39 Sentences With "bindlestiff"

How to use bindlestiff in a sentence? Find typical usage patterns (collocations)/phrases/context for "bindlestiff" and check conjugation/comparative form for "bindlestiff". Mastering all the usages of "bindlestiff" from sentence examples published by news publications.

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On the side, she was "obsessed" with the Bindlestiff Family Cirkus. from Refinery 29
Only her lace-up bustier cues her origins in the adult Bindlestiff Family Cirkus. from The New York Times
But in this show, the Bindlestiff Family Cirkus, led by Keith Nelson and Stephanie Monseu, promises more than ordinary playfulness. from The New York Times
But in this show, playing through May 14, the Bindlestiff Family Cirkus, led by Keith Nelson and Stephanie Monseu, promises more than ordinary playfulness. from The New York Times
This New York institution, rescued from bankruptcy in 2017, returns with a twist: Now, the ringmaster is a ringmistress: Stephanie Monseu of the Bindlestiff Family Cirkus. from The New York Times
Presented by Bindlestiff Family Cirkus and Playful Productions, this showcase will feature young acrobats, jugglers, dancers and other talents, some of whom are already experienced stars. from The New York Times
Presented by the merry vaudevillians known as the Bindlestiff Family Cirkus, this free celebration, the 10th annual, features Brooklyn Unicycle Day, which starts at 8333 p.m. from The New York Times
Presented by the merry vaudevillians known as the Bindlestiff Family Cirkus, this free celebration, the 10th annual, features Brooklyn Unicycle Day, which starts at 8333 p.m. from The New York Times
Presented by Bindlestiff Family Cirkus, this free annual festival offers all of them and even sumo wrestling — though minus the funky attire — for one-wheel riders of all ages. from The New York Times
The Bindlestiff Family Cirkus presents these free activities every year, along with Brooklyn Unicycle Day, on Friday, when experienced riders travel from Manhattan across the Brooklyn Bridge to Coney Island. from The New York Times
This festival, produced by the Bindlestiff Family Cirkus for the American Youth Circus Organization, offers four 90-minute workshop sessions for ages 8 through 21, with multiple workshops in each. from The New York Times
Stephanie Monseau, who was a founder of the groundbreaking Bindlestiff Family Cirkus and works under the sobriquet Ringmistress Philomena, says she barely even bothers performing with torches in the city anymore. from The New York Times
"In 2010, the city should open a unicycle lane and special unicycle access to every bridge in New York," Mr. Nelson, the executive director of the Bindlestiff Family Cirkus, said at the time. from The New York Times
"In 2010, the city should open a unicycle lane and special unicycle access to every bridge in New York," Mr. Nelson, the executive director of the Bindlestiff Family Cirkus, said at the time. from The New York Times
Children may especially enjoy the work of Elliot Zimet, who performs with birds; Keith Nelson, a founder of the Bindlestiff Family Cirkus, who swallows swords, eats fire and juggles plates; and David Kaye, a.k.a. from The New York Times
BINDLESTIFF CAVALCADE OF YOUTH (Sunday) If you've ever wondered what those daring young men (and women!) on the flying trapeze did before adulthood and professional success, see this show, whose spirited circus performers are all under 21. from The New York Times
Produced by Bindlestiff Family Cirkus for the American Youth Circus Organization, the festival welcomes participants ages 19303 to 21 for sessions with titles like Intro to Hooping, Beginner Unicycling, Fun With Everyday Objects, Juggling Is for Everyone and Intro to Tightwire. from The New York Times
She had been born in Tucson, mother full-blooded Cherokee, father a bindlestiff on his way through.
Circus Smirkus and Bindlestiff Circus are his most current forays, although screenwriting royalties also help pay the bills.
Lontayao launched his acting career in 2000. He has worked with numerous Bay Area theatre companies, such as Asian American Theater Company and Bindlestiff Studios. Asian American Theater - Sleeper (A Chronicle of the Return of the Remarkable), Banyan, Walls, 2005 - 2006. His stage credits include Sleeper, Sleeper opens at Bindlestiff.
Later, in his teen years, he began street performing with this technique to attract people's attention. When Smith turned 18, he joined the Bindlestiff Family Cirkus before beginning contortion training under Master Lu Yi at the San Francisco School of Circus Arts.
Lemons, Stephen. "Step Right Up: It’s the Strangest Show on Earth", Los Angeles Times, Los Angeles, California, 19 September 1999.Albrecht, Ernest / Editor. "Bindlestiff Family Cirkus Has Been Defying All Odds for Twenty Five Years", Spectacle (an online journal of the circus arts), Vol.
Goldberg is an accomplished amateur musician. She plays the banjo and accordion in a Brooklyn-based indie rock quartet, The Walking Hellos. She has performed with The Galerkin Method and the Bindlestiff Family Cirkus. She formerly collaborated with the New York art collective Flux Factory.
Two hobos walking along railroad tracks after being put off a train. One is carrying a bindle. A bindle is the bag, sack, or carrying device stereotypically used by the American sub-culture of hobos. A "bindlestiff" was another name for a hobo who carried a bindle.
"A Funny Kind of Love", The New York Times, Style, New York, New York, 21 August 2005.Berger, Arion. "Q&A;: Bindlestiff Family Cirkus", The Washington Post, Express, Washington, DC, United States, 28 June 2006. They also produced several editions of the Cavalcade of Youth, a showcase for performers 21 years of age and under.
In 2002, the company converted a defunct shoe store just off Times Square into a performance space called The Palace of Variety and a museum called The Free Museum of Times Square. During the following seasons, The Palace of Variety became the focal point of variety arts in New York City. As many as fifteen shows per week featured the Bindlestiff Family Cirkus and other performing artists. Acts included plays, sideshow exhibitions, burlesque shows and a flea circus.
The first two stories, "Okie", and "Bindlestiff", were published in 1950, by Astounding. "Sargasso of Lost Cities" appeared in Two Complete Science-Adventure Books in April 1953. "Earthman, Come Home" followed a few months later, published by Astounding. In 1955, Blish collected the four stories together into an omnibus titled Earthman, Come Home, published by Putnam. More stories followed: In 1956, They Shall Have Stars, which edited together "Bridge" and "At Death’s End", and in 1958, Blish published The Triumph of Time.
Kim in 2007 Kim plays electric bass guitar and has performed with the all-female indie rock band Strangely at small San Francisco venues including the Brainwash Cafe and Laundromat. In 2000 she co-founded Locus Arts in San Francisco's Japantown, a non-profit gallery and media performance space formed to support Asian American art; the gallery eventually merged with Kearny Street Workshop. For the Asian American Theater Company she served on the board of directors. She helped to save Bindlestiff Studio, a place for Filipino arts in SoMa.
The bindle is colloquially known as the "blanket stick", particularly within the Northeastern hobo community. A "bindlestiff", according to James Blish in his novel, A Life for the Stars, was about a hobo who stole another hobo's "bindle," hence the colloquium "stiff" as in steal. In modern popular culture the bindle is portrayed as a stick with cloth or a blanket tied around one end for carrying items, with the entire array being carried over the shoulder. This transferred force to the shoulder, which allowed a longer-lasting and comfortable grip, especially with larger heavier loads.
Some of her skits include her coming out story in 2014 and body image issues in 2009. She has performed at venues including Bindlestiff Studio, the Haha Cafe, San Jose Improv, the Purple Onion, Napa Valley Opera House, Logan Center for the Arts, Annenberg Center for the Performing Arts, and FringeArts. Evasco is most well known for Mommy Queerest which was written by Kat Evasco and John Caldon and performed by Kat Evasco. This piece chronicles the coming out process of a lesbian daughter and a closeted lesbian mother, illustrating how the reclaiming of their sexuality challenges and strengthens their relationship.
On March 21, 2017, Big Apple Circus announced on Today that renowned acrobat Nik Wallenda would be the headline act in the 40th anniversary comeback season at Lincoln Center's Damrosch Park in New York City from October 26, 2017, to January 7, 2018. Additionally, the circus announced that following the New York performances, a national tour would take place. In September 2018, Big Apple Circus announced Bindlestiff Family Cirkus owner Stephanie Monseu as the new Ringmaster for Big Apple Circus's 41st season. The "high flying" season included a group of female-led acts that would be joining Monseu at the Big Apple Circus.
In May 2015, Kularts, in partnership with the Filipino American Development Foundation and the API Cultural Center, created the Ma'ARTES Festival to promote Filipino artists throughout the Bay Area. The festival was inspired by the traditional festivals of the Philippines which celebrated the first of the monsoon rains – a symbol of life and promise of the future. The festival hosted various forms of art, to celebrate and honor Filipino creativity, throughout the month of May. Events were hosted at five historically Filipino-American spaces: International Hotel's Manilatown Center; Bindlestiff Studio; Bayanihan Center; Yerba Buena Garden; and Gene Friend Rec & Park.
In the 1970s, Baby Dee began her musical career as a street performer, but soon decided to take work as an organist at a Catholic church in the Bronx. Ten years later, after Dee had begun her transition into life as a woman, she left her job at the church and returned to her earlier occupation as a performance artist. She performed as an accordion-playing bilateral hermaphrodite in Coney Island leading to a stint as the bandleader for the Bindlestiff Family Cirkus. She also became known for a street act in which she played harp atop a high-rise tricycle in Manhattan.
She, Who Can See tells the story of a 4th-generation Filipina American whose family comes from a shamanic past and her struggles as she deals with her extraordinary abilities. Ancestral deities begin to appear in her dreams and throughout her life, turning her world upside down as she tries to live the life of a normal working-class Filipina woman. Alleluia Panis created this piece in 2015; it premiered at Bindlestiff Studios in the South of Market district of San Francisco as part of the inaugural Ma'ARTES Festival. Florante Aguilar composed the musical score for the piece, using traditional Philippine instruments and other instruments found across the globe.
Chap has toured nationally and internationally as a cabaret chanteuse and raconteur. Noted for her live shows, where she mixes high theatricality with gut punches of truth, she has graced some of the biggest stages and the smallest barrooms a broad could find, including The Lowry (Manchester), Café de Paris (London), Theatre Bizarre (Detroit), Spiegeltent (NY, with Bindlestiff Cirkus) and more. “In her stage show she draws you in, disarms you with humour, and then makes you sit up and listen to what she has to say. The end result is intoxicating.” (Polari Magazine, UK) While performing in the neo-burlesque scene, Chap's songwriting became more satirical, with her most often being compared to Tom Lehrer.
Earthman, Come Home (1955, G. P. Putnam's Sons, New York), combining the stories "Okie", "Bindlestiff", "Sargasso of Lost Cities" and "Earthman, Come Home",Index to Science Fiction Anthologies and Collections is the longest book in the series. It describes the many adventures of New York under Amalfi, amongst a galaxy which has planets settled at different periods of history under the loose control by Earth. After an economic collapse causes a galactic depression, New York ends up in a "Jungle", where Okie cities orbit a dying red giant star while waiting for work. Amalfi realises that the "Vegan Orbital Fort", a semi-mythical remnant of the previously dominant alien civilisation, is hiding among the Okies.
She was juggling in Washington Square Park one day after graduating from theater school, when she was spotted by a talent scout for a clowning program being developed by the Royal Caribbean Cruise Line. She spent the next year studying and performing clowning, juggling, and stilt-walking on cruise ships, after her friend convinced her to take the job. Matlock worked on-and-off as a clown for the next five years with the Bindlestiff Family Cirkus, the Daredevil Opera Company, the queer social justice circus troupe Circus Amok's "Circus Inferno" project, and at the Big Apple Circus, in a program performing for hospitals. As an actress Matlock worked for several small regional theater companies.
Previous performance highlights include featured presenter at TED, support act for Dresden Dolls US tour, Ashley Capp's Big Ears Festival, Edinburgh Fringe, Adelaide Fringe Festival in Australia, Floyd Fest, Joe's Pub, The Knitting Factory and CBGB's in New York City. He scored five silent films such as "A Trip to the Moon" by Georges Méliès in collaboration with The Museum of the Moving Image in Queens, New York. Shirey has played exploding circus organ for the Daredevil Opera Company at the Sydney Opera House and the Kennedy Center, industrial flutes for acrobats at The New Victory Theater on Broadway, tamponophone with The Bindlestiff Family Cirkus at Bonnaroo, hillbilly music for gypsies in Transylvania. In a band called Gentlemen & Assassins with another member of Dresden Dolls, Brian Viglione and Elyas Khan of Nervous Cabaret.
August 9 - August 12 @ Seaside Park, Bridgeport, Connecticut Artist Lineup: Assembly of Dust ~ Bindlestiff Family Circus ~ Bob Weir & RatDog ~ Bomb Squad ~ Boris Garcia ~ Brothers Grim ~ Bud & Budd, The Kind Buds ~ Buddy Guy ~ Christopher Robin Band ~ Chuch ~ Clip ~ Corkscrew (the Band) ~ Cosmic Jibaros ~ Darian Cunning ~ Dark Star Orchestra ~ David Gans ~ Deep Banana Blackout ~ Depth Quartet ~ Dickey Betts & Great Southern ~ Dirty Dozen Brass Band ~ Donna Jean & The Tricksters ~ Electric Hill ~ Fro ~ Fungus Amungus ~ George Clinton and Parliament Funkadelic ~ HOE ~ Hubinger Street ~ Jay Stollman ~ Jen Durkin's Equinox ~ John Brown's Body ~ Juggling Suns ~ Keller and the Keels ~ Kevin Hays Jazz Session ~ King For A Day ~ Larissa Delorenzo ~ Les Claypool ~ Los Lobos ~ Manchado ~ Martin Sexton ~ Mickey Hart Band ~ Nardy Boy ~ Railroad Earth ~ Roamer ~ Rolla ~ Ryan Montbleau Band ~ Scarecrow Collection ~ Strangefolk ~ Tea Leaf Green ~ U-Melt ~ The Wailers ~ Wavy Gravy ~ Zero Notes: With a Thursday night Jerry Garcia celebration led by Dark Star Orchestra and a Friday night tribute to James Brown led by George Clinton & P-Funk, Deep Banana Blackout and Guests.