And then there are the characters who became Slack emoji.
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That became Slack, the "overnight" success that we recently named one of the most exciting innovations of the year.
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That product became Slack, a collaboration tool that lets coworkers send files, GIFs and party parrot emojis to each other.
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That became Slack, which quickly spread among tech start-ups and now counts more than 10 million daily active users.
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As you might know, Slack was originally conceived as a service for the developers of TinySpeck, the startup that eventually became Slack.
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The Slack tool began as an internal project to improve communications at video game company Tiny Speck, which eventually became Slack Technologies and focused on developing the communications software.
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As the water slowed and became slack, it deposited everything that had been caught up in its travels—the heaviest material first, up to whatever was floating on the surface.
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The wire became slack from the Torry side. When this was pulled up the boat jerked and the wire snapped at a poorly made splice. This movement caused the capsize of the ferry. Some of the passengers were able to swim to safety.
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On June 6, 2008, MSC Poesia and Costa Classica collided in the Adriatic Sea near Dubrovnik, after the anchor line became slack on MSC Poesia and she went adrift. There were no injuries, and the damage was minimal. Both vessels continued on their scheduled itinerary with no delays.
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In the late eighth century, the power struggle between the central nobility grew fierce as national discipline became slack in Silla. As control over the provinces weakened, the countryside grew into a powerful group with military power, economic power, and new ideas. The nobles, who had secured economic and military power, fought for the throne. Local forces continued to grow in this confusion.
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Initially, the critical assessment of The Man Who Laughs was mediocre, with some critics disliking the morbidity of the subject matter and others complaining that the Germanic looking sets did not evoke 17th- century England. Paul Rotha was particularly critical. In his 1930 history of film, The Film Till Now, he called The Man Who Laughs a "travesty of cinematic methods", and declared that in directing it, Leni "became slack, drivelling, slovenly, and lost all sense of decoration, cinema, and artistry". The New York Times gave the film a slightly positive review, calling it "gruesome but interesting, and one of the few samples of pictorial work in which there is no handsome leading man".
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