142 Sentences With "beasties" | Random Sentence Generator

Why is our political discourse such a teeming cantina of folkloric beasties?

And you'll eventually get powerful enough to take on the shadow beasties.

I'm quite sure those first little beasties were not the last I ingested.

We're guessing it would pit The Rock against crocodiles, piranhas and other tropical river beasties.

The set also packs in some new Lego minifigs of your favorite Minecraft characters and beasties.

Zombieland introduces some variations on zombie lore by having its flesh-eating beasties be speedy and smart.

With the strange caws and showy displays, these beasties provide a lot of the movie's easygoing pleasures.

"Medieval Monsters: Terrors, Aliens, Wonders" takes the visitor on a jaunt through Europe's Middle Ages via its beasties.

His adaptation of the book club favorite went well enough, winning four Oscars for its spectacular menagerie of CGI beasties.

The songs are technically as punk as anything the Beasties did (that is, punk in ethos), and spliced with skits.

Back when Short Circutz ran, YTV was pushing a handful of CGI cartoons, including ReBoot, Beasties (or Beast Wars) and Insektors.

If he succeeds, and the scaly beasties still prove loyal to their mum, Daenerys will be back on top in no time.

An eight-track, ten-minute record that sped through furious, snarky punk, the album bears little resemblance to the Beasties' later work.

Click here to view original GIFHydra are small, tentacled beasties that spends their time floating around freshwater, stinging and eating small shrimp.

Fortunately for lovers of sci-fi and fantasy, the show now offers viewers a wide array of otherworldly beasties, humanoid and otherwise.

Monument building isn't something you necessarily expect from the Beasties, who built their career out of irreverence, slyness and low-key cool.

But is it so far-fetched to think that knocking apart Facebook now merely opens up ecological niches for new nasty beasties?

But the range of risky scenarios that tardigrades can survive has left scientists puzzled by just how these little beasties pull it off.

The rare video below shows Berry performing with Big Fat Love at Coney Island High in 1996 with all three Beasties in attendance.

Over the past three decades, they seem to have turned into the equivalent of what Robert Burns called "wee, sleekit, cowran, tim'rous beasties".

Throw in all the stunning CGI you want, but no one will ever make a better "Sabotage" music video than the Beasties themselves.

The new analysis also sheds light on a recent debate in the tardigrade research community about what could make the beasties so resilient.

Reysenbach and her colleagues have been able to collect some of these idiosyncratic beasties and nurture them in the laboratory, using heated water habitats.

Until they've got more answers, it's up to us to imagine what it might be like to encounter one of these hungry beasties in real life.

Back in her lab, in a "gym" (or possibly a spa) for corals, she put the strongest little beasties in vats and doused them with warming water.

VR Scout captured her ruthless crusade against VR beasties at the Tokyo Game Show earlier this month, and have just uploaded the life-affirming footage to YouTube.

All the right ingredients for methanogenesis were detected in the plume Cassini flew through, but it's impossible to conclusively tell whether they were produced by alien beasties.

It's an amusing idea that's frustrating in practice as the more aggressive beasties have a habit of running circles around you and (smartly!) keeping their posteriors protected.

They've been found in roughly 100 percent of people over the age of 18 who've been sampled, according to the Ron Dunn lab, which studies the little beasties.

We'll need to launch another spacecraft to Saturn to know for sure if Enceladus is filled with tiny alien beasties, as Cassini wasn't equipped to explicitly detect life.

As the three-hour session nears its climax, the team members find themselves facing down a tower on wheels that's rolling their way, filled with skeletal beasties called Gnolls.

He was a good friend and rabble rouser and if it wasn't for him, there'd be no Beasties, no Luscious Jackson, no Grand Royal and god knows what else.

To really dig into Air's multi-decade history as a band, revisit their four-hour BBC essential mix from 1998, featuring David Bowie, the Beasties Boys, and the Beatles.

"It was a super-fun project that I did out of total love and respect for the Beasties and Daft Punk," Chapman told Toronto's NOW Magazine in a recent interview.

The animal characters aren't always convincing when they're talking or standing still; the Uncanny Valley exists for CGI animals, too, and there's always something subtly off about these digital beasties.

"Tardigrades are fascinating little beasties," said Sandra McInnes, a tardigrade researcher with the British Antarctic Survey, who has been studying species that occur in the frozen snowscapes of Antarctica since 1980.

In this late October season of ghoulies and ghosties and long-leggedy beasties and things that go Trump in the night, I was a little scared about reviewing the book on hand.

Biologists have known about these wee beasties for well over a century, but only now can hemimastigotes be officially slotted into the evolutionary tree of life, a process more formally known as phylogeny.

Given the success of the movie "It" and the King-inspired Netflix series "Stranger Things," it is easy to think of his books as a colorful parade of killer clowns and Lovecraftian beasties.

The trailer itself, shown during Sony's keynote conference, revealed off a lush, wild world, packed to the treetops with beasties, but didn't do a great job of explaining the cult success of Capcom's series.

I sat down with Huw Cordey, the producer on a ton of the Beeb's best-loved shows, to find out more about the technology and gadgets the team deploys to capture the beasties in action.

The Force Awakens features an X-Wing pilot which someone in the Lucasfilm creature department persuaded J.J. Abrams to call Ello Asty — a reference, of course, to the Beasties' fifth studio album Hello Nasty (1998).

Some of the innovations didn't pay off — the inept 2011 number in which the Rockettes battled video-game beasties has mercifully been retired — but the new edition's spruced-up and expanded projections are mostly impressively elegant.

Doom VFR's E3 demo provides a taste — giving you a bunch of guns and pitting you against a wide assortment of beasties — but it still feels more like a proof-of-concept than a fully baked experience.

What may seem to be avoidance or disinterest (as interpreted by humans) may simply be cats behaving as the creatures they are: tiny, semi-domesticated (and semi-wild), carnivorous predatory beasties who are also prey to larger predators.

The film is also the first installment in the latest reboot of that monster franchise, one that includes some of horror's most beloved beasties, like Frankenstein and Dracula, the Wolf Man and the Creature from the Black Lagoon.

How tardigrades could help us Blaxter has been studying tardigrades for years and his fascination started with them at a young age when he spied the "small beasties" in an animal encyclopedia that his parents gave him for Christmas.

The track list was equally uncompromising, with Bowie, Beasties Boys and the Beatles representing just one letter of the musical line-up that has made this mix a bit of rarity, even online, as it's constantly triggering copyright alerts.

But the cute beasties weren't an overnight success—Jansson only started gaining international traction when the Evening News in London, what was then the biggest evening newspaper in the world, started publishing a regular Moomin comic strip in the 1950s.

The core conceit of every Pokémon title is progressing from a beginning Pokémon trainer to an acknowledged champion, collecting bountiful beasties, training them in battle to become bigger and better, and putting the smack down on some misbehaving villains along the way—that hasn't changed.

I thought that two of the three beasties were firmly in everyone's wheelhouse — and had each gotten their own Times puzzle: one in 1959 (clued as "Objective of a high-level search") and one much more recently (clued as "Subject of this puzzle," sorry).

The latest trailer for Matt Damon's costly and controversial monster movie The Great Wall is here—and anyone hoping for a better glimpse of the film's soldier-snatching beasties will have to keep waiting until next year, as the creatures are still largely being kept under wraps.

The white male rappers who've come in their wake, like Bubba Sparxxx, Paul Wall, and later Yelawolf, Machine Gun Kelly, and Post Malone, have enjoyed success made possible by varying degrees of talent, an immersion in their respective local cultures, and, of course, the proven success of the Beasties and Eminem.

With that in mind, I thought it would be interesting to hear what the paleontology community had to say about the animal kingdom of Horizon Zero Dawn, especially since Guerrilla has taken such clear inspiration from the likes of brachiosaurus, velociraptors, saber-toothed tigers, and many more beasties from the prehistoric era.

There, amid exposed wiring and heating ducts, his playful nerd side (Donkey Kong Jr. arcade game) flourished amid works from his artisans (Miller's I Was Here table, plaster trees by David Wiseman) and iconic pieces by trendsetters of international design (a Moooi sofa and a Timorous Beasties carpet adorned with giant iguanas).

In a vividly crafted world where women rule and dragons (and other beasties) still roam, we're thrown into the tail-end of a thousand years of peace; a world in which generations of queens protect the West simply through their heritage and, in the East, gentle dragons meet their warrior-like riders for the first time.

What it says about the future: This particular form of visual wizardry, with real people's faces mapped onto all sorts of unreal things, is becoming a lot more common and familiar lately, and it's likely to keep coming up as a shorthanded way of making all sorts of fantasy beasties feel more elaborately acted and recognizably human.

Kemp, who is the designer and co-owner (with her husband) of the Firmdale Hotels in London and New York, seems to live with a fantastical zoo in her head; previous collections for Wedgwood and Chelsea Textiles include Wee Beasties and Mythical Creatures (hairy green bugs, deep purple critters), as well as Moondog, which features a tiny, deliciously whimsical pooch looking through a dog-scale telescope at the night sky.

The Beasties The Beasties are minions/subjects of King Beastly. They do not speak a recognisable language, and only Beastly understands them.

Beasties is a 1989 horror film, originally titled Bionaut, by Steven Paul Contreras.

The group decides to shelter in the upper levels of the mall. As they do so, Daisy sets bombs near the stairs and escalators to prevent the Beasties from inside the mall from reaching them, while the group barricades the other entrances and exits, protecting them from the Beasties outside. While the group waits for the warring Beastie factions to dwindle in size, Cliffy notices that every time they fight, both sides always have a large amount of Beasties that never seems to be shrinking. Velma comes to a conclusion that the Beasties may be breeding.

Some time after hunting for Beasties, Scrappy and Daphne decide to take a rest. While Scrappy sleeps, Daphne contemplates suicide, as she wishes join Fred in death. Before she pulls the trigger, Zombie Fred approaches with a group of Beasties. Scrappy sees this, and tries to help Daphne with dealing with the Beasties, but Daphne (as well a mysterious stranger Scrappy seems to be working with) tells Scrappy to head to Jonestown to get backup.

Scrappy explains to Scooby that after fighting off the Beasties in Washington, he had been struggling to survive and recover, going from place to place to rest and get food. Unfortunately, his implants were starting to fail, and he was losing intelligence, making it harder for him to survive. Eventually, he found himself in Sacramento, surrounded by Beasties. As all hope was lost, a drone came by and took out the Beasties.

There are numerous bugs, beasties and lurgies out there waiting to attack your trees and shrubs.

While Velma confronts her brother, Fred calls Shaggy, as he notices the Beasties have built a giant statue shaped like Rufus, and are climbing up the Tower. While Daisy believes that they should be safe thanks to the Tower's security system, Rufus reveals that he disabled it, as he believes the Beasties are here to worship him. The group, realizing that he has gone crazy, leaves the Tower, with Daisy joining them. As they escape, Rufus is last seen taken by the Beasties and placed into the statue, burned alive.

AS the group move through Washington, Scooby tells Velma that he can hear a signal that's directing the Beasties to some location. As they follow the Beasties, they encounter Scrappy Doo and his pack, who tells them that he wants to kill Scooby and get Velma to fix his (and the pack's) implants. However, Scrappy, Velma, Scooby Doo, and Cliffy encounter a group of Beasties, who attempt to attack them. Scrappy stays behind to defend them, as the others head back to the rest of the group and the Mystery Machine.

The main orders were: 250 EMD Series 66 locomotives from GM-EMD built in USA/Canada, 30 JT 42HW-HS from Alstom / Electro Motive Diesel (Spain/USA), and around 2500 wagons from Thrall Car Manufacturing Company, built at the Thrall Europa, York works. Big Beasties logo used on a locomotive. The railway featured a logo that was colloquially known as the "Beasties", consisting of three heads: the lion of England, the dragon of Wales and the stag of Scotland. A larger version of the logo was called the "Big Beasties".

The Snarling Beasties was an Australian theatre company that performed in Australia and the United Kingdom. Snarling Beasties was formed in 1986 by Debbie Isitt and Mark Kilmurry. Isitt was the writer and director. Kilmurry played the lead parts in her first plays; Gangsters (1988), Punch & Judy, (1989), Femme Fatal (1990) and The Woman Who Cooked Her Husband (1992).

However, while there, a horde of Beasties come by. Scooby is able to distract most of them, but Fred is attacked by one of the Beasties, breaking his leg. The group quickly stock up and head to a hospital nearby in order to fix Fred's leg. While there, Velma notices that some people who had some technology embedded in them were not affected by the plague.

Fred explains how the nanites had developed into two factions: the first one believed that humans were beyond redemption, and that they should extinguish human life, turning most humans into Beasties, and a second faction, a smaller group that now resides in Fred, believed that the world can be saved by combining humans and nanites together. The first group created a body of nanites to lead the Beasties, calling itself the Nanite King. The Beasties that are currently surrounding the mall is being led by the King. Fred asks to fuse his nanites with everyone, but Daphne says that they have survived thus far without the nanites' help.

The two go in and find a room full of eggs, where the Beasties are growing. Daphne shoots at the eggs, killing nearly all of them. When they look outside the room, they find that the matured Beasties are all dead, likely due to a psychic link between the children and the parents. However, one egg hatches, and the beast mortally wounds Fred before Daphne can kill it.

Fred keeps trying to get her to believe that it is him, but she does not. A group of guards report to Daphne that the Beasties outside seem to be acting up, as if they are working together in an intelligent manner. Daphne immediately accuses Fred of controlling these Beasties. Fred claims that it is not him, then reacts, and tells them that the Nanite King has arrived.

According to Spin reviewer Greg Milner, the band's sound is a "mash-up of Beasties, Bizkit and Helmet."Milner, Greg (November 2000). "Reviews: Native Sons", Spin 16 (11): 198.

Valthraax The main antagonist Valthraax is a humanoid spider dressed in Victorian clothes and the leader of the Beasties whose role is very similar to that of the boogeyman, some say, a relative of Abner Donlolley who was cursed to walk the Kingdom as Lord of the Beasties. His only desire is to rid the Kingdom of Stuffed Animals so that he can harvest the children of our world for his own selfish appetite.

Upon destroying all of the enemies on a screen, the player advances to the next level. Some levels, known as "Herd Waves", also require the player to collect all of the "Beasties". "Grunts" take a variety of forms, including Coca-Cola cans, kitchen utensils, cherries, Space Invaders, Eyes of Providence, televisions, fire hydrants, Zippy the Pinhead, marijuana plants, and Rizla rolling papers. Blue brains chase after the "Beasties" and transform them into "Zombeasts", who then attempt to rush and kill the player.

As the group approaches Seattle and Dinkley Tower, they notice that for some reason, there have been almost no Beasties in sight. Velma believes that due to the nanites, the Beasties are working as a hive mind, and are migrating to some location. As they get closer, they notice that several cars on the road to Seattle have been abandoned, making it nearly impossible to drive there. Fred, still with an injured leg, is forced to stay in the Mystery Machine, while the rest head to Dinkley tower.

As they approach, they see a wall of Beasties covering one side of the tower, appearing as a shrine to someone or something. Meanwhile, Rufus and his wife, Daisy, have been surviving in Dinkley Tower. Rufus' mind and memory has been slowly deteriorating, although he does not realize it, and when Daisy tries to point something out, he hits her. Rufus had two scientists, and tried to force them to figure out how to control the Beasties, but when they are not able to, he got enraged and beat them to death.

The term "Beasties" is never used in the film, and is clearly designed to invoke Gremlins (which the box cites along with Back to the Future as influences), although the creatures are not the main focus of the film.

When Williamsburg saw a resurgence in popularity in the 1930s, so did toiles, as they did again in the 1970s in celebration of the United States Bicentennial. Many fabric and wallpaper companies, such as Timorous Beasties, have continued the trend.

The re-release featured 16 b-sides and rarities as well as a commentary track. The album is extensively broken down track-by-track by Diamond, Yauch, Horovitz, Caldato, and frequent Beasties collaborator Money Mark in Brian Coleman's book Check the Technique.

Wee Hairy Beasties were a children's music group based in Chicago, composed of Jon Langford, Sally Timms, Kelly Hogan, and Devil in a Woodpile. They played their first gig together at the Brookfield Zoo near Chicago, and released two albums in 2006 and 2008.

Bosch-style beasties, self-sufficient singalongs and aquatic thrashings are also to be found....It's a rich, heady and provocative experience.''Carnesky's Tarot Drome', Time Out, September 2010 The Tarot Drome was later staged at Latitude Festival (2013), and the Cirque Jules Verne in Amiens (2014).

The artist of Beasties Coloring Book (1970), Vernon Koski, was posthumously selected to have his ashes incorporated into a painting, which is in the collection of the San Francisco Museum of Modern Art.Beasties Coloring Book, Malcolm Whyte, illustrated by Vernon Koski. Troubador Press (1970)."Vern," Samuel Yates website.

In 2006, he was hired by ROBLOX to design the faces for their characters. He is the font designer of Chwast Buffalo,LinotypeGmbH., accessed June 6, 2008 Fofucha, Loose Caboose NF, and Weedy Beasties NF.MyFonts Seymour Chwast, accessed June 6, 2008. He is a member of Alliance Graphique International (AGI).

Opened in 2017, "Wee Beasties" is an indoor exhibit displaying some the zoo's smaller species, including blue poison dart frogs, Natal Midlands dwarf chameleons, axolotl, jungle nymphs, mudskippers, lesser hedgehog tenrecs, a Chilean rose tarantula, and an aquarium tank containing tropical fish such as percula clownfish, Lamarck's angelfish and yellow tangs.

Wee Hairy Beasties were a children's music group based in Chicago, composed of Jon Langford, Sally Timms, Kelly Hogan, and Devil in a Woodpile. They played their first gig together at the Brookfield Zoo near Chicago, and released two albums in 2006 and 2008. Timms performed under the moniker "Monkey Double Dippey".

The monsters (in-game pets) keep their own pets, called "Moshlings". They came in a variety of themed sets, including Arties, Beasties, Kitties, and Spookies. Those who were not paying members could keep two "Moshlings" in their room, whilst paying members could keep up to six and visit other pets in the zoo.

The series intermittently ran for four seasons with production ending in 2001. The company's second project was produced for American toy company Hasbro. Beast Wars (known in Canada as Beasties), a relaunch of the Transformers brand, debuted in 1996 and concluded in 1999. A followup, Beast Machines was produced between 1999 and 2000.

Her affection can be seen when she is with another member of the Pride or one of her many friends in the Stuffed Animal Kingdom. Her strength shines through when dealing with the Beasties or other threats to her charges. Every animal in the Kingdom knows of her kind heart and every Beastie fears her name. Pallo, the lion.

With all the nanites destroyed, there is nothing keeping Fred alive anymore. As he dies again, he tells Daphne he loves her. In the following months, the effects of the nanite plague started to decrease. Some of the Beasties reverted back to their human forms, and eventually regained their intelligence, while others were immune to the cure.

Upon release, Kerrang! were favourable of the song, particularly the "Noize Remix". They said that Holder's rap "proves they've got the measure of those nasty Beasties, who could learn a lesson or two from the original rabble rousers". In a review of the You Boyz Make Big Noize album, American newspaper Record- Journal described the song as a "rock-rap novelty cut".

I had only a vague > plan to write a kind of environmental horror story. My premise was that > Mother Earth has her own auto-immune system, so when humans start behaving > like cancer cells, She attacks. I also wanted to avoid a JAWS-like critter > film. I wanted the LW beasties to all be benign-looking and not overtly > aggressive.

Allmusic gave the album a positive review, commenting that Nick Hexum and S.A. Martinez lends the band an edge not found in most rock bands that feature rapping. Rolling Stone says the album has "ear candy with good beats" and "remarkably adept at genre juggling". They also describe the album as "Beasties-cum-Chili Peppers traits has a potent reggae undertow".

Peter, Paul, and Jerry met in the first grade at St. Matthew's Catholic school in Dorchester, Massachusetts. After eight years at St. Matthew's, each of their families moved from Dorchester to South Shore suburbs during while they were in high school. Paul started a band with lifelong friend T.K, singer Skag, guitarist Sam Babbitt, and drummer Joey Olsen. They called themselves the Savage Beasties.

Scrappy defeats the Mind Beast, but before they can celebrate, the Beasties come back to consciousness. Shaggy is saved by Scrappy Doo, who gives the group time to escape. While they succeed in escaping, Scrappy is never found, upsetting Cliffy. Sometime around Christmas Eve in Wisconsin, the group head to a place known as the Athena Center, which housed the Complex's cloud servers and backup data.

The primary villain in 2012's Care Bears: Welcome to Care-a- Lot is a redesigned version of No-Heart's henchman. In the 1980s cartoon, Beastly was once a brown boar-like creature. Following a redesign for 2012's Care Bears: Welcome to Care-a-Lot, he is a furry green creature, whose body resembles a mogwai. He wears a golden crown and rules over The Beasties.

In a contemporary review, David Handelman from Rolling Stone said the songs are "buoyed by the deft interplay of the three voices and a poetic tornado of imagery", featuring "equally far-flung" musical samples on an album that is "littered with bullshit tough-guy bravado, but it's clever and hilarious bullshit". Greg Kot of the Chicago Tribune commended the Dust Brothers' "deft" production and Beastie Boys' rhymes, which he called "hilarious, vicious, surreal, snotty." Robert Christgau said although it "doesn't jump you the way great rap usually does, "the Beasties and Tone-Loc's Dust Brothers have worked out a sound that sneaks up on you with its stark beats and literal-minded samples, sometimes in a disturbing way". He commended them for "bearing down on the cleverest rhymes in the biz" and wrote, the Beasties focus on "tall tales rather than boasting or dissing.

The story had changed with each telling but always involved the fortuitous juxtaposition of drawings of an elephant and a tree.Cohen 2004, pp. 2-5 Charles Cohen, on the other hand, found traces of Horton Hatches the Egg in early Dr. Seuss works. In an early installment of Geisel's cartoon feature "Boids and the Beasties", which began in Judge magazine in 1927, he juxtaposed a bird and an elephant.

Mumbler derives great pleasure from the discomfort of others, especially Grumble. Mumbler is hard to understand, however, as his giant front teeth muffle his voice terribly, thus making it very hard to figure out what he’s saying. Grok. Grok is second in command of the Beasties. His terrible temper suits the needs of his boss, Valthraax. The only thing more ferocious than Grok’s anger is his hunger for children.

While Scrappy survives, his pack does not. Scrappy finds out that the Beasties are coming together to form one giant being, controlled by a Beast with a rather intelligent mind. The being attempts to walk, but with a lack of structure, it fails. After hearing Velma's thoughts, the Mind Beast wants to add Velma to the giant, but Scrappy goes in to destroy the Mind Beast, with Scooby following behind.

Born in Leicester Slater began his rugby career at Milton Keynes RUFC before moving to Australia. He established himself at Eastern Suburbs RUFC, Sydney, NSW. It was here that he began to really improve, starting in a successful U21s side and resulting in playing 1st grade rugby for 'The Beasties'. He also enjoyed a short stint with the NSW Waratahs, where he was signed on a Junior contract.

Upon signing with Def Jam, 3rd Bass inherited their label's feud with the Beasties. The Cactus Album was released shortly after the Beastie Boys—riding high on the success of Licensed to Ill—walked out of their contract with the label. In addition to containing multiple potshots directed at M.C. Hammer (referred to as "M.C. Household Tool" in the liner notes), Cactus also attacked the Beastie Boys and their defection to Capitol Records.

This band would be the starting point for future bands. T.K eventually moved to Boston on Thayer St., where he co-founded "Spearhead Go" along with Barry Hall, B.C Kagan and Joey Olsen. This accomplishment encouraged Paul to move to the Thayer St. loft along with his twin brother Pete. Paul, eager to pick up where the Beasties left off, enlisted his brother and longtime friend Jerry Lehane to start a band in Boston.

When a Beastie comes close to Daisy, Rufus protects her. As they get overwhelmed, Fred releases the nanites from his body to take out all the Beasties in the mall at once. However, the Nanite King retaliates by using his own nanites to destroy the mall. Daphne, Velma, Shaggy, Scooby, Daisy, Cliffy, Scrappy, Quentin, and Rufus all manage to survive by hiding in the sewers, along with a handful of Jonestown citizens.

Contributed to exhibitions (from 1958). Alexey Tsvetkov is called "the master of the wood", as he keeps this material live in his works. That is why his beasties look so alive and very Russian, thanks to the artist’s Russian background: Alexey grown up and absorbed the spirit of a Russian village. His sculptures reside in State Russian Museum, State Tretyakov Gallery, in art museums and private collections in Russia and other countries of the world.

Timorous Beasties is a design-led manufacturing company based in Glasgow that specialises in fabrics and wallpapers. The company was founded in 1990 by Alistair McAuley and Paul Simmons, who met while studying at the Glasgow School of Art. Winners of the Walpole Award for 'Best Emerging British Luxury Brand' in 2007 and 'British Luxury Design Talent' in 2010, the company now has two branded showrooms in London and Glasgow, and export their luxury products and design talent worldwide.

Joey Price. The main protagonist Joey is an eight-year-old boy who lives with his single mother. Joey is very daring and adventurous, but like most eight-year-olds, can be easily frightened by the larger world around him. After moving away from the house he grew up in, his Grandmother gives him the boxed Night Pride, a set of four stuffed animals, who will later come to life to protect him from the evil Beasties.

Bainbridge co-designed multichannel, realtime video for two Beastie Boys' global tours and TV appearances including nearly all of MTV Networks' channels on four continents. For the Beasties' "The Mix Up" tour, Bainbridge's video designs used RGB LED technology to play visuals on Spike Brant's (Performance Environment Design Group) giant video mobile. For Vh1, CMT and other networks, Bainbridge designed and performed video for numerous live televised performances. Bainbridge's canvases are often large-scale displays - including LEDs, giant projections, and domes.

Players can also use a second joystick to control the direction of fire or hold the firing button down to lock the firing direction regardless of movement. They keyboard can also be used instead of a joystick. The game includes modes that allow a second player, or an indestructible computer-controlled "droid", to assist the Llamatron. The player gains points by destroying enemies and collecting llamas, sheep, goats, and camels—known collectively as "Beasties"—that are placed on the screen at the start of the level.

The Afros were the first group signed to Jam Master Jay's JMJ Records, releasing the single "Feel It" and the album Kickin' Afrolistics in 1990. They made cameos in various rap music videos and concerts before disbanding. When the Beastie Boys were stuck without a DJ they asked Hurricane to sit in and he did them a favor. It was not long before the Beasties returned the favor and offered Hurricane an opportunity to be their exclusive DJ. That gig would last for 13 years.

After seeing what has happened, the group decides to flee. Shaggy remembers one scientist was working on an armored van designed for an apocalypse-like scenario, dubbed the Mystery Machine, which the group uses to flee the Complex. While driving away from the Complex, Scooby and Shaggy notice the Blazing Man festival has been completely overrun with Beasties, meaning that the nanite plague was not just contained in one area, as hoped by Velma. The group finds a retail store, and use it for food and supplies.

Velma knows that the Complex had several facilities, and that Dinkley Tower (or better yet, Rufus) may have the locations for the other facilities, in hopes of developing a cure. Meanwhile, Scooby is revealed to not be the only Smart Dog that survived the Complex. The pack of Smart Dogs, led by a small dog named Scrappy Doo, have been mostly ignored by the Beasties, but their cerebral implants have been malfunctioning. Scrappy's implants seems to be working the most, but he knows that his are deteriorating.

Daphne, meanwhile, has become distant and vengeful since Fred's death (six months prior, when the group went back to CJ Nickel after Fred's death, his body was found missing, and was presumed to have been taken by the Beasties). Scrappy Doo is revealed to have survived, and his implants are now functioning again. Scrappy becomes a citizen of Jonestown, and joins Daphne on her hunts. While some citizens of Jonestown rescue a few survivors, they find Fred, who appears to be in a zombified state, approaching them.

Although AllMusic's Stephen Thomas Erlewine felt that the album's ending was "a little anticlimactic", he also saw Hello Nasty as a progressive step forward from the group's 1992 LP Check Your Head, and praised the input of the group's new recruit, Mixmaster Mike; "Hiring DJ Mixmaster Mike turned out to be a masterstroke; he and the Beasties created a sound that strongly recalls the spare electronic funk of the early '80s, but spiked with the samples and post- modern absurdist wit that have become their trademarks." In his review for Entertainment Weekly, David Browne highlighted the album's multi-genre sound, along with the group's use of a wide range of musical styles, as its most engaging aspect; > Hello Nasty is a sonic smorgasbord in which the Beasties gorge themselves > with reckless abandon. They dabble in lounge-pop kitsch (the loser put-down > Song for the Man), make like a summit of Santana and Traffic (the Latin- > flavored "Song for Junior"), and subtly incorporate a drum-and-bass shuffle > into the mix ("Flowin' Prose"). The melange makes for a looser, more free- > spirited record than their earlier albums; the music invites you in, rather > than threatening to shut you out.

Mythical Beasties is an anthology of themed fantasy and science fiction short stories on the subject of legendary creatures edited by Isaac Asimov, Martin H. Greenberg and Charles G. Waugh as the sixth volume in their Isaac Asimov's Magical Worlds of Fantasy series. It was first published in paperback by Signet/New American Library in May 1986. The first British edition was issued under the alternate title Mythic Beasts in trade paperback by Robinson in 1988. The book collects thirteen novellas, novelettes and short stories by various fantasy and science fiction authors.

Softline called Crossfire "a new twist on arcade games with delightfully colorful beasties and smooth animation", which "offers hours of challenge and enjoyment for the dedicated and persevering gamester". BYTE called Crossfire "one of the most difficult and challenging arcade games to play ... The reflexes take a long time to master, but, once you get the hang of it, it's addictive". PC Magazines review was less favorable, calling the alien-attack scenario overused. It described the IBM PC version's graphics as "adequate, but nothing spectacular", and the controls as imprecise and inelegant.

While Shaggy is ecstatic, the celebration is cut short when Scrappy comes back and tells them that Zombie Fred has kidnapped Daphne. Fred tries to get Daphne to listen to her, but she refuses, as she does not believe that she is talking to the real Fred. Fred tries to explain that the nanites have chosen him as an avatar to represent their voices, but she does not listen to him. Daphne is able to escape from Fred and his Beasties just as the group come by with the Mystery Machine.

When relations between Rubin and The Beastie Boys fractured, resulting in the Beasties leaving Def Jam, the feature film was shelved despite receiving full backing from New Line Cinema. Menello and Dubin co-directed the Beastie Boys' music video "No Sleep till Brooklyn" in 1987. Menello then went on to make several other music videos as a solo director including such highly distinct and hugely successful videos as LL Cool J's "Going Back to Cali", Danzig's "Mother", and Slick Rick's "Children's Story". He additionally crafted videos for artists as diverse as MC Lyte ("Cappuccino") and Marcia Griffiths.

In the TV series New York Undercover, Mason appeared in two different episodes, playing himself in one. He also plays a pickup player in the 1996 film Eddie, and himself in Woody Allen's Celebrity. In addition, Mason appears in the Diamond D rap video "Best Kept Secret", dunking his way through the video on a New York City playground basketball court. The Beastie Boys song "B-Boys Makin' With The Freak Freak" from 1994's "Ill Communication" LP mentions him with the lyric "I got my hair cut correct like Anthony Mason"—the Beasties being NY Knicks fans.

In 1993, along with the Beastie Boys, he contributed the track "It's The New Style" to the AIDS-benefit album No Alternative produced by the Red Hot Organization. As the Beasties rose in fame with each successive album in the 1990s, Hurricane simultaneously reveled in the spotlight, releasing his first solo album in 1995 on Grand Royal, titled The Hurra (guest artists include the Beastie Boys, MC Breed, and Sen Dog). The single "Stick 'em Up" was the first single on the movie CB4 soundtrack. Hurricane started his own production company, Don't Sleep Productions in 1999.

In order for the pack to survive, they need to keep the human intellect they have gained, which means they need to find Velma to fix their implants. Scrappy realizes that he needs to become stronger if he and his pack want to live, so he activates some experimental nanotechnology embedded in his body, dramatically increasing his size and strength, and allowing him to walk on only his hind legs. While Scrappy and his pack track Velma, he finds a boy named Cliffy, who lost an arm and his family to the Beasties. Scrappy decides to bring Cliffy along with them.

Short Circutz was a series of short computer animated videos that were played between television shows on YTV every weekend afternoon and evening from September 10, 1994 (coinciding with the premiere of ReBoot) until September 1, 1996. Most videos were 30 to 120 seconds long, often played between other computer animated shows, such as ReBoot and Beasties. The videos were all sampled from three film collections: The Mind's Eye, its sequel Beyond the Mind's Eye and Imaginaria. Some of the films were re-edited with alternate music, most notably replacing nearly all of the vocal songs used in the Imaginaria shorts.

Contrary to popular belief, Ghoulies did not originate under the unproduced Stan Winston and Charles Band project Beasties. It had originated as a one-location horror film by director Luca Bercovici and his writing partner Jefery Levy, and was pitched to Band by Bercovici. After a premiere in the United Kingdom in November 1984 , the film premiered in Los Angeles on January 18, 1985 and in New York on March 1, 1985. According to stories that Charles Band tells on his Full Moon Horror Road Show, he was tasked to come up with a great campaign to promote the film.

It was on Thursday's "The Power Block". It would be a year before new episodes aired on YTV due to Mainframe's involvement in Beast Wars: Transformers (known as Beasties in Canada) and Shadow Raiders, and the third season aired only on YTV at the time. In April 1999, years after Canadian audiences saw the third season, U.S. audiences saw the episodes on Cartoon Network. Production on other series delayed the fourth season of ReBoot, the eight episodes of which eventually were released in the U.S. as two 90-minute direct-to-DVD features that ended on a cliffhanger season finale.

2, Josh Hopkins, DJ Klever and DJ Craze Sunday: PlayStation Competition: "Buzz" Trivia, The Second City (Comedy), Battle Royale rd. 1, PlayStation Competition: SingStar, Mission IMPROVable (Comedy), Battle Royale rd. 2, Flosstradamus, Kid Sister KIDZ Stage Friday: Rock for Kids Youth Jam Band, The Hipwaders, The Sippy Cups, Peter Himmelman, Paul Green's School of Rock All-Stars Saturday: The Candy Band, The Blisters, The Sippy Cups, The Hipwaders, Patti Smith, Jim James Sunday: Peter Himmelman, Q Brothers, Wee Hairy Beasties, Peter DiStefano & Perry Farrell, Paul Green's School of Rock All-Stars with Perry Farrell, Ben Harper Sean Lennon appeared on the initial lineup for Lollapalooza but was eventually removed.

The audio was recorded at Smart Studios, in Madison, Wisconsin. In 1979, Sohmers recorded the Windjammer EP (Extended play) at Pepperhead Studios in Sun Prairie, Wisconsin. The album consisted of songs he penned, featuring guitarist Scott Holmstrom, along with Schoeder, Gochberg, Jevne and some guest stars from other bands including Butch Vig in his first recording session for another artist other than his own band on the song “Blind,” and Art Baldocci and Greg Biela of Heartsfield on “Spinning My Wheels”. Sohmers' song “Good Old Friend” was also recorded but not released on the EP. In 2017, Sohmers wrote Beasties: a Sci-fi Rock Opera, as a stage musical.

Eventually, both sets of Beasties get rousted by a trio of cops (played by the actual Beastie Boys) and taken to jail. The short features numerous cameo appearances, some appearing onscreen for only a few seconds. They include Stanley Tucci and Susan Sarandon (as the parents seen in the original video), Steve Buscemi, Alicia Silverstone, Laura Dern, Shannyn Sossamon, Kirsten Dunst, Ted Danson, Rashida Jones, Jason Schwartzman, Rainn Wilson, Amy Poehler, Mary Steenburgen, Will Arnett, Adam Scott, Chloë Sevigny, Maya Rudolph, David Cross, Orlando Bloom, and Martin Starr. Although "Fight for Your Right" is not performed, its outro can be heard at the beginning of the short.

He attended C.S.U.L.A. for three years (1985-1988) and worked in the jazz studies of the music department and recorded on three critically acclaimed jazz LPs: We're Back, Diversions, and Monstrosity!. With a recommendation from a friend, he got an audition with the Beastie Boys and was accepted to join them on their national "Check Your Head" tour. Correa ended up recording with the Beastie Boys for the albums Ill Communication and Hello Nasty. While on tour with the Beasties, Correa encountered Cypress Hill and joined the group as their percussionist for their world tours,"LIMP BIZKET, CYPRESS HILL AX LOCAL SHOW", Rocky Mountain News, July 28, 2000.

Resignifying symbols, images, and texts, the book is an example of the fluidity of meaning and identity found in the World Wide Web. This is the world's first (and only) satirical technical book.A Better Mao's Trap - Lisette Gonzales Bewildering BeastiesBewildering Beasties By Derek Pell Edition: illustrated Published by Courier Dover Publications, 1996 Written as a warning, the book is framed as a rare surviving copy of a book of endangered species from England's Victorian period. The illustrations serves as puns and wordplay combine with nostalgia, pastiche, and found materials to serve as an absurd, but nonetheless less meaningful warning on extinction and humanities role in the environment.

Meanwhile, Quentin explains that the vaccine was a potential cure that was still in its experimental stages, but Rufus took it anyway. Rufus, like most inhabitants of Jonestown, had a biological immunity to the nanites, but while the vaccine helped prevent dying from the fire, it was destroying him, making him mentally unstable, as Daisy and the others had seen when they last saw him in Seattle. Before they can discuss any further, the Beasties start attacking from the roof and start killing the inhabitants in the upper levels of the mall. Daisy activates the bombs she set near the upper levels to slow them down.

The school participates in the annual Destination ImagiNation program. The February 2002 team (joint with Judkins Middle School) of Daniel Angel, Bryce Blue (Wassup Rockers), Zac Efron (High School Musical), Anthony Martin, Chris Reinacher, and Brogan Sterns won the Global Finals in the challenge "The Art of Improv, Middle Level". In February 2011, the "Extreme Makeover, DIsaster Edition" (a joint team with Arroyo Grande High School) and "The Cavorting Beasties of Cyclical Proportions" (joint with Nipomo High School) earned perfect scores in the regional competition. They, along with "Your Average Lunatics" (a third team that scored well and was exclusively from Paulding), advanced to the state finals.

Llamatron (stylized Llamatron: 2112 on the title screen) is a multidirectional shooter video game programmed by Jeff Minter of Llamasoft and released in 1991 for the Atari ST and Amiga and in 1992 for MS-DOS. Based on Robotron: 2084, players of Llamatron control the eponymous creature in an attempt to stop an alien invasion of Earth and rescue animals—referred to as "Beasties"—for points. Players advance by destroying all of the enemies on each level using a laser that fires automatically in the direction that the Llamatron is moving. Various power-ups exist to aid the player in defeating the wide variety of enemies and obstacles they face along the way.

DJ Hurricane also produced songs for MC Breed album funkdafied one of the songs featured George Clinton. After having parted ways with the Beasties prior to their album Hello Nasty in 1998, Hurricane did co-write the song "Three MC'S and One DJ" for The Beastie Boys. Hurricane released his second album Severe Damage on Wiija Records in the UK. It was only released in the UK and Asia. Hurricane's third solo album via TVT, Don't Sleep, which found him much more conceptually collected and with a broad scope of guest artists, including Kool G Rap, Xzibit, Scott Weiland, Public Enemy, Rah Digga, Talib Kweli, Pharoahe Monch, Ad-Rock, Black Thought, Big Gipp, Hittman among others.

Velma tries to gain information from the servers in hopes of finding a cure, but finds that it is hopeless for her to be able to do so. As the group travels around the U.S. in order to survive the apocalypse, they find a mall in Albany, New York. Velma sees the mall and believes that it is the perfect place to start a survivor's camp/fortress. Using the city's sewers, they are able to get in, and find that every few hours, Beasties from two stores opposite of each other in the mall (CJ Nickel and MEARS) come out and fight each other, leaving a pile of Beast corpses in the mall.

Lee's musical career began in 1993 with the band Noise Addict, who were signed to Steve Pavlovic's independent label Fellaheen Records, on the strength of a self-produced and distributed four-track demo recorded in Lee's bedroom. Pavlovic's connections brought the band to the attention of Sonic Youth's Thurston Moore and Beastie Boys' Mike D, both of whom released the band's material in the US. The group put out several releases on the Beasties' Grand Royal Records. These including the acoustic Young and Jaded EP in 1994, which contained Lee's Evan Dando tribute, "I Wish I Was Him". In 1995, Grand Royal released the band's only full-length album, the Brad Wood-produced Meet the Real You.

Rude Boys , Amos Barshad, New York magazine 2011 5, retr 2012 Oct According to Rolling Stone Magazine, their 1986 album Licensed to Ill is "filled with enough references to guns, drugs and empty sex (including the pornographic deployment of a Wiffleball bat in "Paul Revere") to qualify as a gangsta-rap cornerstone."The New Rolling Stone Album Guide, Fourth Edition The Beasties' 1989 album Paul's Boutique included the similarly themed tracks "Car Thief," "Looking Down the Barrel of a Gun," and "High-Plains Drifter." In 1986, the Los Angeles-based group C.I.A. rapped over Beastie Boy tracks for songs such as "My Posse" and "Ill-Legal", and the Beastie Boys' influence can be seen significantly in N.W.A's early albums.Chang, Jeff.

Other enemies include indestructible devices that shoot screen-wide lasers, 16-ton weights that attempt to crush the player, hedgehogs that explode into spikes when destroyed, Mandelbrot sets that shoot projectiles and scream when hit, and a large toilet that throws rolls of toilet paper at the player. The game contains 100 levels, in addition to a tutorial and a high-score table. The player can collect power-ups to assist them in their task, such as smart bombs that damage all of the enemies, extra lives, invincibility, and hearts that attract the "Beasties" to the player. There are also items that allow shots to bounce off of walls, split into three, and become "hot bullets", which deal extra damage.

Stephanie Star Smith of Box Office Prophets gave high marks to the special effects creating the dragons. She notes that in the past, "Sci-Fi Originals flicks have had some serious issues with CGI beasties", but approved of the realism of these creatures in this film. She found the acting to be "generally pretty good", and made special mention of the work in the film of John Rhys-Davies and Richard Wharton when opining that Maxwell Caulfield seemed to be an unfortunate casting decision. In summarizing the overall film, she offered "just over an hour-and-a-half, Dragon Storm doesn't wear out its welcome, and since the dragons appear from nearly the first scene, you don't have to wait ages for a look at the real stars of the film".

These nanites would "Transform Humanity", and help rid humans of their primal urges, such as violence and greed, and thereby creating a more peaceful world, one that would work toward the betterment of humanity overall. However, Velma learned that the Four modified the nanites' code so that they wouldd be able to control the humans, which is why she decided to reveal the truth. While in the Complex's Safe Room, an alarm goes off, alerting Velma that the nanites have been activated on their own, when only the Four can activate them when they are all together in the Complex. After leaving the Safe Room, the group learn that the nanites have transformed the majority of the Complex's employees into monster- like creatures (nicknamed Beasties), killing and eating humans who have not transformed.

Numerous prestigious companies touring shows to the Arena during this period included Kneehigh Theatre, Royal National Theatre, Royal Shakespeare Company, People Show, Tara Arts, Shared Experience, Forced Entertainment, Volcano, Hull Truck Theatre, Gay Sweatshop, Cheek by Jowl, Market Theatre (Johannesburg), Trestle Theatre, Complicite, Kathakali Dance, Black Theatre Co-operative, Red Shift Theatre, ATC Theatre, Snarling Beasties and The Right Size. In addition to these, the Arena Theatre welcomed local professional touring companies from the West Midlands, Foursight Theatre, Theatre Foundry and Pentabus. As well as these, there were dance performances, live art and music concerts. After 20 years, the theatre had outgrown its cramped and inaccessible home, so with investment from the University of Wolverhampton and a grant from the National Lottery, an ambitious £2 million refurbishment began.

The Denton music scene received the #1 rank for "Top 10 under recognized music locations" in the world, on a culture blog called Listverse. Denton bands include longtime mainstay and two-time Grammy Award-winning Brave Combo, EXIT 380, The Wee-Beasties, Norah Jones, Deep Blue Something, The Ducks (not the former Moby Grape band), Lift to Experience, Centro-Matic, Brutal Juice, Six Hard Brothers and a Dog, Drunk Skunks, Harry Has a Head Like a Ping Pong Balls, SayWhat, Chyeah Boi, the Don't Be Scurd, OkieDoke, South San Gabriel, Slobberbone, Pops Carter and the Funkmonsters, The Drams, Bosque Brown, Eli Young Band, Matthew and The Arrogant Sea, Midlake, Record Hop, History At Our Disposal, The Marked Men, Fergus & Geronimo, The Wax Museums, Violent Squid, and Neon Indian. Several music festivals are hosted in Denton, including 35 Denton and the Denton Arts and Jazz Festival.

Since then he has helped found and/or produce festivals and concert nights such as All Shook Down Music Festival, Sea of Dreams NYE, Ghost Ship Halloween, Loveboat Halloween, North Beach Jazz, Festival of the Golden Gate and Mojito Café. According to the Los Angeles Times, in 2006 MoPo was the first DJ to play a silent disco in the United States, and since then he has founded Silent Frisco, a headphone dance concert production company. In 2015, Silent Frisco and SunsetSF merged to become HUSHconcerts, an event production company that now contributes to more than 1000 events per year, Motion Potion tours frequently, and is best known for crafting intensively researched tribute sets, typically related to artists headlining a festival at which he performs. Among the themes he is best known for include Radiohead in Remix, Talking Heads Dance Party, Santana in Remix, Janet vs Michael, Beasties/Beatles/Beck, Prince's Purple Reign, and Metallica in Remix.