinned, seemingly dissimilar characters gradually change places and roles.
In "Transition" (20143), for example, yellow ocher, green and black repeatedly change places, defining shiny strokes and then matte background areas, almost in a kind of dance.
But from my own experience, I am certain that every one of them, if they could, would willingly change places and give their lives so their child could live.
From what I heard, there are opportunities for changeplaces to start anyhow, located not in some amorphous and overarching world of the "arts," but in individual people and specific spaces.
"If attitudes don't change, places will continue to be inaccessible," she says, adding that the MTA renovations in the wake of Sandy create an excellent opportunity to envision a new, more accessible future.
While the latest assessment doesn't explicitly make that calculation, it does show that climate change places a huge economic burden on the United States, which undermines the government's efforts to ignore or downplay the issue.
While talking up the United States' place in the world, the former vice president said he doesn't know a "single, solitary" world leader who would not change places with the US over the problems it faces.
"The Letter V" takes a livelier tone in the third movement, which draws on Mr. Morris's background in folk dance; the men and the women move in separate circles, one placed within the other, and change places throughout.
Ken throws in his own unsettling statement, telling his friend, "You could have, you know, invited me to change places with you when you had the big clear view of the whole pussy," because, again, he's nothing if not a total gentleman.
Concentric ovals of black and of a rich, orange-y yellow, with irregular breaks, stains and overlaps, create a strangely stately sense of motion: As foreground and background seem to slowly change places, the piece's central black oval becomes an emptiness that's also an object.
John Frum, a messianic figure, is sometimes portrayed as a black American sailor or sergeant ("John from America") whose symbol is a red cross like that on military medical tents and whose return will trigger an apocalypse, deliver vast piles of cargo, and make whites and Melanesians change places in the power hierarchy.
Forms of environmentalism abound, and often the text recognizes that explicans and explicandum can readily change places.
Assistant's Revenge performed by Christian Farla The Assistant's Revenge is a transposition illusion in which two performers change places. It was created by magician and inventor Robert Harbin.
He constantly had to change places and could only move into a house with the owner's permission. He did not possess any thing except for few basic items like clothes and a bowl for alms.
Near the end of the novel, Carton manages to change places with her husband Charles Darnay hours before Darnay's scheduled execution in France, giving his life for Lucie's sake. Later, Lucie and Charles name their second son after Carton.
The immortal Polluce wishes to change places with his mortal (and dead) brother, Castore, so that the latter can rejoin his lover Telaira. This causes many complications, not least with Telaira's sister (and Polluce's lover) Febe. Giove ultimately reunites Polluce, Castore and Telaira in heaven.
Acute promyelocytic leukemia (APL) is a specific type of AML. In this leukemia promyelocytes are produced and build up in the bone marrow. A specific chromosome translocation (a type of genetic change) is found in patients with APL. Genes on chromosome 15 change places with genes on chromosome 17.
Adaptation of the Mark Twain classic story, The Prince and the Pauper. But now the story is set in the present time and have dogs as the protagonists. Liberty, "The First Dog" and Moocher, a street dog, have their lives turned upside down when they change places by mistake.
I'm Not That Kind of Girl is a studio album released in 1983 by British singer Marti Webb. It was a follow up to 1981's Won't Change Places. The songs on the album are linked by a story and were written by David Hentschel and Don Black.
St. Lazare Prison Chénier awaits his execution with Roucher, writing verses of his faith in truth and beauty. Roucher leaves, as Mathieu sings the Marseillaise outside. Maddalena enters with Gérard for a last meeting with Chénier. Maddalena bribes the jailer Schmidt to let her change places with a condemned noblewoman.
One of the two twin girls, born with a single mother, a future artist, is declared the general's granddaughter. December 31, 2000 on the Kremlin tree meet the daughter of the artist and granddaughter of the new president of the Russian Federation! The princess and the beggar, of course, change places.
The spaces had effect any time they were landed on, whether the dasher was moving forwards or backwards. Some spaces on the board remained constant, while others changed from game to game. In other episodes, additional colors were used for these spaces. Some spaces, such as "Change Places," were designated in orange.
Njegus refuses to do so. As the Baron and Danilo discuss what to do with Njegus, he breaks away from them and looks around desperately for help. Seeing Hanna, who has just arrived in the area, Njegus explains the situation to her and asks her to change places with Valencienne in the pavilion. Hanna agrees to do so.
Charlotte Sometimes author Penelope Farmer onetwo (via Archive.org) The story centres on a girl starting at a boarding school, who finds one morning that she has travelled mysteriously back more than 40 years. In the past, the teachers and students call her "Clare". Charlotte and Clare change places each night, alternating between the years 1918 and Charlotte's time.
Jake & Blake is an Argentine sitcom, starring Benjamín Rojas. It tells the story of identical twin brothers separated at birth, who after meeting change places. It was released on 29 November 2009 as a pilot episode, and officially released on 7 December on Disney Channel Latin America. It was created by Cris Morena and is produced by Cris Morena Group and RGB Entertainment.
The TV series Futurama has a robot named Mad Hatterbot who is based on the Hatter. Seen only in the HAL Institute (an asylum for criminally insane robots) the Mad Hatterbot only says one line: "Change places!", which all in the room comply with when spoken. The price tag on his hat reads "5/3", a simplified form of the fraction 10/6.
The two other groups consisted of 500 artillerists each. In peace time, one group would be stationed at the fort for one week, and the other group would be in reserve at the village of Wonck, about away. These two groups would change places every week. Except for some of the officers and NCOs, most of the men were conscripts.
Some of the family members escaped to Byblos and later moved to other villages. Little is known of Hanna, but his journey and dwellings in different places (Byblos, Antelias, Achrafieh, Chiyah), proves him an expedient man willing to fight for his rights and possessions. Quarrels with local inhabitants forced him to change places, finally settling in the Zireh-Daychounieh area south of Mansourieh.
The dance features a skipping step to the music. Periodically, the two groups will change places, dancing across the floor and passing each other in the process. Traditional dances practiced by Eritrea's other Afro-Asiatic communities include those by the Saho, which involve jumping on each leg in rhythm with the beat. The related Afar, Tigre, Bilen and Hidareb have similar moves.
The girls decide to change places, and their parents don't realize what they have done, because the girls look very much alike each other. The father is going to marry with his partner, Soraya. So the girls try to persuade Soraya to leave their father. Then, they pretend that they are lost so that their parents would look for them and meet each other.
She agreed, "You write in mine." She has since regularly performed at his Sydmonton Festival. He produced her second solo album Won't Change Places (1981) which featured the lead single "Your Ears Should Be Burning Now". In January 2014, Webb again performed Tell Me on a Sunday initially for a week at the St. James Theatre, London, then for a fortnight at the Duchess Theatre.
As the dance proceeds, the participants change places, with men forming the inner circle. Sometimes, it is performed exclusively by men folk. At that time, a series of half-swirls make up a simpler version of the dance depending on the dancer`s ability & proficiency, it is danced with a series of intricate pattern steps. The striking of sticks gives the dance a vigorous character & consistent tempo.
If the bowler hits the wicket with the ball so as to knock it flat, the batsman is "bowled out". If the bowler does not succeed, the batsman scores one run and continues to play. Once all the members of the first batting team are out, the batting and bowling teams change places and the game continues until all players on both sides have batted.
Starting 1884, the organization of the Mounted Companies was fixed at 215 men, 3 horses and 120 mules. The officers were on horse, the Adjudants had each a mule, as far as the others, they had one mule for two. One sits on the mule and the other marches. Every couple of hours, at the command of "change, mount" (), the legionnaires would change places.
A good reason for > talking to a man, that he shows you what you have fallen away from and what > you might have been! Change places with him, and would you have been looked > at by those blue eyes [belonging to Lucie Manette] as he was, and > commiserated by that agitated face as he was? Come on, and have it out in > plain words! You hate the fellow.
Current rodeo star Jackie Roach turns up and makes a pass at Sylvia, who rejects him. Hob competes in bareback riding and so impresses Lew's young son that Lew bribes a cowboy to change places and let him ride a bucking bronco. Lew is thrown and badly injures his leg. Ruth scolds the others for encouraging Lew, saying everyone should face the hard truth that his rodeo career is done.
Although the Council of Europe has recognized it as a "genocidal act", no country except the self-declared, unrecognized Chechen Republic of Ichkeria officially recognizes the act as a genocide. During the repression period(1944–1957), deported nations were not allowed to change places without special permit taken from local authority. Names of repressed nations were totally erased from all books and encyclopedias. Chechen-language libraries were destroyed, many Chechen books and manuscripts were burned.
Koszarski, R., An evening's entertainment: the age of the silent feature picture, 1915-1928. p.311 One critic even stated, "Gilbert will be able to change places with Harry Langdon. His prowess at lovemaking, which has held the stenos breathless, takes on a comedy aspect, that gets the gum chewers tittering at first, then laughing outright at the very false ring of the couple of dozen 'I love you' phrases."Basinger, J., Silent Stars. p.
Four men answered this call--but another trooper who had been ordered to stay behind begged to change places with one of those being sent into battle, even offering "his last dollar" as an incentive, before being refused by every man in the battery.Letters of James Bolton Rice to his wife, Vol 2: 1863 Letter of February 18, 1863. Apparently the battle did not materialize, as Rice makes no further mention of it.
Their mission was to stop the alien-empowered rock band, needing to change places with the present Karma and Cannonball to do it. Having been detained by the present-New Mutants, they explain they were trying to prevent Doug from being exposed to the alien device. In the future, having been corrupted by the device the "True/Friend" has spliced Warlock's tech into everyone in the guise of protecting them, but also becoming a dictator.New Mutants Vol.
On February 8, 1969, the first I-500 was held with 47 qualifying drivers. At the time, there was no standard of rules for snowmobile races of this type, so the I-500 Committee adapted the rules of the Indianapolis 500. Volunteers counted the laps, as they would do for the next 28 years. Each rider was required to have at least three backup drivers, and they had to change places every 50 laps or less.
When two such undecided points occur (or one, if one of the teams is on game point) the teams change places. In the next rally, the team that then has the receiving position, tries to hit the ball past the first kaats and, if any, in the next rally past the second kaats, so deciding the undecided points. Then they start all over again. In parts of Belgium, the similar game of jeu de balle-pelote is played.
In 2004, it was adapted into an 85-minute CGI-animated musical, Barbie as the Princess and the Pauper, with Barbie playing the blond Princess Anneliese and the brunette pauper Erika. In 2012, a second CGI musical adaptation was released, entitled Barbie: The Princess and the Popstar. In it, Barbie plays a princess blonde named Victoria (Tori) and a brunette popstar named Keira. Both crave the life of another, one day they meet and magically change places.
The institution of dedes is based on a three tiered hierarchy: # Murshid # Pir # Rehber In some regions this hierarchy is modified in such a way that the Pir and Murshid change places. This is exclusively a functional hierarchy, as all involved come from a dede family. They fulfill functions that are complementary in nature, and would be meaningless in isolation from each other. The dede families, all of them called ocakzâdes, have distributed these duties among themselves.
When Ibro Hadzic learns that Darko Bokan will be acquitted due to lack of evidence, Ibro has other plans to try Darko. Ibro takes Bokan hostage and forces him to confess to what he "did" in the past while the world watched the events on television. Ibro then makes it clear that he wants the former Defence Minister George Terhoff, whom he holds responsible for losing his family, to change places with Bokan. Terhoff enters the room with police and arrests Ibro.
After killing the galley-master (Peter Gilmore), Horsa and the galley slaves kill Agrippa and his fellow assassins and swim to Egypt. Hengist, who had been sent out to fight Agrippa and was unaware of Horsa's presence on board, again takes the credit. Once at Cleopatra's palace, an Egyptian soothsayer (Jon Pertwee) warns Caesar of the plot to kill him, but Mark Anthony convinces Caesar not to flee. Instead, Caesar convinces Hengist to change places with him, since Cleopatra and Caesar have never met.
This committed them to a "universal dynamism", which was to be directly represented in painting. Objects in reality were not separate from one another or from their surroundings: "The sixteen people around you in a rolling motor bus are in turn and at the same time one, ten four three; they are motionless and they change places. ... The motor bus rushes into the houses which it passes, and in their turn the houses throw themselves upon the motor bus and are blended with it".
Angry, the rich brother hired murderers and lured his brother on a path, but when the murderers were going to hang the poor brother, they heard someone singing, and they threw the poor brother into a sack and hanged it, before running off. The poor brother worked a hole in the sack and saw the man, who was a student. He told him that it was the Sack of Knowledge, and he was learning marvelous things in it. The student asked to change places with him.
Nines is a special and defense force directly subordinate to APE and Zero Two's former unit, which originally appeared as a result of attempts to create functional pairs from her DNA. In their pairs, pistils and stamens change places, which together with their "genderness" means them as an alternative to traditional heterosexual relationships in other pairs. In this regard, all members of the squad have an underlined androgynous appearance and fundamentally avoid any gender roles in their behavior. ; : :The narcissistic and mischievous leader of the Nines.
Act Four begins with another dumb show, this one depicting the wedding of Julia and the Prince of Florence. After the ceremony is performed, the Prince announces his doubt of Julia's chastity, proclaiming that if she is not found to be a virgin that night, then the marriage will not be valid. The Duke of Milan and Stroza panic about this until Stroza works out a plan. He offers Lauretta money to change places with Julia for the night, thereby tricking the Prince of Florence into believing that Julia is a virgin.
The woman on the right hand side had the most laborious task, as she had to stretch to meet the adjacent ridge.M. Roberts, "Sickles and scythes revisited: harvest work, wages and symbolic meanings", in P. Lane, N. Raven and K. D. M. Snell, eds, Women, Work, and Wages in England, 1600–1850 (Boydell & Brewer, 2004), , p. 99, The two women in a team would, as a result, change places every landing. A bandster could bind the corn of two teams and the six reapers could cut two acres a day.
During the course of the siege Mario Manca, the Italian consul general, attempted to liaise with the men, acting as a go-between. At one stage he offered to change places with one of the hostages who was unwell, but the offer was declined. Lord Pitt, the former chairman of the Greater London Council who was West Indian-born, also attempted to negotiate with the men, but had limited success. Dr Peter Scott, a forensic psychiatrist at the Maudsley Hospital, gave advice about the mental state of the criminals throughout the siege.
The treble is known as the "hunt bell" because it hunts continuously without ever deviating from the path. The diagram for the plain course is shown here. The Grandsire variation on the plain hunt on odd numbers adds a second hunt bell, which is "coursing" the treble: that is, the second hunt bell takes its place at the front of the change immediately after the treble. The single deviation away from hunting for the rest of the bells now takes place as the two hunt bells change places at the front of the lead.
More points are rewarded to teams when they change places or holds, or when they perform difficult skating moves together. Both partners must execute the combinations of difficult turns at the same time and with a clear rhythm and continuous flow. Partners can perform rockers, counters, brackets, loops, and twizzles during combinations of difficult turns. Three turns, changes of edges, jumps and/or hops, and changes of feet are not allowed, and "at least one turn in the combination must be of a different type than the others".
Won't Change Places is an album by Marti Webb released in 1981 as a follow-up to Tell Me on a Sunday. As with her previous album, the recording was produced by Andrew Lloyd Webber for the Polydor label. It included a recording of "Don't Cry for Me Argentina" from the musical Evita in which Webb was appearing as Eva Perón at the time. The album featured the singles "Your Ears Should Be Burning Now" and "I've Been in Love Too Long", and was released in early 1981.
When Bera accidentally finds out that Sodom is about to be destroyed and Lot saved, he concocts a plan to switch places with Lot, as the archangels set to destroy the city had never actually seen Lot. He sends his elder son to seduce Charlotte, but to his chagrin his son falls in love. Bera tells Lot that he is ill and needs to get away from his usual surroundings, so they change places. As Lot takes the role of king, he becomes conceited and forgets his plans to help the children of Sodom.
Dana was enormously influential in America – his Manual of Mineralogy is still in print in revised form – and the theory became known as Permanence theory. This appeared to be confirmed by the exploration of the deep sea beds conducted by the Challenger expedition, 1872–1876, which showed that contrary to expectation, land debris brought down by rivers to the ocean is deposited comparatively close to the shore on what is now known as the continental shelf. This suggested that the oceans were a permanent feature of the Earth's surface, and did not change places with the continents.
We Can Make It was the only number one album in the UK for British vocal duo Peters and Lee. It spent two weeks at the top of the chart in 1973. It is one of the very few number one albums not available on CD in the UK.Virgin Book of Hit Albums The album was produced by John Franz and the conductor was Peter Knight, Scott Walker and Dusty Springfield's old Philips team. "All change places", "I'm Confessin'" and "Let it be me" were just some of the winning songs from Opportunity Knocks in February 1973 promoted on the album.
This is of course the same pavilion where Danilo, the Baron, and Njegus have agreed to meet, and the latter, arriving first, locks the door when he spots people inside. Baron Zeta and Danilo follow, but Njegus quickly arranges with Hanna to change places with Valencienne. Camille emerges from the pavilion with Hanna, who announces that they plan to marry, leaving the Baron distraught at the thought of Pontevedro losing Hanna's millions and Valencienne distraught at losing Camille. Danilo is furious, and tells the story of a Princess who cheated on her Prince (")" before storming off to seek distraction at Maxim's.
They entered the TV talent show Opportunity Knocks, which they won for a then-record seven times, with such songs as "All Change Places", "I'm Confessin'", "Let It Be Me" and "All I Ever Need is You". Following their TV success, a record contract was soon signed with Philips Records. They were produced by Philips' A&R; man Johnny Franz, and their management company was International Artists, run by showbiz professionals Phyllis Rounce and Laurie Mansfield. Franz found the song that suited them well, and their recording quickly led to a number one hit; "Welcome Home" sold over 800,000 copies in Britain.
She falls in love with Howard Tracy (Viscount Berkeley) at first sight and later renounces her aspirations of aristocracy in order to be with him. Berkeley Rossmore (Howard Tracy): The only son and heir of the Earl of Rossmore. According to the narrative, his full name is the Honourable Kirkcudbright Llanover Marjoribanks Sellers Viscount-Berkeley, of Cholmondeley Castle, Warwickshire(which the narrative tells us is pronounced "K'koobry Thlanover Marshbanks Sellers Vycount Barkly, of Chumly Castle, Warrikshr"). At the beginning of the novel, Berkeley announces his intention to go to America and "change places" with Simon Lathers, the man he considers the rightful heir.
Once there, she is mistaken for her sister by Archana. Later, when the twins meet, they realize that Devyani has been scheming to keep Raj under her control, and change places in hope of freeing Raj and reuniting their family: each according to her own personality, but under the name of her sister. Tina goes to India to cure their father of alcoholism, while Sweety remains in England to acclimate their mother to her habits. When Tina meets with Raj, she finds out that he is having a sexual affair with a young woman named Savitri (Pooja Batra), who was introduced to him by Devyani.
Near the end it is found out that Pooja is alive, and she was the one who had burned down the mental institution because "she didn't like it there". Rahul and Pooja run away from the cops and Pooja's dad who wants her back in mental hospital is trying to trace her. They roam the jungle and change places, but they are caught by the police in a town and at the climax Pooja snatches a gun from a police officer and shoots herself saying she doesn't want to go back to the mental hospital, she wants to be with Rahul. Her grandfather and Rahul helplessly watch her die.
The natural drafting order is determined by the teams' final rankings within each conference from the previous season, with rankings from the PBA Philippine Cup having heavier weight; the team with the worst record picks first, and the team with best winning percentage picking last in the first and second rounds. In the third round, the natural drafting order is still followed, however, the team with the second worst winning percentage will pick first then the worst will pick second. The worst and second worst team will change places in the following rounds. The drafting order is also subject to change if a team deals their draft picks in trades.
This work ends when the happiness of ① is changed into the suffering of ②, and this is overcome with the happiness of ③, and happiness continues. So, fortune and misfortune don’t stay permanent, but show a circular structure in which the two situations change places with each other. The 'Circulation of the real space and the unreal space' and 'The circulation of the happiness and unhappiness in this story is based on the will to make the new real world full of happiness, abolishing the unhappy reality. Koreans had expectations and beliefs that today's hardships and misfortunes can be overcome tomorrow and they can live happily.
It was while learning to drive that Renee stalled Alf's car at a red traffic light in a country lane. While Alf got out of the car to change places, a lorry coming the other way hit the car and Renee was killed. Alf, who had been drinking, was unharmed and later told Ken Barlow (William Roache) that he felt guilty as seconds before Renee died, they were arguing about her driving and this was the last thing he ever said to her. Alf inherited the shop from Renee, and, over the next few years, he watched Audrey Potter (Sue Nicholls) come and go.
It is reputed that the name derived from a pub that stood at the centre of the village, then known as Wait Lane End, where the stage-coach horses waited to change places with the team that pulled the coach up and over Portsdown Hill. The pub had been named Heroes of Waterloo because, on its opening day, in 1815, soldiers who had just disembarked at Portsmouth, returning from the Battle of Waterloo, decided to stop there and celebrate their victory. According to local legend, many of them settled there. The pub was thereafter renamed in their honour and the area around the pub became known as Waterloo.
It had served with 89th S/L Rgt around Exeter and Plymouth during the latter part of the Blitz.89 S/L Rgt War Diary 1941, TNA file WO 166/3109. In January 1943, the growing ATS detachments allocated to AA units were reorganised: those with 33rd S/L Rgt became B Company, 6 AA Bde Group ATS, with a dedicated platoon to each S/L company. On 10 April 1943, 33rd S/L Rgt was ordered to change places with 73rd (Kent Fortress) S/L Rgt in 27th (Home Counties) AA Bde, taking over four areas of Kent under Biggin Hill Sector of 11 Group RAF, with Regimental HQ at Faversham.
Dutch depiction of the battle with a poem With a calm sea and a breeze from the north-east, Zoutman manoeuvred his line onto a port tack, heading south-east by east, and awaited Parker, who held the weather gage. The British fleet closed, raggedly at first due to the poor condition of some of the ships, into a line of battle abreast in accordance with the signal raised at 06:10. Two ships were told to change places, which led to a mistake and placed the Dolphin against one of the largest Dutch ships and the Bienfaisant without an opponent. When Parker raised the battle flag shortly before 08:00, for close action, the British fleet moved closer.
The musical features an original score composed by Andrew Lloyd Webber, with lyrics by Glenn Slater, sound design by Mick Potter and musical supervision by Ethan Popp, in addition to music from the 2003 film. It features around twelve original songs, with three taken from the original film. "I'm Too Hot for You" reuses the melody of "I've Been in Love Too Long", a track originally written by Lloyd Webber, with lyricist Don Black, for Marti Webb's 1981 album, Won't Change Places. "Stick it to the Man" uses musical elements taken from Lloyd Webber's 1978 fusion album Variations (others of which are also used in other musical numbers and as the music for an onstage game of Guitar Hero).
Miners could ascend and descend at the same time: the pause at the changeover point was made long enough (typically between two and eight seconds) for two men to change places. To facilitate this some installations (such as at the Devon Great Consols mine, Tavistock) had a fixed platform at both sides of the shaft, one side for miners descending and one for those on the ascent. Counterweights – large boxes filled with stones attached through "see-sawing" horizontal beams – were installed to avoid the full weight of the shaft and men bearing on the top linkage. In the deepest mines, which could sink to more than 350 fathoms (640 metres), extra counterweights were provided at regular intervals, in horizontal side galleries.
Charles H. Martin, "The Rise and Fall of Jim Crow in Southern College Sports: The Case of the Atlantic Coast Conference." North Carolina Historical Review 76.3 (1999): 253-284. onlineRichard Pennington, Breaking the Ice: The Racial Integration of Southwest Conference Football (McFarland , 1987). With an alumni base that dominated local and state politics, society and business, the ACC flagship schools were successful in their endeavor--as Pamela Grundy argues, they had learned how to win: : The widespread admiration that athletic ability inspired would help transform athletic fields from grounds of symbolic play to forces for social change, places where a wide range of citizens could publicly and at times effectively challenge the assumptions that cast them as unworthy of full participation in U.S. society.
In the Second Battle of the Aisne (16 April – 9 May), the French failed to achieve their strategic objective of a breakthrough and a return to a war of movement but captured tactically important ground and inflicted many casualties on the German defenders. The Germans were forced to retire from the area between Braye-en-Laonnois, Condé- sur-Aisne and Laffaux to the Hindenburg Line from Laffaux Mill, along the Chemin-des-Dames to Courtecon. The German armies in France were still short of reserves, despite the retirements to the Hindenburg Line in March and suffered during the Nivelle Offensive. Because of the shortage of troops, the front- holding divisions had to change places with the Eingreif divisions, rather than be withdrawn to recuperate.
During a demonstration of a Tibetan sand painting ceremony, Draper leapt up on the service desk in the Fiction section brandishing a M1911 pistol and claiming to have a bomb. He ordered nearby people into a conference room, which was already occupied by a Toastmasters group: librarian Gwen Page, six civilians, and Salt Lake County Sheriff's Lt. Lloyd Prescott, who offered to change places with the last person who entered the conference room. Lt. Prescott was in plain clothes at the time and had his pistol hidden on his person. After Draper and the others entered the room Page began to count hostages, as ordered, and began to have them line up facing the wall while Draper made demands and described his plans.
Finally ACC schools--typically under pressure from boosters and civil rights groups--integrated their teams. Charles H. Martin, "The Rise and Fall of Jim Crow in Southern College Sports: The Case of the Atlantic Coast Conference." North Carolina Historical Review 76.3 (1999): 253-284. online With an alumni base that dominated local and state politics, society and business, the ACC schools were successful in their endeavor--as Pamela Grundy argues, they had learned how to win: : The widespread admiration that athletic ability inspired would help transform athletic fields from grounds of symbolic play to forces for social change, places where a wide range of citizens could publicly and at times effectively challenge the assumptions that cast them as unworthy of full participation in U.S. society.
Finally ACC schools—typically under pressure from boosters and civil rights groups—integrated their teams.Charles H. Martin, "The Rise and Fall of Jim Crow in Southern College Sports: The Case of the Atlantic Coast Conference." North Carolina Historical Review 76.3 (1999): 253-284. online With an alumni base that dominated local and state politics, society and business, the ACC flagship schools were successful in their endeavor—as Pamela Grundy argues, they had learned how to win: : The widespread admiration that athletic ability inspired would help transform athletic fields from grounds of symbolic play to forces for social change, places where a wide range of citizens could publicly and at times effectively challenge the assumptions that cast them as unworthy of full participation in U.S. society.
Subject–auxiliary inversion (also called subject–operator inversion) is a frequently occurring type of inversion in English, whereby a finite auxiliary verb – taken here to include finite forms of the copula be – appears to "invert" (change places) with the subject.For accounts and discussion of subject-auxiliary inversion, see for instance Quirk and Greenbaum (1979:63), Radford (1988:32f.), Downing and Locke (1992:22f.), Ouhalla (1994:62ff.). The word order is therefore Aux-S (auxiliary–subject), which is the opposite of the canonical SV (subject–verb) order of declarative clauses in English. The most frequent use of subject–auxiliary inversion in English is in the formation of questions, although it also has other uses, including the formation of condition clauses, and in the syntax of sentences beginning with negative expressions (negative inversion).
Tech Panel, p. 5 The workload between the partners must be even to help them earn more points. More points are rewarded to teams when they change places or holds, or when they perform difficult skating moves together. Teams also earn more points for the following: if they use difficult skating moves together and change holds and places during step sequences; if they execute rotations to either the right or the left, "with full body rotation covering at least one-third of the pattern in total for each rotational direction"; if they use their body movements for at least one-third of the pattern; changes in position (defined as "crossing at least three times while doing steps and turns") for at least a third of the sequence but not over half of it; and if the partners execute two different combinations of three difficult turns.
The German armies in France were still short of reserves, despite the retirements to the Hindenburg Line and divisions depleted by during the Nivelle Offensive and then replaced by those in reserve, had to change places with the counter-attack divisions, rather than be withdrawn altogether. Another British attack at Bullecourt was planned after the failure of 11 April but postponed several times until the Third Army further north, had reached the river Sensée and there had been time for a thorough artillery preparation. By May the attack was intended to help the Third Army to advance, hold German troops in the area and assist the French army attacks on the Aisne. Two divisions were involved in the attack with the first objective at the second Hindenburg trench on a front of , a second objective at the Fontaine–Quéant road and the final objective at the villages of Riencourt and Hendecourt.
Smokehouse (also known as, Smokehouse Associates, Smokehouse Collective, Smokehouse Painters) was a New York City-based community "wall painting" initiative created in part by Melvin Edwards and William T. Williams, spanning from 1968 until 1970. The project existed as a social experiment asking the question "can abstraction solve social justice?" The wall paintings consisted of hard edge graphics and geometric patterns, occurring between 120th street and 125th street of Harlem. It was born out of the pondering of how the 19th-century tradition of stacking houses affected the human psyche and Melvin Edwards believed there is a strong correlation between living spaces and the lives of people. He mentions this in an interview at the Soul of a Nation Symposium in 2018 stating: “If you change places, you can change the lives of people.” Edwards wanted the public to participate in the way cities were developing.
He and Peter "Prosser" Hanks perfected a routine in which they would change places in a two-seater Hawker Audax in mid-air. Along with Peter Townsend (who joined the squadron at the same time as Hull) and Sergeant Frank Reginald Carey, they formed an aerobatic flight that performed stunts such as loops, barrel rolls and stall turns. Piloting a Hawker Fury, Hull flew the individual aerobatics at the air show at Hendon in 1937 honouring the coronation of King George VI. Hull was promoted to flying officer on 16 April 1938. As war loomed, the squadron began to prepare for combat in late 1938, and in December that year was re-equipped with Hawker Hurricane Mk Is. Hull reacted to the outbreak of the Second World War in September 1939 with great excitement; according to Hector Bolitho, No. 43 Squadron's intelligence officer, the Rhodesian leapt from one foot to the other in the officer's mess, repeating the words "wizard, wizard".

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