The smoke that billows out from a wildfire is incredibly complex.
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In Delaware, the city incinerator billows out smoke over the river.
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In San Francisco, industrial black smoke billows out of a stack.
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Eventually the warm air and water-rich clouds reach the top of the thunderstorm where it "billows out," explained Weber.
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Blue smoke billows out over the dead shore as the sizzle turns into a screech and then a star explodes.
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The sun is setting on Rob Ford's former stronghold of Rexdale as a line of people billows out of the Toronto Congress Centre.
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Down a dark alley in one of Phnom Penh's least affluent suburbs thick, meaty smoke billows out from a long row of food joints.
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Because the shirt is typically only tucked into the middle of your crotch area, it also billows out at your hips, making them appear wider than they are.
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Fischer, Bela, and the many researchers working with them all hope that their data will lead to a more nuanced view of wildfires and the smoke that billows out of them.
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For me, it's only ever paired with the smell of sizzling garlic, the steam that billows out of the rice cooker, and the crackle of eggs frying in a pan deep with oil.
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NAIROBI (Reuters) - In a dramatic picture, Kenyan opposition lawmaker Caleb Amisi Luyai leans through the window of his car as tear gas billows out, police having fired it at a convoy of opposition politicians in Nairobi on Oct. 13.
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It's simply a rocking-as-fuck track that gets asses out of seats, whether unleashed on a moon-shot halfway into the bleachers, a bending soccer penalty kick, or, mostly, as the puck billows out the back of the net.
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But until our son came along, there was no sense of awe in my day, no moments where I was struck, as I am now, by joy that billows out of my chest like air, or maybe more like light.
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An 29 illustration has a couple passionately kissing in the kitchen as smoke billows out of a toaster, another from 1949 has a woman dangling a candy kiss in one hand while she slyly looks back at a flirtatious cowboy.
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Sherwood sticks a portable hob onto the bar to make the fresh batch of mulled wine from scratch, lightly toasting the spices—nutmeg, cardamom, cinnamon, star anise, and cloves—before adding in some apple juice, which dramatically billows out steam as it lands in the pan.
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In "Dakar roadside with figures" (Dakar, Senegal, 1972), a woman is walking down the street — from right to left — into a strong wind, and a white cape-like fabric, which is attached to the hem of her white dress and shoulders, billows out behind her, like a sail.
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During the scuffle, the car swerves down the road and smoke billows out the windows.
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Open it. Gabriel pries open the statue. There is nothing inside but a rotting corpse. Nathan: My God... Dust billows out from the mouth of the corpse.
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As Holmes lifts his hand, Watson recognizes a pre-arranged signal and tosses in a plumber's smoke rocket. While smoke billows out of the building, Watson shouts "Fire!" and the cry is echoed up and down the street. Holmes slips out of Adler's house and tells Watson what he saw. As Holmes expected, Adler rushed to get her most precious possession at the cry of "fire"–the photograph of herself and the King.
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The idea of a gas sculpture also appeared in the book Gog, by Giovanni Papini (1881–1956). An example of pure water fog sculpture is in the sculpture garden at the National Gallery of Australia in Canberra. A large bank of very small nozzles is arrayed on the edge of a small rush-filled pond, and when the power is switched on a fine mist of fog billows out. The "sculpture" has a continuously changing shape as it is affected by the water, the rushes, and the air currents in the area.
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The video begins with Gaga slowly appearing from behind a building on a deserted street corner. The whole scenario is bathed in red and violet lights, coming from the windows of the buildings and alleyways as steam billows out from the drains. When the first verse of the song begins, Gaga emerges from the window of an apartment onto the fire escape. A long take follows, of Gaga strutting through the red-lit district singing the line "I got a reason that you should take me home tonight", and a shock of black hair falls in her eyes.
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Her plaster model of the sculpture was reviewed in 1892 by the art critic Armand Dayot, who was working as an inspector for the French Ministry of Beaux-Arts. In his report to the ministry, he praised the sensuality and expression of the work, and the modelling of the figures, but concluded that it was not acceptable for public display due to the indecency of the naked dancers. In response to Dayot's comments, Claudel reworked the sculpture, draping the lower half of the female figure with a flowing skirt which billows out with the twisting movement of the waltzing dancers, and curled around the dancer's heads. Dayot reviewed the amended plaster model in 1893: he was impressed with the sense of movement added by the drapery, and supported the new work, known as La valse avec voiles ("The waltz with veils").
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