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"belly laugh" Definitions
  1. a deep loud laugh

72 Sentences With "belly laugh"

How to use belly laugh in a sentence? Find typical usage patterns (collocations)/phrases/context for "belly laugh" and check conjugation/comparative form for "belly laugh". Mastering all the usages of "belly laugh" from sentence examples published by news publications.

"It was really ridiculous," he said with a belly laugh.
She had that belly laugh, where her whole body shakes.
FOR MOST people, a good belly laugh is a wonderful thing.
You must take advantage of every opportunity for a belly laugh.
If I get a deep belly laugh, I know I've hit something.
I used to believe that everything had to be a belly laugh.
We've learned to do the latter and turn it into a belly laugh.
Still, New York Times reporter Maggie Haberman's vigorous belly laugh, in response to Rep.
I'm on set now and this shit got a big belly laugh outta me. Thx. Perfect.
His outrageous attacks on the Führer, politically incorrect by modern standards, are still belly-laugh funny.
She's made me belly laugh, sob gutturally, and throw my bra at the TV. She's won an Oscar.
It's watching you make the most outrageous faces trying to get a belly laugh out of our tiny one.
Disney's lawyers and management must have had a real belly laugh, too, when Marvel accepted their design without balking.
This holiday season, give the gift of a visceral belly laugh that will last into the new year and beyond.
LOS ANGELES — YouTube star Felix Kjellberg, better known as PewDiePie, has mastered the art of making viewers belly laugh while navigating video games.
"They were on the 15th hole, Seve went left and then Olly went right into a bunker," Rocca added with a mighty belly laugh.
The Mortified Podcast If you're looking to belly laugh and be reminded of your cringe-worthy teenage crushes, dreams, and drama, download The Mortified Podcast.
The video has reportedly been making the rounds across Chinese social media outlets, with fans enjoying a hearty belly laugh at the man's painful expense.
In the office, the manager of the Solutions team, a hirsute man with a belly laugh, presented me with a series of questions and puzzles.
"I was just fired up," Cole said with a belly laugh as his teammate Carlos Correa crept from behind and poured champagne over Cole's head.
"I have an early newspaper article here where they quote my father saying, 'You need more tomatoes and pasta in here,'" Nese says with a belly laugh.
He and his family could all watch television together, and Andrew still laughed at Adam Sandler, this great big belly laugh that made everyone around him smile.
The kind of unwholesome interest a Sedaris-gram inspires is situated much lower, and feels more immediate: somewhere between a belly laugh and being a punched in the gut.
Bill McShea broke into an infectious belly laugh when I asked him the question I've been posing to biologists, conservationists, and zookeepers for months: What is it about the panda?
Now, at the age of 61, he's still rocking the same belly laugh, while directing, acting, and reading to past and future generations through LeVar Burton Kids and LeVar Burton Reads.
Black daughters who rush to act as their mother's crutch, the one to make her facial muscles tense and reveal all of her teeth, her deep belly laugh a satisfaction in its own right.
Disconcertingly, her idea of a big belly laugh comes in the form of a short audio snippet from an episode of 1980s political sitcom Yes Minister, the central joke in which is built around NHS cuts.
President Donald Trump, who can both make the world cower in fear and belly laugh in response to his very well-known tweetstorms, wants you to know a very important fact: He doesn't 'do Twitter storms.
"Two years ago, this sweet little innocent boy with a deep belly laugh and an obsession with Monster Trucks was diagnosed with neuroblastoma…an often fatal pediatric cancer," Murphy wrote alongside a photo of a chipper Ford.
The 24-year-old stopped by PEOPLE Now recently, where he played a round of "One Last Thing," dishing on his last boys night out, his latest belly laugh, and the last song stuck in his head.
Contrast the sound of someone's helpless belly laugh in response to something truly amusing to a more throaty "ah-ha-ha," that might signify agreement or a nasal "eh-heh-heh" when someone might be feeling uneasy.
The longest-lived of these memes concerns an early cutscene wherein protagonist Tidus–an athlete/swordsman who looks like a Backstreet Boy–lets out an awkwardly forceful belly laugh that goes on far too long, becoming almost hypnotic.
This, too, should elicit a Boeing-like belly laugh: Solar panels are heavily subsidized in the U.S.  Thankfully, in these and other cases, there is ample opposition — not just from foreign producers and countries but from American stakeholders.
Players used belly laugh emotes to mock their downed opponents, and at one point, during the Creative World Cup, Faze Clan star Cizzorz leaned back in his chair and flexed, while his character kissed a gold trophy in triumph.
There is a good deal of what one expects from Maupin, wit and heartache rolled up into a tidy package, so that any anecdote can bring an ache of longing and a belly laugh all in the same paragraph.
When James Elkington explains the long, winding road of a story that led him to this moment—on the verge of releasing his debut solo LP, Wintres Woma—he armors himself with self-deprecating wit and a Santa Claus-sized belly laugh.
The baby's foster mother meticulously documented his developments for Ms. Mutu, keeping in mind how hard it would be to miss moments like when he first scooted across the living room floor or developed the belly laugh that shook his whole body.
All of which is to say that when I looked at a photo of Rae Sremmurd on a national newspaper's front page, and realized the two people pictured weren't actually Slim Jxmmi and Swae Lee, I felt that familiar mixture of cringe and belly laugh.
This makes "2017" a snapshot not so much of our time but of Louis C. K. in his prime, a tight hour and 15 minutes revealing a dizzying number of ways to get a belly laugh: misdirection, juxtaposition, silly voices, act-outs, rambling personal stories, sex jokes.
A half-dozen belly-laugh moments — and Gore's boyish buoyancy — keep things light, the footage from around the world is as good as anything National Geographic could ever hope to produce, and the villain (no spoilers here, sorry) barely has to show his face to make an impact.
One of the things we look forward to most about the show is the classic (often belly-laugh-inducing) opening sequence, which spotlights some of the hottest talent of the season, giving a glimpse into their early days and the path that led them to where they are today.
"'Drive- In' Steers Belly-Laugh Path". Los Angeles Times. Part IV, p. 11.
Neither unfunnily comic nor unconvincingly tragic, it somehow conveys the idea that she's had a laugh writing it, and a big belly laugh at that.
Galaxy Science Fictions Floyd C. Gale rated The Glory That Was three stars out of five, stating that "there isn't a belly laugh in the book, there are plenty of chuckles and unostentatious erudition".
Two laughing men by Hans von Aachen, circa 1574. Laughter can be classified according to: # intensity: the chuckle, the titter, the giggle, the chortle, the cackle, the belly laugh, the sputtering burst.Drewniany and Jewler (2007) Creative Strategy in Advertising, 9th edition, ch.1 p.
The Hanna-Barbera laugh track affected several television specials as well, many of them from The ABC Saturday Superstar Movie (ABC, 1972–74), which served as a showcase for hopeful new comedic cartoon shows. On occasion, the studio slowed the laugh track for a greater effect; this was done for the second season of The New Scooby-Doo Movies. Hanna-Barbera also used the limited laugh track when they produced Wait Till Your Father Gets Home in 1972. This laugh track, which added an additional belly laugh to the mix, was noticeably slowed during production (Wait Till Your Father Gets Home was the only television series produced by Hanna-Barbera to have included that specific belly laugh track).
Bubba Bexley (Don Bexley) is another of Fred's friends who appears frequently, alternating with Grady as Fred's best friend. Bubba is known for his infectious belly-laugh and jovial personality. Bubba is primarily a straight man to set up punchlines for Fred. His loud greeting of "Hey Fred!" drives Fred and Lamont crazy.
" The cover of the E.P. was designed by Cave using photos taken by Bleddyn Butcher. The art around the pictures of the four members of the band was in the shape of a swastika. Harvey later said, "It always amazed me that people didn't get that. It was just a belly laugh for us.
The 'Saturday Night Live' regular manages to sock over 'Meatballs' with amazing vitality and elan."Pollock, Dale (June 27, 1979). "Film Reviews: Meatballs". Variety. 18. Gene Siskel of the Chicago Tribune gave the film 2.5 stars out of 4 and stated that it "is pleasant as can be, but there's hardly a belly laugh in it.
She loudly called, "Mary Tillotson? Mary Tillotson?" as she descended the steps. Stopping at the door of the CNN booth, Perez raised her hand in benediction and said "I absolve you," burst into a belly laugh, and left. Late that afternoon, Dateline NBC's Stone Phillips interviewed Mr. Bush at the White House and also asked about the Post story.
Los Angeles Times. Part III, p. 7. Harrison's Reports declared, "Although the humor is more of the hearty chuckle than belly laugh variety, there is enough of it to give a merry effect which is delicately balanced against the seriousness of the problems of a professor turned drama critic.""'Please Don't Eat the Daisies' with Doris Day, David Niven and Janis Paige".
His great female lead was Mabel Normand, his sometime girlfriend (who inspired the 1974 Broadway musical Mack & Mabel). Coy Watson, Jr., who grew up in Edendale in its heyday, recalls: > Life in Edendale was exciting. Sennett needed to produce a 12 to 15 minute > long two-reel comedy every week. These were the original slapstick, belly- > laugh-a-minute flickers.
Dessau concurred on the darkness and quality of humour. Watson was more ambivalent, saying the episode offered "more of a knowing chuckle than an outright belly laugh". Watson wrote that "the chief joy [of the episode] was the stealthy way the atmospheric story was built up layer by layer". In The Times, Billen described "Sardines" as "a disciplined comedy, but a little bit of discipline, as one of the League's perverts might say, never did anyone any harm".
For this show, the studio added a third belly laugh to add a little more "variety" (the only TV series made by Hanna- Barbera to have this added laugh). In addition, the laugh track was also slowed considerably. During the 1972–73 season, the DePatie–Freleng studio had an animated Saturday morning series called The Barkleys with a very similar family, only they were all dogs. Joan Gerber was also the voice of the "mom" on that show, Agnes.
Crane expressed his desire that his series be what he called "hard comedy", which he described as comedy that "goes for the fences. It's also what you might call take-a-risk comedy because if you don't hit a home run, you might strike out. It's either a belly laugh or it's no go and no show." MTM Enterprises produced the series, which was filmed with a three-camera setup in front of a studio audience with a sweetened laugh track.
William John Fennell (20 January 1920 - 9 September 1992) was an Australian radio, television (serials and mini-series), stage and film actor, comedian, producer, radio scriptwriter and writer who appeared in many Australian television series in a lengthy career spanning over 50 years, recognised by his slightly nasal, raspy voice, moustache and pork pie hat. As a comedian, he's style was stated as a sad humour worth more than a belly-laugh and said to be contrasted with the blue comedy of contemporary performer Roy Rene.
Brennan, on the verge of exploding at the news, abruptly realised that Kien wasn't to know that the pages had been blanked, and instead burst into a good, long belly laugh; the first he'd had in years. In time, Brennan lost much of his anger toward Kien and retired to the countryside with Wraith. However, he returned to New York once, when Chrysalis was murdered. Daniel Brennan is a man of medium height, slim but well-muscled with dark brown hair and eyes and a nondescript face.
Audiences surveyed by CinemaScore gave the film a grade A- on scale of A to F. Kevin Thomas of the Los Angeles Daily News gave the film a positive review, calling it "sweet natured..." and a "good belly laugh of a movie". Brian Webster of the Online Film Critics Society also received the film positively, saying that the film would please Farley fans. Dan Marcucci and Nancy Serougi of the Broomfield Enterprise said the film was "Farley at his best", and Scott Weinberg of DVDTalk.com said that it was "pretty damn funny".
In 2001, Underbelly Limited and By Popular Demand Productions Limited were set up to turn the Underbelly into a professional venue with a number of performance spaces and a wide range of productions. The venue was set up with performance spaces in the Iron Belly, White Belly and Big Belly. The Belly Laugh (then named the Belly Bar) was also used for late night cabaret as well as the venue's second bar. Space downstairs which is now used for Belly Dance was used to exhibit a film installation by Nick Hornby.
In 2002, The Underbelly was renamed The Smirnoff Underbelly to reflect its sponsorship by Smirnoff Vodka. The number of performance spaces was increased to include the Belly Button and Belly Laugh comedy venues and a third bar, the Jelly Belly, to the first floor. The number of shows increased from 18 to 50+ and this was the year that Underbelly really started to make its mark. In 2003, the Belly Dancer was soundproofed to ensure that it can be used throughout the day without disrupting performances in other spaces.
Merlin's "sardonic laughter" poses a challenge due to its ability to be both gender neutral and lack gender entirely at the same time. As a masculine role can be distinguished from a feminine role by how much or little is spoken, laughter too can be both masculine and feminine. A loud, belly laugh assumes the masculine role as it removes all other voices, and a soft giggle proves feminine as it is quiet and docile. What makes laughter different is that it falls somewhere on the continuum of sound and silence.
Nervous laughter is laughter provoked from an audience's expression of alarm, embarrassment, discomfort or confusion, rather than amusement. Nervous laughter is usually less robust in expression than "a good belly laugh", and may be combined with confused glances or awkward silence on the part of others in the audience. Nervous laughter is considered analogous to a courtesy laugh, which may be rendered by more of a conscious effort in an attempt to move a situation along more quickly, especially when the comedian is pausing for laughter. Nervous laughter is a physical reaction to stress, tension, confusion, or anxiety.
Amy Reiter of The Los Angeles Times liked the episode and described it as "the kind that makes you belly-laugh and chortle and snicker despite your better judgment". The introduction of Ricky Martin as David Martinez was welcomed by most reviewers. Futterman wrote that "Ricky Martin carried on the Gwyneth Paltrow tradition of pretty great guest teacher cameos", and TVLine Michael Slezak said that the episode was good "at least whenever Ricky Martin appeared on screen". VanDerWerff called him "fun and infectious", and Kate Stanhope of TV Guide said he "showed himself to be a guest star with mucho potential".
3 Featuring Catwoman. The stories in The Further Adventures of The Joker cover a wide range of topics and styles, with the title character, and his complicated relationship with the Batman, as the unifying theme; from tales of the Joker's childhood, to his current crimes, some of which Batman attempts to foil. All of the works included in this anthology are considered to be "non-canonical", in relation to mainstream DC Comics continuity. Joe R. Lansdale's story "Belly Laugh, or The Joker's Trick or Treat" is notably a sequel to Lansdale's story from The Further Adventures of Batman.
Official Xbox Magazine Mikel Reparaz said it was fun to see what "could have been". Eurogamer Schilling called the self-referential nature of the release a "very postmodern conceit", which he thought worked well despite the dual faux pas of parodying The Matrix and overtly "satirizing game mechanics". He felt that the satire was not good, though the writing was "genuinely funny", and that the repeated Dominatrix fight scenes should not have felt as low budget. He recommended the pack for those who love "wry gags about creaky gaming tropes with the occasional belly laugh", and said he had a better time finding his own fun than playing through the missions.
""The barnyard in Mr. Keneally's pagan place" by Hope Hewitt, The Canberra Times, 29 May 1971, p11 Angela Carter, reviewing the book for The New York Times, found it "authentically marvelous", noting "This spirited expressionist performance has stylistic affinities with American high Gothic (e.g., Djuna Barnes and Jane Bowles) and thematic ones with James Purdy's parent-child fable, "Malcolm," though Mr. Keneally's tale lacks the stark outlines that characterize the fable as a mode. He offers an embarrassment of symbolic riches, and his prevailing Firbankian archness sometimes effects a tinkling queasiness of tone. One doesn't know whether one is cued in for a belly laugh, a nervous giggle or a shudder of horror.
Avery, with the assistance of Clampett, Jones, and the new associate director Frank Tashlin, laid the foundation for a style of animation that dethroned The Walt Disney Studio as the leader in animated short films, and created a legion of cartoon characters still known today. Avery, in particular, was deeply involved. He crafted gags for the shorts, periodically provided voices for them (including his trademark belly laugh), and held such control over the timing of the shorts that he would add or cut frames out of the final negative if he felt a gag's timing was not quite right. Porky's Duck Hunt introduced the character of Daffy Duck, who possessed a new form of "lunacy" and zaniness that had not been seen before in animated cartoons.
In March 1998 he took over as CEO of The Streetwise Music Group in Brisbane, eventually becoming a co-owner. The company, which is distributed through Warner Music, now has some 20 acts spread over three labels (Streetwise, Stallion and Belly Laugh). Cadd is the chairman of the Music Industry Advisory Council (Australia), President of the Australian Music Foundation and on the board of the musicians' benevolent organisation, Support Act. Cadd lectures at universities as well as continuing to record and perform, he independently released an album of new material Quietly Rusting in 2005 featuring musicians like Mark Meyer, Tony Naylor, Wilbur Wilde and Ross Hannaford together with some of Australia's hottest new players including Paul White, Damien Steele-Scott and James Meston.
At a time when he hosted nearly all the radio quiz programs in Turkey, he also created a famous fictitious character named Yuki (a rabbit- like character voiced by Boran himself) for a radio show during the 1960s. Boran created other characters besides Yuki, entertaining listeners for years and years with the stories of the derelict brother-in-law, the sister-in-law doomed to be an old maid, and many more. In the late 1990s, an animation version of Yuki based on scripts taken from the early radio programs was produced as a series of for television, however, because of the marketing problems, it failed to hit the screen. Boran ended his long stage career in 1981 with a show called A Musical Belly-Laugh, written by himself and featuring a number of artists.
Although Round the Horne attracted some adverse comments from Black, Whitehouse and others of similar views, the show was well received by the press. In 1967 The Times called it "half an hour of the purest impure entertainment", and as the third series came to an end the paper called for a Christmas special and a further series in the new year. "No-one, but no-one at all has yet presented those elegant queens, those touchily vulnerable bona- boys, those fashion fetichists so deftly, so pointedly, and, in the final accounting, so purely". In 1969 the paper commented that the show was "a success with lovers of the sophisticated pun" as well as appealing to "those who like a good belly laugh", with "obvious jokes ... mixed with clever word juggling".
Although the film was a departure from the usual Abbott and Costello formula, Variety called it "a picnic for Abbott and Costello fans" that "won't shock the patrons with any unfamiliar novelties...Direction is well-aimed at the belly-laugh level, and the trick photography is handled with flawless technique." Motion Picture Daily wrote, "Any resemblance between this and the last half dozen Abbott and Costello pictures is so slight and incidental as to be written off completely by the showmen whose customers used to raise the rafters with shouts and screams of laughter in the dawn of the A. and C. era. The audience present at the previewing of 'The Time of Their Lives' at the Forum Theater in Los Angeles all but rolled in the aisles with merriment, exactly as in the good old days."Motion Picture Daily. August 14, 1946.
Eddie Kadi (born 18 May 1983 in Kinshasa) is a British-Congolese comedian, presenter, actor, Philanthropist and MC. An all-round multi talented performer, Eddie Kadi continues to reform the world of comedy and communications; repeatedly leaving “sold out” concert audiences mesmerised by a heady mixture of laughter and reflection. Eddie Kadi has proven to be the consummate communicator. He is generously gifted with the ability to reach across cultures as a unifying force, break down social stereotypes as he informs and entertains his audience. Delivering fresh, funny yet conscious and poignant insights throughout his work, crafting “…articulate glimpses of reflected observations from the mirror of life that we all instantly recognise, relate and react to in good humour, with a smile or belly laugh thrown in!” Eddie has proven himself to be a key connection point between various intersections such as Africa and travel, Africa and sport and Africa and music.

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