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"capotasto" Definitions
  1. a bar or movable nut attached to the fingerboard of a guitar or other fretted instrument to uniformly raise the pitch of all the strings
"capotasto" Synonyms

7 Sentences With "capotasto"

How to use capotasto in a sentence? Find typical usage patterns (collocations)/phrases/context for "capotasto" and check conjugation/comparative form for "capotasto". Mastering all the usages of "capotasto" from sentence examples published by news publications.

Le nouveau Théo: L'Encyclopédie catholique pour tous, p. 1843 (electronic edition). Fleurus. ; capo :1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g.
She did make exceptions for notable members of her own community. She became a dressmaker for Mrs. Mariano Vervena, the wife of the Italian Consul in Providence, and for the daughter of her friend, Judge Antonio Capotasto.
Spring clamp capo A guitar capo with a lever-operated over-centre locking action clamp Demonstrating the peg removal feature on an Adagio guitar capo A capo (short for capodastro, capo tasto or capotasto , Italian for "head of fretboard"; Spanish: cejilla , capo or capodastro; French: capodastre; German: Kapodaster; Portuguese: capotraste, Serbo-Croatian: kapodaster; Greek: kapotasta) is a device a musician uses on the neck of a stringed (typically fretted) instrument to transpose and shorten the playable length of the strings—hence raising the pitch. It is a common tool for players of guitars, mandolins, mandolas, banjos, ukuleles and bouzoukis. The word derives from the Italian capotasto, which means the nut of a stringed instrument. The earliest known use of capotasto is by Giovanni Battista Doni who, in his Annotazioni of 1640, uses it to describe the nut of a viola da gamba.Doni, Giovanni Battista (1640) Annotazioni sopral il compendio de’ generi, e de’ modi della musica, p.
Salvetti, Guido, and Valerie Walden. "Lanzetti, Salvatore". The New Grove Dictionary of Music and Musicians He gave concerts in Sicily, Paris (at the Concert Spirituel in May 1736), and Germany. Lanzetti was a virtuoso cellist who contributed to several developments in cello technique, including difficult uses of the bow, double-stops, complex fingering, and using the thumb as a "capotasto".
Standard music notation indicates the barre technique with one of two letters, "B" or "C"—followed by a positional indication via an Arabic number or Roman numeral. Examples: BIII, CVII, B2, C7. The two abbreviations "B", "C", represent the terms barre or bar, cejillo or capotasto, the later being Spanish and Italian terms for capo. The choice of letter is an editorial decision that reflects the style adopted.
A capo (short for capotasto) is used to change the pitch of open strings. Capos are clipped onto the fretboard with the aid of spring tension or, in some models, elastic tension. To raise the guitar's pitch by one semitone, the player would clip the capo onto the fretboard just below the first fret. Its use allows players to play in different keys without having to change the chord formations they use.
The word may have come from the German Nut (pronounced "noot"), meaning groove or slot. The nut, however, is called a de:Sattel ("saddle"; also Obersattel) in German, whereas the part of a guitar known as the saddle in English, the surface of the bridge on which the strings rest, is called a de:Stegeinlage or Steg, in German. In French, the nut is known as a :fr:sillet, which, like German, can also translate to mean saddle. The Italian term, capo tasto (or capotasto; "head of fretboard"), is the origin of the capo.

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