She stands at a kind of belletristic Sinai, alongside all the other literary generations.
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Still, the book makes no belletristic claims; it's intended solely as a guide, and as such, perfectly fulfills its aim.
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These poems might be shimmed into a syllabus or buried in a casketlike journal article, if they weren't so punk-baroque and brat-belletristic.
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Locke, who also became a devotee of the philosopher and belletristic aesthete George Santayana, went on to become the first black Rhodes Scholar—though as soon as he got to Oxford he was humiliated by white Americans, who shut him out of their gatherings.
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French writers of the airier, belletristic kind used to enjoy pointing out that Michel de Montaigne, the man who invented the essay, was born Michel Eyquem, in Bordeaux in 1533, and that the family name and estate survive to this day in the name of Château d'Yquem, the greatest of all French sweet wines.
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Arguably one of the most influential schools of rhetoric during this time was Scottish Belletristic rhetoric, exemplified by such professors of rhetoric as Hugh Blair whose Lectures on Rhetoric and Belles Lettres saw international success in various editions and translations.
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Fabian Abramovich Garin (1895–1990) was a Russian writer and World War II veteran. He had graduated from the Kyiv Polytechnic Institute in 1924, but lived and worked in Moscow. Among his works are documentary and belletristic books Towards the Pole (1937), The Expulsion of Napoleon (1948), Vasily Blücher (1963–67) and The Flowers on Tanks (1963).
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Madih nabawi (, pl. Madā'ih nabawiyah), one of the principal religious genres of Arabic music, is a song form dedicated to expressing praises, love and devotion for the prophet Muhammad and his family. The genre dates from 632 CE, immediately after the death of Muhammad, but the performers address the prophet, as if he were still alive. It is also a Sufi genre of belletristic Arab literature.
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In the Central Javanese civilization of the nineteenth century, on the other hand, Muslim religion was taken for granted. The pujanggas were mostly interested in the remains of pre-Islamic belletristic literature. Their books were meant to be reading-matter for gentlemen. Eighteenth and nineteenth century renaissance authors were masters in adapting the products of former periods of literature, as far as known to them.
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In 1984 he graduated from The Surikov Art Institute in Moscow, from the studio of Professor Dmitry Konstantinovich Mochalsky. His graduate work was depicting Peter the Great. His paintings are now regularly published in history classroom books, monographs of The History of Russia, and historical belletristic literature. Since 1987, 24 exhibitions of his paintings have been held in Moscow and other cities in Russia.
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In addition, the Monatshefte published belletristic texts, for example, 17 novellas by the West Prussian writer appeared between 1908 and 1923. The journal contained the supplements The Socialist Student (nine issues in total) and Documents of Socialism. included Julius Bab, Eduard Bernstein, Gertrud David, Eduard David, Adolph von Elm, Henriette Fürth, Wolfgang Heine, Gerhard Hildebrand, , , Max Nettlau, , , Gustav Landauer, Hope Bridges Adams Lehmann, Élisée Reclus, Karl Renner, Rosa Schapire, Max Schippel, , , , , Georg von Vollmar, .
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Ivanović is a South East Europe Media Organisation (SEEMO) coordinator for Montenegro. This famous media organization in Vienna deals with protection of media freedoms in the Balkan and South East Europe. Under his management in October 2003, daily Vijesti started the publishing action that counted over 3 million printed books of various content-from encyclopedias to belletristic and art books. This practice inspired other publishers from the Region to follow the example of Vijesti.
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In July 1867 Lorković successfully finished his four-year study of law science. On 16 December 1871 Lorković became a teacher at the Royal Juridical Academy. He replaces his belletristic work with scientific and educational at the Juridical Academy and similar associations. The most important Lorković's scientific work is Počela političke ekonomije ili nauke obćega gospodarstva, which was published by Matica hrvatska in 1889 in the context of a series of publications for the Croatian dealers.
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Aleksandr Aleksandrovich Bushkov (born April 5, 1956) is a best-selling Russian author who has written books in the genres of science fiction, crime fiction, popular history and non-fiction. In his belletristic, published in literary and popular journals, Bushkov has been critical of conventional academic approaches in fields such as history and evolutionary biology. As indicated on the personal webpage of the author, his total number of volumes published (all works and all editions) exceeds 17 million.
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Bilbul published his first book of short stories in 1938.Rejwan, 2004, p. xvi. Entitled Al-Jamrah al-Ūla ("The first coal"), he described it as the only belletristic book published in Iraq that year. In the introduction to the book, he writes of his desire for, "Iraq to unfurl the banner of literature," a statement interpreted by Nancy Berg as a declaration of his intent to form part of the Arab literary renaissance (known as the nahda).
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Tyson, 104. Romanticist Anne Chandler argues that Wollstonecraft's reviews demonstrate "an earlier Augustan politics of knowledge, variously outlined by Dryden, Pope, and, to a lesser extent, Swift" which "may be seen in her insistence on a continuum between aesthetic integrity and civic virtue; her belief in a metaphysical dialogue between human wit and divine Nature; and her perception of belletristic criticism as the proper tribunal for a new onslaught of scholarly and scientific research".Chandler, 2.
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In the nineteenth century Surakarta authors were stimulated by the presence of three European scholars: Winter, Gericke and Wilkens, who were studying Javanese language and literature in Central Java. Through their intermediary some knowledge of European culture spread at Court. The Bible was translated into Javanese. The second half of the nineteenth century and the first decades of the twentieth century were the period of development of Surakarta renaissance letters into a common Javanese belletristic literature characterized by its predilection for the wayang theatre and wayang plays.
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In 1882 the society tried to establish itself as the corporation Vironia,This name was later used by the academic corporation Vironia, founded in Riga 26 November 1900. following the model of Baltic German student corporations, but this was rejected by the other corporations. The name "Estonian Students' Society" came into use in 1883, when the organisation was registered with the University of Tartu as an academic-cultural society; this was the society's first legal registration. In 1889, the society began to publish journals (Est: albumid), consisting of scientific articles, essays and belletristic texts.
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As with many concepts of New Criticism, the concept of the affective fallacy was both controversial and, though widely influential, never accepted wholly by any great number of critics. The first critiques of the concept came, naturally enough, from those academic schools against whom the New Critics were ranged in the 1940s and 1950s, principally the historical scholars and the remaining belletristic critics. Early commentary deplored the use of the word "fallacy" itself, which seemed to many critics unduly combative. More sympathetic critics, while still objecting to Wimsatt's tone, accepted as valuable and necessary his attempt to place criticism on a more objective basis.
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Lev Lvovich Tolstoy Count Lev Lvovich Tolstoy (; 1 June (Old style: 20 May) 1869 – 18 October 1945) was a Russian writer, and the fourth child and third son of Leo Tolstoy. Lev Lvovich, whom his father once called "Leo Tolstoy, Junior" was a fairly well known and respected belletristic author and playwright in pre-Revolutionary Russia. Although he had enjoyed good relations with his parents, by the 1890s Lev Lvovich had come to doubt his father’s religious and moral teachings, eventually becoming an ardent monarchist and Russian patriot. While living in exile after the Russian Revolution in Sweden, he became a vocal and sometimes harsh critic of his father’s teachings.
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To these may be added the solitary volume of responsa, that of Solomon ben Adret (17). After law came prayers, of which a considerable number were printed (36, 41, 42, 47, 63, 95, 96, 97, 100); and to these may be added the tables of day durations (23)and Naḥmanides' "Sha'ar ha-Gemul" (70). Ethical works were moderately frequent (10, 31, 32, 53, 60, 61, 62, 66), which only two philosophical works received permanent form in print, Maimonides' "Moreh" (24), and Albo's "'Iḳḳarim" (38). Very few belletristic works appeared (75, 80); history is represented by Eldad ha-Dani (7) and the "Yosippon" (8); and science by Avicenna (81), in the most bulky Hebrew book printed in the fifteenth century.
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During December 1835 the Frankfurt Bundestag banned the publication in Germany of many authors associated with the movement, namely Heine, Gutzkow, Laube, Mundt, and Wienbarg. In their reasoning, they explained that the Young Germans were attempting to “attack the Christian religion in the most impudent way, degrade existing conditions and destroy all discipline and morality with belletristic writings accessible to all classes of readers.” The ideology produced poets, thinkers and journalists, all of whom reacted against the introspection and particularism of Romanticism in the national literature, which had resulted in a total separation of literature from the actualities of life. The Romantic Movement was considered apolitical, lacking the activism that Germany's burgeoning intelligentsia required.
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"Călinescu, Compendiu..., p.362 In parallel, around 1931, the magazine's approach to philosophy was criticized by the Personalist thinker Constantin Rădulescu-Motru, who deemed it "belletristic"; the traditionalist philosopher Mircea Vulcănescu, although himself only occasionally associated with Gândirea, defended Crainic's influence in front of the pragmatic conservative Junimist tradition arguably represented by Rădulescu-Motru inside the University of Bucharest.Ornea, p.78-79, 180-181 Writing in 1937, Crainic celebrated Gândirea's role in making nationalism and Orthodoxy priorities in Romania's intellectual and political life: > "The term 'ethnic' with its meaning of 'ethnic specificity' imprinted in all > sorts of expressions of the people, as a mark of its original properties, > has been spread for 16 years by the journal Gândirea.
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7,400 beds.2015 Annual Report It was established in June 1948 in Ljubljana and is the successor of the Slovene Alpine Club (), established in Ljubljana on 27 February 1893. The Alpine Association of Slovenia performs its tasks under the leadership of its President and three Vice-Presidents, an expert service, and several commissions: economic commission, climbing commission, mountain sports commission, commissions for expeditions to foreign mountains, mountain trails, sport climbing, mountain biking, conservation of the mountain environment, guides' commission, youth commission, and several boards and other workforces. The Alpine Publishing House, operating under the auspices of the Association, publishes mountain hiking maps and guides, professional and belletristic literature, and, since 1895, the monthly mountaineering magazine Planinski Vestnik (Alpine Gazette).
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From the late 18th century to the late 19th century, Fraktur was progressively replaced by Antiqua as a symbol of the classicist age and emerging cosmopolitanism in most of the countries in Europe that had previously used Fraktur. This move was hotly debated in Germany, where it was known as the Antiqua–Fraktur dispute. The shift affected mostly scientific writing in Germany, whereas most belletristic literature and newspapers continued to be printed in Fraktur. The Fraktur typefaces remained in use in Nazi Germany, when they were initially represented as true German script; official Nazi documents and letterheads employed the font, and the cover of Hitler's Mein Kampf used a hand-drawn version of it.
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It is essentially vital, even as all objects (as objects) are essentially fixed and dead.(Biographia Literaria) For Coleridge, poetry is idealistic and man needs to go beyond the projective forms of art, the belletristic arts, to another art form, this time where man as subject, draws out of nature, including human nature, the potential that is there in what we actually experience. For Romantic medicine, in particular, Andreas Röschlaub and Samuel Hahnemann, the art of remediation, to achieve a true health for the individual, was an evocative art, Heilkunde and Heilkunst, that sought, as in the ancient Greek idea of education, to educe, to elicit or draw out of the suffering individual what was potential (state of health) into actuality.
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Bogoraz was born in the city of Ovruch in the family of a Jewish school teacher. After finishing Chekhov Gymnasium in 1882, he enrolled in the Faculty of Law of Saint Petersburg University, but was dismissed for revolutionary activity with Narodnaya Volya and exiled to his parents' home in Taganrog. He spent 11 months at Taganrog prison for revolutionary propaganda. In 1886, he moved to Saint Petersburg, where he was arrested and later exiled into northeastern Siberia, near Yakutsk (1889–1899), where he studied the Chukchi people, their way of life, traditions, language, and beliefs, giving him valuable material for poems and belletristic essays. Bogoraz published his first literary works in the early 1880s, but he became famous by 1896-1897 under the literary pseudonym Tan for poems and novels published in various periodicals.
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Maria Julia Zaleska Maria Julia Zaleska de domo Perłowska (1831 in Medwedówka near the Chyhyryn – 10 April 1889 in Warsaw) was a Polish writer, prosaist and publicist. Editor of weekly magazine Wieczory Rodzinne [Family evenings] (since 1880). Zaleska was an author of pioneer and widely read popular science belletristic talks Wieczory czwartkowe [Thursday evenings] (1871), Wędrówki po niebie i ziemi [Wander through the sky and the ground] (1873), Obraz świata roślinnego [Scene of a plant world] (1875), Przygody młodego podróżnika w Tatrach [Adventures of the young traveller in Tatra Mountains] (1882). She was also an author of science-fiction novel Niezgodni królewicze [Dissident princes] (1889), adaptations Młody wygnaniec [Young exile] (based on themes of James Fenimore Cooper works; 1889) and Mieszkaniec puszczy [Wildernessian] (based on themes of Richard Roth works; 1894).
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With Învăţământul filosofic în România ("Philosophical education in Romania"), his 1931 essay first published in Convorbiri Literare, Rădulescu-Motru introduced a polemic that was to mark numerous other writings of his during the following period: reacting to the growth in appeal of far right magazines that claimed to follow a Romanian Orthodox philosophy – Cuvântul and Gândirea –, he made a difference between a "belletristic" trend in higher learning and a "scientific" one, arguing in favour of the latter, and presenting the former as the objective source of anti-intellectualist attitudes he observed inside the new political phenomenonOrnea 1995, p.77-78 (which emphasized the "human need for mystery").Rădulescu-Motru, in Ornea 1995, p.83 In essence, the secularist Rădulescu-Motru followed the Junimea tradition of rejecting mysticism, viewing it as the unwanted characteristic of a working class mentality.
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A pair of autobiographical novels, Before the Great Pause and Resistance, formed a series, the "Theatre of Herod", about growing up just before World War II and during the siege of Warsaw in 1939. He also wrote numerous collections of short stories, including The Cross of Valour (1964); a historical novel The Crime, a Folk Tale (1975); a volume of essays, I Fear Not Sleepless Nights (1987); and Nowolipie Street (1991), a memoir. He also wrote belletristic biographies, among them I, Michel de Montaigne (1978) -- the French writer, thinker and essayist against a panorama of sixteenth-century Europe; The Clown, A Great Man (1998) -- a comprehensive sketch of the character and multilateral activities of Tadeusz Boy-Zelenski, interwoven with reflections about his childhood era; and My Friend the King about Stanisław August Poniatowski. Portrait of Józef Hen by Zbigniew Kresowaty Hen has seen several translations of his work, including those into Czech, German, Dutch, French, Italian, Russian, and, more recently (2012) in English.
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Critical reception of The Idiot at the time of its publication in Russia was almost uniformly negative. This was partly because a majority of the reviewers considered themselves to be opposed to Dostoevsky's 'conservatism', and wished to discredit the book's supposed political intentions. However the chief criticism, among both reviewers and general readers, was in the "fantasticality" of the characters.Frank (2010). p. 575 The radical critic D.I. Minaev wrote: "People meet, fall in love, slap each other's face—and all at the author's first whim, without any artistic truth."review in The Spark (1868) 18:221, quoted in Terras (1990). p. 9 V.P. Burenin, a liberal, described the novel's presentation of the younger generation as "the purest fruit of the writer's subjective fancy" and the novel as a whole as "a belletristic compilation, concocted from a multitude of absurd personages and events, without any concern for any kind of artistic objectivity."reviews in The St. Petersburg News (1868) quoted in Terras (1990). p. 10.
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Vernon Louis Parrington is often cited as the founder of American studies for his three-volume Main Currents in American Thought, which combines the methodologies of literary criticism and historical research; it won the 1928 Pulitzer Prize. In the introduction to Main Currents in American Thought, Parrington described his field: :I have undertaken to give some account of the genesis and development in American letters of certain germinal ideas that have come to be reckoned traditionally American-- how they came into being here, how they were opposed, and what influence they have exerted in determining the form and scope of our characteristic ideals and institutions. In pursuing such a task, I have chosen to follow the broad path of our political, economic, and social development, rather than the narrower belletristic. The "broad path" that Parrington describes formed a scholastic course of study for Henry Nash Smith, who received a Ph.D. from Harvard's interdisciplinary program in "History and American Civilization" in 1940, setting an academic precedent for present-day American Studies programs.
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