Fiscal hawks have blasted the agreement, arguing it blows a hole in spending.
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But it blows a hole in the idea that pensions represent the return of past payments.
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As a result, their tax plan increases the share of uninsured and blows a hole in the budget.
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Meanwhile, a coalition of fiscal hawks and conservatives are opposing the bill, arguing it blows a hole in the deficit.
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The new budget agreement President Trump signed into law blows a hole in that ongoing promise and marks a new era in federal spending.
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Or maybe just a lust for power… The cruise stuff blows a hole in the plan to have Nan sign a letter of intent for Logan.
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For example, Summer accidentally blows a hole in the garage roof in season 2 episode 9 and in the following episode we see that it's been haphazardly repaired.
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He can only afford to lose two GOP senators, and Corker told the Times that he would not support a plan that blows a hole in the federal budget.
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Democrats have spent a year and a half eviscerating the Republican tax law as a giveaway to the wealthy and corporations that blows a hole in the federal budget deficit.
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If the Brexit Party, Nigel Farage's new political outfit, blows a hole in the Tories at the European elections next month, MPs may swallow their concerns about Mr Johnson's character.
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The chief of the California Air Resources Board is warning that the Trump administration's proposed changes to car emissions standards "blows a hole" in efforts to meet air-pollution standards.
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"The failure of authorities to set out clear criteria for the dismissals or provide any individualized evidence of wrongdoing blows a hole in their claim that all the dismissals are necessary to counter terrorism," it said.
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Even with a bunch of popular tax breaks going away, and even with Strong's sample family eventually facing a future of endlessly escalating tax increases, the corporate tax cut is so huge that it blows a hole in the long-term budget deficit in a way that violates Senate rules.
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It's pretty much just an exercise in stylish visual sadism, with three men attempting to murder a rape victim to keep her quiet, and her hunting them down in a gory spree that involves gunshots, graphic gashes, and a finale where she blows a hole in her stark-naked former lover, then chases him all over a house liberally painted with their blood.
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And while you might not have angered anyone by taking away their goodies or imposing a new revenue mechanism (like the border-adjustment tax), you've still got a heck of a job convincing Republicans in either chamber to pass something that blows a hole in budget and is by definition temporary (since under reconciliation, you can't make the cuts permanent if they add to the deficit).
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The first take in their attempt to perform the script goes awry when Gonzo crashes into the prop rainbow, and an explosion blows a hole in the roof of the studio. A rainbow shines through the hole and onto the Muppets. Joined by other Muppet characters, the Muppets all sing in unison before Sweetums crashes through the movie screen in the theater, ending the film and catching up with the rest of the crew as they congratulate each other on their performances.
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The US submarine moves close to the station, and finding no open water, blows a hole in the ice using a torpedo. The sick men are cared for by the Dolphin. Carpenter does some more investigating, and finds that the fire was no accident; it was a cover to hide that three of the dead men, one of whom was his brother, were murdered. He also discovers several unburned supplies hidden in the bottom of a hut, while Swanson finds a gun hidden in a petrol tank.
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Eventually, Anu reluctantly agrees to give it to Ishtar, whereupon she unleashes it on the world, causing mass destruction. The Bull's first breath blows a hole in the ground that one hundred men fall into and its second breath creates another hole, trapping two hundred more. Gilgamesh and Enkidu work together to slay the Bull; Enkidu goes behind the Bull and pulls its tail while Gilgamesh thrusts his sword into the Bull's neck, killing it. Gilgamesh and Enkidu offer the Bull's heart to the sun-god Shamash.
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Windom is on the other side of the garage door and blows a hole in it with C-4, but emergency bars drop down to cover the hole in the door before Quint and Nina can escape and are trapped. Quint drives the Black Moon into the freight elevator, which takes them to Ryland's office. During the chase on that floor, Nina activates the turbo boost that makes the car reach its top speed. The car then shoots towards a window, hitting and killing Ryland instantly.
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Using the propeller for transportation, he blows a hole in the Nazis U-boat. One-by-one, four Nazi soldiers emerge from the ruined sub as Popeye delivers them each a single uppercut, causing them to fly up into the minefield to their deaths. Popeye rows the half-destroyed U-boat toward Britain. He enters a heavy fog and the U-boat ends up crashing into traffic right outside 10 Downing Street in London, where all the cans of spinach spill out of the sub to the cheers of the Londoners.
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The boys ask him how they can stop it, and he tells them they need to find and destroy its "heart". As the boys leave, Brown tells them to tell the world "I'm sorry" and, despite Stan urging him not to, commits suicide by shooting himself in the head; he, like the manager, then voids his bowels with enough force that it blows a hole in his pants and tips over a nearby barstool. Cartman again laughs that Kyle now owes him $10. The boys return home to the still-dilapidated South Park.
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Julian, having trouble with his powers, is practicing with Beast in the Danger Room when he accidentally blows a hole in the floor. After taking a shower, he goes looking for Mercury when he comes across Loa, Rockslide, and Anole watching the Young Avengers on TV. He eventually finds a bloodied X-23 and finds out Mercury has been kidnapped by the Facility and tags along.New X-Men, vol. 2 #33-34 X-23 uses her underworld contacts to find Mercury’s captors and Julian is horrified when Laura kills people working for the people who created her and he tells her not to.
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One of the major software developments for Project: Revolution was the Re-Flex geographic software which unlike past games which only allowed limited level alteration via scripted events in the game, or specifically pre-rendered sections of the level, allowed unlimited alteration of the environment. This was possible because of the way it designates altered (or "Re-flexed") areas. Whereas other game engines would have to modify the shape of the altered object to create a similar effect, Re-flex creates special objects which represent empty space. When, for example, an explosion blows a hole in a rock wall, the Re-flex technology creates an "empty space" object which is the approximate size and shape of the explosion.
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Looking to escape oncoming Leviathan soldiers, the surviving members of the group carry on into the complex and come across a two prisoners: a brilliant engineer who has been tasked with creating weapons from Leviathan based on stolen Stark designs; and his psychiatrist, who attempts to keep him sane while he does it. The group continues, taking the prisoners with them, but they are all soon cornered by the soldiers, and Agent Li is killed in the firefight. The engineer, Nikola, tries to negotiate with the survivors, putting Sawyer's life on the line, so his psychiatrist, Dr. Ivchenko, kills him. Dugan blows a hole in the wall for the group to escape through, and Carter holds the enemy off to help the others escape when Thompson freezes up under fire.
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Through sturdy imagery and violent action, it says that even Hell needs heroes." A. O. Scott of The New York Times called The Hurt Locker the best American feature film yet made about the war in Iraq: > "You may emerge from The Hurt Locker shaken, exhilarated and drained, but > you will also be thinking ... The movie is a viscerally exciting, > adrenaline-soaked tour de force of suspense and surprise, full of explosions > and hectic scenes of combat, but it blows a hole in the condescending > assumption that such effects are just empty spectacle or mindless noise." Scott noticed that the film reserved criticism of the war but wrote of how the director handled the film's limits, "Ms. Bigelow, practicing a kind of hyperbolic realism, distills the psychological essence and moral complications of modern warfare into a series of brilliant, agonizing set pieces.
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