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12 Sentences With "burlesque dance"

How to use burlesque dance in a sentence? Find typical usage patterns (collocations)/phrases/context for "burlesque dance" and check conjugation/comparative form for "burlesque dance". Mastering all the usages of "burlesque dance" from sentence examples published by news publications.

For this group, formed in 2811 and known for its blend of circus, vaudeville, burlesque, dance, ballet, opera and live music, the story has been reimagined into an erotic, mainly all-male production.companyxiv.
After graduating, she relocated to Los Angeles, California to pursue a career in modeling. Hemme initially joined a burlesque dance team known as "The Purrfect Angelz". She performed at Easyrider tours and Harley motorcycle rallies. She went on to appear in magazines such as Maxim, Playboy, Rolling Stone, and Stuff.
Their inept efforts to imitate him made their on-screen dances funnier. Ralph Bellamy was required to do the fictional "Balboa Stomp" in the nightclub scene while Irene Dunne largely stands by, feebly trying to imitate him. The dance proved so physically intimidating that Bellamy lost and his muscles and joints were sore for weeks afterward. Irene Dunne choreographed the burlesque dance which her character performs at the Vance mansion to embarrass Jerry.
Tanea Brooks was born and raised in Owasso, Oklahoma. Brooks became a Dallas Cowboys Cheerleader at the age of 18 after a year as a University of Tulsa dance team member, in which she appeared on the cover of Dallas Cowboys Cheerleaders’ swimsuit calendar. She is a long time friend of Christy Hemme, who she worked together with in Hemme's old burlesque dance troupe "Purrfect Angelz". Tanea eventually moved to Los Angeles to further her career in acting, modeling and dancing.
During the 1920s, dancers introduced pole by sensually gyrating on the wooden tent poles to attract crowds. The rock and roll invasion in the 1950s saw the introduction of the pole to a wider audience, with Elvis Presley's "Jailhouse Rock" movie and video in 1957. The video featured Presley's famous gyrating hips as well as numerous pole slides, grinds, and twirls. Jailhouse Rock, MGM, 1957 film Eventually the pole dancing moved from tents to bars, and combined with burlesque dance.
The dancers, in a show of virility, very skillfully manoeuvre fighting weapons as part of the dance. Sorgin Dantza from Oria (Gipuzkoa) is a comical or a burlesque dance that reach their peak in the Sorgin Dantza, or dance of the witches. These dances, a combination of wild and sometimes a bit obscene body movements, have managed to remain alive over time in certain towns. The best known of these dances can be seen in the town of Lasarte-Oria.
Screenshot of Mae West performing her burlesque dance in front of men Tira (Mae West) shimmies and sings in the sideshow of Big Bill Barton's Wonder Show, while her current boyfriend, pickpocket "Slick" (Ralf Harolde), relieves her distracted audience of their valuables for Big Bill (Edward Arnold). One of the rich customers, Ernest Brown, arranges a private rendezvous, during which Slick barges in and attempts to run a badger game on the customer. The customer threatens to call the cops, so Slick whacks him over the head with a bottle. Mistakenly thinking he has killed the man, Slick flees, but is caught and jailed.
The Serpentine is an evolution of the skirt dance, a form of burlesque dance that had recently arrived in the United States from England. Skirt dancing was itself a reaction against "academic" forms of ballet, incorporating tamed-down versions of folk and popular dances like the can-can. The new dance was originated by Loïe Fuller, who gave varying accounts of how she developed it. By her own account, which is widely reported, having never danced professionally before, she accidentally discovered the effects of stage light cast from different angles on the gauze fabric of a costume she had hastily assembled for her performance in the play Quack M.D., and spontaneously developed the new form in response to the audience's enthusiastic reaction upon seeing the way her skirt appeared in the lights.
Since the Pussycat Dolls were originally a burlesque dance troupe, Scherzinger and Thornton were the only members specifically hired for singing role when the group turned into a pop act in 2003. Ron Fair stated that even though "there were some adequate voices in the original group," Scherzinger and Thornton were needed "to bring the ability." Despite Thornton taking the sole lead vocals for their debut performance as a music group at the 2004 MTV Asia Awards, Scherzinger eventually assumed the majority of the vocals on the group's recordings. As part of a Behind the Music special on Scherzinger's career, she claimed that she was responsible for singing both lead and background vocals on both of the group's studio albums, with hardly anything sung by her fellow members.
Mae West performing her burlesque dance in the film I'm No Angel Burlesque shows have been depicted in numerous Hollywood films starting with Applause, a 1929 black-and-white backstage musical talkie directed by Rouben Mamoulian. Others include King of Burlesque (1936), starring Warner Baxter; Lady of Burlesque (1943) starring Barbara Stanwyck; Delightfully Dangerous (1945) starring Constance Moore; Two Sisters from Boston (1946), starring Kathryn Grayson; Queen of Burlesque (1946), starring Evelyn Ankers; Linda, Be Good (1947), starring Elyse Knox; and She's Working Her Way Through College (1952), starring Virginia Mayo. Gypsy (1962), starring Natalie Wood, and The Night They Raided Minsky's (1968), starring Jason Robards, depicted burlesque of the 1920s and 1930s. Other films that include burlesque characters include Ball of Fire, a 1941 screwball comedy starring Gary Cooper and Barbara Stanwyck.
The show opened with Bing welcoming the viewers and then going into a dance routine as he sang “Y’all Come”. He then segued in to a song – “It Had to be You” – accompanied only by Buddy Cole on the piano. The next scene showed visitors touring the television studio and being joined by Jack Benny who is escorting Sheree North. Jack is concerned about Crosby being nervous and when he joins Bing, he tries to calm him down despite Crosby obviously being utterly relaxed. Bing then sings “Changing Partners” and is followed by Sheree North doing a raunchy burlesque dance which drew some press criticism. To conclude the show Bing sings “I Love Paris” against a city rooftop backdrop and is joined by Barbara Logan who purports to be walking through the city on her way to Ohrbach's for a fashion show.
His wife abandoned typing and went into the theatrical profession with him. At one of his concert engagements George Grossmith Jr. and Ivan Caryll saw him and were impressed enough to invite Berry and his wife to join the cast of a forthcoming musical comedy to be presented by George Edwardes. Berry appeared with Lily Elsie in The Merry Widow, in 1907; his burlesque dance with Gabrielle Ray was one of the hits of the show."Daly's Theatre – The Merry Widow", The Times, 20 January 1909, p. 10 After this, Berry was seen in a string of shows including Havana (1908), A Waltz Dream (1908), The Dollar Princess (1909), The Count of Luxembourg (1911), Gipsy Love (1912), High Jinks (1916), and his greatest success, The Boy (1917), in which he played Mr. Meebles, the respectable magistrate who finds himself at the centre of farcical uproar. In 1920, he starred in The Naughty Princess and as Dipper Twigg in The Golden Moth at the Adelphi Theatre, London.

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