Other children will withdraw completely, refusing food and becoming silent.
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Despite her relative inexperience, Leigh was chosen to play Ophelia to Olivier's Hamlet in an Old Vic Theatre production staged at Elsinore, Denmark.Coleman 2005, p. 92. Olivier later recalled an incident when her mood rapidly changed as she was preparing to go onstage. Without apparent provocation, she began screaming at him before suddenly becoming silent and staring into space.
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WMAX later became a Contemporary Christian station, before becoming silent. AM 1480 became WGVU-AM in 1992, operated by Grand Valley State University. From 1992-1998, the WMAX call letters were used by an alternative rock 106.7 FM station in Rochester, New York. Starting in June 2009, Clear Channel's Grand Rapids operations began making plans to change the format of the radio station into one carrying ESPN- provided sports programming and local/statewide play-by-play game commentary.
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Prosiopesis (from Classical Greek, προσιώπησις, "becoming silent") is a term coined by Otto Jespersen for pronouncing a word or phrase without vocalizing its initial sounds. One example Jespersen gave is for "Good morning" to be shortened to "Morning". Jesperson introduced the idea in Language, Its Nature, Development, and Origin (ASIN B0007DEMMW; 1922); he also discusses it in The Philosophy of Grammar (; reprint 1992). Prosiopesis is studied as a mode for originating interjections, which can shed light on their meaning.
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Herrero's classmates started bullying her when she was eight years old. A third-grade student at a primary school in Tordera, Barcelona, Herrero was a little bit heavier than her peers and somewhat introverted. Classmates would use nicknames and insults to isolate and make fun of her on account of her weight. Amid the bullying, which she did not explicitly perceive while it was happening, she turned further inward, becoming silent and averse to eye contact.
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Aposiopesis (; Classical Greek: ἀποσιώπησις, "becoming silent") is a figure of speech wherein a sentence is deliberately broken off and left unfinished, the ending to be supplied by the imagination, giving an impression of unwillingness or inability to continue. An example would be the threat "Get out, or else—!" This device often portrays its users as overcome with passion (fear, anger, excitement) or modesty. To mark the occurrence of aposiopesis with punctuation, an em-rule (—) or an ellipsis (…) may be used.
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Martin explains that this immediate forgiveness of the speaker's outcry against God is meant to show His boundless grace. Martin also points out that Hebert purposefully rhymes "word" with "Lord" in order to show that the speaker finds immediate comfort in receiving nothing but a single word from God. R. L. Colie discusses the idea of "muteness with grace" or becoming silent after seeing or hearing from God.R. L. Colie, "Logos in The Temple: George Herbert and the Shape of Content".
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An additional group of dopamine-secreting neurons is found in the retina of the eye. These neurons are amacrine cells, meaning that they have no axons. They release dopamine into the extracellular medium, and are specifically active during daylight hours, becoming silent at night. This retinal dopamine acts to enhance the activity of cone cells in the retina while suppressing rod cells—the result is to increase sensitivity to color and contrast during bright light conditions, at the cost of reduced sensitivity when the light is dim.
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As this occurs, the radio signals start to drop out and reflect older programming, representing the distance these signals would have traveled at the speed of light, eventually becoming silent as the distance becomes much greater. The sequence eventually resolves into the iris of young Ellie's eye as she is listening on her amateur radio. This scale view shot of the entire universe was inspired by the short documentary film Powers of Ten (1977). At the time, it was the longest continuous computer-generated effect for a live-action film, eventually surpassed by the opening sequence from The Day After Tomorrow (2004).
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