How to use chambranles in a sentence? Find typical usage patterns (collocations)/phrases/context for "chambranles" and check conjugation/comparative form for "chambranles". Mastering all the usages of "chambranles" from sentence examples published by news publications.
The sides and the front were glassed with 4 large French windows. Wooden, gable-shaped decorative elements above the vestibule are in the Swiss style. The windows of the ground level were decorated in the Classicistic style. Three windows on the northern side are framed with chambranles.
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Porthos consists of prefab concrete parts and because of that the building was topped out within one hundred days. When the prefab elements were placed on their locations, they already had been equipped with glass and pipes. The exterior of Porthos is made of ceramic bricks and aluminium. The chambranles consist of aluminium as well.
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The ground floor has several examples of Cinquecento-style 'finestra inginocchiata' (literally kneeling windows) with doorways topped with balconies. The windows of the upper floors are surmounted by circular pediments, apart from the top floor which has Baroque chambranles. Its decoration is typically Florentine and is carved in pietra serena on a white background. The Compagni coat of arms is at the centre of the façade, though a small Cresci coat of arms still survives in a corner to the right.
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Caldoches, European people born in New Caledonia Wood carving, especially of the houp (Montrouziera cauliflora), is a contemporary reflection of the beliefs of the traditional tribal society, and includes totems, masks, chambranles, or flèche faîtière, a kind of arrow that adorns the roofs of Kanak houses. Basketry is a craft widely practiced by tribal women, creating objects of daily use. The Jean-Marie Tjibaou Cultural Centre, designed by Italian architect Renzo Piano and opened in 1998, is the icon of the Kanak culture. The Kaneka is a form of local music, inspired by reggae and originating in the 1980s.
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The retable rises to a great height above the altar; it includes an important statuary and a magnificent, delicate filigree of balusters, spires, small dossals, and chambranles, all done by Joan Peti. It consists of five continuous panels, the center panel being the widest; it is five storeys tall, and the lines of separation are stair-stepped. The themes of the central panel from bottom to top are: the figure of a seated Virgin and Child plated in silver on the predella, above this the tabernacle and a Gothic monstrance carved in wood, then a depiction of the Nativity, and above that, the Ascension. The whole culminates in a monumental scene of Christ's crucifixion at Calvary.
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