When something sad happened, he didn't break down and cry.
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Only once did he break down and cry in front of me.
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Some of their stories would make Gordon Ramsay himself break down and cry.
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Sometimes people leave me these messages where I want to break down and cry.
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"We've actually had people break down and cry, saying, 'No one asks me what I feel.'"
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Suddenly, I would have to find a quiet corner to myself to break down and cry.
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Boys still want to break down and cry, but society doesn't promote that to be okay.
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"I've had people when I told them about the program cry, break down and cry," he said.
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"I'd never seen a police officer break down and cry," Chris said of an officer at the scene.
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" Most Poignant Lyrics to Hear Today: "Ain't there one damn song that can make me break down and cry?
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It's the only public place in Karachi where people can break down and cry and everyone around them will understand.
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"I've seen grown men—rough, tough, scruffy, grown men—break down and cry when they've lost a horse," Moore says.
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"When you see grown men break down and cry that they lost everything they got," Underwood says, pausing to regain his composure.
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There are going to be times when you want to break down and cry and lay there in a ball and not do anything.
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As the manager began to describe seeing his friends apartment and all the blood on the floor he began to break down and cry and was unable to continue.
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Horrified at this realization, the robot slouches downward and lets out an "Oh my god" that could make anyone stuck at a soulless job break down and cry in sympathy.
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"Once I started to break down and cry, he continued to try to hurt me," Mr. Lestock said of Mr. Levine, who was music director of Ravinia from 1973 through 1993.
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Bowles called Jones to tell him about being punched, and Jones said that he was disappointed in Bowles and that Bowles had "betrayed the team," leading Bowles to break down and cry, according to the complaint.
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But he has not been reinstated to his former position and has filed a complaint with the E.E.O.C. "It has been most difficult, on a personal level, watching my wife break down and cry and become angry over how the agency has treated me, especially since she has seen how dedicated I have been," Mr. Pait said.
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The idea of reliving sitting on my porch, in handcuffs, hoping and praying to God that I wasn't going to sit in a jail cell for days on end until my parents returned; the idea of watching my mother break down and cry for the injustice to "her baby" and the idea of my dad losing his mind and doing something that I now understand could have been a death sentence — it was more than I could handle.
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Soon, Kennedy gets a pie in the face from one of the teenaged boys. By now, Mrs. Kennedy is about to break down and cry. While saying his line, Chubby gets a pie thrown at him by one of the boys.
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Entering the pod, a heartbroken Bender says he will have her diamond bracelet to remind him of her. Bender then immediately asks Hermes what it's worth, who then examines it and tells Bender that it is not real, causing Bender to break down and cry.
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She would break down and cry. She hated the director, and she permitted that hatred to color everything she did.""Pretty Poison" at Alt Film Guide accessed 23 Feb 2015 Semple later said " I don't think the director used a good deal of imagination on it. I remember the first day of rehearsal.
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" Bousman mentioned that Saw III was intended to contain a scene in which Jigsaw showed remorse for his actions after seeing the results of his legacy: > "For the first time, we actually see him break down and cry. Imagine your > entire life's work. You're on your deathbed. You know there's nothing else > you can do and here's how you'll be remembered: as a killer, as a murderer.
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She often refused to do what Black demanded of her and would break down and cry. "Don’t talk to me about (Pretty Poison)", she said, "I couldn’t bear Noel Black (the director) even speaking to me. When he said 'good morning,' it destroyed my day." Some reviewers panned the film, and when it did poorly at the box office, 20th Century Fox pulled it from theatres.
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He tells Martin to get the jewelry, but Martin refuses without a signed document from Barnier stating that he will give the jewelry to his daughter as a wedding present. Barnier agrees and Martin leaves for the bank. While Martin is gone, Barnier talks to his daughter Colette. Without mentioning Martin, he tells her that he's opposed to her marriage which causes her to break down and cry.
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Winsted recounts: > I'm caught off-guard, like, what the hell just happened?...The yelling goes > on for maybe five or 10 minutes while I'm furiously backpedaling...They call > it making somebody a self-conscious organizer...It is about getting somebody > to break down and cry, just to have an emotional collapse. Once you do that, > then people are malleable. Jeffrey Steinberg, a top security aide in the LaRouche movement, responded by portraying Michael Winsted as an agent of the Washington Post who "briefly infiltrated the Baltimore chapter of the LYM".
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"Break Down Here" is a mid-tempo ballad centralizing on the narrator, who is driving by herself on the freeway, escaping a failed relationship with all of her belongings in the back of the vehicle. Realizing that her vehicle is beginning to make a noise and that she is far from an exit, she states that she would "sure hate to break down here". The phrase has a double meaning, in that she does not want the vehicle to break down, and she does not want to break down and cry ("I've made it this far without crying a single tear").
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In the episode "The Other Side," Maggie is seen training residents of the Hilltop and teaching them how to throw knives and the citizens of the Hilltop begin to look at her as their leader, making Gregory paranoid. Simon and the Saviors arrive at the Hilltop, causing Maggie and Daryl to hide in a cellar. While hiding, Daryl and Maggie talk about Glenn, causing Daryl to break down and cry, telling Maggie that he is sorry for prompting Negan to kill Glenn. Maggie insists that Glenn's death was not his fault and the two of them hug with Maggie telling Daryl that they will win and beat Negan.
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However, Color Field painting has proven to be both sensual and deeply expressive albeit in a different way from gestural Abstract expressionism. Denying connection to Abstract Expressionism or any other Art Movement Mark Rothko spoke clearly about his paintings in 1956: > I am not an abstractionist ... I am not interested in the relationship of > color or form or anything else. ... I'm interested only in expressing basic > human emotions — tragedy, ecstasy, doom and so on — and the fact that a lot > of people break down and cry when confronted with my pictures show that I > communicate those basic human emotions. ... The people who weep before my > pictures are having the same religious experience I had when I painted them.
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In an interview with the Lubbock Avalanche-Journal, Holly's eldest brother Larry Holley commented before hearing both this compilation and Down the Line: Rarities, "María [Elena Holly] told me I was definitely going to just break down and cry when I hear all these CDs, because they've cleaned them (the songs) all up and Buddy's music never has come across so pure before." The critical reception for Memorial Collection was fairly positive. The Allmusic review by Stephen Thomas Erlewine compliments the collection's progression in Holly's work, while he says that several bootleg recordings, including a ten-disc collection, have more music. Robert Christgau, writing for Blender, thinks that the album could easily have fit on to two discs and says that the most interesting songs on the collection were the "undubbed" recordings.
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Michael Stewart has penned a sassy and fresh book, while Lee Adams and Charles Strouse have matched it with tongue-in-cheek lyrics and music." New York Herald Tribune critic Walter Kerr praised Gower Champion's direction but criticized the libretto and score, stating that "Mr. Champion has been very much responsible for the gayety (sic), the winsomeness, and the exuberant zing of the occasion ... he has not always been given the very best to work with ... every once in a while, Michael Stewart's book starts to break down and cry ... Lee Adams's lyrics lean rather heavily on the new "talk-out-the-plot" technique, and Charles Strouse's tunes, though jaunty, are whisper-thin." Brooks Atkinson of The New York Times conceded that "the audience was beside itself with pleasure" but dryly stated that "this department was able to contain itself.
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