Albert Oehlen was born in Frefeld in 1954, and came to maturity in the 1980s.
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Fineco would continue to replace the UniCredit bonds with government bonds as they came to maturity.
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Altmann's main exhibition text offers: All of the women artists presented here came to maturity on the socialist side of the Iron Curtain.
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In fact it is often said that American theater came to maturity in this once-bohemian, now much-gentrified town at the tip of Cape Cod.
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A big part of that had much to do with the quality of the software tools that came to maturity in 21.68s and helped to bring the creative field to life.
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There is much food for self-contemplation on the part of the generation that came to maturity in the 1960s, and it's a popular theme among British novelists born in the 1940s.
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Last month, the country reported 219 trillion won ($210.49 billion) worth of bond outflows, the largest since February, as a large chunk of the securities came to maturity, a financial regulator data showed.
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The ultimate baby boomer, Trump has always embodied the "culture of narcissism" identified by the writer Christopher Lasch and embodied by a generation that came to maturity in the "Me Decade" announced by Tom Wolfe.
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SEOUL, Nov 7 (Reuters) - South Korea suffered in October the biggest outflow of funds from bonds since February this year as a large chunk of the securities came to maturity, the Financial Supervisory Service (FSS) said on Monday.
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That relationship soured after the Libyan Investment Authority said it was misled by the Wall Street bank in 2008 about a series of derivatives transactions and ultimately lost $1.2 billion when those contracts came to maturity in 2011.
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He came to maturity during the AIDS crisis, and his poem sequence "The First Hour of the Night" was published, in his fourth collection, "In the Western Night: Collected Poems 1965-1990," nine years after the disease was first reported.
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Born in New Jersey at the start of the twentieth century, my mother and father were happily at home in America, even though they had no delusions and knew themselves to be socially stigmatized and regarded as repellent alien outsiders by any number of their anointed betters, and even though they came to maturity in an America that, until the decades following the Second World War, systematically excluded Jews from much of its institutional and corporate life.
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Honmune-style house with birdlike decoration on the gable A number of styles of farmhouses came to maturity during the Edo period; some typical examples follow.
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In 1992, author Christopher Heathcote stated that many artists such as Braund have been "unjustly neglected", although they came to maturity in the 1950s. Braund's career spanned six decades, and she received the approval and recognition of academia and professional critics.
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The scientific field of paleoclimatology came to maturity in the 20th century. Notable periods studied by paleoclimatologists are the frequent glaciations the Earth has undergone, rapid cooling events such as the Younger Dryas, and the fast rate of warming during the Paleocene–Eocene Thermal Maximum. Studies of past changes in the environment and biodiversity often reflect on the current situation, specifically the impact of climate on mass extinctions and biotic recovery and current global warming.
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Red Fife was the first strain; it was a wheat which could be seeded in the fall and sprout in the early spring. Red Fife ripened nearly two weeks sooner and was a harder wheat than other spring wheats. Dr. C. Saunders, experimented further with Red Fife, and developed Mini Wheats, which was resistant to rust and came to maturity within 100 days. Some other types of wheat grown are durum, spelt, and winter wheat.
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Since the UAW came to maturity in Flint as a result of the strikes, it was the appropriate location for a memorial highway designation. In 1980, the Michigan Legislature passed House Concurrent Resolution 583, renaming Flint's east–west freeway (I-69) the "Chevrolet–Buick Freeway" and I-475 the "UAW Freeway". I-475 was dedicated with its new name on Labor Day, 1981. Public Act 142 of 2001 consolidated the memorial highway designations of the state.
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Among the French, Poisson's reluctance was an exception. According to Eugene Frankel, "in Paris no debate on the issue seems to have taken place after 1825. Indeed, almost the entire generation of physicists and mathematicians who came to maturity in the 1820s – Pouillet, Savart, Lamé, Navier, Liouville, Cauchy – seem to have adopted the theory immediately." Fresnel's other prominent French opponent, Biot, appeared to take a neutral position in 1830, and eventually accepted the wave theory – possibly by 1846 and certainly by 1858.
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The modernist movement continued through the 1920s and 1930s and beyond. During the period between the World Wars, American drama came to maturity, thanks in large part to the works of Eugene O'Neill (1888–1953). O'Neill's experiments with theatrical form and his use of both Naturalist and Expressionist techniques had a major influence on American dramatists. His best-known plays include Anna Christie (Pulitzer Prize 1922), Desire Under the Elms (1924), Strange Interlude (Pulitzer Prize 1928), Mourning Becomes Electra (1931).
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Deng Yu et al; Fresh Translator of Zang Xiang Fractal five System，Chinese Journal of Integrative Medicine; 1999Deng Yu et al，TCM Fractal Sets ，Journal of Mathematical Medicine ，1999，12（3），264-265 The system of five phases was used for describing interactions and relationships between phenomena. After it came to maturity in the second or first century BCE during the Han dynasty, this device was employed in many fields of early Chinese thought, including seemingly disparate fields such as Yi jing divination, alchemy, feng shui, astrology, traditional Chinese medicine, music, military strategy, and martial arts.
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To help homesteaders attain an abundance harvest in a foreshortened growing season, varieties of wheat were developed at the beginning of the twentieth century. Red Fife wheat was the first strain; it was a wheat which could be seeded in the fall and sprout in the early spring. Red Fife ripened a week and half sooner and was a hardier wheat than other spring wheat. Dr. Charles E. Saunders, experimented further with Red Fife, and developed Marquis Wheat, resistant to rust, and came to maturity within 100 days.
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In the 1980s, Logsdail exhibited many of the artists who came to be known under the term New British Sculptors, who came to maturity in the early-1980s. Lisson artists accounted for 14 Turner Prize nominations between 1984 and 1999, five of whom — Richard Deacon, Anish Kapoor, Tony Cragg, Grenville Davey and Douglas Gordon — were winners. He is also said to have 'converted' Charles Saatchi to conceptual art. Lisson Gallery's London spaces were designed by Tony Fretton in 1986 and 1992.Edwin Heathcote (5 August 2019), Tony Fretton: ‘Like bees, we are building a world’ Financial Times.
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Horace Day (3 July 1909 – 24 March 1984), also Horace Talmage Day, was an American a painter of the American scene who came to maturity during the Thirties and was active as a painter over the next 50 years. He traveled widely in the United States and continued to explore throughout his life subjects that first captured his attention as an artist in the Thirties. He gained early recognition for his portraits and landscapes, particularly his paintings in the Carolina Lowcountry. Horace Day called himself a regional painter, interested in depicting the scenery of his adopted South.
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When he came to maturity, Zeus rewarded his nymph nurses with the horn of Amaltheia, the cornucopia or horn of plenty that is always full of food and drink. Callimachus' Hymn to Zeus, full of witty and learned detail on the god's infancy, is at pains to show by etymologies that the mythic figures and geographical features obtained their names, and thus their very identities, through their participation in Zeus' early life. Other poets concur. A less Olympian-minded culture might have suggested that the horn was not actually Zeus' to give, and that it belonged already to the ancient and fertile Minoan-Mycenean nymphs of Crete.
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A growing concern in the 1920s was the preservation of Jewish values as immigration slowed and a native Jewish population of Eastern European ancestry came to maturity. In 1923, Rabbi Benjamin Frankel of Illinois established an organization on the campus of the University of Illinois at Urbana-Champaign to provide both Reform and Orthodox Sabbath services, classes in Judaism and social events for Jewish college students. Two years later, he approached B'nai B'rith about adopting this new campus organization. B'nai B'rith sponsorship of the Hillel Foundations enabled it to extend throughout the United States, eventually become international and to grow into a network of more than 500 campus student organizations.
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Barbad Plays for Khusraw, Khamsa of Nizami, British Library, Oriental 2265, 1539–43, inscribed Mirza Ali at bottom left. 'Abd al-Samad or Khwaja Abdus Samad was a 16th-century painter of Persian miniatures who moved to the Mughal Empire in South Asia and became one of the founding masters of the Mughal miniature tradition, and later the holder of a number of senior administrative roles. Samad's career under the Mughals, from about 1550 to 1595, is relatively well documented, and a number of paintings are attributed to him from this period. From about 1572 he headed the imperial workshop of the Emperor Akbar and "it was under his guidance that Mughal style came to maturity".
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His work marks a transitional phase from the realistic still- lifes that dominated the first half of the 17th Century (represented by Louise Moillon, Lubin Baugin, Jacques Linard and ), and the generation that came to maturity during the reign of King Louis XIV (such as Jean-Baptiste Monnoyer and Jean-Baptiste Belin), who favored more theatrical, detailed and decorative compositions. He excelled in the representation of fruit, especially peaches and grapes, whose textures he faithfully rendered. Unlike his contemporaries, he eschewed obviously symmetrical compositions; favoring a disorderly effect with textural contrasts that made the arrangements look spontaneous. His dark palette and emphasis on blues bring to mind the work of another still-life painter, Willem van Aelst, who was active in Paris at the same time.
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Smith has the engaging quality of hitting hard without making personal charges against the integrity and motives of those who think differently. He said many things that made the House gasp, and many that made it laugh..."Punch, July 14, 1948 With Robert Boothby he was almost alone in condemnation of the Bretton Woods system. He also found Keynesian economics wanting. In his book Politics of PlentyPublisher: George Allen & Unwin Ltd, ASIN: B001H38GI2 (published 1944) he warned his readers of the dangers of Keynes: "In due course the Keynes plan for an irresponsible world financial government came to maturity and, by hole and corner methods for which Britain's third Labour Government must share responsibility, was thrust on an unsuspecting world.
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Verso de arte mayor (Spanish for 'verse of higher art', or in short 'arte mayor') refers to a multiform verse that appeared in Spanish poetry from the 14th century and has 9 or more syllables. The term 'verso de arte mayor' is also used for the 'pie de arte mayor', which is a verse composed of two hemistiches, each of which has a rhythmic accent at the beginning and the end, separated by two unstressed syllables. Originally, it was - in contrast to the shorter 'verso de arte menor' (Spanish for 'verse of lower art') – a long verse of eight to 16 syllables, which later developed into a regular 12-syllable verse with four stressed syllables and a medial caesura. The verso de arte mayor came to maturity in the 15th century with Juan de Mena’s didactical-allegorically epic poem “Laberinto de Fortuna” (1444). The couplets of this poem, the so-called “Octavas de Juan de Mena”, consisted each of eight arte mayor verses.
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For early Gen Xer graduates entering the job market at the end of the 1980s, economic conditions were challenging and did not show signs of major improvements until the mid-1990s. In the U.S., restrictive monetary policy to curb rising inflation and the collapse of a large number of savings and loan associations (private banks that specialized in home mortgages) impacted the welfare of many American households and precipitated a large government bailout that placed further strain on the budget. Furthermore, three decades of growth came to an end and the social contract between employers and employees, which had endured during the 1960s and 1970s and scheduled to last until retirement was no longer applicable with, by the late 1980s, large-scale layoffs of boomers, corporate downsizing, and accelerated offshoring of production. On the political front, in the U.S. the generation became ambivalent if not outright disaffected with politics; they had been reared in the shadow of the Vietnam War and Watergate scandal, and came to maturity under the Reagan and Bush presidencies, with first-hand experience of the impact of neoliberal policies.
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Moody, however, is best known for two prose plays, The Great Divide (1906, later adapted into three film versions) and The Faith Healer (1909), which together point the way to modern American drama in their emphasis on the emotional conflicts that lie at the heart of contemporary social conflicts. Other key playwrights from this period (in addition to continued work by Howells and Fitch) include Edward Sheldon, Charles Rann Kennedy and one of the most successful women playwrights in American drama, Rachel Crothers, whose interest in women's issues can be seen in such plays as He and She (1911). During the period between the World Wars, American drama came to maturity, thanks in large part to the works of Eugene O'Neill and of the Provincetown Players. O'Neill's experiments with theatrical form and his combination of Naturalist and Expressionist techniques inspired other playwrights to use greater freedom in their works, whether expanding the techniques of Realism, as in Susan Glaspell's Trifles, or borrowing more heavily from German Expressionism (e.g.
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