53 Sentences With "cartoon animation" | Random Sentence Generator

"I was a big comic, cartoon, animation nerd," the Yale School of Drama grad says.

It has a cartoon animation on the main screen to help motivate kids to get moving.

One episode is rendered in cartoon animation; another is told as a series of posts on Instagram.

Over the course of six years, he perfected his craft by studying cartoon animation, drawing, and illustration.

Cramer's the fourth person or character to use Adobe's Cartoon Animation tech after Homer Simpson, Hillary Clinton and Donald Trump.

And most recently, we've seen the New York Times publish a cartoon animation of Trump and Putin's relationship presented as romantic, rather than political.

Buy a gift, and your user name will be lifted above the textual scrum, beaming a bright cartoon animation and signal that you've paid anywhere from 5 cents to $50 for the chance to catch the broadcaster's eye.

Cartoon Animation Studio. ARG! currently produces animation for movies, television and the Web. Romero's screen credits include digital effects animation for Johnny MnemonicJohnny Mnemonic credits on IMDB. Accessed May 24, 2009.

Cascade Comix Monthly on ARG! Cartoon Animation. Accessed May 24, 2009. a fanzine about underground comix with news and artist interviews, including Art Spiegelman, Denis Kitchen, Dan O'Neill, Gilbert Shelton and Trina Robbins.

Blair would write many more animation how-to texts over the next forty years, culminating with Cartoon Animation (1994), a 224-page book which compiles most of the content from his previous books. A new edition of Cartoon Animation will be published in 2020 by Walter Foster Publishing, an imprint of The Quarto Group. Preston Blair was the brother of artist Lee Everett Blair and the brother-in-law of artist and designer Mary Blair. He died on April 19, 1995.

This project demonstrates real-time rendering capabilities using OpenGL for 3D cartoon animation. This project marks the end of the fruity naming scheme. Glass Half was financed by the Blender Foundation with proceeds from the Blender Cloud.

Ha Il-kwon (, born January 10, 1982) is a South Korean manhwaga. He graduated from Sejong-University in Korea. He majored in Cartoon-Animation. His most notable works include God of Bath, Duty after School and Annarasumanara.

The era in which the Wan brothers operated was a very challenging one for building an industry. China would endure the Second Sino-Japanese War, World War II and the Cultural Revolution. They also made the famous cartoon animation, Havoc in Heaven.

Statistical models can be used to segment and align recorded speech to words or phones. Applications include automatic lip- synch timing for cartoon animation, follow-the-bouncing-ball video sub- titling, and linguistic research. Automatic segmentation and alignment software is commercially available.

Ludwig is a surreal 1977 British-made children's cartoon animation about a magical egg-shaped gemstone who lived in a forest. 25 five-minute episodes were made. The programme was produced by father and son team, Mirek and Peter Lang. Peter went on to animate Pigeon Street.

Miroslav Štěpánek (December 1923 – 28 November 2005) was a Czech artist, director, screenwriter, set designer, illustrator, graphic designer, animator, and sculptor. He was known for his contributions to Czech animated film and Czech, British and Japanese puppet film, cartoon animation and theatre during the 20th century.

Yexel's Toy Museum has housed Yexel Sebastian's toy collection since 1989. The collection now includes over 50,000 toys and 900 Life Size Statues . It is located in Las Piñas, Philippines. The four- story building exhibits miniatures to life-sized cartoon, animation, video games and movie-based characters.

Author Philip Wylie wrote a series of short stories, Crunch and Des, beginning in the 1940s, which featured a similarly named character, Captain Crunch Adams. The Cap'n Crunch commercials have historically used basic cartoon animation by Jay Ward Productions. Vinton Studios produced a claymation ad during the 1980s.

Animation style is influenced by cartoon animation, and uses classifier to describe events such as one's eyes popping out of their head. This is often employed in Personification techniques, in which signers use a portion of their body to bring an object to life and show its emotions.

Shim studied cartoon animation at Chungkang College of Cultural Industries. Wanting to become a missionary to Africa, he began studies in 2011 at the International Evangelical College in the Philippines in Pastoral Studies, but left school in 2013 to pursue painting in Perth, Australia.}} He draws much of his inspiration from hip hop culture.

Lichty was a four-time winner of the National Cartoonists Society's Newspaper Panel Cartoon Award. Grin and Bear It received this award in 1956, 1960, 1962 and 1964. Lichty's cartoon style had an influence on cartoon animation in what was known as the "animation smear technique," dubbed the "Lichty style" by Warner Bros. animator Rod Scribner.

North Korea has a proficient information technology industry. In 2018, a technological exhibition unveiled a new wi-fi service called Mirae ("Future"), which allowed mobile devices to access the intranet network in Pyongyang. The exhibition also showcased a home automation system using speech recognition in Korean. North Korea's cartoon animation studios such as SEK Studio sub-contract work from South Korean animation studios.

Thomas Watson Williams (17 October 1940 - 8 May 2002), was an English cartoonist. Born in Stockton-on-Tees, Tom Williams attended art college in Newcastle in the early 1960s. He became an animator for leading British animation studio Halas & Batchelor shortly after leaving college. In the early 1970s he left the world of cartoon animation & began illustrating in the hugely popular British comics published by Fleetway.

Stop That Tank! is organized into two separate sections: the first animated section lasting three minutes, 15 seconds is a comedic demonstration of the anti-tank gun in an anti-Nazi propaganda "sketch", while the second longer section uses both cartoon animation and live action sequences to demonstrate proper use and handling of the Mk.1 Boys Anti-Tank Rifle.Van Riper 2011, p. 22.

After the cartoon story, the bouncing ball sing-along segment begins. The background image for the first part of the sing-along is a design of shamrocks and smoking pipes, to indicate an Irish theme. In the second segment the background image is a statuette of Betty Boop. The third segment returns to cartoon animation interacting with the lyrics in the Fleischer Studios style of the time.

It follows the story of a nameless ninja in the present day, and features a themed conflict between ancient ninja tradition and modern technology. Cutscenes for the game are rendered in a Saturday-morning cartoon animation style. The game received critical acclaim from reviewers. Aggregate scores for the game hold in the 90% range at website Metacritic, and it received eight perfect scores from media outlets.

Harjo's first passion was cartooning, and he sold comics to his high school newspaper. Interested in pursuing a professional career in cartoon animation, Harjo went to the Institute of American Indian Arts in 1966, only to discover that their animation program no longer existed.Little Thunder, 7 He stayed at IAIA anyway and earned his Associate of Arts degree. His classmates included such luminaries as T. C. Cannon and Linda Lomahaftewa.

Author Park Yong-Je majored in cartoon animation at Sunchon National University. Inspired by action genre and Dragon Ball, Park made his debut with "Tough Guy" (쎈놈), published on Naver Webtoon from 2008 to 2009. This manhwa, set around high- school brawlers from Park's hometown of Suncheon, was well received and inspired him to pursue a "100% totally unrealistic work of action" where high schoolers from all over the world would compete to become the God of High School.

The Adventures of Willy Beamish is a graphic adventure game developed by Dynamix and published in 1991 by Sierra On-Line. The player takes on the role of nine-year-old Willy Beamish in a game that somewhat parodies the adventure genre. The game pioneered the use of in-game graphics drawn to resemble classic hand-drawn cartoon animation. It was initially released for MS-DOS and the Commodore Amiga and was ported to the Sega CD in 1993.

Okoye studied Fine and Applied Arts (Graphic design/Illustration) at the Institute of Management and Technology in Enugu from 1985 to 1989. On arriving Germany in 2000, she did a guest programme at the University of Cologne, which she promptly left to go register in Communication Design at the University of Applied Sciences in Düsseldorf. From 2003 to 2004, Okoye trained in traditional 2D cartoon animation at the Internationale filmschule köln. She is a fluent speaker of Igbo, English, and German.

Comedians Issue 1991 Issue Year: 1991 Date of Issue: 29th August, 1991 Face Value: 29c Stanley Gibbons Catalogue No: 2607 Scott Catalogue No: 2564 Printer: The Bureau of Engraving and Printing Issue Copies: 139,995,600 Designer(s):Al Hirshfeld Theme(s):Cartoon/Animation Description:29c Jack Benny. Comedians Issue 1991 Jack Benny Middle School in Waukegan is named after Benny. Its motto matches his famous statement as "Home of the '39ers". A statue of Benny with his violin stands in downtown Waukegan.

The range of production values and styles for the videos vary widely. The band has worked with several different directors including Jamie DeWolf, Christopher Poeschl, Janelle Hessig, Melissa Dale, Alex Koll and others to create music videos that involve short horror films, fake infomercials, Claymation, cartoon animation and more. The band has worked with each director to develop elaborate plots, costuming, stories and themes. The videos have featured the work and participation of hundreds of cast, crew members and directors.

Tokyo Marble Chocolate was awarded the Grand Prize in the Feature Film Category of the 12th Seoul International Cartoon & Animation Festival (SICAF 2008), held in Seoul, Republic of Korea, from May 21 to 25, 2008. The jury was composed of Giannalberto Bendazzi (a professor of the history of animation at Milano State University in Italy), Noriko T. Wada (a Japanese producer) and Kyung-jo Min (a South Korean director). The award ceremony took place in Seoul on May 25, 2008.

The Computer Graphics Lab at the New York Institute of Technology (NYIT) developed a "scan and paint" system for cel animation in the late 1970s. It was used to produce a 22-minute computer-animated television show called Measure for Measure. Industry developments with computer systems led Marc Levoy of Cornell University and Hanna-Barbera Productions to develop a video animation system for cartoons in the early 1980s.Bruce Wallace, Merging and Transformation of Raster Images for Cartoon Animation, Proceedings of SIGGRAPH 1981, Vol 15, No. 3, Aug.

Columbia also used cartoon animation instead of more expensive special effects with its science-fiction serials. By the 1950s Columbia serials were very-low-budget affairs, consisting mostly of action scenes and cliffhanger endings from older productions, and even employing the same actors for new scenes tying the old footage together. The new footage was so threadbare that it would often show the new hero watching the action from a distance, rather than actually participating in it. Columbia outlasted the other serial producers, its last being Blazing the Overland Trail (1956).

Eileen O’Meara has produced and directed animated spots and shorts for clients including HBO, Warner Home Video, Motown, Heal The Bay, Channel One, and WEA Latina. Her independent short films Agnes Escapes from the Nursing Home and That Strange Person have screened at Sundance Film Festival, The London Film Festival, PBS, The Movie Channel, and Showtime. O'Meara's work is featured in Get Animated! Creating Professional Cartoon Animation on your Home Computer by Tim Maloney, and Making it Big in Shorts: The Ultimate Filmmakers Guide to Short Films by Kim Adelman.

His most effective use of rotoscoping was in the action-oriented film noir Superman series of the early 1940s, where realistic movement was achieved on a level unmatched by conventional cartoon animation. Contemporary uses of the rotoscope and its inherent challenges have included surreal effects in music videos such as Elvis Costello's "Accidents Will Happen" (1978), Klaatu's "Routine Day" (1979), A-ha's "Take On Me" (1985), the live performance scenes in Dire Straits' "Money for Nothing" (1985), Kansas' "All I Wanted" (1986), and the animated TV series Delta State (2004).

There was a challenge on every page—trying to avoid getting stepped on in the shoe section, for example, or treasure hunting in the jewellery department. The first draft of The Prairie Dogs was written while she was in high school. The novel was based on the imaginary adventures of her childhood toys and the real adventures of dogs she had grown up with. When she attended university, however, it was to get a degree in Film and Video from the University of Regina so she could be a cartoon animation artist.

Cartoon animation was an important feature; the animated characters in the films interact directly with the live-action characters, which was an innovation at the time. Capra worked with United Productions of America (UPA) for the first film, Our Mr. Sun. At UPA, Bill Hurtz directed the animation for Our Mr. Sun; Hurtz had been the designer for the Oscar-winning cartoon short of Dr. Seuss' Gerald McBoing-Boing (1950) and would later direct animation for Jay Ward. In 1954, Hurtz moved to Shamus Culhane Productions, and the animation contract for the next three Capra films followed him there.

He summarized, "although it lags at times, it contains an excellent blend of puzzle-solving and cartoon animation." Edge described Toonstruck as "the closest any post-Monkey Island effort, with the possible exception of Broken Sword, has come to getting the ingredients right," and gave the game an 8 out of 10. The magazine praised the game's puzzles and highlighted the non-linear aspect of the game. The review did criticize the integration of digitized live-action footage with the animated scenes, and stated the humor was excessively over-the-top at parts of the game.

They are both portrayed as smart, but Tech is the better inventor and at times Rev is shown doing stupid things. References to their ancestors' past are seen in the episode "Family Business" where the other Runners are wary of Tech and Tech relives the famous falling gags done in Coyote/Runner shorts. Road Runner and Wile E. feature in 3D computer animated cartoons or cartoon animation in the Cartoon Network TV series The Looney Tunes Show. The CGI shorts were only included in season one, but Wile E. and Road Runner still appeared throughout the series in 2D animation.

Bottin's most celebrated effect was the on-screen transformation of Eddie Quist, which involved air bladders under latex facial applications to give the illusion of transformation. Variety claimed that The Howlings biggest flaw is that the impact of this initial transformation is never topped during the climax of the film. The Howling also features stop-motion animation by David W. Allen, and puppetry intended to give the werewolves an even more non-human look. Despite most of the special effects at the time, the silhouette of Bill and Marsha having sex as werewolves is obviously a cartoon animation.

Sebastian goes running in the nearby mountains, and enjoys the first day of his complete sobriety. Ted also learns the song, and he points out that while it's not his kind of music, he insists on playing it with full attitude, to the great satisfaction of Evan. Doc takes the band to the Fremont Street Experience, for reasons unknown to them. When they arrive, they are shown a cartoon animation of the group represented as a superhuman rock group, destroying various "bubblegum pop" icons and joining forces upon seeing a searchlight with the Damnocracy logo (akin to the Bat-Signal).

Affiliated to Tehran Municipality, Iranian House of Cartoon (خانه کاریکاتور ایران) was founded in 1996. In addition to hosting temporary exhibitions & acting as an educational center of cartoon & animation, it has been the permanent secretariat of Tehran International Cartoon Biennial."The official website of Iranian House of Cartoon""Roshd online encyclopedia, Ministry of Education of Iran" Its Sponsor is Municipality of Tehran and the goals of this organization is the recognition, upgrading and propagation of cartoon and caricature in Iran and World, so as to encourage and support Iranian and Foreign cartoonists and fans and introduce their works both in Iran and the world.

La Joie de Vivre is described as a break from the "limiting comic tradition of the 1930s cartoon animation", and its free, decorative style and vague politics permitted its re-release in France during the early 1940s by the Vichy government. The nine-minute film is described in the Internet Movie Database as "A tone poem [in which] two woodland sprites dance about, atop power lines and among flowers and leaves, while being pursued. Everyone spends some time pulling levers to switch trains, too." C.H. Hoppin in his Sarasota, Florida, home, December 1961 Following the success of this film, the pair produced works titled The Storm and Fox Hunt.

A Span in Time tells the saga of the 2007 Labor Day weekend Bay Bridge construction project, with the now-legendary C.C. Myers as the contractor. During a three-day bridge closure, Myers’ and Caltrans’ teams demolished and removed a football field-size bridge, rolled in a new pre- constructed replacement span, and finished the amazingly challenging job eleven hours ahead of schedule! The film tells the story from the perspectives of the construction contractor, Caltrans engineers and designers, and two of the reporters who covered the story. Hilarious cartoon animation introduces soon-to-be-legendary TV anchor "Max Tabloid," who reports on the story as it unfolds on the screen.

By the early 1950s Alexander was producing between 2000 and 3000 advertisement films a year and had a library covering over 8200 different subjects. In its heyday, Alexander Film Company's lot hosted 32 full size motion picture sets, modern film and audio laboratories, a sound recording department, an art department capable of creating cartoon animation, stop motion, backgrounds and other special movie effects, an engineering department and a full service print shop. To run this massive complex Alexander employed over 600 people locally and the annual payroll exceeded $2.5 million. A client list included a "who's who" of the nation's leading manufacturers including General Motors, Ford, U.S. Rubber, Philco, and Seven-Up.

To trick the eye and the brain into thinking they are seeing a smoothly moving object, the pictures should be drawn at around 12 frames per second or faster. (A frame is one complete image.) With rates above 75-120 frames per second, no improvement in realism or smoothness is perceivable due to the way the eye and the brain both process images. At rates below 12 frames per second, most people can detect jerkiness associated with the drawing of new images that detracts from the illusion of realistic movement. Conventional hand-drawn cartoon animation often uses 15 frames per second in order to save on the number of drawings needed, but this is usually accepted because of the stylized nature of cartoons.

This scene is notable for providing the masterful combination of live-action and cartoon animation, as well as animation among the cacti. The scene is interrupted when Panchito and José suddenly spice things up for the finale of the movie, and Donald ends up battling the same toy bull with wheels on its legs the day before from earlier. The catch is that it is again loaded with firecrackers and other explosives, following with a fireworks finale with the words "The End" exploding from the fireworks, first in Spanish (Fin), in the colors of the flag of Mexico, then in Portuguese (Fim), in the colors of the flag of Brazil, and finally in English, in the colors of the flag of the United States.

Emilio Garcia, known by his brain-related sculptures was born in January 1981 in Tarragona, Spain. Fascinated by the cognitive development and pop culture, Emilio Garcia explores the neuroplasticity of human brain by creating contemporary iconic eye-catching sculptures and paintings in vibrant colors. He graduated from Escola d'Art i Disseny de Tarragona in Graphic Design in 1999, combining study with work at different cartoon animation studios in Barcelona as layout artist and illustrator... Since 1999 he has worked as freelance art director for international major companies like Berlitz Corporation, Hitachi, Diesel, Inditex, Metro, Vans or The North Face specializing in user interface design and interactive content. His work is published in several "Web Design Index" books by Pepin Press & Agile Rabbit (2002–08) and "Taschen's 1000 Favorite Websites" (2003) among others.

Attractions in the park include indoor and outdoor as well as wet and dry facilities such as jump around bumper cars, bumber boats; Convoy; Kite flyer 12; Haunted House; King of the Jungle; the Jungle; Vertical Swing and Spring ride, Big Buck Panorama, Aliens Armageddon; Transformers Deluxe; Packman Smash; Combat Pump It up Fiesta, a surfing simulated freestyler, hoopla, Mexican fiesta, Samba balloon, dream machine, watermania, Rio train, Boeing 777 outperforming ride, ice rink, animatronics, including semi-live lions, gorillas. Enterprise ride, souvenir court, eye-combat games, 40-metre high spring ride, ferry spin, Mexican theatre, a 10-seater Hi-Impact airplane. The park occupies an area of about 46 acres. Other facilities in the park includes a clinic, banking services, luxurious hotel, food courts, and a multi-purpose hall of about 7000 capacity and sanitary amenities, 5-D cartoon animation studio, imax cinema.

Consequently, "Davy Crockett" and other pioneers of the Old West, and American history in general, appeared in "Frontier Land". Similarly, 20,000 Leagues Under the Sea might be the focus of an evening spent in "Adventure Land", although a documentary on the film could also be possibly presented as a topic for such episodes, including clips from the actual film. Topics for "Fantasy Land" would include either actual cartoons, and animated films, or documentaries on "The Making of ..." (such as behind-the-scenes presentation of Peggy Lee singing the duet of the wicked Siamese cats in Lady and the Tramp, or the barbershop quartet of lost dogs in the municipal Dog Pound); excerpts from a True-Life Adventure documentary may also be included (for example, one on the life and works of beavers and their dam-building) or those using stroboscopic stop-action photography (such as investigating what really happened when a rain-drop fell in a puddle, as part of a "Fantasy Land" episode), explaining the techniques of cartoon animation. The multiplane camera used to create the three- dimensional effects of Bambi was also as a topic for a "Fantasy Land"-set telecast.