Over time, the ball became more intricate in design and larger in size.
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The first recorded email warnings about the Good Times virus showed up on 15 November 1994.Good Times Virus Hoax FAQ, dated 12 December 1998, last retrieved on 13 March 2008 The first message was brief, a simple five sentence email with a Christmas greeting, advising recipients not to open email messages with subject "GOOD TIMES!!", as doing so would ruin their files. Later messages became more intricate.
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The Chtorr series was originally planned as a trilogy, but as the story became more intricate, Gerrold realized that three books would not be enough for him to tell the entire story. For a time, he was uncertain how many books there would be in the end but plans on seven. , four books have been completed. , a fifth and sixth were in the works, 24 years after the publication of the fourth book.
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137–149 In art, the toga is shown with the long end dipping between the feet, a deep curved fold in front, and a bulbous flap at the midsection. The drapery became more intricate and structured over time, with the cloth forming a tight roll across the chest in later periods.Métraux, Guy P.R. (2008) "Prudery and Chic in Late Antique Clothing," in Roman Dress and the Fabrics of Roman Culture. University of Toronto Press. pp. 282–283.
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Beginning around 1950, the gravestones erected in the cemetery became more intricate with polished granite surfaces lying atop rough-cut stone foundations. Old Pine Church's cemetery is surrounded by several mature trees, with a large oak tree overhanging the southwestern area of the cemetery. Outside of the National Register of Historic Places boundary to the northwest of Old Pine Church lies a second parcel of land acquired around 1950 for additional burials. The cemetery is enclosed by a chicken wire fence supported by wooden posts, with a large gate to the north of the church which allows machinery access into the cemetery.
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The 171 earthenware objects in the collection include some by Yabu Meizan and his contemporaries, typically decorated with enamel and gold. Meizan was not only a prolific producer but won multiple awards at national and international exhibitions, where his creations were exhibited as works of art. The collection shows that Meizan used Chinese as well as Japanese motifs in his decoration, drawing from sources including Buddhist imagery and the prints of Hiroshige. His designs became more intricate, sometimes using a thousand motifs in a single art work; towards the end of his career, however, he took a different approach, covering whole vases in a single motif.
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The resulting panels, reminiscent of applique, tapestry, embroidery, and traditional drawing, were self-contained narratives of vibrant color, abundant texture, and exuberant imagination. As the sewn drawings developed and became larger, more layered, and generally more complex, Marks’ portable sewing machine could no longer handle the heavier load. In 2002, she purchased an industrial zigzag machine, the Consew 233R, which could handle Marks’ ambition. As a result of the sewing machine's greater capabilities, Marks′ work changed and grew to such a degree that the earlier work “suddenly seemed like the work of another person.” Forms became more intricate, compositions became more variegated, with enriched layers of texture and color.
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