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The date of his death is unknown. His two sons, Valentino Fioravanti (1827–79) and Luigi Fioravanti (1829–87), also had successful opera careers as basso buffos.
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He died, aged 72, in Capua. His eldest son, Giuseppe Fioravanti, was a successful opera singer, and his younger son, Vincenzo Fioravanti (1799–1877), also became a celebrated opera buffa composer, writing 35 stage works. His grandsons, Valentino (1827–79) and Luigi (1829–87), had successful opera careers, both as basso buffos.
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Domenico Cimarosa An amusing monodrama for a bass-baritone, the opera portrays a pompous maestro rehearsing an orchestra, often imitating the sound of the instruments. Always popular with great buffos (such as Fernando Corena and Sesto Bruscantini), it continues to be regularly performed. A typical performance runs slightly under 20 minutes. The only extant complete version of this work, according to Marco Brolli, is a vocal score for bass-baritone and piano that was published in 1810 in Leipzig.
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Giuseppe Fioravanti ( 1795 – ?) was an Italian opera singer active during the first half of the 19th century. Although one of the most important and popular basso buffos of his generation, there is only a relatively small amount of information available about his life. He had a highly fruitful partnership with the Teatro Nuovo in Naples and is best known today for creating roles in the world premieres of numerous operas by Gaetano Donizetti.Kutsch, Karl-Josef and Riemens, Leo (2004).
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In 1793 a critic for the ' wrote: :Benucci, one of the premier buffos in opera buffa, combines unaffected, excellent acting with an exceptionally round, beautiful, and full bass voice. He is as much a complete singer as a choice actor. He has a rare habit that few Italian singers share: he never exaggerates. Even when he brings his acting to the highest extremes, he maintains propriety and secure limits, which hold him back from absurd, vulgar comedy.
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Corena in 1953 Fernando Corena (22 December 1916 – 26 November 1984) was a Swiss bass who had a major international opera career from the late 1940s through the early 1980s. He enjoyed a long and successful career at the Metropolitan Opera between 1954 and 1978, and was a regular presence at the Vienna State Opera between 1963 and 1981. His repertoire encompassed both dramatic and comic roles in leading and secondary parts, mainly within Italian opera. He was highly regarded for his performances of opera buffa characters and is generally considered one of the greatest basso buffos of the post-war era.
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