148 Sentences With "beats it" | Random Sentence Generator

For me, only one thing beats it: The country's red wine.

Ensconced in a world of pixels and binary beats, it was an isolated life.

Google is good at finding information, but the brain beats it in two essential ways.

But when Apple bought Beats, it was known for expensive headphones, and that hasn't changed.

In its brash riffs and blunt beats, it revived the punch of '50s rock 'n' roll.

Smolnikov of Russia gets his head to a corner but beats it hard into the ground.

Spitting over classic American hip-hop beats, it demonstrated a different side to Skrapz: one more melodic, contemplative.

The result works, because even diced into a series of scary beats, It is still a great story.

While the DJI Phantom 799.993 Standard is an excellent drone, the Professional model beats it in almost every way.

The only thing that beats it are those companies with rugged gadgets that demand you bang them with a hammer.

But the show doesn't just follow the books' story beats; it nails down the tone that made the stories so special.

Unfortunately Bose's smaller, bi-directional Soundlink Mini 2 just barely beats it out in sound quality, and for the same price of $200.

But for Snyder and the players who've evolved beneath him in a distinct environment since his first day on the job, nothing beats it.

Granted, these moments still have impact, but I'd rather see Westworld making bigger strides forward than doubling down on beats it hit in earlier episodes.

Image: ScreenshotSamsung is trying hard with its native, bundled apps—and has made improvements in recent years—but Google still beats it almost every department.

Samsung's Galaxy S9 and S27+ may have the most advanced smartphone camera ever made, but the iPhone X's camera beats it in one big way.

And Uber CEO Travis Kalanick has said his company will be in big trouble if another company beats it to market with self-driving technology.

The more upscale Philips SmartSleep barely beats it out in the quality of light, but the HF93 has the second-nicest light quality in this test.

Once I got comfortable enough to do my poems with beats, it gave me more confidence to want to get out and prove myself in the city.

Today Star Citizen holds the record for the most money raised for a game through crowdfunding, and only one project—the DAO blockchain—beats it in crowdfunding overall.

A punching bag that appears onstage in the first scene is outfitted with microphones and incorporated into the music as the young Orlando beats it with a bat.

As to the Pixel, I still favor it on the strength of its unique camera and clean Android experience, but the P20 Pro beats it on every other criterion.

Politicians are marching to the concealed-carry drum as the N.R.A. beats it to sell more guns and arm more and more ordinary citizens in more and more public places.

"There's no sense in me going out there and putting something out and all of a sudden the president beats it down," Shuster told reporters, according to CQ Roll Call.

But for context, you should know that an iPhone 11 Pro — which costs less than the Z Flip for the same storage — beats it every time, especially in low light.

My heart was missing beats; it felt like a boa constrictor had wrapped itself around my body, and it was taking all I had to stop it from squeezing me tighter.

Such is the price for a species that flaps its wings 700 times per second and beats it heart 600 times each minute (or 1,200 times when they're physically exerting themselves).

If this doesn't set the record for most people killed in a trailer I will be surprised and also deeply concerned about the respect for humanity in whatever other movie beats it.

And while The Limehouse Golem seems to hit a lot of familiar beats, it does it while in a colorful and energetic Victorian London, which just might be enough to set it apart.

As the royal couple danced out of the engagement to thumping beats, it felt like they had found their groove -- more relaxed and more engaged than I have seen during previous joint engagements.

Pet hair, in volume, is a terrific vacuum challenge, and even though my Roomba has pet in the product name, the 360 Eye beats it hands-down when it comes to dog dander.

As support for the PD erodes, 5-Star now comfortably beats it as the most popular party, with a lead of six points according to IPR and more than seven according to Tecne.

As someone who's spent extensive time with all three phones, I've concluded that the iPhone XR is the best phone for most people, even though the iPhone XS beats it in many ways.

"There's no sense in me going out there and putting something out and all of a sudden the president beats it down," Shuster told reporters, according to CQ Roll Call. http://bit.ly/2zSlnKC.

Although the Note 10 Plus measures 6.39 x 43 x 0.31 inches, Samsung's own Galaxy S10 5G (which has a 27-inch display) beats it by a hair at 23120 x 21440 x 210 inches.

As with a lot of the show's strongest emotional beats, it centers around racism and what Randall has dealt with his whole life being a Black boy (and then a man) in a mostly white world.

Chase Visa integration could represent a significant leap in usage, as it is the largest bank in the U.S. and the sixth largest in the world in terms of assets (Wells Fargo beats it in market cap).

Within the context of these kinds of outsized action beats, it doesn't much surprise me that, say, Dom would understand that he can run Hobbs off the road, and Hobbs will come out of it physically fine.

When HTC owned Beats, it put the audio brand's logo on its phones under flimsy pretences, but at least it tucked it down at the bottom by the spot where regulatory and certification labels reside on most devices.

Here with Shit Robot providing the beats, it sounds to me like he's just having a jam and they pressed record (I'm sure the set up was completely different but it's the way I like to picture it).

That's one of the most expensive Chrome OS devices ever produced (last year's best spec'd Pixelbook still beats it) and as with previous Chrome OS devices it begs the question: Who the hell would spend that on a Chromebook?

Last month, Dutch production duo Yellow Claw released their sophomore album Los Amsterdam on Mad Decent—stuffed with high-caliber special guests and festival-ready beats, it demonstrated why they've become consistent bold-face names at EDM festivals worldwide.

The costume is the notion that audiences won't accept the outlandish and the fantastic without some degree of self-awareness, and Dafoe beats it to death with a huge plate of ham because he won't let it contain him.

I loved a lot about the first game — its setting, its heroine, its handling of real-life issues — but it still veered off the rails a few times and felt messy on some of the beats it hit the hardest.

The EP was a delicious piece of misdirection from the dominant narrative established by other noise bands diving into techno—instead of blistered 4/4 beats, it was a sloppy, sleepy, and otherworldly collage of mussed-up, off-kilter rock riffs.

Facebook also raised the possibility that it might not be the first to know about these past cases of data abuse, basically warning its investors not to be caught off guard if the press beats it to the punch in reporting an incident.

While On My Block is very much a high school / coming-of-age story and is very much hitting that genre's familiar beats, it seems to be doing so with way more energy and style than a TV series has any right to.

After a decade on the fringes of the indie music world, her previous release, the 2018 album "In a Poem Unlimited," was something of a breakthrough: On the surface — lush hooks and slinky disco beats — it was her most accessible record yet, until you listened to what Remy was actually singing.

Downtown's ancient La Carafe—a possibly-haunted cave-like structure built before the Civil War where the walls sprout history like dandelions and the wax-dripping candles behind the bars resemble stalagmites—beats it for genuine old-timey feel, but Weyel's place bests even La Carafe for its unique vibe and originality.

Then I put on my invisible Urban Avenger costume, muster my courage for a confrontation with a thunderbolt-throwing, flesh-eating, but otherwise pleasant New York City mother, and as Herb beats it out the door because he knows what's coming, walk over to the table and ask the adults which one of them is the mother.

Stagger into the next room to see Teresa Serrano's extremely disturbing short video "La Piñata," in which a man alternately gropes a small female mannequin and beats it to pieces; the Australian artist Hannah Brontë's equally unsettling all-female rap video about climate catastrophe; and Dread Scott's 1999 installation of six shooting targets, one for each of six black men killed by the police in the 19873s, over a wooden coffin ("The Blue Wall of Violence").

Diverse Recourse is a 2007 release from Underground hip hop producer Joe Beats. It is considered a sequel to 2002's Reverse Discourse.

Myth of a Man is the fourth studio album by American band Night Beats. It was released on January 18, 2019 through Heavenly Recordings.

What's difficult is afterward when you have > to go around and try to sell it. The actual filming, when you have a good > script—which isn't often—nothing beats it.

Pulsus alternans is a physical finding with arterial pulse waveform showing alternating strong and weak beats. It is almost always indicative of left ventricular systolic impairment, and carries a poor prognosis.

His fifth album titled Next Step was released on 13 November 2015 and produced by Sinima Beats. It was Kerser's first album to be released under his label ABK Records and was distributed by Warner Music Australia.

Alegrías () is a flamenco palo or musical form, which has a rhythm consisting of 12 beats. It is similar to Soleares. Its beat emphasis is as follows: 1 2 [3] 4 5 [6] 7 [8] 9 [10] 11 [12]. Alegrías originated in Cádiz.

The official remix, titled "Look at Her (Killin 'Em Pt. 2)", features Fabolous, Leslie and new verses from singer Ne-Yo co produced by Rico Beats. It is listed as the fourteenth and last track of Fabolous's fifth mixtape The S.O.U.L. Tape (2011).

The rhythms used during Jeevatha Ezunnallathu (procession) are quite noteworthy. Starting with very slow beats, it builds up a crescendo and ends in fast beats. ;Meena Bharani The major festival at Pulimukham is Meena Bharani. This is in the month of march or April.

Like all herons, the yellow-crowned night heron flies with long, slow purposeful wing beats. It can be found gliding over water with its legs easily visible, extended straight below the tail, unlike the black- crowned night heron, whose legs can barely be seen in flight.

Anger Management is a collaborative mixtape between American rapper Rico Nasty and producer Kenny Beats. It was released independently on April 25, 2019 through Rico Nasty's label Sugar Trap as a surprise release. Featured artists on the record include American producer Baauer, rapper Splurge and hip-hop duo EarthGang.

The album combines Annie's thin, airy vocals with heavily layered beats. It is heavily influenced by 1980s dance-pop. Upon release, the album was successful in Norway. Blogs leaked tracks from Anniemal before it was released internationally, and publications from other countries soon praised the album for its blissful but melancholic sound.

She then beats it to death with a metal pole. She helps Dan into a car and tries to drive him to a hospital but Dan reminds her that he's infected and cannot leave the farm. Shortly after, he dies from his injuries. Bloody and shaken, Mary leaves the farm on foot.

"OK (Anxiety Anthem)" is a tropical house and pop ballad with jazz influenced chorus. It features a "clipped guitar and airy beats". It was written in the key of A-flat minor with a tempo of 99 beats per minute. Lyrically the song is about "accepting that you’re not always going to feel ok".

"Stand Out" featuring Manager is a funk and disco song, while "Show Me" incorporates elements of rock. A downtempo ballad, "Cold Rain" features guitar strums and "dreamy" piano chords in its production. The song is further instrumented by "quirky" synth sounds and powerful beats. It uses "breathy coos" and doleful raps over multiple hooks.

The Cynic Project is the name of a predominantly trance project started in 1999 by American musician and producer Alex Smith. It is known for its uplifting melodies, as well as standard club beats. It rose in popularity with the upbringing of mp3.com in 2000, where it hosted its music, which was downloadable for free.

Atenolol is a beta blocker medication primarily used to treat high blood pressure and heart-associated chest pain. Atenolol, however, does not seem to improve mortality in those with high blood pressure. Other uses include the prevention of migraines and treatment of certain irregular heart beats. It is taken by mouth or by injection into a vein.

Once Kirby beats Meta Knight, he takes the chest, but the Squeaks come and take it from him. Daroach opens the chest, but instead of the cake, he finds a dark cloud that grabs him. Kirby chases after the cloud in World 8, and eventually fights Dark Daroach. Once Kirby beats it, the dark cloud lets out Daroach.

The remix was also categorised as a house song, with the addition of pulsating beats. It was accompanied by a music video, which was uploaded to Voorn's YouTube channel the same day. The video sees Voorn performing the remix on a rooftop. Ellie Mullins of We Rave You wrote that Voorn has "outdone" himself with the remix.

The ten-track album, with a fair amount of experimentation with both lyrics and music, was made available via a link from his MySpace page, and was made free to download to gauge acceptability of Hayes's shifting musical styles.Happy Birthday , MySpace, 8 May 2009. The album is heavily electronic with some heavy beats. It also contains some explicit content.

Synchro System is a 1983 album by Nigerian jùjú band King Sunny Adé and His African Beats. It was the second of King Sunny Adé's three releases for Island Records, following on the heels of 1982's crossover success Juju Music.Baird, Robert. (July 22, 1992) The Sunny King: this Nigerian superstar rules the realm of world music.

Tientos is a flamenco Andalusian palo which has a rhythm consisting of 4 beats. It is in the same family as the Tangos, but slower and with different topics, lyrics and mood. Every Tientos becomes a Tangos at the end of the song/dance. Traditionally, cantaor El Marrurro (1848 -1906) has been considered one of the creators of this style.

The same year, Romo was nominated for Female Pop Artist of the Year at the Lo Nuestro Awards. The album Ave Fénix released in 2001 was produced by Loris Ceroni and was largely inspired by Cher's comeback effort Believe, adopting her smooth vocals with dance beats. It was largely ignored because Romo would go on to do telenovelas instead of promoting it.

On April 6, 1993, The Beatnuts released their debut album, Intoxicated Demons: The EP, through their new label. It featured 11 songs, including the two singles "Reign of the Tec" and "No Equal". The album was characterized by its hedonistic party-style lyrics and sample-heavy jazz beats. It was a critical success receiving favorable reviews by Allmusic, The Source and Entertainment Weekly.

"Heart Beats Again" is a song recorded by Australian singer and songwriter Dami Im for her third studio album, Heart Beats. It was written by Im and produced by Carl Dimitaga. The song was released on 30 September 2014, as a promotional single from Heart Beats. Upon its release, "Heart Beats Again" debuted at number 92 on the ARIA Singles Chart.

The Dena Tape is the debut mixtape by American rapper Hodgy Beats. It was self-released on July 7, 2009. It is also the first solo project from any Odd Future member, with its only predecessor being The Odd Future Tape. It stood as the only solo project from Hodgy Beats until three years later, when he released Untitled in early 2012.

"100 Grados" is a Latin, urban pop song with EDM beats. It was first proposed by Icon Music, who recorded a demo for the song. They travelled to Buenos Aires to work with 3musica, who changed the chorus and re-made it at the compositional level. Together, they modified some aspects on the creative process to achieve its final sound.

The Geometry of Musical Rhythm: What Makes a "Good" Rhythm Good? is a book on the mathematics of rhythms and drum beats. It was written by Godfried Toussaint, and published by Chapman & Hall/CRC in 2013 and in an expanded second edition in 2020. The Basic Library List Committee of the Mathematical Association of America has suggested its inclusion in undergraduate mathematics libraries.

The kinglet usually moves along branches or through foliage with short hops, and flies with bursts of rapid wing beats. It is constantly active, and is easily recognized by its characteristic wing-flicking. Its flight has been described as "swift, jerky, and erratic". Compared to the related golden-crowned kinglet, the ruby-crowned kinglet is slightly larger, more elongated, and has greener plumage.

The song fuses hip- hop and dance as Minaj delivers her lyrics in a Caribbean accent. It is composed in a "futuristic" style with heavy drum beats. It carries a "chaotic" beat with "screechy Euro-club synths" compared to Timbaland. Minaj references E.T. The Extra Terrestrial, Mr. Miyagi, The Phantom of the Opera, and Simba and Mufasa of The Lion King film in her lines.

"Birthday Cake" is an R&B; interlude which lasts for one minute and 18 seconds, appearing as the sixth track on the album. The instrumentation of "Birthday Cake" consists of a heavy bass, schoolbells, engine sounds, claps, and electro beats. It also samples the song "Dominator" by Human Resource. The track also consists of hoover synths, synth handclaps, an Eastern-inspired tone and chants.

Acid house was typical of the Second Summer of Love. The music was characterised by the "squelching" bass produced by the Roland TB-303 and loud repetitive beats. It originated in Chicago and took on new qualities when it came to Europe. Songs from the time period include "French Kiss" by Lil Louis "On & On" by Jesse Saunders, "Mystery of Love" by Fingers Inc.

Kirill is jealous of Andrei and, in a fit of anger, decides to leave the monastery for the secular world, throwing accusations of greed in the face of his fellow monks, who also dismiss him. Kirill stumbles out of the monastery into the snowy countryside and is followed by his dog, but, in anger, he savagely beats it with his walking stick and leaves it for dead.

"Asian Jake Paul" is a song by American YouTube personality iDubbbz featuring English YouTube personality and recording artist Boyinaband. The song was written by the two and was produced by Kustom Beats. It is a diss track aimed at fellow YouTube personality RiceGum, who was the subject of an episode of iDubbbz's viral "Content Cop" series. The single was released for digital download on October 3, 2017.

She then sees that she has stabbed the housekeeper. Believing the cello holds the power to the ghost, Mi-ju beats it as Yoon-jin screams in her room. Mi-ju then sees that the cello is unharmed; instead lies the beaten and bloody body of her daughter, implying she was beating Yoon-jin. Mi-ju feels Tae-yeon forcing her hand to stab Yoon-jin.

She beats it up with a cast iron skillet, but the underwear beats her back and dives into the water. Then along comes Porky with a box of hot tamales (which, as we will see later, prove to be very hot). He's making his rounds and takes a brief break. A nearby chicken eyes the box of tamales, opens it up and swallows a tamale whole.

Due to the popularity of the film, the September 2007 issue of Vogue that was documented in the film has peaked to prices between $80 and $115 on eBay, making it one of the most sought after issues ever. Although the 840-page issue is massive, it is not the biggest Vogue issue ever, as the September 2012 issue beats it by 96 pages, (916).

Savage Dreams is the debut studio album by the American rapper Baby Beesh, released on June 19, 2001, on Dope House Records. It was produced by B.R., Happy Perez, Hotan, Mario Ayala and Pain. The album shows a mixture of West Coast style with a southern flow in beats. It has guest performances by SPM, Frost, Jay Tee, Mr. Kee, Don Cisco and Merciless.

"One Night Without You" is a pop song written by Diane Warren. Cosima recorded the song for her debut album Cosima and a double A-side to the Cold Chisel song "When the War Is Over". The song was a Latin-themed track and was fairly uptempo with its beats. It was not added to many radio playlists at the time, though featured prominently in the promotion for Cosima's debut album.

The first four beats are repeated, after which the melody, in a broken triad, swings up to the highest tune of the melody, so that over the next sixteen beats it moves slowly down to the root in incremental movements. Thus, text and music are both simple, calm and reflective of the story of the gospel. Carola Häggkvist recorded the song on her 1999 Christmas album Jul i Betlehem.

Tom goes to find them and is attacked by a Skitter, but Tom shoots two of its legs off with a shotgun and beats it half-to-death. Tom returns to the school with the Skitter and deems it a "Prisoner of War". Later that night, an injured Hal wakes up from on the ground where the Mech attacked. Harnessed kids (including Ben) come and drag an unconscious Karen away with them.

Billy Idol covered the song on his 1993 album Cyberpunk. Billy Idol's cover interpreted the song as a fast-tempo dance track, which made use of sampling and techno beats. It also included the lyric "Jesus died for somebody's sins / But not mine", from Patti Smith's introduction to "Gloria", used under license from Linda Music Corporation. Idol mixed eleven versions of "Heroin", releasing them on various singles with some containing previous hits.

Choanoflagellates, also called "collar-flagellates" are unicellular protists that exist in both freshwaters and oceans. Choanoflagellates have a spherical (or ovoid) cell body and a flagellum that is surrounded by a collar composed of actin microvilli. The flagellum is used to facilitate movement and food intake. As the flagellum beats, it takes in water through the microvilli attached to the collar, which helps filter out unwanted bacteria and other tiny food particles.

In a flashback in Saw III, Jigsaw is seen constructing Billy for Amanda's game, painting the puppet's face. Later, Billy appears on videotape to inform Troy and Kerry of their respective traps. Billy is also used to remind Jeff Denlon of his dead son, by appearing next to his tricycle in the same position Jeff's son was in when he was killed. The puppet gives a mocking laugh until Jeff beats it into silence.

On 19 September Changmin's teaser photo was released showing him with a mystic and intense look. The title track "Catch Me" is a powerful electropop with an orchestral melody, dubstep sound and house beats. It is about a self-respect man, who says good-bye to his lover but actually wants to hold onto her. On 21 September the teaser for the music video of "Catch Me" was released on their official YouTube channel.

Juju Music is the 1982 major label debut of Nigerian jùjú band King Sunny Adé and His African Beats. It was produced by keyboard player Martin Meissonnier, who introduced synthesizers and Linn drums into Adé's established juju sound. It represented the first worldwide release for Adé, who was already established in his native Nigeria as its "biggest musical draw and juju music's reigning monarch". The album was a critical and commercial success,Baxter, Nicky.

The song was sent to rhythmic and urban airplay on August 9, 2010. "Hot Tottie" samples Big Tymers's "Big Ballin'" off their 1998 album How You Luv That Vol. 2. "Hot Tottie" is an R&B; song with hip hop tones, accompanied by strobing, electronic beats. It peaked at number twenty-one on the US Billboard Hot 100, and was a top ten hit on the US Hot R&B;/Hip-Hop Songs chart.

Nintendocore frequently features the use of electric guitars, drum kits, and typical rock instrumentation alongside synthesizers, chiptunes, 8-bit sounds, and electronically produced beats. It originated out of a diverse range of musical styles, including various forms of hardcore punk and heavy metal. In addition to these origins, notable Nintendocore bands have been influenced by a variety of other genres, such as post-hardcore, metalcore, electro, noise rock, post- rock, and screamo. Thus, Nintendocore groups vary stylistically.

Manau () is a French hip hop group formed in 1998, known for their fusing of traditional Celtic melodies with modern hip hop beats. It was initially composed of Martial Tricoche, Cédric Soubiron, and R.V. (Hervé) Lardic until R.V.'s departure and replacement by Gregor Gandon. Although the band is currently based in Paris, all of the members can trace their roots back to Brittany. The group's name comes from the old Gaelic name for the Isle of Man.

"Like You to Me" is filled with honest introspection. "The Fallen..." retains the sound of its earlier demo with sharper production, and talks about the group's problems with both Eulogy Records and other labels in general. The track acts as a textbook example of a Set Your Goals song: high-energy power chords, singled-out lead guitar work driven by punk drum beats. It also displays the duelling vocals between Brown and Wilson, alongside gang vocals.

Its common role inside these genres is to increase the percussion section, filling up the spaces and playing the off- beats. It was invented by musician Ubirany, founder and percussionist with the band "Fundo de Quintal". The hand-repique is derived from another percussion instrument, the "Repinique". Ubirany started to use the repinique in its band but felt it was too uncomfortable to play, since this instrument is made to be originally played with a drumstick.

Once in the forest, he hangs his shield on the lowest branch of a tree and beats it until it looks as if it endured a great battle. The knight returns to his wife, shows her his bruised armor, and gloats about his victories. After a few trips into the forest, the wife begins to wonder why the knight himself is unscathed while his armor is in shambles. The next day, she suggests he take servants with him.

MRI is typically used to quantify the flow over one cardiac cycle as the average of several heart beats. It is also possible to quantify the stroke volume in real-time on a beat-for-beat basis. While MRI is an important research tool for accurately measuring Q, it is currently not clinically used for haemodynamic monitoring in emergency or intensive care settings. , cardiac output measurement by MRI is routinely used in clinical cardiac MRI examinations.

Contributors to Number 3 included Jayne Cortez and Philip Lamantia, a surrealist poet connected to the Beats. It was described as "[a] stunning, lavish, damn huge production, with essays, art, poetry and invective from just about anyone who's anyone... [a]ngry, uncompromising and provocative", with "[m]ind blowing perspectives on just about everything." Number 4 included work by Georges Bataille, Benjamin Paul Blood, André Breton, Luis Buñuel, Leonora Carrington, Karl Marx, George Orwell, Benjamin Péret and others.

A key feature of Samba Pagode is its rhythmic texture created with a variety of beats. It became a dance style after the appearance of the Pagode style of music, which originated in the Brazilian city of São Paulo. The pagode style utilizes three specific percussion instruments: the tanta, the repique-de-mao, and the pandeiro. All three instruments are played by hand, which lends to creating a softer, more intimate sound than the batucada Samba performed by many Samba schools in Brazil.

Brian Lowry of Variety gave the film a mixed review, saying, "It's more disposable than the best entries in this animated franchise." Eric Diaz of Nerdist awarded the film a rating of 3.5/5, writing, "The movie is mostly entertaining with some pretty fun action beats. It captures the essence of the Titans, shown mostly as they were portrayed in the animated show, but with a slightly more grown-up feel." The film has earned $4,534,710 from domestic home video sales.

She realizes that she needs to break into SYNT in the next day in order to get on the same cable car that is carrying her friends. Her friend takes her back to the abandoned skyscraper where he gives her a drum. She beats it and people in the other skyscrapers beat back. Eventually, they are able to amass a lot of people who start a riot within the city which draws more and more people guided by the legend of Lana.

More than 100 families form the entourage of Parayeduppu Bhagavathy's - three-month-long visit to the homes of people who lives in her Karas The rhythms used during Jeevatha Ezunnallathu (procession) are quite noteworthy. Starting with very slow beats, it builds up a crescendo and ends in fast beats. The ensemble consists of Veekkan chenda, Uruttu chenda (both drums), Elathaalam (cymbals). Although Jeevatha Ezunnallathu and Parayeduppu are centuries old customs, the "Chuvadu Vechu Kali" (a peculiar dance with unique steps) is recent.

These scenes are musically punctuated with a bass drum roll and a cymbal crash. Finally, at 0:44 a young man shrugs after hitting a shot, as Jordan shrugged after scoring six three- point field goals in the first half of Game 1 of the 1992 NBA Finals against the Portland Trail Blazers. The rhythm of the music pauses for two beats. It resumes at a calmer level as the camera shows Jordan in street clothes, watching from the sideline.

First, the groups are too new to gain more sponsorships and gather more supporters. Second, MK Pop artists are being compared with Korean pop groups, in which their dancing proficiency is always criticized by others. Third, their budgets for styling and production are relatively tighter than other mainstream singers, which limit their development. Lastly, since MK Pop songs' contents are packed mainly with strong beats, it is believed that it is not easy for them to stand out from other songs.

Jervell and Lange-Nielsen syndrome (JLNS) is a rare type of long QT syndrome associated with severe, bilateral sensorineural hearing loss. Those with JLNS are at risk of abnormal heart rhythms called arrhythmias, which can lead to fainting, seizures, or sudden death. JLNS, like other forms of long QT syndrome, causes the cardiac muscle to take longer than usual to recharge between beats. It is caused by genetic variants responsible for producing ion channels that carry transport potassium out of cells.

After falling asleep, Jody dreams of increasingly powerful winds and wakes up to see that the pony is gone again. Following the pony's trail he then notices a cloud of buzzards circling over a nearby spot. Unable to reach the horse in time, he arrives while a buzzard is eating the horse's eye. In his rage, Jody wrestles with the bird and beats it repeatedly, not stopping until he is pulled off by Billy Buck and his father, though the bird had long since died.

Golden Greats is the second solo album released by Ian Brown, first made famous by his role as frontman in The Stone Roses. Despite the title, the album is not a compilation, but rather, a studio album. It was described by NME as "a left-field masterpiece and Brown's best work for a decade", contains soaring sonic textures and electronic dance beats; it is less song-oriented than Unfinished Monkey Business. Golden Greats showcases a diverse usage of instruments including strings, mellotron and organs.

The second single "Gang Gang" was released posthumously on 29 August 2019 and was produced by LA Beats. It entered the UK Singles Charts at 82 on 12 August 2019 where it remained on the charts for a week. The third single "Support Me", which acted as the lead single of the album, was released on 11 March 2020 and was produced by Dirty Saj. The song was released with a short promotional film of the same name released on YouTube via Cadet's channel.

"Just Be Good to Green" was originally written and produced back in July 2007 when Green was signed to Mike Skinner's record label, The Beats. It was composed and produced by Semothy Jones, and at the time featured Neon Hitch on the chorus. When The Beats closed down, the track was put on hold, and later purchased by Green for use on his next record. Green spoke about how the collaboration came about between him and Lily Allen, saying that they began speaking through Facebook.

The knight abandons the code of chivalry and lazes around for the first ten years of the marriage. When his wife, tired of his demeaning attitude and lazy nature, speaks of the greatness of the knights in her family, the husband decides to prove himself a worthy knight. He dresses in armor and goes into the forest on horseback. Once in the forest, he hangs his shield on the lowest branch of a tree and beats it until it looks as if it endured a great battle.

The first systems of dynamic semantics were the closely related File Change Semantics and discourse representation theory, developed simultaneously and independently by Irene Heim and Hans Kamp. These systems were intended to capture donkey anaphora, which resists an elegant compositional treatment in classic approaches to semantics such as Montague grammar. Donkey anaphora is exemplified by the infamous donkey sentences, first noticed by the medieval logician Walter Burley and brought to modern attention by Peter Geach. ::Donkey sentence (relative clause): Every farmer who owns a donkey beats it.

Bates's swift forages above the canopy of the rainforest using a fluttering flight, with short periods of gliding occasionally interrupting the rapid wing beats. It may be seen singly, or in small flocks and in mixed flocks with other swifts and hirundines. It nests solitarily in the old nests of hirundines and other swifts, mainly forest swallow and possibly mottled spinetail and lesser striped swallow. Breeding has been recorded in September to March in Gabon and egg laying has been noted in Cameroon in May and June.

The Marfa is a form of celebratory rhythmic music and dance from Hyderabad, India, among the Hyderabadi Muslims, adapted from Afro-Arab music of Hadhramawt in Yemen. played with high tempo using Marfa (instrument) daff, Dhol, sticks, steel pots and wooden strips called thapi. The Chorus effects and vocal meter are set according to beats. It was introduced during 18th century in Hyderabad State by the East African Siddi community, who used to serve as a Cavalry Guards of Asaf Jahi Nizams irregular army.

"Boys" is a retro-inspired funk, pop, and electropop song that contains a heavy bassline, tinkling cowbell, and groovy guitar licks, leading to a "pop-heavy" chorus. The song has been described as containing "sparse but thumping beats". It is lyrically described as a "bouncy" tribute to the singer's dating pool, where she raps the lyrics "I like big boys, itty bitty boys / Mississippi boys, inner city boys." The singer then sings in the chorus that her desiring companionship does not equal needing commitment.

Unable to reach the horse in time, he arrives while a buzzard is eating the horse's eye. In his rage, Jody wrestles with the bird and beats it repeatedly, not stopping until he is pulled off by Billy Buck and his father, though the bird had long since died. The story overall deals with ideas regarding the fallibilities of adults and the entrance into manhood, and the inevitability of death for all living things. "The Gift" was first published in the November 1933 issue of North American Review.

A production by Romo and Miguel Bosé's producer Loris Ceroni, all the tracks were written primarily by herself. It has new versions of her greatest hits: "Quiero amanecer con alguien" (I want to wake up with someone), "De mí enamórate" (Fall in love with me) and "Yo no te pido la luna" (I don't ask you for the moon). This project was mainly inspired by Cher's comeback effort Believe, adopting her smooth vocals with dance beats. It was largely ignored because Romo would go on to do telenovelas instead of promoting it.

The Cook inherits an inn in Utrecht and suggests to Mother Courage that she operate it with him, but refuses to harbour Kattrin. Thereafter Mother Courage and Kattrin pull the wagon by themselves. When Mother Courage is trading in the Protestant city of Halle, Kattrin is left with a peasant family in the countryside overnight. As Catholic soldiers force the peasants to guide the army to the city for a sneak attack, Kattrin fetches a drum from the cart and beats it, waking the townspeople, but is herself shot.

Features of the sentence, "Every farmer who owns a donkey beats it", require careful consideration for adequate description (though reading "each" in place of "every" does simplify the formal analysis). The donkey pronoun in this case is the word it. The indefinite article 'a' is normally understood as an existential quantifier, but the most natural reading of the donkey sentence requires it to be understood as a nested universal quantifier. There is nothing wrong with donkey sentences: they are grammatically correct, they are well-formed and meaningful, their syntax is regular.

The maggot that hatches from the egg grows inside her, feeding off the undigested chocolate inside Serena's stomach, and slowly merges with her DNA. Days later, Eli enters her sister's bedroom and sees a giant fly sitting up in Serena's bed. She runs away in terror and the fly follows her, begging her not to panic because it is still her sister Serena. Eli flees to the living room, grabs the fly swatter and beats it to death with one strike; the fly's corpse lands in front of her in a black pile.

A discourse is represented in a discourse representation structure (DRS), a box with variables at the top and the sentences in the formal language below in the order of the original discourse. Sub-DRS can be used for different types of sentences. One of the major advantages of DRT is its ability to account for donkey sentences (Geach 1962) in a principled fashion: :(5) Every farmer who owns a donkey beats it. Sentence (5) can be paraphrased as follows: Every farmer who owns a donkey beats the donkey that he/she owns.

The review aggregator website Rotten Tomatoes gives the film a rating of 59%, based on 237 reviews, with a weighted average of 6.01/10. The site's critical consensus reads, "Jake Gyllenhaal delivers an impressively committed performance, but Southpaw beats it down with a dispiriting drama that pummels viewers with genre clichés." On Metacritic, the film has a score of 57 out of 100, based on 42 critics, indicating "mixed or average reviews". On CinemaScore, audiences gave the film an average grade of "A" on an A+ to F scale.

They're about to murder her when a new monster appears, giving Danni an opening to escape as the monster kills the Pale Man and his helpers. When the monster turns to Danni, she beats it to death and escapes to her apartment. When she returns to her apartment she realizes that the monster was actually Tim, who had discovered her distress and went through the portal with the curtain in order to rescue her. Distraught, Danni takes a shower curtain and transforms herself into one of the monsters.

That time, they used cuts from the Hi Qume, Uni-Que and Quick Q's packages produced for Detroit's Q95.5, as well as a couple of cuts from Breakthrough, which JAM produced for WPLJ/Power 95.5 in New York. A new jingle package was first aired in December 2005, made by jingle production company IQ Beats. It was a re-recording of a previous package made for Heart 106.2 in London. Previous Pirate FM straplines are "More music for Cornwall", "Real music variety", "Better variety, more music", "The world's greatest music", "Greatest memories, latest hits" and "The latest technology, and the best records too".

Nat Lofthouse, described by the BBC as a "Bolton legend" said: "They played great, those lads, they were first class, every one of them... It's the proudest moment – though there's one moment that beats it and that's when we won the FA Cup in '58". Bookmakers immediately made Bolton favourites to be relegated from the Premiership the following season. In their following season, Bolton finished sixteenth in the Premiership, two places and four points above the relegation zone. Preston ended their next campaign in eighth place in the First Division, two places and three points below the play-offs.

From that show also come the vocals "We're 'bout ready to rock steady" that appear on "Block Rockin Beats". It was used in the PlayStation game Wipeout 2097 and appeared on the accompanying soundtrack. It was also included on the bonus disc of Singles 93–03, and as a B-side to the Japanese edition of "Setting Sun". Because the song segues into the next track on the EP, the ending is edited on compilation releases; it fades out on compilations of various artists, while on Singles 93–03, it is interrupted by a vinyl scratch.

" Exclaim!s reviewer Dylan Barnabe acclaimed the album, saying that "There is perhaps no better album with which to face our current uncertainty than Thundercat's It Is What It Is. Filled with gentle reflections on love and loss, mixed in with the star bassist's signature sense of humour and funky beats, it is exactly the record the world needed." Barnabe praised Thundercat's implementation of humor elements on the album, particularly praising the song "Dragonball Durag". Barnabe further stated that the album "manifests as a beautiful ebb and flow of emotional states, philosophical musings and plain old comedy.

A cold and tired Daffy Duck flies through a blizzard, having flown south too late. He eventually comes to a mansion, full of mounted animal heads. Daffy sees a stuffed duck on the fireplace that looks like himself and believes "Well, there's one of our boys that's got this 'flying south' business licked!" He invites himself inside and tries to talk with the stuffed duck about spending the winter months with it, but soon believes that the "duck" is being a snob; when he gets attacked twice by it, he beats it into submission and finally realizes it is a stuffed duck.

AllMusic critic Stephen Thomas Erlewine described the record as "the band's most varied and best record yet," remarking that the record "tightens up their trademark drilling guitars while adding some slight techno and industrial touches." Erlewine alo noted that the new elements "heightens the tension" but also "strengthens their already muscular metallic roar." Record Collectors Joel McIver described the record as "a respectable seller rather than a monster" and wrote: "although the album sounds great to this day, all slablike, noisegated riffs and pulsating beats, it wasn’t to be." McIver also compared the staccato guitar sound to the more commercial works of Fear Factory.

In My Defense is the second studio album by Australian rapper Iggy Azalea. It was released on 19 July 2019, by Bad Dreams Records and Empire serving as the follow-up to The New Classic (2014). The album contains features from Lil Yachty, Kash Doll, Juicy J, and Iggy’s protégée Stini, with production including J. White Did It, who executive produced the album with handling production on majority of its tracks, and assisted by Jazze Pha, Smash David, Go Grizzly and Rico Beats. It is strictly a hip-hop record with more aggressive and confident undertone to it, which abandons a pop-influenced sound Azalea experimented with on her debut album.

The film received a 91% rating on review aggregator website Rotten Tomatoes, with an average rating of 7.1/10 based on 23 critics. The website's critical consensus reads, "Sound of Noise is a raucous, irreverent comedy caper with good tunes and a romantic finish." On Metacritic, the film has an average score of 72 out of 100, based on 9 critics, indicating "generally favorable reviews". Eric Kohn of IndieWire called Sound of Noise "Bonnie and Clyde on drums", writing, "Loaded with ingeniously devised beats, it hammers out a unique rhythm deserved of many repeat performances," and "directors Ola Simonsson and Johannes Stjärne make the surrealist musical set pieces into the real stars".

Critical commentary has noted Hot as an EDM album, with Lewis Corner of Digital Spy pointing out "pumping Euro-beats and dainty synth chord progressions". The record opens with "Hot", an "unadulterated and stylised" trance-inspired electro house song, containing "ticky" synthesizer sounds similar to German band Boney M.'s "Ma Baker" (1977), and "trancey, hypnotic" beats. It is followed by "Love", a cadenced recording that belongs to the EDM and house genres, whose lyrics talk about "how complicated situations of love can become". Neeti Sarkar, writing for The Hindu, thought that the next track "Days Nights" was "rhetoric [...] [with] the singer plead[ing] in desperation for her man to return to her".

Similarly, Marc Andrews from DNA Magazine reviewed the remastered vinyl of the parent album and pointed it as the best track on the album. Mike Wass from Idolator said "the Australian diva switched labels and reemerged with a haunting Brothers in Rhythm-produced indie-pop anthem that still seethes and seduces 20 years later." Writing for the Herald Sun, Cameron Adams placed it at number two on his list of the singer's best songs, in honor of her 50th birthday, calling it: "THE one that changed everything – where Kylie became instantly cool [...] a lush, six-minute experimental epic with middle eastern vibes and modern dance beats, it automatically drew a line in the sand to reboot Kylie". Stephen Meade from The Network Forty described it as a "haunting dance-friendly sound".

For an episode that's got an innately silly idea behind it, there's some genuinely good horror beats it gets — particularly early on, when the combination of axe-wielding murderer and teenager in letter jacket recreates the slasher movie beats and does so without being campy." Kathleen Wiedel from TV Fanatic, gave a 2.3 star rating out of 5, stating: "Just when things were going so well, the writer pulled an episode like this out of their hats. Many fans, myself included, have been very excited by the Juliette storyline, with her finally gaining fantastic new abilities that would allow her to not be a victim in every other episode. On Grimm Season 4 Episode 14, however, it was like they took all those wonderful possibilities and threw them out the window.

Edmond Malassis' illustration from a collection of La Fontaine's fables The Greek fable tells of an ass that is carrying a religious image and takes the homage of the crowd as being paid to him personally. When pride makes it refuse to go further, the driver beats it and declares that the world has not yet become so backward that men bow down to asses. The Latin title of the fable, Asinus portans mysteria (or its Greek equivalent, ονος αγων μυστήρια), was used proverbially of such human conceit and was recorded as such in the Adagia of Erasmus.2.2.4 The fable was revived in Renaissance times by Andrea Alciato in his Emblemata under the heading Non tibi sed religioni (not for your sake but religion's), and is placed in the context of the Egyptian cult of Isis.

" Sollee is a very animated cello player, so much so that it does not seem to register, for the most part that he's actually stuck in a seated position in a single spot. The playing is sometimes so energetic, even aggressive that colleagues such as Jim James have expressed surprise that the instrument is still in one piece at the end of the show. [JIM 01] Ali Marshall, reviewing a Sollee show at the Orange Peel for Mountain Xpress in Asheville, NC, said: "To describe what Sollee does in a few words is tricky....As soon as Sollee opened his set, the energy level in the room increased a hundred fold....He doesn't so much play the cello as concur sound from it. He hammers it, beats it, strokes it, strums it like a harp, slaps it like a bass.

It was produced by Robert Racic (Severed Heads, Single Gun Theory) and recorded at Sun Studios, CBS Studios, and Albert Studios, Sydney. Vertigo received mixed reviews from critics: AllMusic's William Cooper rated it at two-and-a-half stars out-of five and explained "[a]lthough the New Order inspired arrangements are derivative, Vertigo is redeemed by Boxcar's upbeat, catchy melodies"; McFarlane opined that it "was a very accessible collision of sound, song and dance beats." It had a fairly pop feel, however the band also included more experimental instrumentals, such as "Comet" (also on the B-side of the "Freemason" single) and "Lelore" (featuring an eerie wailing as the centrepiece "vocal", which was released as a single in its own right). The group toured Australia as supports for New Order, Depeche Mode, Erasure and then Pet Shop Boys.

Critics noted similarities between Lewis's vocals and those of Mariah Carey "Bleeding Love" received critical acclaim from music critics. Showbiz Spy described the song as "emotionally fuelled", and opined, "this track perfectly showcases Leona's impressive vocal prowess and from the moment she opens her mouth we are instantly reminded about her amazing voice, capable of heart stopping intensity and a playful light touch". Digital Spy's review of the song gave it four stars out of five, saying it is "easily the best single to be released by an X Factor star", and describing it as "a brilliantly smart pop record, managing to offer the lovelorn balladry that Lewis's X Factor fans are no doubt craving, while also suggesting a hint of street cred in the form of some beefy, vaguely modish beats". It came second in Digital Spy's Top 20 Singles of 2007 announced on 31 December.

When the dance was coupled to the rhythm of the music, it became evident that the dancer's feet were making a peculiar sound as they grazed the floor on three successive beats. It was like an onomatopoeia that sounded as: Chachachá. From this peculiar sound, a music genre was born which motivated people from around the world to dance at its catchy rhythm. Typical piano accompaniment to a cha-cha- chá (Orovio 1981:132) According to Olavo ALén: "During the 1950s, Chachachá maintained its popularity thanks to the efforts of many Cuban composers who were familiar with the technique of composing danzones and who unleashed their creativity on the Chachachá", such as Rosendo Ruiz, Jr. ("Los Marcianos" and "Rico Vacilón"), Félix Reina ("Dime Chinita," "Como Bailan Cha-cha-chá los Mexicanos"), Richard Egűes ("El Bodeguero" and "La Cantina") and Rafael Lay ("Cero Codazos, Cero Cabezazos").

" Davey Boy of Sputnikmusic viewed Beacon as "a wise and predictably executed record in all the right ways", as well as "a more even, consistent and cohesive LP than Tourist History, even if it does not reach the same individual heights." AllMusic editor Heather Phares felt that "much of the nervy, scrappy energy that made Tourist History so appealing is missing from Beacon", concluding that "[t]here's nothing overtly bad about Beacon; it shows that Two Door Cinema Club still have a remarkable knack for winsome melodies and harmonies set to kinetic beats. It just doesn't have the spark that Tourist History had, even if it's a more accomplished album overall." The Guardians Dave Simpson expressed, "'Next Year's fleeting Beach Boys/Beatles harmonies aside, there aren't too many departures from what made them successful: radio-friendly songs with intricate little catchy bits which may find new homes as advertising jingles.

The album's fifth track "Tik Tik Boom" finds Spears begging a lover to make her "tik, tik, tik, tik, boom" over trap beats. It was described as a "club banger" and "the closest the album comes to bringing Blackout 2.0 to life", featuring a "sex-drenched" appearance from rapper T.I. "Body Ache" follows with its lyrical theme about dancing hard in a club, over shrieking sirens and EDM beats, whilst "Til It's Gone" gives value to the stability of a good relationship, albeit after it dissolves, with its electronic and EDM sounds. With the eighth track "Passenger", which noodles around with some EDM impulses before imploding into "brooding" pop-rock, Spears emotes about finding happiness after being willing to cede control. "Chillin' With You" features Spears' young sister Jamie Lynn into a song about grasping at happiness over lush trap, EDM and country pop sound.

I'm along for the ride, and any episode that features Silas Weir Mitchell in a bigger role can't be all bad, but 'Let Your Hair Down' is a warning sign that Grimm has too many plates in the air, and if it isn't careful, they're all going to come tumbling down and make a huge mess." TV Overmind's Shilo Adams wrote, "When I took on the role of writing about Grimm, I was a tad nervous. I’m not a huge watcher of procedurals and very rarely watch cop dramas in my free time, so I simply hoped that the show would toss in enough serial elements to keep me interested to go along with the expected legal wranglings of Portland, Oregon. After a sluggish start in terms of character beats, it looks like Grimm is on its way to being able to please fans of the serial and procedural elements of TV, if 'Let Your Hair Down' is any indication.

" Rose Lilah of HotNewHipHop gave the mixtape a 78%, saying "Lil Herb's debut lives up to its title, as he details stories from the streets of Fazoland, backed by soulful, grimy & somewhat drill-inspired beats. It has peaked my interest, as Herb refreshes the drill sound and finds his own style." XXL gave the mixtape an L (3/5), saying "Herb does a solid job of taking (...) drill music and adding his own twist to it through his variation of soul-inspired production on the tape and lyrical approach," while also praising the mixtape's "vivid imagery and creativity" and calling it "a vicious curveball." BET awarded the mixtape four out of five stars, lauding the mixtape's use of "heavy bass, rapid fire snare and the occasional synth to accompany [Herb's] stories of paranoia, drug dealing and constant danger that tend to consume his psyche," while also commenting that Lil Herb, like other Drill artists, has helped "to do for his city what N.W.A did for Compton in the '80s: bringing awareness to what life is like in a city that has spent recent years as one of America's most dangerous places to live.