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9 Sentences With "brutalises"

How to use brutalises in a sentence? Find typical usage patterns (collocations)/phrases/context for "brutalises" and check conjugation/comparative form for "brutalises". Mastering all the usages of "brutalises" from sentence examples published by news publications.

Diving at extreme depths brutalises the lungs, which at a depth of 30 metres compress to a quarter of their normal size.
Just as cruelty to animals on an individual level brutalises and desensitises, cruelty on an institutional level must similarly damage our collective psyche.
The six travel across Canada to reach the neutral United States and return to Germany. Led by Lieutenants Hirth (Eric Portman) and Kuhnecke (Raymond Lovell), the small band encounters and often brutalises a wide range of people. One by one they are captured or killed — sometimes by their own. Initial victims include the InuitReplaced the term Eskimo.
In 1990, Fox produced the television series Peter Pan and the Pirates, wherein Hook's costume was more early 18th century rather than the classic Charles II- Restoration period. He had white hair and wore black clothes. He was also clean shaven, without a moustache. Hook's personality is closer to Barrie's original character: he terrifies his crew, brutalises his enemies, has no fear (except of the crocodile), shows great intelligence, and is passionate about William Shakespeare's plays.
At the Bar () is a 2007 Turkish crime drama film, written and directed by Serdar Akar based on a real-life event that happened in Ankara, Turkey in 1997, featuring Nejat İşler as the head of a gang which brutalises, murders and rapes a group of young friends. The film, which went on general release across the country on , was shown in competition at the 26th Istanbul International Film Festival and marketed as the most violent Turkish film ever made.
Also, he did not insure the car against theft and becomes desperate to recover it. Put onto Tommy by a street newspaper vendor, Alfie, who witnessed the crime, Cummings starts investigating the activities of Meadows and his associate Cliff. Meadows, disturbed by his inquiries, brutalises Alfie, who then commits suicide. Despite being warned off by Meadows, who discovers Cummings investigating his garage and has him beaten up, Cummings persists in his attempts to recover the car, even after being warned off by the police.
Carlin struggles to settle into the dormitory, and after having watched the timid and bullied Davis be attacked by Banks, is eventually viciously assaulted by Banks who repeatedly headbutts him in an unprovoked attack. Carlin eventually gets his revenge on Banks. He uses a makeshift cosh from a long sock with two snooker balls inside to beat Banks's crony, then confronts Banks in the bathroom and brutalises him. He then informs him that he is replacing him as the "Daddy" of the ward, and will 'kill him' if he ever interferes with his or his friends' business again.
Rumstick is described in By Force of Arms as a great, "jolly bear of a man." He is very large and very strong, and shows it in the first Revolution book when he picks up the Icarus' boatswain's mate and tosses him overboard after seeing how he brutalises the crew members. Rumstick once mentioned his mother and that she hadn't failed in her duties to read him the Bible, but no other mention is made of her, or the rest of his family. He met Isaac Biddlecomb in 1764 when he signed aboard William Stanton's ship the Providence, on which Isaac had been working for a year, following the death of his father.
The camp's commander, Major Nakamura, a methamphetamine addict who pushes his prisoners harder and harder out of the fear of failing the Emperor, is in his own way just as much a prisoner of the railroad project as the men he brutalises. A major theme of the novel concerns the Australian value of "mateship"-a sense of camaraderie and loyalty-or the absence of "mateship" on the Burma Death Railroad. Among the POWs is the energetic and hardworking Tiny Middleton who wants "to show them little yellow bastards what a white man is" by overfilling his work quotas, thereby inspiring the Japanese to set higher work quotas that lead to the deaths of the weaker POWs. Other POWs include the artistic Rabbit Hendricks who secretly makes drawings of camp life; the white supremacist Rooster MacNeice who has trouble accepting he is now a prisoner of the Japanese; and the defiant Darky Gardiner who is repeatedly beaten by the guards and finally drowns himself in a latrine full of excrement rather than endure another beating.

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