But yeah, the kind of breathiness in his voice… and yeah, I think he's really good.
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It's obviously slightly more subdued than the original, but Clark's voice communicates Joe Strummer's fundamental urgency with its breathiness and verve.
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"Richard's paintings had a breathiness and color and a kind of newness absolutely separate from Pop Art," Mr. Bellamy once said.
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He talks in a forceful breathiness that can veer from wise-ass playfulness to high dudgeon in the turn of a phrase.
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On film Satine was embodied with a porcelain fragility and Marilyn-esque breathiness by Ms. Kidman, a silver-screen phantasm about to evaporate.
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How it works: Alhanai used a neural network to find characteristics of speech — like pitch or breathiness — that relate most closely to depression but aren't correlated with one another.
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PARELES "Trampoline," an airy and not particularly potent combination of breathiness and slap by the electro-pop band SHAED, has been inching its way up the Billboard Hot 100.
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They all sing in a certain style—some version of a breathiness and an affected way of chewing over vowels—but they don't belt from their chests as Houston once did.
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Watchful and tremulous, she captures to perfection the breathiness of Jackie's voice, as it floats above the guttural twang of less exalted lives—"Amairca," she says, smoothing her native land into trisyllabic gentility.
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On the computer, they bring the voice to life, matching it visually and vocally with "the tone, the gravely-ness, the breathiness, the gender of the voice, and the roughness of it," Ward says.
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Then you also get this kind of breathiness in the voice that shows this very desire to present yourself, especially when she was on TV it gets kind of breathier, to present yourself in a kind of feminine, coy way.
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Over a track that fleshes out the skeletal beat of most reggaetón with horns and Latin percussion, Ms. Lopez sings about the uncontrollable power of love, working from breathiness to gutsy rasps; Gente de Zona heartily agrees with her, growling in satisfaction.
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Mr. Duffy warmed up the crowd with jokes about quirky Icelandic culture — the breathiness of the language, the near-cashless society, tourists asking "where the Northern Lights are" — before turning over the stage to about a dozen wide-ranging comics for a two-hour-plus show.
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She makes the most of the breathiness and buzzing sibilances of the Portuguese language.
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The GRBAS (Grade, Roughness, Breathiness, Asthenia, Strain) and the CAPE-V (Consensus Auditory Perceptual Evaluation—Voice) are two formal voice rating scales commonly used for this purpose.
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Breathiness may last for a longer period of time for males than females. Surgeries involve myoectomies of the laryngeal muscles to reduce voice breaks, and laryngoplasties, in which laryngeal cartilage is altered to reduce tension.
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Infants as young as 1 month perceive some speech sounds as speech categories (they display categorical perception of speech). For example, the sounds /b/ and /p/ differ in the amount of breathiness that follows the opening of the lips. Using a computer generated continuum in breathiness between /b/ and /p/, Eimas et al. (1971) showed that English- learning infants paid more attention to differences near the boundary between /b/ and /p/ than to equal-sized differences within the /b/-category or within the /p/-category.
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A vocal fold stuck in an abducted or open position may cause breathiness and low volume. Listen for vocal flutter and diplophonia. Having both vocal folds stuck in an abducted position creates a breathy voice, with potential inspiratory stridor. Having both vocal folds stuck in an adducted or closed position compromises the airway significantly.
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Voice disorders range from aphonia (loss of phonation) to dysphonia, which may be phonatory and/or resonance disorders. Phonatory characteristics could include breathiness, hoarseness, harshness, intermittency, pitch, etc. Resonance characteristics refer to overuse or underuse of the resonance chambers resulting in hypernasality or hyponasality. Several examples of voice problems are vocal cord nodules or polyps, vocal cord paralysis, paradoxical vocal fold movement, and spasmodic dysphonia.
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Jami is also a Marilyn Monroe tribute artist, and performed as such during the 2006 Texas State Fair. Jami's transformation into Marilyn is supported by a coach to help her coax her Texas twang into Marilyn's breathiness. She has taken singing and dancing lessons to perfect Marilyn's routines, and her blond hair requires weekly peroxide applications. Jamie Deadly has modeled for Poison Candy and Versatile Fashions.
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New York: Oxford University Press, 1997. 233–256 Linguist David Crystal correlated the use among men of an "effeminate" or "simpering" voice with a widened range of pitch, glissando effects between stressed syllables, greater use of fall-rise and rise-fall tones, vocal breathiness and huskiness, and occasionally more switching to the falsetto register.Crystal, David. English Tone of Voice: Essays in Intonation, Prosody and Paralanguage.
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Arytenoid adduction with or without medialization thyroplasty significantly improves quality of life for patients with vocal cord paralysis. Subjective outcome measures of voice quality include the Grade, Roughness, Breathiness, Asthenia, Strain (GBRAS) voice scale, Voice Handicap Index, and closure of the glottic gap. Objective outcome measures include mean and maximum phonation time, phonotory airflow, and signal-to-noise ratio. Arytenoid adduction produces improvements in all of these parameters.
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Polyps are caused by a single occurrence and may require surgical removal. Irritation after the removal may then lead to nodules if additional irritation persists. Speech- language therapy teaches the patient how to eliminate the irritations permanently through habit changes and vocal hygiene. Hoarseness or breathiness that lasts for more than two weeks is a common symptom of an underlying voice disorder such as nodes or polyps and should be investigated medically.
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Auditory-perceptual measures are the most commonly used tool by clinicians to evaluate the voice quality due to its quick and non-invasive nature. Additionally, these measure have been proven to be reliable in a clinical setting. Ratings are used to evaluate the quality of a patient's voice for a variety of voice features, including overall severity, roughness, breathiness, strain, loudness and pitch. These evaluations are done during spontaneous speech, sentence or passage reading or sustained vowel productions.
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"When I Grow Up" is an uptempo electropop song that lasts four minutes and five seconds. Built around "bouncy synth lines" and a "thudding" bassline, the song features a heavy use of sirens, handclaps and pitch-shifted vocals. Scherzinger was cited as adopting Britney Spears' breathiness against the song's sirens, shouts and "pumping beat". Jaime Gill from Yahoo Music UK described "When I Grow Up" as a "dark, dissonant club banger", while Rudy Klapper from Sputnikmusic compared the song's composition to that of Basement Jaxx's 2003 track "Plug It In".
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Betty Carter at the Great American Music Hall, San Francisco, California, 1979 Even at a young age, Carter was able to bring a new vocal style to jazz. The breathiness of her voice was a characteristic seldom heard before her appearance on the music scene.Bauer, Open the Door, p. 28. She also was well known for her passion for scat singing and her strong belief that the throwaway attitude that most jazz musicians approached it with was inappropriate and wasteful due to its spontaneity and basic inventiveness, seldom seen elsewhere.Bauer, Open the Door, p. 29.
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Wilcox also appeared on the cover of Acoustic Guitar, which described him as James Taylor combined with the "husky breathiness more reminiscent of the late Nick Drake" and said he was the "best known of the brilliant crop of singer-songwriters to emerge in the late '80s." He was based in Asheville, North Carolina in the 1990s, in Washington, D.C. and Maryland in 1999–2000, and again in Asheville in 2009. David Wilcox performing in Richmond, Virginia in 2016 In the next decade, Wilcox continued to release albums, including Into the Mystery in 2003.
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" Stephen Trouss of Pitchfork commented, "In a year of low-stakes disappointment for European pop, Overpowered is a triumph." Stylus Magazines Dan MacRae found that "Overpowered knows how to squeech and squelch in the proper places, while touches of cowbell, beatboxery, and the occasional Prince styled riff all get sprinkled in accordingly." Jax Spike of About.com described the album as "pretty overpowering itself, containing solid electropop music with plenty of funky flavor and some really wild beats, with her smooth voice exuding confidence despite any moments of breathiness.
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Subjective measures include scales such as the Grade, Roughness, Breathiness, Asthenia, Strain Scale (GRBAS); the Reflux Symptom Index; the Voice Handicap Index (VHI); and a voice symptom scale. Objective measures often rely on acoustic parameters such as jitter, shimmer, signal-to-noise ratio, and fundamental frequency, among others. Aerodynamic measures such as vital capacity and maximum phonation time (MPT) have also been used as an objective measure. However, there is not yet a consensus on how best to use the measures or which measures are best to assess treatment outcomes for LPR.
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Garrett interprets this to mean that Adjarian's law should be considered a type of transphonologization, where breathiness leads to [+ATR] only if it is simultaneously lost. According to Vaux, the relevant feature is instead the devoicing of the Classical Armenian voiced stops. Adjarian's law demonstrates that the Proto-Armenian language retained the PIE aspirated stops and had not undergone a Germanic-style consonant shift. The result is important evidence against certain arguments in favor of the glottalic theory of the Proto-Indo- European stop system since such vowel fronting makes no sense if the protolanguage's voiced aspirates had been simple voiced stops.
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It has fleeting multi-tracked harmonies, a non-sequitur chorus, and Ocean's occasionally fractured breathiness conveying an addict's voice. "Pyramids" is cited by writers as the album's centerpiece. Brice Ezell from PopMatters wrote that it denotes "the vital midpoint of the overarching narrative", where "the wittier tone of the record's front half gives way to an emotionally dense second half." Veering from synth-funk to slow jam styles, the song has a lyrical conceit that uses Ancient Egyptian and Biblical imagery, and contrasts the legendary fall of Cleopatra with the circumstances of a latter-day working girl, who dances at a strip club called the Pyramid to support her man's gaudy aspirations.
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Polyps on the vocal folds can take on many different forms, and can sometimes result from vocal abuse, although this is not always the cause. They can occur on one or both vocal folds, and appear as swelling, a bump (similar to a nodule), a stalk-like growth, or a blister-like lesion. Most polyps are larger than nodules, which are more similar to callouses on the vocal folds. Polyps and nodules can exhibit similar symptoms including hoarseness or breathiness, “rough” or “scratchy” voice, harshness in vocal quality, shooting pain from ear to ear, sensation of having “a lump in the back of the throat”, neck pain, decreased pitch range in the voice, and vocal and bodily fatigue.
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There are four distinct tones in the TGTM sub-family, each of which differs by the overall pitch, as well as how breathy the sound is. Using a rating of 1 to 5, which correlates to low to high pitch respectively, the beginning and ending sound of every monosyllabic Manang word can be rated in order to determine whether the speaker increases or decreases the pitch, as well as breathiness. Of the four tones, the first stays consistently mid-level throughout the entire word, whereas the second tonal type starts at a 4 and increases in pitch to a 5. The third and fourth types decrease from the start to finish of the word, although tone-3 is higher pitched overall.
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USA Today said that there was no better song on the album for the collaboration. The Guardian referred to the track as "a gorgeous, hushed country ballad about [Swift's] mother's illness, bedecked with banjo, fiddle and backing vocals by the Dixie Chicks" perfect for "those who think it all went wrong when she left Nashville" to "console themselves with". Vulture referred to the song as a "fingerpicked throwback" with Swift's singing exhibiting "breathiness, crisp enunciation, and telegraphed sincerity". They added that Swift's solo verses repeat a "modest, wilting pattern with each line over a soft bed of acoustic guitar" and that "the sound gets only slightly bigger at the first chorus, with the introduction of The Dixie Chicks' brightening harmonies, gingerly picked banjo, and lyrical fiddle accents".
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Phonologically Sylheti is distinguished from standard Bengali and other regional varieties by significant deaspiration and spirantization,"One of the properties that distinguish Sylheti from SCB or other regional varieties is the significant application of obstruent weakening involving de-aspiration and spirantization." leading to major restructuring of the consonant inventory"Consequently, the consonant inventory (especially the obstruents), of Sylheti exhibit a major reduction and restructuring compared to that of (Standard Colloquial Bengali)." and the development of tones."Also noteworthy is the development of tones due to loss of the breathiness and aspiration contrast." Although Grierson had classified Sylheti as an Eastern Bengali dialect, he had identified Sylheti sharing some features with Assamese including a larger set of inflections than Bengali. Particularly in the United Kingdom, the majority of the diaspora using Sylheti as the main vernacular has led some to view it as a distinct language, due to an environment that was somewhat uninfluenced by standard Bengali.
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