The exhibition brings back to life the culture of social movements that fought racism, imperialism, patriarchy, and capitalism throughout the 1970s.
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To repay the gesture, he washes Tish's feet in a basin of milk extracted from the udders of a cow corpse that she brings back to life.
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In his short biography Mr Moshenska successfully brings back to life a forgotten self-made man who was at the same time braggadocio and philosopher, and who seemed to live so many lives.
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"Harry Potter and the Cursed Child" brings back to life author J.K. Rowling's magical world of wizards and witches, set 19 years after her last book about the much-loved character and his friends Ron and Hermione.
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It was going to focus on resurrection, the death rumor that circulated around the release of the last Bowie album The Next Day, and the King Kong stones required to spring back from that to drop a single called "Lazarus," after the dead man Jesus shockingly brings back to life in the Gospel of John.
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In Rewers (2009, Reverse) Bart brings back to life one of his characters who in Rien ne va plus committed suicide. A young girl who in Stalinism Poland found herself in a no-choice situation, this time is able to confront evil and win.
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According to Davidovich, the film's writer and director, the documentary "brings back to life the story of a man who believed that life was a musical."IMDB, Plot Summary. Through the story of Godik's successes and failures, "a bygone historical era in Tel Aviv is also exposed."Levitt, Meredith Price, "History plays a role in Festival selections," JewishJournal.
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Audio commentary for "Treehouse of Horror VI", in The Simpsons: The Complete Seventh Season [DVD]. 20th Century Fox. In "Treehouse of Horror VIII", Bart enters Frink's matter teleporter and – echoing the film The Fly – it results in an accidental mix between Bart's genes and the genes of a housefly that was also present in the transporter at the same time. In "Treehouse of Horror XIV", it is revealed that Frink had a father who was killed by a shark, whom he brings back to life in the episode by piecing together his body parts.
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From 1996 to 2003, Haché wrote La Tracadienne, Le Desservant de Charnissey, and La Maîtresse d'école, the first Acadian trilogy. He won the Prix l'Acadie entre les lignes, presented by Ici Radio-Canada Télé, for the novel Le desservant de Charnissey. He also received the Prix Champlain in 2004 for La Maîtresse d'école. Playwright Jules Boudreau inquired that his trilogy included "the first real great Acadian novel" and "impressive work, based on a thorough and meticulous research, which brings back to life an entire era through characters of extraordinary presence and truth".
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Another ex- collaborator of Dr. Hell. After a car accident, Hell turns him into a cyborg, but this time holds back his unfortunate tendency to turn those he brings back to life into total freaks and hence Heinrich only has blue skin and is full of stitches all over his body. His head sports a mechanical device, that extends to one of the sides of his face and covers his right eye, which can fire beams. Heinrich had worked for Hell developing a powerful monster, but for reasons unclear he deserts him and takes away the unfinished robot along with him.
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Considered to be Denmark's most important 17th-century prose work, Jammers Minde is a defensive, intimate and dramatic account, which brings back to life the painful years of Leonora's imprisonment. It was written with a political and tactical purpose and is considered an existential religious writing, radical for its time in its reporting of personal confession and crisis. Leonora knew that the work would be more successful if it came across as an authentic account of her time within the prison walls so it displays many of her real experiences, but which are dramatized and fictionalized, and vividly and fully so. Jammers Minde conveys the woman's conscious will to describe her experience without succumbing to her fate.
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Digby is Ned's Golden Retriever, who was hit by an 18-wheeler truck and subsequently becomes the first creature that the young Ned brings back to life. The fact that Digby is still alive and well twenty years later would seem to suggest that the resurrection suspends the aging process, but this has yet to be confirmed (however, there may be a slight possibility that any corpse revived by Ned will continue to live so long as he does not touch them again). The pie maker pets Digby with a fake arm, because if he were to touch Digby again, Digby would be dead forever. The dog is intelligent enough to understand this, and avoids touching Ned himself.
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The capitals in the southern gallery are entirely devoted to the story of St. Trophimus; the first shows St. Trophime blessing the Alyscamps burial ground, and dedicating an oratory to the still- living Virgin Mary; the next four show a miracle performed by the intervention of St. Trophime; he brings back to life a knight and nine of his relatives unjustly sentenced to death by the Emperor Charlemagne for slapping the archbishop Turpin. The Western Gallery probably dates to about 1375, and is devoted to religious figures and scenes popular in Provence; from south to north: the stoning of St. Stephen; Samson slaying the lion and yielding to Delilah; Saint Martha and the Tarasque; Mary Magdalene kissing Christ's feet; the Annunciation in a Gothic setting; the Coronation of the Virgin; and the Pentecost.
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While Eric Gordon and Adriana de Souza e Silva received praise from many, including Marcus Foth of Queensland University of Technology claiming that Net Locality brings back to life the idea that place still matters, the book is still up for debate on the dichotomy of the physical/virtual world. Allen Smith who works for WHERE had this to say about the writings, “I always thought about recent phone technology as allowing the internet to come out into the world and overlay it with information, I never thought of it the other way around, “extending the idea and functionality of location into the network.” Gordon replied to this by claiming that although the term "net-locality" is about the internet presence in everyday life, it is also true that our definition of networked interactions are changing from our perception of social norms and physical location.
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