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19 Sentences With "bewitchingly"

How to use bewitchingly in a sentence? Find typical usage patterns (collocations)/phrases/context for "bewitchingly" and check conjugation/comparative form for "bewitchingly". Mastering all the usages of "bewitchingly" from sentence examples published by news publications.

What at times is bewitchingly, subtly real in Herders can also acquire a pronounced social aspect.
The effect is of having traveled to an undetermined utopian era, where every object is alluring and useful and bewitchingly timeless.
To English ears, this means that many words, bewitchingly, are neither as alien as hjúkrun, nor as easy as bók, but both familiar and not.
Lubina, the European sea bass, was sheathed in handsome golden scales of potato and bewitchingly sauced with a reduction of red wine and port swirled with butter.
The same goes for the scallion-pancake breakfast sandwiches and the savory-sweet pastries, including a millet mochi doughnut that's bewitchingly elastic in texture and subtly nutty in flavor.
Not only is the song a bewitchingly modern, delightfully international kind of pop song, but the video is unflinchingly revealing: a document of the singer's cancer treatment and eventual recovery.
This bewitchingly shaggy dog story from the National Theater of Scotland has set up camp in a custom-made pub in the McKittrick Hotel (home to the immersive hit "Sleep No More") to enlist audiences in the telling of a lusty tale about an inhibited academic who meets up with Old Scratch during a snowstorm.
For Gardiner, the "sublime" music suggests the style of Bach's Weimar period. Jones, however, found that the "bewitchingly lyrical setting" matched compositions from the mid-1720s in Leipzig, comparing the music to the Sarabande from the Partita No. 3, BWV 827.
"The 1961 Pontiac! It's bewitchingly beautiful!" A Touch of Magic (1961) is a cult-classic General Motors sponsored-film short musical. The film begins with a designer at the drawing board, daydreaming about a 1920s couple who travel to the Middle Ages; the Man saves the Woman from a wizard ("an evil charmer") and a dragon, only to abruptly discover that they are all performing for an audience in the 1960s.
Von Stade had also recently sung Rossini at the Royal Opera House, debuting there as Rosina in Il barbiere di Siviglia. Her recording of "Una voce poco fà" was "as bewitchingly as on stage". Her Rosina was mischievous and flirtatious, but had a gentleness about her too, as well as a rapid vibrato that was rather appealing. All three items on the A side of the LP were very effective dramatically.
Taiji dolled up in perfect, pretty glam. Pata's sleepy, backseat demeanor and whiskey bottle became his trademark, as Hide forever goaded the audience. And Yoshiki was a paradox all his own, bewitchingly effeminate one moment — and a full-force, wrist-breaking (literally) hurricane in concert the next." Will Hodgkinson of The Times described X Japan as having, "the grandiosity of Queen, the heavy-metal hysteria of Iron Maiden and the symphonic sophistication of classical music, all tied up with a healthy dose of melodrama.
In April 2005, Unkle Ho released his debut solo album Roads to Roma.Unkle Ho The album samples music from a wide variety of international musical genres, such as tango, mariachi, dixieland and blues rock. According to the Elefant Traks website, "[Unkle Ho's] strategy for world peace is to write a song that has every culture in the world represented, so people will drop their guns and dance 'till they can't dance no more." Roads to Roma was acclaimed as "bewitchingly beautiful" by Rolling Stone magazine.
He wrote in 1962 that "Summerhill is clearly one of England's greatest schools" and that the decline of this experimental school tradition was a tragedy. Still, Deutsch (Journal of Individual Psychology) wrote that Summerhill had not been "duplicated" in the four decades since its creation. The Booklist noted Neill's "scant credit" awarded to prior progressive and experimental schools, and added that the addition of a British inspection report added objective credibility to the book. Hartup (Contemporary Psychology) described Neill's style as "bewitchingly direct, even epigrammatic" though also "patchy", leaving many discussions incomplete.
Terracotta head Herodotus wrote that the prostitutes of Naucratis were "peculiarly alluring" and relates the story of Charaxus, brother of the poet Sappho, who traveled to Naucratis to purchase (for a "vast sum") the freedom of one Rhodopis, a bewitchingly beautiful Thracian slave and courtesan. After obtaining her freedom, she set up a brothel, built up a thriving business and amassed a small fortune. As a measure of thanks, she commissioned an expensive votive offering to the gods, eventually placed at Delphi, which could be seen in the historian's day.
The reviewers felt the lyrics were particularly Sheena-like, praising the "bewitchingly sung funk beat", Ukigumo's chorus work, and how the song ended perfectly in three minutes. Yoshiki Aoyuki of Listenmusic praised the song as being stimulating and radical, describing it as a "sensuous and stoic upper funk tune", and noting how will it added to the Watering KissMint moonwalking commercials. Reviewer Mikio Yanagisawa described the song as "pure and bewitching funk", praising the guitar-work and backing vocals. For the B-side "Gaman", CDJournal reviewers found the song "thrilling", "experimental and stimulating", noting the change from new wave rock to Latin jazz.
Karajan's slightly abridged version was "enchanting" and "sparkling"; Solti's, complete, offered "unceasing brilliance" and Régine Crespin's Marschallin; de Waart's, also complete, was "less vivacious" than its predecessors but had von Stade's Octavian and the "confidence and style and operatic personality" that came from its theatrical origins.Mann, William, Gramophone, August 1977, pp. 339-340 Librettist Hugo von Hofmmannsthal in 1893 George Jellinek reviewed the album on LP in Stereo Review in October 1977. Pre-eminent among its singers was Frederica von Stade, he wrote, "an Octavian credible in all the guises of her mercurial role, who sings bewitchingly and whose warm, creamy tone soars above the staff with radiant ease".
They still make beautiful music that weaves a spell that's hard to break, and [Hope] Sandoval and [David] Roback can't seem to shake the effects. After just a few seconds of the first song, around the time Sandoval's voice comes in, the listener will find the old familiar Mazzy Star feeling taking hold once again, just as bewitchingly strong as ever." Similarly, Timothy Michalik of Under the Radar said the EP "brings forth a certain sense of familiarity and comfort for both long time Mazzy Star fans and newcomers alike." He praised "Quiet, the Winter Harbor" as its best song, saying that its "soft, seraphic piano seems to open up an entirely alternate universe for [the band].
Hadley has stated that she incorporated some material from her mother's life in her second novel, Everything Will Be All Right (2003), which documents women's roles over the previous fifty years in its description of four generations of one family. The author Joanna Briscoe, in a review for The Guardian, describes the novel as a "virtually plotless portrait of a series of breathtakingly ordinary mortals, which tackles few large themes and lacks the satisfaction of any real narrative arc" and yet is "mysteriously, bewitchingly compelling." The author Stevie Davies, in a review for The Independent, states that "Hadley reminds us of the remorselessness of time and the replaceability of selves;" she calls the novel "intriguing, complex and irritating" and praises its metaphorical use of historical detail.
Viscountess Strangford, University of Wales, retrieved 3 May 2015 Of the ancient oasis city, Palmyra she writes: "I was once asked whether Palmyra was "not a broken-down old thing in a style of slovenly decadence?" It is true its style is neither pure nor severe: nothing over which the lavish hand of hasty and Imperial Rome has passed is ever so: but, Tadmor [Palmyra] is free from all the vulgarity of real decadence; it is so entirely irregular as to be sometimes fantastic; the designs are overflowing with richness and fancy, but it is never heavy: it is free, independent, bizarre, but never ungraceful; grand indeed, though hardly sublime, it is almost always bewitchingly beautiful." (pp. 239–40)Color lithograph panorama of Palmyra, Syria by Nicholas Hanhart after Emily Anne Beaufort Smythe, 1862.

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