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"box room" Definitions
  1. a small room in a house for storing things in

33 Sentences With "box room"

How to use box room in a sentence? Find typical usage patterns (collocations)/phrases/context for "box room" and check conjugation/comparative form for "box room". Mastering all the usages of "box room" from sentence examples published by news publications.

Humid ass light-up box room, and Iggy Azalea is also there, because it was 2014.
The second exhibition on view, displayed in a small "Jewel Box" room, showcases the work of East German graphic design group Cyan.
He rearranged his apartment so that there's space for me to work from a little box room and brought tons of food in.
I was eventually introduced to a housing organization called Paradigm, who paid for me to move into a tiny box room in a house.
" She added: "When she told me how much could be made from a crop in my box room—£7,000 [about $8,500] every ten weeks.
In a darkened "black-box" room on the second floor, a glowing LED ladder — "Ladder to Heaven" (27) — is installed between two mirror bases to create the optical illusion of infinite depth and height.
And you end up saying you'll stay in the box room because "I don't need much space, honestly!" but it's actually just so you get to pay less rent per month as a result of it.
You have to leave your cellphone outside the small jewel box room where the library has installed a smattering of what some might call artifacts and others might call relics (as that term applies to, say, slivers of the True Cross).
In the United Kingdom, many houses are built to contain a box-room (box room or boxroom) that is easily identifiable, being smaller than the others. The small size of these rooms limits their use, and they tend to be used as a small single bedroom, small child's bedroom, or as a storage room. Other box rooms may house a live-in domestic worker. Traditionally, and often seen in country houses and larger suburban houses up until the 1930s in Britain, the box room was for the storage of boxes, trunks, portmanteaux, and the like, rather than for bedroom use.
Invisible Boyfriend/A Splash of Red. Chew Records. Cat.# CH9271. 1982 This was recorded at "Trixieland"-a box-room in their house on the Isle of Wight.
XII in 1993. In the same year a multipurpose building was constructed consisting of a hospital, Box room, audio visual room, and Table Tennis room. In March 1999 a new school building exclusively for Primary Classes from LKG to Std. V was built facing Kottur.
The building contains five smaller rooms for 140–400 listeners. These include a chamber music hall, a chamber opera hall, an organ hall, a 'black box' room for electrically amplified music and a rehearsal hall. The smaller rooms are used regularly by the students of Sibelius Academy for their training and student concerts.
Total accommodation provided is as follows: entrance hall and staircase, 2 cloakrooms, 3 reception rooms and fine panelled billiards room with vaulted ceiling, large kitchen, utility room, play room, stores. Wine cellar and boiler room, 2 bedrooms and bathroom suites, 2 further bedrooms and 4 bedrooms and bathroom and box room on the second floor.
Every hostel has two floors, with Junior Dorm, Middle dorm and Box Room on the first floor and Senior dorm in one side and Preparation Room, Recreation Room and warden office on the other. A house is under command of a House Captain. School is commanded by a School Captain, School Adjutant, a CCA Captain and a Sports Captain.
Loder is eventually released after Walker manages to enter the study through the window. A few days later, the Secret Seven assemble for a meeting in the Remove box room. Vernon-Smith is absent - with his usual independence, he is in Loder's study, writing a message for Loder on the wall mirror before joining the meeting.
These appear confined to the receiling of the rear rooms, verandahs and part enclosure of verandahs. The south east box room has been converted into a bathroom dating from about . There is evidence to suggest that the box rooms, kitchen wing and verandah at the rear have been partly or completely rebuilt at a time about or later.
A recently enclosed verandah to the south functions as an informal entrance. The early house comprises a living room, two bedrooms (northeast and southwest), study/library, box room and porch. A short hall links the early house with the extension. The extension consists of a bedroom, living room, office, enclosed verandah and a service wing of kitchen, bathroom, store, toilet and laundry.
Loder, looking through the keyhole, is in time to see the window quietly being closed. Loder guesses correctly that he has spotted the Secret Seven meeting place. He proceeds to his study and says as much to Carne and Walker, who are waiting for him there. Loder tells them that he plans to keep watch on the box room and identify the members of the society.
The landing and stairwell retain an original double-hung window (without glazing bars) the original skirtings and cornice, and the cedar balustrade to the staircase. The ceiling has been replaced with sheet material. The toilets are modern and have been formed from a former box room and linen press. The locker room (maid's room) retains its original double-hung window with six-pane sashes and ogee architrave.
The enclosed extension has since been demolished due to termite damage. In the south eastern corners of the central ward/dormitory are two square rooms with pyramidal roofs originally used as a bathroom and latrines with another verandah in between. This verandah was also enclosed by the Girls' Home and used as a box room. An additional room was added to this in the 1940s for use as an infants' dormitory.
Parisian maid (1906) (Image by Constant Puyo) A domestic servant ironing a lace doily with GE electric iron, ca. 1908 Many domestic workers are live-in domestics. Though they often have their own quarters, their accommodations are not usually as comfortable as those reserved for the family members. In some cases, they sleep in the kitchen or small rooms, such as a box room, sometimes located in the basement or attic.
Del arrives and forces Bascomb to hand the stolen keys to Sonny but during the handover the keys are dropped and mixed up. Bascomb and Sonny hurriedly try the forty keys in each of the forty lock boxes. Sonny closes the security door and locks himself and Bascomb in the lock box room. Billy attempts to talk Del and Cougar out of the heist but is shot dead by Cougar.
In South Korea, PO boxes are available in one size at selected post offices. There is no charge for renting PO box, but renter must fetch mail at least once in 30 days. Application is only available at post office with valid ID, seal for receiving registered mail, and key fee (usually around 10,000 won). Seoul CPO box room is the only PO box in Korea with fully automated mail retrieving system.
At the end of the first episode, he bets his family's Disneyland fund on a 'dead cert' and loses it all. Bernadette kicks him out of the house, and he goes to sleep in the box room at his father's house. Bernadette and Joe move to a flat to the reduced living costs - they are unable to afford a house because of Bing's absence. Joe begins to save up to buy his father a television.
Rebus finds himself with a number of problems on his hands. His wayward brother, Michael, has returned to Edinburgh in need of accommodation - with only the box-room in Rebus's flat available. While out drinking, he meets an old army friend, Deek Torrance, who admits to being involved in shady activities, telling Rebus he can get his hands on 'anything from a shag to a shooter'. Rebus spends so long out with Deek that he misses dinner with his girlfriend, Doctor Patience Aitken.
Born in Smithdown Hospital, Liverpool, Ashley was one of six surviving children of a Roman Catholic father, Frederick Jamieson, and a Protestant mother, Ada Brown, who had married two years before.“Brown Ada & Jamieson Frederick” in Register of Marriages for Liverpool Registration District, vol. 8b (1933), p. 229 During her childhood in Liverpool, Ashley suffered from both calcium deficiency, requiring weekly calcium injections at the Alder Hey Children's Hospital, and bed-wetting, resulting in her being given her own box room aged two when the family moved house.
There is a batten infill to the understoreys of the early house and the extension. The earlier part of the house is timber-framed, clad with chamferboards and lined with vertical beaded tongue and groove boards in the former hall, to the ceiling of the living room and parts of the porch; and narrower unbeaded boards line the other spaces. The box room, the south wall of the south bedroom and the study in the extension are clad with weatherboards. The early main entrance is infilled with timber boards and a sash window.
PLAN52 is a real life escape room and the first spy-themed mission created by clueQuest, London. Origins The room first opened on 6 June in Tottenham Hale. Additional PLAN52 units were added in December 2013 and November 2014 allowing larger groups to play the same experience, while racing each other to escape. PLAN52 is currently run from the clueQuest headquarters near King's Cross St. Pancras tube station. Description Also known as the ‘Red Boxroom, PLAN52 is a classic escape room, often compared to the British game show, The Crystal Maze.
On decoding the message, they learn that Loder has discovered the location of the Secret Seven meeting place, and abandon the next meeting with just minutes to spare. Loder spends a fruitless evening watching the Remove box room from an adjoining garret, before giving up. He now finds out that one of the encoded messages has likely found its way to the Secret Seven and, in a state of fury, sets off with his cane to beat Vernon- Smith in the punishment room. Anticipating his action, the Secret Seven seize Loder on the way and drag him to a disused room.
No. 1 Wimpole Street is an example of Edwardian baroque architecture, completed in 1912 by architect John Belcher as the home of the Royal Society of Medicine. 64 Wimpole Street is the headquarters of the British Dental Association. Wimpole Street was home to a few celebrities, such as Paul McCartney who lived at the home of the Asher family at 57 Wimpole Street in 1964–1966 during his relationship with Jane Asher. At this address John Lennon and Paul McCartney wrote "I Want to Hold Your Hand" in the front basement room, while McCartney wrote the tune to "Yesterday" in a box room at the top of the house.
At this time the property consisted of the main house, kitchen block, stables and a bush house. The 1919 alterations were extensive. The main house initially served both hostel and administrative functions, with the former drawing room being converted into a ward, the dining room retaining its original function and the bedrooms occupied as nurses room, matron's room, etc. A study and a bedroom at the western end of the house were combined by the removal of a wall to create a recreation room. The attic level, which in 1919 was a single open space, was partitioned into bedrooms for nurses and a box room, with the landing retained as a common room.
Above these at the centre of the complex is the original mail room area, roofed by a hipped form with central ridge lantern and weatherboard cladding to the sides. In plan form, the post office has three main sections which relate to the original design for a post and telegraph office, land office and sub-treasury. While the loggia provides the principal formal address, the northeast side provides ramped access to the retail shop via an altered window bay and to the 1960s stairwell. The southern side of the building provides for a separate access to the building for staff and to the original stairwell, as well as a private letter box room and tea room.
The new [MARS] at Windsor was designed by Chris Manton of Jam Architects. The three-level space incorporates amenities for showing new media such as sound sculpture, video and light art. The gallery has four distinct exhibition spaces, including a custom black-box gallery committed to the exhibition of contemporary video art, a light-box room for the display of light and sound works, a drawing room to exhibit works on paper as well as a rooftop sculpture garden accessible by an elevator with a light artwork installed into the elevator shaft by artist Jason Sims.Laura Thomson (2014) "A conversation with Andy Dinan", ‘’Ocula’’, Retrieved 5 February 2015 [MARS] is committed to environmental sustainability, and the gallery features a number of environmental design elements including recycled timber floors, solar roof panels and rainwater collection and harvesting.

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