Terrible bone-shaking chills racked him, despite the thick layer of blankets.
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It features an enormous curved screen, a bone-shaking sound system, and an Oculus Rift VR headset.
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But both remedies are hard to pull off when there is bone-shaking turbulence in global markets.
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The Beatles had spent years in each other's intimate company, in Liverpool, in Hamburg, in filthy bedsits, tiny dressing rooms and bone-shaking vans.
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Taking bone-shaking amplification into the world of hip-hop, Dälek drowns audiences with churning beats, socially-focused bars, and oppressive waves of synthetic sounds.
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Another Belgian, Yves Lampaert, took third place after a 156.5-km ride from Arras featuring 21.7km of bone-shaking cobbled sectors, some of them featuring on the Paris-Roubaix route.
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At first listen, the track sounds almost too spare to exist, but it unleashes bone-shaking energy when played on the right dancefloor at the right volume (loud as hell).
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But that view would overlook the complexities of Yemen's war, as well as the paucity of military hardware that we witnessed on the hours-long drive during our bone-shaking ascent up the 8,500-foot-high plateau.
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Never-before-seen archival video, insightful interviews, bone-shaking musical interludes and some of the most dazzling editing of any documentary I've seen anywhere add up to one hell of a story: the absolutely definitive accounting of the Grateful Dead's wild and magical 30 years on the road.
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Frequent Facebook posts from 2010, the year he graduated from Miami Carol City Senior High School, and later show Sergeant Johnson's life then largely consisted of shifts at Walmart, working out at the gym, going to church, cooking for his family and tricking out his green 1995 Toyota Corolla, adding neon lights and bone-shaking 15-inch speakers.
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A veteran British journalist, Christiansen enhances his lively account of this transformative era with a bibliography for further reading, as well as wonderful photographs and period illustrations throughout: a fancy-dress ball at the Tuileries palace; the shantytowns that once encircled Paris; four fiercely determined ladies riding the "bone-shaking" velocipede, precursor of the bicycle; a huge hot-air balloon whose function was to float mail out of the city under siege, and so on.
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President-elect Donald TrumpDonald John TrumpPossible GOP challenger says Trump doesn't doesn't deserve reelection, but would vote for him over Democrat O'Rourke: Trump driving global, U.S. economy into recession Manchin: Trump has 'golden opportunity' on gun reforms MORE's opposition to the Trans Pacific Partnership (TTP) trade agreement and his public statements regarding the need to reduce American support for regional security has been a bone-shaking experience to Asian leadership and citizenry alike.
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They Don't Teach This: Lessons From the Game of Life - Eniola Aluko Unbreakable: The Woman Who Defied the Nazis in the World's Most Dangerous Horse Race - Richard Askwith The Rise of the Ultra Runners: A Journey to the Edge of Human Endurance - Adharanand Finn Homing - Jon Day The Great Romantic: Cricket and the Golden Age of Neville Cardus - Duncan Hamilton Fighter - Andy Lee with Niall Kelly In Sunshine or in Shadow: How Boxing Brought Hope in the Troubles - Donald McRae The Beast, the Emperor and the Milkman: A Bone-shaking Tour through Cycling's Flemish Heartlands - Harry Pearson Rough Magic: Riding the World's Wildest Horse Race - Lara Prior-Palmer Commander in Cheat: How Golf Explains Trump - Rick Reilly How Football (Nearly) Came Home: Adventures in Putin's World Cup - Barney Ronay Recovering - Richie Sadlier Position of Trust: A football dream betrayed - Andy Woodward Reporting by Rohith Nair in Bengaluru, editing by Pritha Sarkar
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Michael Gordon Skinner (born 26 November 1958), also known as Mickey, Mick, and Mike, is a former English rugby union player who played at flanker for Harlequins, Blackheath and . His nickname was "Mick the Munch" because of his propensity to inflict bone-shaking tackles on the opposition. He was born in Newcastle-Upon-Tyne. He attended Walbottle Grammar School.
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Metaphorically, this is represented in his "cutting her open"; however, all she can do is "bleed love" for him. "Whatever It Takes" was described as a "chipper slice of soul-pop, anchored by a surprisingly bone-shaking beat", followed by "Homeless", a "moody piano-heavy trembler" and a "haunting, blues-style ballad". "Yesterday" has been described as "a smoochy R&B; slow jam". "Better in Time" is a pop and R&B; song set in a moderate tempo.
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Psalm 6 is in three parts, distinguished by the person. #First, the psalmist addresses God and #speaks for himself, and #finally speaks to his enemies. The psalmist expresses his distress in parts 1 and 2 and uses a rich palette of words to describe this distress, "powerless," "bone shaking," "extreme distress". He even expresses his distress by the excessiveness "of tears bathed layer", "eye consumed by grief," ... In stating the enemies of the Psalmist, we understand that this distress is caused by relational problem.
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In England, the velocipede earned the name of "bone-shaker" because of its rigid frame and iron-banded wheels that resulted in a "bone- shaking experience for riders." The velocipede's renaissance began in Paris during the late 1860s. Its early history is complex and has been shrouded in some mystery, not least because of conflicting patent claims: all that has been stated for sure is that a French metalworker attached pedals to the front wheel; at present, the earliest year bicycle historians agree on is 1864. The identity of the person who attached cranks is still an open question at International Cycling History Conferences (ICHC).
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" The Guardians Paul MacInnes believed that the album is "proficiently played and Stone's voice has a range and tonal dexterity that few of her peers possess", but "the final product is so familiar and so shorn of genuine emotion that LP1 quickly loses any sense of identity and becomes standard fare, indistinguishable from any number of other recordings." Colin McGuire agreed in his review for PopMatters, and said that the album is "missing the key element of why she has been so lauded over the course of her increasingly mature career: A groove. In fact, [LP1] lacks so much of a groove, it would be safe to say the singer has almost completely abandoned her soulful roots altogether", deeming the result "disappointing", "low-rent", "unexpected" and "most of all, it seems like something Joss Stone was previously above". Caryn Ganz of Rolling Stone commented that "Stone is best when she's rawest, bookending LP1 with 'Newborn' and 'Take Good Care,' stripped-down tunes where her howl goes from plaintive to bone-shaking in a few lovesick heartbeats.
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