5 Sentences With "bejewels"

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He doesn't just paint the lily; he bejewels and shellacs it, too. from The New York Times
Lin Carter describes Corley's style as possessing a quality of "gorgeousness", which he characterizes as having "the sort of verbal richness that bejewels the pages of Clark Ashton Smith's work or the Arabian Nights ... lazy and singing, [with] a certain playfulness to it ..."Carter, Lin, ed. Discoveries in Fantasy, New York, Ballantine Books, 1972, pp. 101–103.
The New York Times called the novel Corley's "best-known work.""Donald Corley" (obituary), New York Times, December 14, 1955. Lin Carter describes Corley's style as possessing a quality of "gorgeousness", which he characterizes as having "the sort of verbal richness that bejewels the pages of Clark Ashton Smith's work or the Arabian Nights ... lazy and singing, [with] a certain playfulness to it ..."Carter, Lin, ed. Discoveries in Fantasy, New York, Ballantine Books, 1972, pp. 101–103.
The Haunted Jester and The House of Lost Identity were reprinted by Books for Libraries in 1970 and 1971, respectively. Not long after, Corley's work was rediscovered by Lin Carter, who anthologized two of his fantasies in Discoveries in Fantasy for the Ballantine Adult Fantasy series in 1972, and another in Realms of Wizardry for Doubleday in 1976. Carter describes Corley's style as possessing a quality of "gorgeousness", which he characterizes as having "the sort of verbal richness that bejewels the pages of Clark Ashton Smith's work or the Arabian Nights ... lazy and singing, [with] a certain playfulness to it ..."Carter, Lin, ed. Discoveries in Fantasy, New York, Ballantine Books, 1972, pp. 101–103.
The New York Times praised the collection, saying "when Mr. Corley writes lacquer legends of things far away and long ago, he assumes the mantle of all romancers since the telling of 'Arabian Nights'. . . . Life may be seldom so noble, so wistful or so colorful, but these stories, for all their artifice, give spur to the imagination.""New Arabian Nights", The New York Times, October 18, 1931, p.64 Lin Carter describes Corley's style as possessing a quality of "gorgeousness", which he characterizes as having "the sort of verbal richness that bejewels the pages of Clark Ashton Smith's work or the Arabian Nights ... lazy and singing, [with] a certain playfulness to it ..."Carter, Lin, ed.