And the Greens have avoided becoming boring in the process.
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Although teeming with classics, Mejuri doesn't make the mistake of becoming boring.
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It's almost becoming boring reporting that the Amazon cloud had a monster quarter.
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With a liar, you never have to worry about your relationship becoming boring.
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In the 1920s, soccer's authorities were worried that the game was becoming boring.
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In the tech world, the company most often accused of becoming boring has been Apple.
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It's assisting you in becoming boring, and it's assisting boring music in winning out over risk-taking experiments.
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I believe that we're seeing the beginning of phones lasting longer than ever, and ultimately becoming boring to the consumer.
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The range of source material and the variety of methods for incorporating these images invigorates the exhibition, keeping things from becoming boring or repetitive.
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Swing voter problem Trump is becoming boring even to Republicans, but his worst performance is among those who identify as political independents or members of smaller political parties.
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"This isolates and excludes the majority of consumers as the adverts are always 'beautiful female, handsome male', and this is becoming boring and doesn't leave much room for diversity," she said.
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For instance I can see the levels becoming repetitive processes of shields down, transport, shields up, shoot rotations, and the controls, while fun at first, will quickly becoming boring due to their simplicity.
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Gina is sacks Liam Murphy (Axle Whitehead) after he starts using drugs. Gina's old friend Vanessa Unley (Sarah Chadwick) arrives in town and she and Gina reminisce over old times when they were biker chicks. Vanessa accuses Gina of becoming boring and convinces her to go to a festival. The festival is cancelled and Gina and Vanessa go camping instead.
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Howard Staunton and many of his 19th-century contemporaries understood various ideas associated with hypermodernism. The Hypermodern school of chess theory came to prominence in the 1920s. Leading members were Aron Nimzowitsch, Richard Réti, Savielly Tartakower, Gyula Breyer, Efim Bogoljubov, and Ernst Grünfeld, who all came from Central Europe. They felt that chess was becoming boring, slow, and not worthwhile.
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Having rehearsed and written enough material for an album, the group entered Island Studios, London in August 1973. As with Foxtrot, John Burns helped with production. Burns' technical skills resulted in a good recorded sound and environment, and this motivated the group to play better and tackle more complex arrangements. Gabriel was conscious of the greater use of lengthy instrumental sections on the album which he thought presented the risk of the material becoming boring.
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Nutt awarded .hack//Outbreak three stars out of five, writing that the game's "extremely challenging enemies and lots of solo missions give the game an edge that keeps it from becoming boring". However, he criticized the four-part game structure, observing, "we are paying Bandai $200 for one game" and that "the extreme lack of improvements from volume to volume is ... downright exploitative of the fans". Some critics called the final game, .
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Though the show does not follow her romantic life as much as those of the other characters, Donna has the most active dating life of any character on the show with a variety of suitors. In the season 6 episode "One in 8,000" Donna overcomes her misgivings about becoming "boring" and settles into a happy relationship with former partner Joe. The two marry in the season 7 episode "Donna & Joe". Donna has alluded to having a successful and financially stable life by mentioning owning numerous properties outside of Pawnee.
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Publisher's Weekly is critical of the novel, describing the protagonist as "unsympathetic character", which " readers may have [tire] of his self-destructive behavior." Similarly, the L.A Times was critical, saying that in the novel "Allende has thrown away images, style and magic in this new book", when compared to the successful style of The House of the Spirits. The Independent was generally positive about the novel, but concludes that the later parts of the novel, set in the 80s, "lose heart", becoming boring with very little excitement or good charactersizations.
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Cash Box magazine liked the game's colorful graphics and additional gameplay mechanics, saying that it would "add to the enjoyment of the most avid and skilled players." New Computer Express magazine was lukewarm towards Prize Space Invaders for its high price point, although stated that its prize mechanic made this somewhat forgivable. In a 1998 retrospective review, Allgame found Part II to be "barely a sequel" for it having very little differences from the original game, although liked its challenge and blocky graphics. Allgame also criticized it for becoming boring and tedious after prolonged play.
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Entering the deepest level of the building, the group discovers hundreds of Hop clones in holding containers. Schema appears and reveals he is the original Hop and that the one controlled by the player is a clone, created when he got too old for adventuring. Due to Hop settling into a routine and becoming boring, Schema intends to replace Hop with another clone, prompting a final RPG battle with Schema. Phil's heckling during the battle so infuriates the other Hop clones that they escape their captivity, killing Phil and Schema before rampaging through the streets of Bug Francisco as the credits roll.
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Concerned that their lives are becoming boring, Stan and Francine set out to make some new friends. They run into a young couple named Tom and Cami who have an active, child-free lifestyle, and in order to maintain the friendship Stan and Francine pretend to be young and childless as well. However, Tom and Cami engage in such activities as rock climbing, free running (which is parodied off District 13), and much drinking, which begins to take its toll on the Smiths. Unable to keep up but not wanting to lose their friends, they sabotage the couple's birth control in the hopes that having a baby will slow them down.
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Most critics commented that the Saturn version successfully replicated the graphical effects and other technical aspects of the PlayStation version, with a notable exception in Tommy Glide of GamePro, who said the graphics are not as smooth and do not zoom as easily. However, Next Generation and Dan Hsu and Crispin Boyer of Electronic Gaming Monthly said that Loaded was not as good as it seemed in the wake of its original release on the PlayStation, and that the game's graphics, soundtrack, and shock value were not enough to keep the mindless gameplay from quickly becoming boring. In a reassessment roughly a year after the PlayStation version's release, Next Generation lowered its score to three out of five stars (the same as the Saturn version). Hugh Sterbakov of GameSpot and Rad Automatic of Sega Saturn Magazine agreed that the game is mindless and repetitive, but held that in the field of simplistic shooters it is a success.
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