Ms. Rainer didn't remember what she had done but on the recording she could be heard bursting into song.
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"She was found in 153 in Newark," said the class leader, who opened the session by bursting into song.
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Center for Biological Diversity organizer Valerie Love recalled how protesters interrupted an auction in Utah by bursting into song last year.
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In the cold opener, Thompson's Kelly kept bursting into song, urging Jones' King to "please call me victim" — a request subsequently rejected.
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Mr. Pasek also sang with a parent: His mother is a developmental psychologist and professor with a propensity for bursting into song.
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As they chopped fruits and vegetables and blended smoothies beneath a large sign that read "Love Heal & Inspire," they seemed on the verge of bursting into song.
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He wanders through the halls of his high school — a lank, 5-foot-6, Disney-obsessed 16-year-old prone to bursting into song — like the mayor.
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Occasionally bursting into song, they enlist the children in activities like building a transmission pod from hidden parts, launching an airship and frightening off Volter's henchmen, the moles (huge rodent puppets that look too silly to be scary).
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Such quibbles, however, are clearly intended to be glossed over by the movie's generosity of spirit, and moments like people spontaneously bursting into song at the sight of Mr. Rogers, sequences as difficult to resist as the man himself.
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Fallon — who tapped in for Golden Globes hosting duties this year, following his former Saturday Night Live co-stars and 2015 hosts Tina Fey and Amy Poehler — kicked off the ceremony with a rousing musical number, as is fitting for someone prone to sporadically bursting into song on The Tonight Show.
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Emma Stone plays Mia, a struggling actress in Los Angeles. Stone has loved musicals since she saw Les Misérables when she was eight years old. She said "bursting into song has always been a real dream of mine", and her favorite film is the 1931 Charlie Chaplin romantic comedy City Lights. She studied pom dancing as a child, with a year of ballet.
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One of the most controversial scenes was the film's ending: Brian's crucifixion. Many Christian protesters said that it was mocking Jesus' suffering by turning it into a "Jolly Boys Outing" (such as when Mr Cheeky turns to Brian and says: "See, not so bad once you're up!"), capped by Brian's fellow sufferers suddenly bursting into song. This is reinforced by the fact that several characters throughout the film claim crucifixion is not as bad as it seems.
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He was a member of the Jewish National Fund from 1949 to his death. He was known for his habit of bursting into song, sometimes in the middle of his speeches. On the establishment of kibbutz Hatzerim in 1946, he sang a popular song: "This is our fate, / Thus we are commanded, / This is the road, / This our aim, / We have not labored in vain". In 1949, Herzfeld was elected to the first Knesset for Mapai and remained an MK until 1965.
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The final match of the tournament, England's victory over Ireland, was notable for the crowd bursting into song with "Swing Low, Sweet Chariot" as a response to the hat-trick of tries scored by England's Chris Oti (only the second black player, and the first for 80 years, to be capped by England). The song was subsequently to become the unofficial rugby anthem for England. Wales missed out on a ninth Grand Slam after losing to France at Cardiff Arms Park.
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The film descends into a series of more abstract musical numbers, during which Eda, having lost Bejbina but realising the error of his ways, ruins a communist party event at the hotel by bursting into song. Eda then leads the gang in an arson attack on a car driven by a party chauffeur, and the gang are observed happily reunited, including Eda and Bejbina. The film ends with a solo performance outside the school from Ksanda, who has fully adopted Baby's style and attitude.
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Kullervo is fairly ordinary in Finnish mythology, in being a naturally talented magician; however, he is the only irredeemably tragic example. He showed great potential, but being raised badly, he became an ignorant, implacable, immoral and vengeful man. The death poem of Kullervo in which he, like Macbeth, interrogates his blade, is famous. Unlike the dagger in Macbeth, Kullervo's sword replies, bursting into song: it affirms that if it gladly participated in his other foul deeds, it would gladly drink of his blood also.
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For example, a dramatic convention in Shakespeare is that a character can move downstage to deliver a soliloquy which cannot be heard by the other characters on stage nor are characters in a musical surprised by another character bursting into song. One more example would be how the audience accepts the passage of time during a play or how music will play during a romantic scene. Dramatic conventions may be categorized into groups, such as rehearsal, technical or theatrical. Rehearsal conventions can include hot seating, role on the wall and still images.
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He gives excuses, thinking his boss Mr Davidson is unsatisfied with his work, but Davidson cuts him off, suddenly bursting into song to ask Paul about his objective in life ("What Do You Want, Paul?"). Scared by yet another incident of inexplicable singing, Paul runs out under the pretence of getting coffee. He arrives at Beanie's, where he confides in Emma that he is worried the world may have turned into a musical overnight. Emma, not convinced, excuses herself to sing a tip song with her coworkers Zoey and Nora ("Cup of Roasted Coffee").
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Howard Thompson of The New York Times wrote, "With the flavor of 'Fun in Acapulco'—and that it was—fairly fresh, Elvis Presley's movie status takes a nosedive in his latest, 'Kissin' Cousins' ... Sam Katzman's production is tired, strained and familiar stuff, even with double-barreled Presley." Variety wrote, ""This new Elvis Presley concoction is a pretty dreary effort, one that certainly won't replenish the popularity of Sir Swivel. Presley needs — and merits — more substantial material than this if his career is to continue to flourish as in the past." One of the review's primary criticisms was "the business of bursting into song out of context in the middle of a scene.
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At this point in her career, members of the public either wanted to see Bara or, because of a deep seated prejudice resulting from her prior roles portraying a vamp, refused to go to any of her films. To play into the patriotism of the American audience, the film includes prominent displays of the American flag and at one point has Bara bursting into song, singing "The Star-Spangled Banner." Bara disliked the low budget film, objecting to the film's plot given that war films were by 1919 unpopular with audiences and because she was scratched several times while filming a fight scene with Nye, who wore a German helmet topped with a large spiky iron cross.
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