Or is that belief in oneself ultimately something that truly makes them something more?
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Without that, learning is nearly impossible, and belief in oneself is even harder to come by.
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Both the novella and film are a story about perseverance, hard work, and belief in oneself.
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She then goes on an adventure in the real world and by the time she returns to Barbieland to save it, she has gained the realization that perfection comes on the inside, not the outside, and that the key to happiness is belief in oneself, free of the obligation to adhere to some unattainable standard of perfection.
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Zelda believed, her biographer Milford said, that Scott's work contained "an American temperament grounded in belief in oneself and 'will-to-survive' that Scott's contemporaries had relinquished. Scott, she insisted, had not. His work possessed a vitality and stamina because of his indefatigable faith in himself." After reading The Last Tycoon, Zelda began working on a new novel of her own, Caesar's Things.
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Finding and nurturing hope has been described as a key to recovery. It is said to include not just optimism but a sustainable belief in oneself and a willingness to persevere through uncertainty and setbacks. Hope may start at a certain turning point, or emerge gradually as a small and fragile feeling, and may fluctuate with despair. It is said to involve trusting, and risking disappointment, failure and further hurt.
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All of these hit singles (excluding "I Know a Place") are featured on her debut album Higher Things, released in late 1998 on the New York City based record label, Nervous Records NYC. "Unspeakable Joy" and "Everyday" went on to become her most successful radio hits. The album also featured a cover version of Anita Baker's song "Been So Long". English began as a gospel singer and many of her most popular songs contain references to God, faith and belief in oneself.
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Clare Norton-Smith, writing for the BBC, liked how the characters were developed by Sandra Gugliotta, and wrote, "Although Elsa endures grim circumstances and resorts to desperate measures, the spirit of conviction and a belief in oneself, make this ultimately a warm, life- affirming film. As Gugliotta says, her film 'speaks of dreams, of the possibility and the struggle to fulfill a dream. And it also speaks of good people, of social barriers, and of roots.'"Norton-Smith, Clare. Ibid.
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Analysis of the DEQ revealed three factors, the first two matching Blatt's theoretical understanding of anaclitic and introjective dimensions in depression. A third factor representing competency, strength, and belief in oneself, was termed efficacy. The DEQ has been used extensively not only to study aspects of clinical depression but also to explore nonclinical depressive experiences. Blatt and colleagues subsequently realized that the two depressive experiences, anaclitic (or dependent) and introjective (or self-critical), could be linked to two fundamental developmental pathways, relatedness and self-definition, that occur in both normality and psychopathology and that mature or develop in complex interaction with each other.
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Lucioni cites Dodge as an influence in his own realization that one's belief in oneself is the key to fully realize one's own artistic vision, and not the adoption of contemporary trends in art or catering to others' expectations, a theme that Lucioni would express in his career. At age 19, Lucioni entered New York City's National Academy of Design, where he was introduced to the medium of etching through his instructor in that discipline, William Auerbach-Levy. Lucioni attended school in the morning, and worked in the art department at Fairchild Publications, which published Women's Wear Daily. He also took composition classes at Cooper Union.
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