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38 Sentences With "bows down"

How to use bows down in a sentence? Find typical usage patterns (collocations)/phrases/context for "bows down" and check conjugation/comparative form for "bows down". Mastering all the usages of "bows down" from sentence examples published by news publications.

She then bows down and continues, saying she owes a belated apology.
He is loved for always being loyal to the Starks, even when he bows down to the Boltons and Freys after the Red Wedding.
T-Pain's a serious gamer, but totally bows down to Lil Wayne and Birdman, who used to turn gaming into hardcore gambling ... according to the singer.
He's a nice-enough British kid who works in a family restaurant, seems to have a crush on his manager, bows down to bullies, and fights with his sister.
Lin-Manuel Miranda writes about Riz Ahmed's acting, Brie Larson gushes over best friend Emma Stone, Meryl Streep bows down to Viola Davis, and we can't get enough of any of it.
Designed with a fit-and-flare shape, pearl-embellished buttons, and, of course, Eadie's signature stacked bows down the bodice, the dress is truly an emulation of her more-is-more, ladylike style.
It all went down at Paddy Reilly's Music Bar in NYC after Post's appearance on the 'Tonight Show', and ya gotta watch the video ... Jimmy GOES IN, Tyla flops hard and Post bows down.
On top of that, Swift revealed Netflix is making a documentary about her life, but she says Scooter and Scott have declined the use of her older music and performance footage for that project too ... UNLESS she bows down to their demands.
After the music finishes, Jerry bows down to the audience, and 100 ants form "THE END".
At the beginning of the Ramcharitmanas, Tulsidas bows down to a particular Preta and asks for his grace (Ramcharitmanas, Doha 1.7). According to Rambhadracharya, this is the same Preta which led Tulsidas to Hanuman.
Many years pass and Shiva finally ends his trance whilst praising Ram. Sati bows down at Shiva's feet, after which he seats Sati opposite him and he begins to tell stories of Vishnu's exploits.
At the beginning of the Ramcharitmanas, Tulsidas performs Samasti Vandana (obeisance to all beings) in which he bows down to the world also, saying it is "pervaded by" or "born out of" Sita and Rama.Lutgendorf 1991, p. xi.Prasad 2008, p. 8.Rambhadracharya 2008, p. 12.
After much contemplation, he concludes that the doctrine must be true. Just then, a doorkeeper announces the arrival of Paraśurāma in Mithilā. Janaka bows down to Paraśurāma. Knowing Janaka to be a noble king, Paraśurāma does not consider him to be his enemy, unlike the despotic Kṣatriyas.
Bandī accepts his defeat and surrenders to Aṣṭāvakra. The old sage Yājñavalkya also bows down to Aṣṭāvakra and accepts the boy as his Guru. Bandī goes back to the ocean whence Kahola returns. Kahola tells his son that he would be ever indebted to him for redeeming his father.
Understanding Chumburung proverbs. Journal of West African Languages30.1: 57–82. Similarly, there is an Ewe proverb that quotes an animal that is specifically appropriate to that wellerism, "The chicken says that, it is because of humility that he bows down before entering its coop."p. 22. Agbemenu, Cephas Yao. 2010.
Aṣṭāvakra stays a lifelong Brahmacārin and becomes a great Ṛṣi. At the end of the epic, Aṣṭāvakra goes to the court of Sītā and Rāma in Ayodhyā, after the battle of Rāmāyaṇa. Aṣṭāvakra is elated on seeing the queen and the king. Sītā bows down to the Guru of her father and Aṣṭāvakra blesses her.
Accessed 12 September 2016. Her grandfather was a DJ at parties in the 1940s and 1950s. In 2002, when she was 16, she attended her first rave and immediately wanted to become a DJ."Fatboy Slim bows down to DJ Hannah Wants ahead of Scottish shows," Daily Record, 6 March 2016. She was also inspired by DJ EZ's mixing.
They all go to the anthill where Rani bows down and picks up a snake and declares that if she is pure, the snake would not harm her. This snake happens to be the very snake which would come to Rani. Thus Rani escapes unhurt and the village adores her. Meanwhile Appanna is frustrated and goes away to Cheluvi.
In the confusion Kelp and Purdy slip out of the class. Armed with a marriage license and two bottles of the formula, they elope. During the short closing credits, each of the characters comes out and bows down to the camera, and when Jerry Lewis, still portraying Kelp, comes out and bows, he trips and goes into the camera, breaking it and causing the picture to go black.
Let us investigate what this is. He is known to all of us, the contemporary singer. He comes into our courtyards, scratches something out on the lira or plucks something out on the bandura, and they give him a scrap of bread. He bows down and thanks the people, and goes on to the next building,..... and that is all—a blindman, a beggar and that is it.
Nakoda is a holy place of the Jains. Mulnayak is a nearly 58 cm high black-colored idol of Parshva in the lotus position. Today Nakodaji is worldwide famous for miracles at Nakodaji. There is a famous miracle still seen that in the darbar of Nakoda Jain Temple, all the diyas which are there, bows down to the Jain Sadhus as a respect of their position which is higher than any king in the world.
Shanta feeds him and he bows down to her affection. Seeing his wife's photo he recognizes Shanta as his daughter and he also comes to know that Raghu is her husband whom he has murdered. Now he decides to make penance for his sins so he surrenders himself to police. At the same time, Shanta gets pains, she is admitted to the hospital, she wants to see Raghu and asks Raja to call him.
Terapanthi Digambaras limit their ritual worship to Tirthankaras. The worship ritual is called devapuja, and is found in all Jain sub-traditions. Typically, the Jain layperson enters the temple inner sanctum in simple clothing and bare feet with a plate filled with offerings, bows down, says the namaskar, completes his or her litany and prayers, sometimes is assisted by the temple priest, leaves the offerings and then departs. Jain practices include performing abhisheka (ceremonial bath) of the images.
Sing comes into inner peace by envisioning Buddha in the clouds before arriving back down to incapacitate the Beast. Although defeated, the Beast treacherously attempts to stab Sing with a poisoned weapon. Sing stops the Beast's attack and converts the weapon into a flower, which he sends floating through the air to Fong. Awestruck by Sing's action which was completely beyond his understanding, the Beast tearfully bows down to Sing and begs to become his disciple.
During the play, he observes that Saravanan (Rajkumar), a budding actor bows down to the audience even when the curtains are closed, he affirms that Ayya's spirit is still acting. Saravanan afterwards acts in a film directed by Thyagu which becomes a success. It is revealed that not Saravanan but Ayya acted in the film because he liked the story of the film. Saravanan signs a film without Parasuraman's knowledge who selects the script for him.
She curses Paraśurāma by saying that his axe will disappear in Rāma just as the lightning disappears in the clouds, and his bow and arrows, along with his Kalās will all be transferred to Rāma. She further says that the single-tusked Gaṇeśa, who showed restraint by not avenging the breaking of his tusk, will be worshipped everywhere. Paraśurāma pleases Pārvatī and apologizes to Gaṇeśa. He then bows down to Śiva and returns to his Āśrama.
A closed (or "round") petticoat, sometimes worn with an apron, replaced the open draped mantua skirt of the previous period. This formal style then gave way to more relaxed fashions. The robe à la française or sack-back gown had a tight bodice with a low-cut square neckline, usually with large ribbon bows down the front, wide panniers, and was lavishly trimmed with all manner of lace, ribbon, and flowers. With flowing pleats from the shoulders was originally an undress fashion.
He also senses that some malevolent kings are planning to take Sītā away by force and imprison Rāma and Lakṣmaṇa, even though they failed to move the bow of Śiva. Remembering the words of his Guru, Paraśurāma comes in the assembly of Mithilā acting angry as a part of his final Līlā. His presence terrifies all the Kṣatriya kings in the assembly and they are tamed. Janaka bows down to Paraśurāma and makes Sītā bow down to him as well.
A local ruler bows down to the pressure from democratic forces and is forced to hand over a part of his province to a democratically elected leader. He also presents his pet dog to a poor peasant and his wife. For the poor peasant and his wife, the dog is not a mere dog, but a symbol of the royalty which had always inspired in them feelings of respect, admiration and blind worship. They bathe the dog in a very ceremonious manner and take much care of it.
It is also said that it was used to carry documents relating to one's position in the Church. Papers such as those certifying one's ordination and rank would be most relevant when travelling. Carrying them in the Liturgy would be symbolic of bearing one's authority to conduct the Holy things of the Liturgy. During the Mystery (Sacrament) of Ordination, a priest or deacon is taken in procession three times around the Holy Table (altar), after each circuit he bows down before the bishop and kisses his epigonation and his right hand.
In a rage, Nick goes back to Nostradamus with what he has left of the money he stole from the Money Box. He asks Nostradamus what Shakespeare's new hit is going to be. Nostradamus sees Hamlet but misinterprets it as "Omelette", among other mistakes (such as the Prince eating a danish pastry rather than being a Danish prince). Nick gets excited at the possibilities of success and dreams of a future in which crowds cheer for him and Shakespeare bows down to him ("Bottom's Gonna Be on Top").
In a short time, Aṣṭāvakra masters all that Uddālaka teaches, helped by his Ekaśruti (ability to forever remember everything that one has heard even once). Uddālaka calls Aṣṭāvakra to give him a final instruction about the Ātman, and orders him to go to the assembly of Janaka with the goal of liberating his father. Uddālaka decides to send the now-repentant Śvetaketu with Aṣṭāvakra, even though the former had insulted the latter in the past. Aṣṭāvakra determines that this task will be his Gurudakṣiṇā, and bows down to Uddālaka.
For the final temptation, Jesus is taken up to a high mountain by Satan and told that if he bows down to Satan he will give him all the kingdoms of the world. Christian anarchists use this as evidence that all Earthly kingdoms and governments are ruled by Satan, otherwise they would not be Satan's to give. Jesus refuses the temptation, choosing to serve God instead, implying that Jesus is aware of the corrupting nature of Earthly power. Christian eschatology and various Christian anarchists, such as Jacques Ellul, have identified the state and political power as the Beast in the Book of Revelation.
Dhanapal alleges that they stole his film but the film is presented as an exhibit for the Judge (J. Mahendran) who observes Dhanapal's acting and tells him to act in the film but Dhanapal refuses to act which implies that Ayya acted in the film. The Judge concludes that a man cannot be separated from his art and Ayya though not here but somewhere he is there for his art. After the case ends a school play is shown where the lead actor bows down for a long time implying that Ayya's spirit is still alive.
After the death of Louis XIV the clothing styles began to change. The fashion took a turn to a lighter, more frivolous style, transitioning from the baroque period to the well-known style of Rococo. The later period was known for their pastel colours, more revealing frocks, and the plethora of frills, ruffles, bows, and lace as trims. Shortly after the typical women's Rococo gown was introduced, robe à la Française, a gown with a tight bodice that had a low cut neckline, usually with a large ribbon bows down the centre front, wide panniers, and was lavishly trimmed in large amounts of lace, ribbon, and flowers.
In the congregational setting, the ardaas is recited by one person while everyone stands reverently, hands in prayer pose, facing the Guru Granth Sahib. Periodically throughout the recitation, the assembly as a whole repeats the word "Waheguru" to support the idea that God, the Wondrous Guru, is the Supreme Being capable of everything. At the completion of ardaas, the congregation bows down as one and places their foreheads on the floor to symbolize that they will go as low as necessary to support Waheguru and all that He stands for. On rising, the sangat (congregation) proclaims "Waheguru Ji ka Khalsa, Waheguru Ji ki Fateh" (the Khalsa belongs to the Lord, to whom [also] belongs the Victory), "Bole So Nihal" (he who pronounces these words shall be fulfilled) and "Sat Sri Akal" (True is the Timeless Lord).
200px Judensau on the Wittenberg Church, built 1300–1470. The imagery of Jews in contact with pigs or representing the devil was common in Germany. Several months after publishing On the Jews and Their Lies, Luther wrote the 125-page Vom Schem Hamphoras und vom Geschlecht Christi (Of the Unknowable Name and the Generations of Christ), in which he equated Jews with the Devil: > Here in Wittenburg, in our parish church, there is a sow carved into the > stone under which lie young pigs and Jews who are sucking; behind the sow > stands a rabbi who is lifting up the right leg of the sow, raises behind the > sow, bows down and looks with great effort into the Talmud under the sow, as > if he wanted to read and see something most difficult and exceptional; no > doubt they gained their Shem Hamphoras from that place. The English translation of Vom Schem Hamphoras is contained in The Jew in Christian Theology, by Gerhard Falk (1992).
In the 1960s and 1970s, the Black Power and Black Arts Movements attacked the novel, claiming that the character of Uncle Tom engaged in "race betrayal", and that Tom made slaves out to be worse than slave owners. Among the stereotypes of blacks in Uncle Tom's Cabin are the "happy darky" (in the lazy, carefree character of Sam); the light- skinned tragic mulatto as a sex object (in the characters of Eliza, Cassy, and Emmeline); the affectionate, dark-skinned female mammy (through several characters, including Mammy, a cook at the St. Clare plantation); the pickaninny stereotype of black children (in the character of Topsy); the Uncle Tom, an African American who is too eager to please white people. Stowe intended Tom to be a "noble hero" and a Christ-like figure who, like Jesus at his crucifixion, forgives the people responsible for his death. The false stereotype of Tom as a "subservient fool who bows down to the white man", and the resulting derogatory term "Uncle Tom", resulted from staged "Tom Shows", which sometimes replaced Tom's grim death with an upbeat ending where Tom causes his oppressors to see the error of their ways, and they all reconcile happily.

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