Milk, on the other hand, was safe somehow, despite a snoozy-glam runway outing and, in the Divas Live challenge, bearing no resemblance whatsoever to Celine Dion.
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"(It) was infuriating to watch him publicly undermine an independent inspector general report -- based on an exhaustive review of the FBI's conduct -- using partisan talking points bearing no resemblance to the facts his own department has uncovered," he wrote.
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" Holder also said that Barr's attacks against the FBI regarding the opening of the Russia investigation were "extraordinary" — and that his dismissal of the DOJ inspector general's report on the matter used "partisan talking points bearing no resemblance to the facts his own department has uncovered.
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279–329 Numerous variations of this differenced coat, along with various Spencer arms bearing no resemblance to those of the Lords le Despenser, have been catalogued.
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Following its success in Germany, the German-language version became a #13 hit on the pop chart (Billboard Hot 100) in the United States, sold over one million copies, and was awarded a gold disc. An English set of lyrics, "One More Sunrise", bearing no resemblance to the German lyrics, sung by Leslie Uggams, reached #98 on the same charts. It has also been performed by many other artists. Robić was active in recording for Germany's Polydor label.
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After the war Air Force Reserve and Georgia Air National Guard units were formed at Marietta AAF, northwest of the city. Today, Atlanta's Candler Field is known as Hartsfield-Jackson Atlanta International Airport, and it is one of the world's biggest and busiest airports bearing no resemblance to the wartime facility. The only structures on airport property remaining from its military use during World War II are Delta Airline's original office and hangar still in use by the airline.
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When the body was discovered, wide publicity was given and several people came forward to link missing relatives to the remains. The police compiled the suggestions into a list of 18, of which four turned out to be alive, ten were ruled out for bearing no resemblance to the remains, and for the four remaining it was impossible to say whether they were the man. The inquest returned a verdict that there was insufficient evidence of cause of death and to identify the remains.
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A single stray find from Eastern Germany, dated to the late 11th or possibly early 12th century, combines both an Ulfberht and an in nomine domini (in this case, +IINIOMINEDMN) inscription.Herrman, J. and Donat P. (eds.), Corpus archäologischer Quellen zur Frühgeschichte auf dem Gebiet der Deutschen Demokratischen Republik (7.-12. Jahrhundert), Akademie-Verlag, Berlin (1985), p. 376. Many blade inscriptions of the later 12th and 13th century are even more garbled, bearing no resemblance to the in nomine domini phrase, sometimes resembling random strings of letters, such as ERTISSDXCNERTISSDX,T.
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The exhibition was favourably reviewed in theguardian.com, with art critic Sharne Wolff drawing attention to Mellor's newest sculpture, Anima, which she said "marks a dramatic change" for the artist, bearing "no resemblance to Mellor’s more glamorous output". His work featured as part of the Edinburgh International Festival, with a show titled Primordial: SuperNaturalBayiMinyjirral displayed at the National Museum of Scotland. A large work of Mellor's, Entelekheia (2016), consisting of photographic images of plants etched in concrete, can be found on the exterior walls of the International Convention Centre in Sydney.
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Pennsylvania Dutch bott boi is a soup popular in central and southeastern Pennsylvania, also called chicken and dumplings in the American south. Bearing no resemblance to the baked dish known elsewhere as pot pie (itself known within Pennsylvania as "meat pies"), bott boi consists of large square noodles and a meat such as chicken, ham, or beef simmered in stock. Other common ingredients include potatoes, carrots, or celery. Saffron may also be added as a flavoring, particularly in Pennsylvanian restaurants catering to a niche market among the Pennsylvania Dutch farming communities.
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Few were interested in sources. Above all, in the pre-digital age the work of writers in his field was far harder; they could not fill in gaps in their knowledge with press-of-a-button 'research'. … : Chernev's output — clear, humorous and easy-going — gave the impression of effortlessness, but much industry lay behind it all. … : Although his prose was often conversational, it was literate and carefully structured, bearing no resemblance to the ultra-casual 'I'm-just-one-of-the-lads' stuff increasingly seen in chess books and magazines since his time.
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" The Center for Competitive Politics, a leading group advocating for deregulation of campaign finance, heralded the decision in a statement: "the Court's conclusion was common sense: the law limited an individual to contributing the legal maximum to just 18 candidates. If the first 18 aren't 'corrupted' by the contribution, why is candidate 19? What's remarkable is that four justices of the Supreme Court continue to believe that such overt limitations on political speech are constitutional. Moreover, to reach that conclusion the dissenters relied on a series of preposterous hypotheticals bearing no resemblance to reality.
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The castle and village were captured by units of the U.S. Army on March 30, 1945. They found the compound as a burned-out jumbled mass of concrete bunkers bearing no resemblance to the original "wooden country house" design. But for some reason both the Wachhaus and the Pressehaus escaped demolition, both well preserved and with access to the remaining Adlerhorst bunker complex. Soon afterwards a British-American detention center or Operation Dustbin, was moved from Paris and re-established in parts of the complex for high-ranking German non-military prisoners of war.
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General Motors executive Robert Lutz announced in January 2008 that the division will display a GMC-badged version of the Holden Crewman, a four-door version of the standard Holden Ute pickup, at the New York Auto Show in March. Ultimately, the intended show vehicle eventuated as something quite different, in the GMC Denali XT Hybrid Concept, designed by GM Holden upon the Zeta platform, but bearing no resemblance to existing Holden product ... it debuted at the 2008 Chicago Auto Show, but plans for production based upon this unibody concept were subsequently cancelled circa September 2009.
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In the second and third passages, the word referred to Ansud's successor Sa'umu. However, in the first passage, "Sa'umu" was read as a verb by Giovanni Pettinato, who later read it as (Anudu). Alfonso Archi, recognized that this verb is a personal name of a monarch and read it as Anubu (motivated by the Sumerian King List which record a dynasty of Mari and king Anbu as the first monarch of the dynasty). However, the discovery of an intact (SKL) with the names of Mari's dynasty bearing no resemblance to second kingdom monarchs, eliminated the need for Archi's identification.
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After Valens' untimely death on February 3, 1959, numerous Ritchie Valens Fan Clubs were formed all over the nation. By late 1960, with no further records released since the "Ritchie" album a year before, his manager Robert Keane received letters en masse from fan club members who were hoping there were more of Valens' songs to be released. Keane responded by obtaining the tape from the Pacoima Junior High show and pressing it to record. To fill the "live" side of the album, an early demo of "Come On, Let's Go", bearing no resemblance to the released "hit" version, was added with live audience dubbed in.
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"Sipping Cider Thru' a Straw" is a 1919 novelty song, also called "Thipping Thider Thru a Thtraw", composed by Tin Pan Alley songwriters Carey Morgan (1885–1960) and Lee David (1891–1978) and published by Joseph W. Stern & Co. The lyrics of this song are reminiscent of, but not identical to, those of an earlier song with the same title. The form of the Morgan-David song is strophic with a chorus; the first line is "Sweetest girl I ever saw, Was selling cider in a groc'ry store". The music composed by David and Morgan is original, bearing no resemblance to the earlier song. Collins and Harlan sang the only notable recordings of this song.
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An unfortunate mishap is the resemblance between Latin thyroidea and English thyroid on the one side and Ancient Greek θυροειδής on the other side, as the latter does not mean shield-like, but actually means like a door, derived from θύρα, door. Θυροειδής is however used in anatomic nomenclature in the expression θυροειδές τρῆμα (τρῆμα = hole, perforation, aperture), coined by the Greek physician Galen. Ancient Greek θύρα can be translated, besides the aforementioned door, as gate, entrance and opening. The Greek name θυροειδές τρῆμα for this opening between the os pubis and the os ischii, currently called obturator foramen, clearly originates from its being an opening (θύρα), while bearing no resemblance to a shield (θυρεός).
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Hoggan's former professors at Harvard described his book as bearing no resemblance to the PhD dissertation that he had submitted in 1948. Another point of criticism was the decision of two German historical societies to award Hoggan the Leopold von Ranke and Ulrich von Hutten Prizes for outstanding scholarship; many such as the historian Gordon A. Craig felt that by honouring Hoggan, these societies had destroyed the value of the awards.Craig, Gordon The Germans, New York, N.Y., U.S.A. : Meridian, 1991 pages 71-72 The Berliner Tagesspiegel newspaper criticized "these spectacular honors for a historical distortion". The German Trade Union Council and the Association of German Writers both passed resolutions condemning the awards while the Minister of the Interior in the Bundestag called the awards a "crude impertinence".
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The historical Little Big Man was a Native American leader bearing no resemblance to the Jack Crabb character. Little Big Man is known for his involvement in the capture and possible assassination of Crazy Horse at Fort Robinson in 1877. The movie's portrayal of the Battle of Washita River as a Custer-led massacre of women and children (which Penn compares to the Holocaust) is not entirely accurate as the camp was partially occupied by tribal warriors . The film, however, is consistent with historical records of other encounters between Indians and the U.S. Cavalry; the Cavalry's common tactic was to wait until the warriors had left the camp to hunt, or to lure the warriors away with assurances of good hunting, and then to attack the unprotected village.
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Peter Cushing, who was then best known for his many high-profile roles in British television, had his first lead part in a movie with this film. Meanwhile, Christopher Lee's casting resulted largely from his height (6' 5"), though Hammer had earlier considered the even taller (6 '7") Bernard Bresslaw for the role. Universal fought hard to prevent Hammer from duplicating aspects of their 1931 film, and so it was down to make-up artist Phil Leakey to design a new look for the creature bearing no resemblance to the Boris Karloff original created by Jack Pierce. Production of The Curse of Frankenstein began, with an investment of £65,000, on 19 November 1956 at Bray Studios with a scene showing Baron Frankenstein cutting down a highwayman from a wayside gibbet.
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In 1984, Phyllis Penzo was a waitress at a pizzeria commonly frequented by Yonkers, New York police officers. In March of that year, Officer Robert Cunningham, a regular patron and longtime friend of Penzo, suggested that the two split a lottery ticket, each of them choosing three of the six numbers, in lieu of his leaving her a tip. Penzo agreed, and though she subsequently forgot about it, when Cunningham discovered that the ticket had won a $6 million prize, he honored their verbal agreement and split the money evenly with Penzo. Beyond this basic premise, the film is entirely fictional, with the backgrounds of the film's characters and the events depicted in the film subsequent to their lottery win bearing no resemblance to the actual lives of Penzo and Cunningham.
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This part also constitutes a historical detective mystery – specifically, a historical locked room mystery – with various suspects suggested, each of whom had a clever means of killing the Emperor, and with Baudolino acting as the detective. After the Emperor's death, Baudolino and his friends set off on a long journey, encompassing 15 years, to find the Kingdom of Prester John. From the moment when they depart eastwards, the book becomes pure fantasy – the lands which the band travels bearing no resemblance to the continent of Asia at that or any other historical time, being rather derived from the various myths which Europeans had about Asia – including the aforementioned Christian myth of the Kingdom of Prester John, as well as the Jewish myth of the Ten Lost Tribes and the River Sambation, and some earlier accounts provided by Herodotos. Baudolino meets eunuchs, unicorns, Blemmyes, skiapods and pygmies.
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It was widely agreed that Davenport's sculpture revealed that the average white male's physical fitness was far from ideal. Journalists criticized his pudgy stomach, slouching posture, heavy hips, and undefined muscles and interpreted the statue as a symbol of American degeneracy. The concept of composite statuary was also criticized by reviewers who denounced Davenport's statue as bearing no resemblance to life and a piece that does not deserve artistic merit. Because it was created using statistics, many art critics argued that the statue was not a true portrait of the average American and denounced it as a purely imaginary figure. In 1932, writing for the New York Times, art critic Edward Alden Jewell asked rhetorically, “What is a work of art and what is a work of science?” His response to the sculpture included criticism of the growing authority of science to quantify and represent man over and against aesthetic canons of ideal beauty. Jewell referred to a conflict between the “Masterpiece” and the “Modeled Chart.” He wrote that since the Average American Male statue was created on the basis of data, or “two-dimensional charts,” collected from 100,000 “doughboys,” he cannot be considered a work of art.
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