I had a lot of success as a child actor when my boyishness was an asset.
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At only 45, Ingels is far younger than most starchitects, and he wears his boyishness proudly.
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When Cardona was arrested, he was nineteen, and his delicate-featured face retained a dissonant boyishness.
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Most annoyingly, it's narrated with faux-naïf boyishness and puppyish pep by Josh Gad as the dog.
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I was, and still am, consumed with boys, with boyishness, with denim and sweat and blunted edges.
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He smiles again, but, with his hand on his gun, his boyishness seems a little less endearing.
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He was handsome in ways different from his brother, who could easily convey a pure all-American blond boyishness.
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The pleasure of an Ethan Hawke performance is often based in his boyishness, which hasn't gone away as he's aged.
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The new Spider-Man is terrific, played by Tom Holland with a genuine boyishness reminiscent of the young Michael J. Fox.
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"Jam" felt like Michael with the trademark vocal hiccups, well placed "uh-huh"s and aggressive whispers softened by his natural boyishness.
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Sondheim is 89, and his walk that day was slow and pained, but he retains a boyishness — a willingness to amuse and be amused.
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Many characters repeatedly tell us that he's a "nice kid" from a "good working class family" and they let his asthma and boyishness do the rest.
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Benjamin, who is now fifty-eight, retains something of the boyishness of a half century ago, despite the fact that his close-cropped hair is silver.
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Given the devastation he caused, what confounded Ms. Martinez as she observed Mr. Roof was his boyishness and his slight 5-foot-9, 120-pound frame.
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Before breaking into music, Weldon was a child actor at 13 (when their "boyishness" was an asset, they told Mashable) performing alongside career legend Meryl Streep in Before and After.
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While his peers wear short sleeves, he chooses a long-sleeve khaki uniform and a dark brown tie, a formal get-up that, coupled with his buzzed hair, accentuates his boyishness.
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Unlike Ms. Pfeiffer's femme resplendence, which looked even to my novice tween eyes like a ton of work with plenty of room for error, Mr. Modine's boyishness appeared effortless, and therefore cool.
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He projects a focused, constant energy, and today his boyishness was amplified by a retainer in his mouth, a corrective measure to address problems left over from a childhood without dental insurance.
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Ed had a solid boyishness about her, and had once been asked to participate in an identity parade, one of whom had a mark on his face, a cut between nose and mouth.
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The result is a fun, unexpectedly lighter-than-air film, one that plays up its comedic aspects more than almost any of its brethren while benefiting from Tom Holland's believable boyishness in the title role.
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When Louis meets Addie's young grandson, Jamie (the remarkable Iain Armitage, seen on television in "Big Little Lies" and "Young Sheldon"), the encounter awakens a long-dormant paternal instinct, and also a streak of boyishness.
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When Nicolas Ghesquière unveiled his spring/summer 2016 collection for Louis Vuitton, the actor and musician Jaden Smith, then 17, wore a metal embroidered kilt, going beyond drag to question what, if anything, boyishness looks like now.
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These women and their looks — from Misia Sert's bohemian opulence at the turn of the last century to Twiggy's sprightly boyishness in the 1960s — can be as much an expression of their times as their era's music, literature or even politics.
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Those who came after him have put their own unique spin on the character, but the actor brought the perfect balance of roguishness and boyishness to the part that made it easy to understand why he could run with Sandy and fly with the T-Birds.
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He gives Ryan's professorial side a credibility that Mr. Ford and Mr. Affleck couldn't manage, and his combination of boyishness and physical presence, already used for comedy in "The Office," helps give his Ryan a humorous edge that Mr. Baldwin and Mr. Pine went for with middling success.
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We see the teenage Danny (sung with raw emotion and poignant boyishness by the remarkable tenor Andrew Stenson) at home in New York's Chinatown, making dinner with his beloved mother (the affecting mezzo-soprano Mika Shigematsu, in a remarkable performance), who is distressed to find out her son has enlisted.
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Nine years later, as the now-63-year-old once again brings the character he created in his 20s to the big screen, he's been equally frank about the extensive (and expensive) digital wizardry it took to restore his boyishness: ''I feel I'm too old to be in a Pee-wee Herman movie without that,'' he explained.
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The many adventures of Cap and Tippie led to the discomfort of his parents and his grandmother, Sara Bailey, who clearly doted on the boy despite the fact that his high energy and general boyishness constantly drove her to distraction.
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Despite her boyishness, Horikita looked up to her mother. This was revealed when she appeared in an episode of KAT-TUN's now-defunct variety show Cartoon KAT-TUN where she mentioned that she liked imitating her mother when she was younger.
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His death was widely lamented in the scientific and geographic fields and was covered in The Times, where a friend described 'his patient courage, his resourcefulness and constant cheerfulness' and described how he possessed the 'eternal boyishness of the Elizabethans' in his exploration.
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Padgett’s father was a bootlegger in Tulsa, Oklahoma. He influenced many of Padgett's works, particularly the writer's refusal to obey rules, follow instructions, or even to follow his own emerging patterns. This would later be described as a stubborn streak of boyishness, allowing a wry, pickled innocence in his poetry. By the age of 13, Padgett started writing poetry.
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Eisenman's book Gauguin's Skirt challenges conventional notions of the political and gender content of Gauguin's paintings. In Spirit he sees parallels not only with Manet's Olympia (see below), but also with the Louvre Hermaphrodite in the boyishness of the features and the a tergo posture. The androgynous depiction is in keeping with Polynesian cosmology and its stress on the dual nature of things.Eisenman pp.
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22 Busch's biographer Berndt W. Wessling suggested that Friedrich Wilhelm Busch invested heavily in the education of his sons partly because his own illegitimacy held significant stigma in rural areas.Wessling, p. 22, 24 The young Wilhelm Busch was a tall child, but with a rather delicate and graceful physique. The coarse boyishness of his later protagonists, "Max and Moritz", was rare in his childhood.
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"In fact, it is the carrying over of this 'boyishness' into everyday life and the freedom that this implies that captures the attention of some fans." The otokoyaku, however, is not bound to her assigned male role in the theater. Tsurugi Miyuki, top otokoyaku star of the Moon Troupe, said that she conceived male impersonation as just a "role" that she wore like the makeup and costume that helped create her otokoyaku image.
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She has published three monographs. Her first solo work, The Trouble with Amelia (Booth-Clibborn Editions 2004) focused on the subject of men. Robert Crampton writing in The Times Magazine of her work said: “She sees most men as boys who haven’t grown up (…) Troubridge’s instinct is to celebrate this boyishness rather than reform it or ridicule it or recoil from it”. Her second book Malta Diaries (Trolley Books 2006), with an introduction by Edward de Bono, explored her relationship with the island and its people.
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101 Although Eastwood was finally pleased with the direction of his career, he was not especially happy with the nature of his Rowdy Yates character. At this time, Eastwood was 30, and Rowdy was too young and too cloddish for Clint to feel comfortable with the part. Although boyishness was a key element in his casting, Eastwood disliked the juvenile overtones of the character and privately described Yates as "the idiot of the plains"Reader's Digest Australia: RD Face to Face: Clint Eastwood . According to co-star Paul Brinegar, who played Wishbone, Eastwood was, "very unhappy about playing a teenager type".
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A Harvard psychologist reported that flappers had "the lowest degree of intelligence" and constituted "a hopeless problem for educators". Another writer, Lynne Frame, said in her book that a large number of scientists and health professionals have analyzed and reviewed the degree of femininity of flappers' appearance and behavior, given the "boyishness" of the flapper look and behavior. Some gynecologists gave the opinion that women were less "marriageable" if they were less "feminine", as the husband would be unhappy in his marriage. In Frame's book, she also wrote that the appearance of flappers, like the short hair and short dress, distracted attention from feminine curves to the legs and body.
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Inspired by the real Tabitha and a kitten Potter borrowed for the 1906 production of The Story of Miss Moppet, The Tale of Tom Kitten is about how children react to manners. Tom Kitten's very name suggest carefree, mischievous boyishness in the manner of the 19th century's exemplars of boyhood, Tom Sawyer, Ton Aldrich, and Tom Brown. He is unusually defiant of parental strictures and taboos. Tom's mother tries to dignify the rascal by calling him Thomas, dressing him in elegant clothes, and by issuing taboos once he is groomed and dressed to walk upon his hind legs and to stay away from the pig sty, the ash pit and other animals.
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Stewart had only a small role in his second MGM film, the hit musical Rose Marie (1936), but it led to his casting in seven other films within one year, from Next Time We Love to After the Thin Man.; ; ; He also received crucial help from his University Players friend Margaret Sullavan, who campaigned for him to be her leading man in the Universal romantic comedy Next Time We Love (1936), filmed right after Rose Marie. Sullavan rehearsed extensively with him, boosting his confidence and helping him incorporate his mannerisms and boyishness into his screen persona.; ; ; Next Time We Love was a box-office success and received mostly positive reviews,; leading Stewart to be noticed by critics and MGM executives.
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" Janet Maslin of The New York Times said the film "begins on such an overworked Norman Rockwell note that there seems little chance that anything exciting or unexpected will happen. So it's a happy surprise when the film ... turns into a lively, entertaining tale combining boyishness and grown-up horror in equal measure;" according to Maslin, "The gee-whiz quality to this adventure is far more excessive in Mr. Bradbury's novel than it is here, as directed by Jack Clayton. Mr. Clayton, who directed a widely admired version of The Turn of the Screw some years ago, gives the film a tension that transcends even its purplest prose." Kevin Thomas of the Los Angeles Times praised the film as "one of Walt Disney's best efforts in recent years—a film that actually has something to offer adults and adolescents alike.
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Fisheye was killed when he and Tiger's Eye gave up their power to rebuild Usagi's destroyed Dream Mirror. However, Pegasus revives him, and he is sent to Elysion with the others, given the promise of rebirth as real humans.. Fisheye was changed to a woman in Cloverway's English dub of the anime, which is not unprecedented within this adapted series: Zoisite and Zirconia also had their genders changed. Full list of changes made for English dub However, the female Fisheye's voice seemed to waver between effeminacy and boyishness, and the TV version of the dub slightly edited a fairly noticeable scene in which Fisheye is seen without a shirt-- the chest was placed off- camera. Full list of changes made for English dub In the uncut DVD, the many references to Fisheye as female are retained, but the scenes showing "her" as a shirtless man are still shown.
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We were passionate, rebels against a woman's lot, voluptuous and cerebral little apostles, rather poetical, full of illusions and dreams. We loved long hair, pretty breasts, pouts, simpers, charm, grace; not boyishness." Their amorous relationship lasted less than a year and their love letters reflect they passions they shared and also the conflicts. The two were said to have had deep feelings for each other for the remainder of their lives, although their relationship was not without its ups and downs. In Women Lovers, Barney recounts the bittersweet romantic rivalry she shared with Pougy in a "barely disguised roman à clef" in which "Barney, the dashing Italian baroness Mimi Franchetti, and the beautiful French courtesan Liane de Pougy share erotic liaisons that break all taboos and end in devastation as one unexpectedly becomes the “third woman.” For her part, Pougy depicts their relationship in My Blue Notebooks as one that grew more distant over the years, possibly ending in 1934 when the two ran into each other in Toulon, but did not exchange a word.
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Linda Raine Robertson, in The Dream of Civilised Warfare, noted that Briscoe and Stannard emphasised "the portrait of a boy of energy, pluck, and humility, a loner who placed his skill in the service of his nation, fought—indeed, invited—a personal war, and paid the ultimate sacrifice as a result", and that they "struggle to paste the mask of cheerful boyishness over the signs of the toll taken on him by the stress of air combat and the loss of friends". Alan Clark, in Aces High: The War in the Air Over the Western Front, found Ball the "perfect public schoolboy" with "the enthusiasms and all the eager intelligence of that breed" and that these characteristics, coupled with a lack of worldly maturity, were "the ingredients of a perfect killer, where a smooth transition can be made between the motives that drive a boy to 'play hard' at school and then to 'fight hard' against the King's enemies". Biographer Chaz Bowyer considered that "to label Albert Ball a 'killer' would be to do him a grave injustice", as his "sensitive nature suffered in immediate retrospect whenever he succeeded in combat".
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