That could push enormous builds into 2021, BloombergNEF analysts said.
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Though it starts slowly, Thumper's tempo builds into a blaring crescendo.
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Most importantly, you have a personal chemistry that builds into trust over time.
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Many of the details she builds into characters "I'm getting for nothing," she said.
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I do like a lot of the riffs, especially how it builds into the chorus.
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The privacy settings that Apple builds into phones make Apple into something other than innocent and irrelevant.
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It oozes from shallow, hand-dug latrines, pools into rivulets and finally builds into a black river.
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"Free Hospitals" works in layers, first eliciting a gentle appreciation that builds into a devastating, melancholic wash.
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What's remarkable about Gris, though, is how it constantly introduces new concepts, and steadily builds into something more complex.
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What begins as a sparse rustle of sounds builds into a shivery, post-dubstep thrash of haze and percussion.
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We are on that path, our focus on building a sustainable business model [and] a profitable business builds into that ambition.
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Opening with Chiericozzi's squawking saxophone, the song builds into some Lubricated Goat type territory with guitars that breathe fire and demented vocals.
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As the story opens gracefully, Menashe's struggle to balance his Orthodox religion and his own desire builds into a gentle human comedy.
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He is also inspired by the idea that the work is an "amalgamation of mistakes" that slowly builds into a profound vision.
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At scale, even just taking a 5 percent cut builds into a lucrative bridge between audiences and artists when others are discarding them.
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"You get angry, and that anger just builds and builds into rage, and you hurt a lot of people around you," he said.
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Instead, it's a grandiose speech which builds into a strange mix of Scar bellowing and singing the words "Be Prepared" at the very end.
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They're the beat that builds into a guttural, disorienting jackhammer at the end "I'm Afraid of Americans," confounding the state of things with emotion.
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The standards it builds into the filter will ripple across the rest of the internet as publishers adjust their ad-buying decisions to accommodate them.
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Appearing first as a ripple, the wave initially builds into the sort of two-foot mush a beginner might paddle into during his first surf lesson.
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The government of China delayed its mega-auction for solar developers by a month, and it could push deadlines for large-scale solar builds into 2021.
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Ocean drifts through faint guitars and heavy reverb, stripes of folk-rock, ambient electronic music and gospel, all of which builds into a cotton-candy haze.
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It's a grabber of an opening in a movie that builds into a devastating indictment of a nation, shock by shock, brutal moment by brutal moment.
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Rather, O'Brien shows in increments how the phrase "the blue hill" begins as suspicion and builds into all-consuming construct in the mind of the collective.
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But its statement Monday said that no matter what safety features it builds into cars, it needs to also address driver behavior as part of its efforts.
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"We've been able to capture an economy of scale and a quality tolerance by turning [our builds] into a repeat build assembly through our manufacturing facilities," Hunter said.
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"Purple Lamborghini" is a Rick Ross and Skrillex joint, a bizarre blend of trap and dubstep that never builds into a song you want to be caught listening to.
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As he moves around, shifting his focus from a butterfly to a horse to a stream, the white space fills with detail, and the soundscape builds into something richer.
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A. The passcode and other security protections that Apple builds into its iOS software are designed to prevent anyone but the owner (or trusted associate) from using the device.
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For this little cat-fox-chef, it all builds into an incomplete but satisfying sentiment that I carry into my days outside of fake kitchens: Just look at my friends.
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Apple has long prided itself on the accessibility features it builds into its devices, helping people who are hard of hearing or have sight limitations more easily use the products.
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Uber wants to fix that and has reworked the navigation system it builds into the Uber Driver app in a bid to get everyone to where they're going more quickly.
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Scott was only given 4½ "days off" apart from the breaks NASA builds into his day, but unlike a day off work on Earth, he was still technically on the job.
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I'm reading and I'm hearing plenty about that, about the inane remarks that NBC's commentators have made, and about the excessive commercial breaks that the network builds into the prime-time telecast.
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" Bringing back her beloved steel drums, the song begins in stone-faced agitation and builds into something highly expressive and enraged, revolving around a sample of Dorsey describing police "who are drunk with power.
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Other times it builds into an obsession; the mere reference of the topic will make me self-conscious to the point I can't think about anything else — and I make myself sick with worry.
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On Stein's "Porch Time," from the band's self-titled debut, a whispery convocation builds into nervous, reeling flurry; eventually the group establishes a freckly rhythm, horns dipping and dashing over a slanted bass pattern.
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Razer is also opening up its Chroma 16.8 million-color palette — the colorful flashes that Razer builds into its computers and peripherals that respond to gameplay — so that it can be used by third parties.
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With a fairly limited set of verbs—build item, place item, destroy item—the game builds into this excellent crescendo of a dozen little denizens who put things in front of me to do for them.
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In addition to offering its own suggestions for safer computing to Mac users, Apple promotes the security features it builds into OS X, including malware detection and the ability to encrypt data with the FileVault tool.
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Listen to the barely controlled shake in her voice as she starts in on the last "Everything's coming up roses and daffodils," and the way it builds into a full-on snarl as she rips her letters apart.
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It moves this way and that, just catching the breeze, until firmer, more purposeful percussion pops and fizzes into existence, and everything builds into a compelling cacophony that sets the skin electric and the hairs at full stretch.
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Its melody is closer to these on the haunted pop of Amen Dunes' 2014 album Love, but there's an insistent beat behind McMahon's voice now rather than a loose acoustic guitar, and it builds into something gutturally pulsating.
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Competing with air raid sirens, the Long Beach rapper's verses are both loud and urgent, but as the song builds into an apocalyptic bounce track, it might be all you need to drop that ass one last time.
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Using 3D gaming as a fitting model, any new technology field matures by being brought to market first as a fringe item observed by the masses and used solely by the die-hard tech enthusiasts, and then it builds into something more.
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" But the real treat is in its final section where the song builds into its "middle eight" (a number that, coincidentally, has become synonymous with Haruhi for dreadful reasons) paring down the theatrics of the guitars with an extended bass break and then… "DAKARA, WATASHI!
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This integrated style is held together by the mostly-chronological through-line Laing creates between her chosen artists, which builds into a broader discussion about the heightened intimacy of modern art, as well as what it's like to be an artist who lives in NYC.
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NEW YORK (Reuters) - The sooner-than-expected startup of the extended Sunrise oil pipeline system in west Texas has shifted flows of crude and boosted inventories in Cushing, Oklahoma, close to a one-year high, with traders now bracing for builds into next year.
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As the poachers split up and succumb to the environment through inexplicable means, the sound design builds into a dizzying spell, preparing the viewer for the transcendental experience of riding the back of Nga as the elephant strides through the forest in the third act.
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In the bigger context of a scandal, it all feels a little like a season of a bad reality show: a narrative arc where conflict builds into redemption until everyone, somehow, is friends again, with viewers meant to keep following problematic stars because, well, they apologized.
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Screamed vocals and sharply melodic guitars capture the attention before the gentle sound of brass instruments ushers the song int a moment of rest that slowly builds into a cascade of soul-soothing group vocals that climaxes in a crescendo that brings tears to the eyes.
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The court also ordered that the FBI be able to connect the phone to a device that could make multiple guesses — potentially thousands or millions of them — in a hurry, without encountering the hour-long delays Apple builds into its software after multiple failed password attempts.
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Lamborghini's customer-driving program can be described as a pyramid, which starts with a simple, one-day "Esperienza"'—basically a test drive of the brand's two main models on the track—and builds into a full-blown race weekend in the pinnacle "Super Trofeo" factory-GT race cars.
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There is a utility to take advantage of the S Pen (a menu pops open automatically when you remove the pen from its slot), but I wish that Samsung would just use the pen features that Microsoft builds into Windows 10 natively, since Samsung's not adding anything more to the experience.
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Genesis's "Supper's Ready" (2000) is a 23-minute song that starts as an acoustic ballad about a couple's estrangement, builds into a cycle of visions inspired by Ovid's poetry, British folklore, and Christian allegory, and ultimately reunites its contemporary lovers amid an apocalypse, with lyrical snippets lifted from The Book of Revelations.
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Ever since ELIZA, which is often considered the first chatbot, one distinguishing feature of bots is that they are semi-autonomous: they exhibit behavior that is partially a function of the intentions that a programmer builds into them, and partially a function of algorithms and machine learning abilities that respond to a plenitude of inputs.
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The Kata Containers project solves this by giving each container its own, very lightweight virtual machine and kernel, so that each container or container pod run in its own isolated environment and gets its own allocation of networking, I/O and memory, as well as access to hardware-enforced isolation thanks to the virtualization technologies that Intel now builds into its processors.
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The song is written in the style of a lament, and is performed at a slow tempo. Newman's version starts out with piano solo, but builds into including a whole orchestra.
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They are called away and inadvertently leave the iron directly on the ironing board. It catches fire. The ironing board fire soon builds into a much more massive fire. Soon the orphanage is engulfed in flames.
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David Jeffries from Allmusic, on his review of Independiente, stated that the song "builds into a full-band rave-up during its choruses." A live version of "Te Quiero" was made and used on the music video for the song, and was included on the single release.
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The male's song often starts with a series of three squeaks and builds into a distinctive long plaintive wavering trill that rises and falls. They sing throughout the year but most vigorously when nesting, during spring. Grey warblers are often heard more than they are seen.
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For the track, West ulitises an evocative rapping technique atop a thumping beat. Within two verses, he delivers his defiant lyrics at loud volume with fragmented, forceful flow that makes use of rests as the song builds into a bombastic crescendo.Powers, Ann. Hip-hop's Man of Two Minds .
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Tamar Hermann from Billboard described "Electric Kiss" as a song with "thumping beats and funky synths [that] propel the single's melody, laying out a tempo-jumping playground for Exo's vocals and raps as the track builds into its propulsive chorus". The song was released on January 31 with the album.
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Throughout the season, Spencer's friendship with Ashley soon builds into a romantic relationship. At first, Spencer tries to run from her love for Ashley. She goes on a date with Aiden, but realizes that she wants to be with Ashley. She leaves her date and goes to help a drugged out Ashley.
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Winds and brass repeat the string theme, which the strings take over with another brief variation. This transitions directly into a faster and fiercer passage. The violins return with the opening theme of the movement. This builds into a somewhat frantic passage underlaid by an ostinato in the lower strings (a deliberately awkward "oomph-pah" motif).
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"Speed of Sound" is a song by British rock band Coldplay. It was written by all members of the band for their third studio album, X&Y; (2005). Constructed around a piano and guitar riff, the song builds into a huge, synthesiser-heavy chorus. It was released by Parlophone Records as the lead single from the album.
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Delicate piano notes serve as an introduction before the guitar rhythm begins. "He War" exhibits clean, electric guitar power chords backed by a shuffling drum beat. High, chiming guitar notes provide a lead section alongside sprinkles of piano. An unrefined, double-track vocal harmony by Marshall carries throughout the entire song and builds into a bright, soaring chorus.
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"Speed of Sound" is a track musically based on the piano. The song benefits from an insistently ornate keyboard riff and a busy but less-hummable chorus, in which the song builds into a huge drum beat and a synthesizer-heavy chorus. The song also includes an upbeat tempo, with a driving bass line and distorted guitar riffs being heard throughout the song.
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The song's musicscape features a church organ riff, tribal drum-circle groove, and minimal handclaps. Towards the end of the track, it builds into a "rhythmically soaring, Edge-like" guitar solo. Coldplay's use of "exotic" instruments for majority of tracks in the album, including "Lost!", was a result of a goal in wanting to present their songs differently, something "which have never been heard" in previous releases.
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The Boxing Lesson is a rock band from Austin, TX. A power trio with synthesizers performing the bass player's role, they create a mammoth psychedelic 'wall of sound' that begins minimally and builds into grand orchestrations. Vocalist and guitarist Paul Waclawsky and synthesizer player Jaylinn Davidson combine strong songwriting with desert rock, guitar freak- outs, soul space jams and plenty of Texas rock ’n’ roll thunder.
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Critics gave the movie generally favourable reviews. Giving it three stars out of five, Nowrunning.com commented: "Open up this box of assorted candies, and you see them all laid out on a salver, quite uneven in manner and matter, posture and perspective and yet it all builds into something quite incredible that makes this ambitious enterprise a fascinating filmic feast." Movie Buzz of Sify.
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The ensuing squabble builds into a delirious domestic fit. Titta and his gang follow Gradisca on her promenade under the arcades and, when that proves fruitless, flatten their noses against an irate merchant's shop window. Lallo and his fellow Don Juans spot a carriage-load of new prostitutes on their way to the local brothel. The news spreads like wildfire to the town's male population.
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Ultimate Classic Rock, in their list of Bowie's ten best songs, listed "Five Years" at number nine, calling it an "epic opening to Bowie's greatest album". They continued: "Lyrically, it paints one of Bowie's most vivid pictures in a song, while musically it builds into a chaotic crescendo highlighted by the ominous sense of panic in Bowie's voice during its climax." In 2018, NME listed it as Bowie's 12th greatest song.
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'Palahniuk's Laughter' floors the listener with a mammoth- rolling riff. 'Speak Up' builds into walls of noise and anguished vocals. The six and a half minutes of 'Mono' are simply majestic, featuring barely audible swirling guitars and whispered vocals that grow into a momentous, bludgeoning roar. Simpson and Westaway play like they have been in the same band for years, weaving intricate soundscapes and dark passages of crushing noise.
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"Pegasus" is the third song from The Allman Brothers Band's 1979 album Enlightened Rogues. It is an instrumental written by lead guitarist Dickey Betts. The song draws some comparisons to "Jessica" in some respects. It begins with an opening motif that builds into a main theme (similar to "Jessica") played in three-part harmony by Betts and Dan Toler on guitar, and Gregg Allman on Hammond B3 Organ.
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"One Day" also presents a sudden shift of mood, featuring a "gently pulsing bass" that builds into an "itchily impassioned, housey pop euphoria." "Aeroplane" is one of Debuts most musically complicated pieces with off-kilter arrangement from Oliver Lake;Pytlik, 2003. p.170 its backdrop is inspired by exotica music. This song is also about Thrupp, written when he was living in the United Kingdom and Björk still lived in Iceland.
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Thus, the sea recedes in the drawback phase, with areas well below sea level exposed after three minutes. For the next six minutes, the wave trough builds into a ridge which may flood the coast, and destruction ensues. During the next six minutes, the wave changes from a ridge to a trough, and the flood waters recede in a second drawback. Victims and debris may be swept into the ocean.
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Michael from 'A Bit of Pop Music said; "This type of moody electro ballads suits her powerful and mystical sounding vocals the best." requesting more of this on her second album. Scandipop said; ""Under Ytan" [is] a stark and dramatic new production that builds into something special." In 2017, Kikki Danielsson recorded the song during Så mycket bättre. The song was then called "At the Border", depicting the situation of refugees throughout the world.
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Every fourth beat is followed by a small silence that eventually builds into the chorus. Rikky Rooksby, author of The Complete Guide to the Music of Madonna, described the track as an "electronica meets country rock" song based on a single four-chord sequence, disguised by the mixing. He found that Madonna's expressive lead vocals were double tracked. The strings appeared towards the end with the looping sounds continuing and ultimately fading.
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The avalanche of carriers is not divergent in this operating region, while the avalanche present in SPADs quickly builds into a run-away (divergent) condition. In comparison, SPADs operate at a bias voltage above the breakdown voltage. This is such a highly unstable above-breakdown regime that a single photon or a single dark-current electron can trigger a significant avalanche of carriers. The semiconductor p-n junction breaks down completely, and a significant current is developed.
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The B-side of the single was another album track, the psychedelic "Hallucination Rain". This mid-tempo track is mainly spoken but builds into a soaring crescendo of noise and thundering drums in which Prince's voice can be clearly heard at the end. The single also includes the song, "Beautiful Girl", a remix of Prince's 1994 hit, "The Most Beautiful Girl in the World". In 1995, Prince released a perfume called "Get Wild", inspired by the song.
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The song begins with a fingerpicking section combined with an interpolation of a melody strongly based on Beethoven's Ode to Joy. As the song progresses, it builds into a march, with the introduction of trumpets and horns. Near the end, everything fades out as Oberst delivers the final verse, and then all of the instruments come in at once in a loud frenzy, and continue for about 30–45 seconds before fading out and ending the album.
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It is composed in the key of G minor, with Madonna's vocal range spanning from G3 to C5. The song has a basic sequence of Dm–Gm–E–F–Am–Dm as its chord progression. "Give It 2 Me" starts with an offbeat rhythm and is accompanied by the sound of West African percussion. The song builds into a crescendo as Madonna sings the line, "If it's against the law, arrest me, if you can handle it, undress me".
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The song was well received by critics. AllMusic's Donald Guarisco called "Funeral for a Friend" "a stunning instrumental" with "a powerful fusion of classical and rock elements where a gentle, lyrical motif is developed and energized until it builds into a powerhouse full of emotion and bombast." "Funeral for a Friend/Love Lies Bleeding" was too long for a single release, but got significant airplay on FM stations that were predisposed toward rock epics. The whole piece is just over 11 minutes long.
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While the only French influence on "French Toast (Soleil Trop Chaud)" is in its lyrical language, the song's musical arrangement mixes calypso, Afrobeats and elements of Mediterranean music. According to Jo-Ann Greene of AllMusic, "Drowning" and "Dream Home in NZ" combine reggae with art rock experimentation reminiscent of Gang of Four. "Walk Away" is influenced by the Motown Sound, while "Over and Over" builds into a steel band groove. One critic described "Cheated" as being in a "bellicose dub" style.
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Stylistically, "Wait" is a slight detour from Seven Mary Three's early post- grunge hits. Its chorus features wailing vocals in an upbeat melody reminiscent of the 1970 hit "Signs." Characteristic of many Seven Mary Three singles, its mid-tempo verses also feature prominent guitar harmonics and a softness that builds into the aggressive and vibrant chorus. Lyrically, "Wait" deals with the realization of time wasted, taking life's luxuries for granted, and the narrator's subsequent wisdom gained through his or her experiences.
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Howe had written the instrumental "Würm" section while he was in an earlier band (Bodast). The song was heavily constructed in the recording studio, and as a result the band were never able to play it live quite the way it was recorded. The song changes mood, rhythm, tempo and style continually, but according to Yes biographer Chris Welch, it still manages to "hang together". Authors Pete Prown and Lisa Sharken describe the "Würm" section as "a Bolero-paced chord sequence that builds into an explosive solo".
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New York: Schirmer Trade. . Pg. 105-1072 Redding's recording features a slow, soulful opening that eventually builds into a frenetic R&B; conclusion, incorporating elements from the Duke Ellington–Lee Gaines song "Just Squeeze Me (But Please Don't Tease Me)" as well as the words "sock it to me." In early 1967, it peaked at #25 on the Billboard Hot 100. It has been named on a number of "best songs of all time" lists, including those from the Rock and Roll Hall of Fame.
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"Never Again" received mixed reception from reviewers. Michael Crewe praised lead singer Nathan Ferraro for creating an energetic song with his "soaring falsetto", while The Beat Review opined that the song was too generic and that the band was unknown to listeners. Alternatively, The Beat Review compared the band's piano performance to Keane and The Fray. Similarly, Arjun S. Ravi of Indiecision also compared The Midway State's piano rift to The Fray, and said that "Never Again" had a "simple piano-driven melody that builds into an arena-sized chorus".
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The call is generally divided into four distinct, successive phases: introduction, build-up, climax and let-down. This introductory phase begins with soft, breathy, low-frequency 'hoo's' that transition into the build-up phase; a series of increasingly rapid, low-frequency in-and-out pants. Following the build-up phase, the call quickly builds into the climax, consisting of loud, high-frequency screams that eventually slow into the let-down phase, similar in structure to the build-up, but with decreasing amplitude and pace until the call is complete.
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The Allmusic review by Al Campbell states of the title track "Shepp's emotional and fiery tenor takes off immediately, gradually morphing with the five percussionists who perform on instruments including rhythm logs and talking drums. Shepp never loses the initial energy, moving forward like a man possessed as the drumming simultaneously builds into a fury. Upon the final three minutes, the trumpets of Martin Banks and Michael Zwerin make an abrupt brief appearance, apparently to ground the piece to a halt. This is one of Shepp's most chaotic yet rhythmically hypnotic pieces".
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Being predominantly governed by masculine planets they are also "without passion for women and look down upon the pleasures of love". Observed characteristics influence his categorisation of Britain as having a closer affinity with Aries and Mars (by which "for the most part its inhabitants are fiercer, more headstrong and bestial"), whilst Spain is reported to be more subject to Sagittarius and Jupiter, (from which is evidenced "their independence, simplicity and love of cleanliness"). Though Ptolemy describes his analysis as a "brief exposition",Tetrabiblos II.3 (Loeb: pp.157–161). the chapter builds into an extensive association between planets, zodiac signs and the national characteristics of 73 nations.
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"Neon Blue" is a song recorded by British group Steps for their fifth studio album, Tears on the Dancefloor (2017). Written by Carl Ryden and Fiona Bevan, it was announced as the third single from the album on 20 July 2017, and subsequently released on 4 August. Musically, it is a mid-tempo pop ballad which begins with a soft piano introduction and builds into an upbeat synth track, while lyrically, it is about encouraging a downcast friend to come out and have some fun. Band member Ian "H" Watkins described "Neon Blue" as a gay anthem due to its message of coming out.
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Nio Joe Lan, in his history of Chinese Malay literature, notes that Kwee was the only Chinese writer of romances to also write on Eastern (particularly Chinese) philosophy. He finds mysticism to be a common theme in Kwee's works, noting it as particularly well-developed in the later novel Soemangetnja Boenga Tjempaka (The Joy of the Cempaka Flowers). Eric Oey of the University of California, Berkeley, writes that the novel's mysticism builds into a promotion of theosophy and Buddhist ideals: Aij Tjeng and Gwat Nio read about both, then leave their materialistic lives to become more spiritual. Ultimately, he writes, the concept of reincarnation is put forth when Roosminah is discovered soon after Lily's death.
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Keely Quinlan of Stereogum called it a "bopping strut of a pop song", saying it "opens up a little slower and quieter than the others with a leading synth melody", but builds into having "a dance floor ready feel, which is what Jepsen always does best". Claire Shaffer of Rolling Stone wrote that the song is a "steamy dance track over a single electronic beat, and deals with a classic CRJ theme". Writing for Time, Raisa Bruner described it as "[b]ubbly, breathy and winningly honest", and ranked it as one of the contenders for the Song of Summer 2019. "Too Much" was named the best song on Dedicated by Sam Van Pykeren of Mother Jones.
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That isn't because of humor, or character chemistry, but because Grimm has to build a world, and I find the slow widening scope of Nick's forays into the Wesen world more interesting than the standard male/female cop pairing that slowly builds into romance, or the usual ripped-from-the-headlines case structure." Nick McHatton from TV Fanatic, gave a 4.2 star rating out of 5, stating: "Overall, Grimms first episode back wasn't the best it has ever done – especially as a stand-alone episode. The case wasn't particularly interesting, but this doesn't feel like one that can be taken as anything other than the beginning of the rest of the season. There was a lot of set up, and I'm excited to see where it goes.
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The sea- level pressure (atmospheric pressure) rarely, if ever, exceeds 1055.0 millibars (1055.0 hectopascals)(hPa)(SI). Often, in the winter months, cool or cold dry air settles over the land in the vicinity of the Great Basin where it builds into a high-pressure cell or anticyclone that moves across the United States with a cold front on its leading edge. After reaching the Atlantic Ocean, the moist environment brings on changes of the qualities of the air and the dissipation of the high-pressure cell or anticyclone as the cold air warms and becomes humid. In Europe, a portion of the North American/Canadian high usually over Greenland called the Greenland high which settles over Greenland affects northern European weather and may merge with the Scandinavian High.
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Approximately six minutes into it, McLaughlin's guitar solo succeeds Davis's first solo, as the band vamps. Music journalist Todd S. Jenkins writes of this passage in the recording, "Thanks to the then-new wonders of noise gate technology, Jack DeJohnette’s drums and cymbals flit back and forth rapidly from left to right in the mix. With each switch, the guitar’s volume blasts in and out, over and over again, during McLaughlin’s relentlessly acidic solo". Following the passage, an unrelated theme opens with two minutes of a slow blues segment by Davis that is spliced into the recording, accompanied solely by occasional notes from Holland; According to Jack Chambers, Davis's blues solo "becomes a duet with himself by overdubbing, and then builds into a quintet performance lasting ten more minutes".
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Written entirely in rhyming verse, with a canny ear for Carroll's dialect, rhythm, and structure, the book follows Alice's Adventures in Wonderland (with "A Slight Detour Through the Looking-Glass"). Standing in contrast to his rhyming poetry is his first novel, The Boys From Manchester, a coming of age story that center on two teenage boys with superpowers. What sets The Boys From Manchester apart from other superhero novels (and movies) is the starkly realistic manner in which Holden approaches the subject matter, as a character-driven story that gradually builds into an explosive action tale in the final third of the book. That the main characters are gay teens who do not fall into stereotype and are not portrayed as victims but as heroes is a real step forward in Young Adult Fiction.
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A thermocline is a sharp temperature drop at depth; it varies during the year, with location, and over long periods of time. As the thermocline depth increases El-Nino events are more likely; however, during the peak of the event energy is dissipated and the thermocline decreases depth, possibly to below normal levels so the a strong La-Nina event can results. The world's oceans, particularly the depths of the Atlantic, are believed to be a sink for that is adsorbed at the polar regions, as this builds into the Pacific the upwelling and warming of water can bring -rich waters trapped in the cold pressurized bottom layers to the surface. Local increases of occur which allow more heat-trapping; the La-Nina may be mild or aborted early in the process.
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McLachlan is a world leader in the field of geometric integration, a technique for the reliable simulation of large-scale complex systems, and in particular the use of symplectic techniques in the numerical analysis of differential equations. This field, which McLachlan helped found in the 1990s, builds into its approach the underlying geometric structure of data sets. Because it allows the simulation of large systems, it has the potential for solving practical problems in fields as disparate as the structure of liquids, climate cycles, the motion of the solar system, particles in circular accelerators, chaos in dynamical systems, and weather forecasting. For example, during Hurricane Sandy in 2012, the European Centre for Medium-Range Weather Forecasts, using geometric integration models, correctly predicted the hurricane would suddenly turn 90 degrees towards New York six days in advance.
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" Mikael Wood of The Los Angeles Times wrote in similar tone, "The producer's lengthy reworking, which climaxes in a surging synth fantasia complete with robot voices, adds some verve to Coldplay's rather sedate original." Tom Breihan of Stereogum noted that while the remix "might not have the same spacey majesty as peak Moroder, it still does a nice job translating the inward sweep of the original track into an orchestral disco pulse." According to Ryan Kristobak of The Huffington Post, Moroder transformed "Midnight" into "a dance-floor hit, without abandoning the song's Brian Eno/Bon Iver-influenced ambience." Idolator's Robbie Daw commented, "Here Moroder lays a hypnotic click-click-click disco beat below the Kid A-esque atmosphere of the track, and the whole thing eventually builds into a tornado of majestic synths and menacing piano chords.
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Abruptly, the third movement jolts into play with a short, unexpected burst of the brass, followed immediately by the cello stating the familiar opening theme from the first movement. Afterwards, the cello rises in volume until it unexpectedly fades and the orchestra takes over, progressing with repeating trumpets and rapid bass (not unlike the brass repetition of Mars, the Bringer of War in Holst's The Planets); this builds into a climactic moment in the movement, an ecstatic, dance-like section with layered harmonies, punctuated by distant clangs of a bell. Afterward, the cello reappears and works with the orchestra until it returns to another crescendo, restating the first climax. Then, with the tambourine continuing the dance-like feel, the orchestra rises and falls, with the cello spiralling downward; the orchestra plays rapid, whirling notes until it reaches resolution.
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In a preview for the album by Rolling Stone, the song was explained as, "Until It's Gone" kicks off with the sort of warbling synth effect that was the group's calling card on their 2000 breakthrough debut, Hybrid Theory, but builds into a brooding, textured gloom rocker that reminds listeners, via singer Chester Bennington, that "[you] don't know what you've got until it's gone." In another preview by Loudwire the single is explained as "it's a more mid-tempo track with softer lyrics provided by Chester Bennington, who really shows his vocal versatility. The dreamy and atmospheric sounds are enough to whisk you away but Bennington brings you back down to earth as he belts out their take on a familiar chorus." The song continues its outro into The Hunting Party's eighth track and fourth single, "Rebellion" with System of a Down guitarist, Daron Malakian.
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In Britain, most reviewers were initially confused by the single and predicted that the Beatles' creative advances might not be rewarded in record sales. The commercial qualities of "Penny Lane" ensured that it was the more favourably received of the two songs. Melody Maker said the brass parts were "beautifully arranged" and concluded: "Tinged with sentimentality, the number slowly builds into an urgent, colourful and vivid recollection of the Liverpool street that the Beatles remember so clearly." An editorial in The Times said: "'Penny Lane' looks back to the days when parochialism was not an attitude to be derided. While it may seem that the commonplace suburb is a pleasanter source of inspiration than a psychedelic ecstasy, it may also be that the song is instinctively satisfying a youthful appetite for simplicity ..." "Strawberry Fields Forever" / "Penny Lane" was the first Beatles single since "Please Please Me" in 1963 to fail to reach number 1 on Record Retailers chart (later the UK Singles Chart).
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Describing how Villanelle "does what she always does—exploit society's misogyny by imitating a victim of it"—Emily Nussbaum wrote in The New Yorker that the potent idea that undergirds the show is that "femininity is itself a sort of sociopathy, whose performance, if you truly nail it, might be the source of ultimate power". 29 April 2019 print edition. Angelica Jade Bastién wrote in Vulture that the second season, with new showrunner Emerald Fennell, "trades in the precise mordant wit of series creator Phoebe Waller-Bridge for something more garish and horrifying", further describing the "wild consumption" of food and clothing "that builds into the closest thing the show has come to a genuine sex scene between" the two women. Bastién also perceived that "Killing Eve is deeply indebted to film noir, a genre whose backbone is the ways people lose their soul in the face of desire—...but it's a noir operating at the tenor of a fairy tale".
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For every laugh-out-loud moment, or eccentric touch, there are equal moments of reflection and pause [...] Despite an uncertain start in establishing a consistent comic tone, pic builds into an engaging, light character comedy, played somewhere between the Ealing tradition and contempo regional comedy." In The Guardian, Peter Bradshaw rated the film three out of a possible five stars and added, "This genial comedy, directed by Nigel Cole, with an excellent, tightly constructed script by Tim Firth and Juliette Towhidi, accentuates the positive. There's lots of wit and pluck and not much heartbreak," and Mark Kermode of The Observer said, "When the film succeeds, as it does magnificently in the first two-thirds, one can only marvel at the miracle of a world in which such plotlines could literally land on a producer's doorstep with the morning papers. When it fails, it is the film's acknowledgment of its own big-screen inevitability that is to blame.
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One of the most common contemporary transitions into a fantasy is to zoom in on a character's face and then spin around to the back of that character to reveal that he/she is now standing in an alternate reality. Perhaps the most common technique today is the post-reveal in which a character is shown in an awkward or unusual situation, the scene builds to an even more absurd or unusual situation, and then suddenly there is a cut to the character waking up, as exemplified by the opening sequence of Bring It On where a pep rally with irreverent routines builds into an abnormal moment where a character is revealed topless; she then wakes up to the viewers' realization that she had been dreaming. This is akin to the technique wherein a dream sequence is a plot device in which an entire story has been revealed to be a dream. As opposed to a segment of an otherwise real scenario, in these cases it is revealed that everything depicted was unreal.
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