85 Sentences With "be symbolic of" | Random Sentence Generator

I started researching, and I wanted it to be symbolic of Buddha.

Or the zombies could be symbolic of some of the braindead Trump voters.

The neck tattoo is of the number 25, which may be symbolic of the singer's age.

Samantha Sussman Iwamoto wanted her wedding-day looks to be symbolic of the union of two different cultures.

One fan pointed out that there are seven chicks in the photo, which could be symbolic of the release of her seventh album.

Dishes prepared for the New Year's tradition, called osechi ryori, are meant to be symbolic of luck and fortune in the year to come.

But this year's annual conference will start Monday in Edinburgh, a move that could be symbolic of the huge changes that may soon engulf cricket.

And while the acquisition of such a quintessential chain may be symbolic of the evolving industry, the organic food world faces bigger, more troubling shifts yet.

And so, if history is to be believed, Kanye West's return to Twitter this weekend might also be symbolic of the beginning of a new era. Why?

As some have suggested, it might even be symbolic of a clean slate or new era — after the final battle of Season 8 inevitably transforms the realms forever.

Based on his Starboy big chop, The Weeknd's look could be symbolic of a new creative phase, or it could just simply be an itch to switch things up.

The resignation of Corbyn's senior aide, Andrew Fisher, who masterminded the party's well-received 2017 general election manifesto, appeared to be symbolic of a wider lack of a clear agenda from the party.

Jackson Edwards, Wesley Gow, Jack Trent, Jaya Krishnan, 17 "Invisible Man," Ralph Ellison's bildungsroman centered around an unnamed black protagonist (written to be symbolic of any black man), should not be relevant today.

Ashley O's "On A Roll" may be symbolic of Ashley's struggle to find her way out of Catherine's clutches, but let's make one thing clear: It is also a bop, and definitely worth a download.

Megan McCluskey at Time explains, "Considering the history behind 'Stand By Me,' the predominantly black Kingdom Choir performing the song at Markle's wedding to Prince Harry seems to be symbolic of this transition" into a more modern, inclusive royal family.

The scene sounds incredibly weird when it's written out bluntly like that, but really it's meant to be symbolic of the group's loss of innocence: the summer of their childhood is over, and their encounter with It has shoved them irrevocably into the adult world.

The loop of life, death, and rebirth that Nadia is trapped in becomes symbolic of just about anything you might want it to be symbolic of, from addiction to mental illness, and Russian Doll not only makes this suggestion but does justice to its thematic implications.

Jackson Edwards, Wesley Gow, Jack Trent, Jaya Krishnan, 17, St. John's School: "Invisible Man" and "A Rebel, a Warrior and a Race Fiend" Invisible Man, Ralph Ellison's bildungsroman centered around an unnamed black protagonist (written to be symbolic of any black man), should not be relevant today.

Roger McNamee: This is the thing that just drives me absolutely insane, that they're so focused on ... In fact, this may be symbolic of a whole cultural problem of everybody being so focused on their own needs that they can't imagine that there might be a flaw in that approach.

It was also designed to be symbolic of Ancient Greece, particularly Athenians and the Battle of Marathon.

The relationship between the Temple itself and the mountain pictured is believed to be symbolic of Sacred Maya landscapes. The limestone boulder found in structure 3, suggests that this was also a valuable resource kept at Blue Creek.

Kagerou means "mayfly" in the Japanese language. Mayflies can be as old as three years. However, when mayflies reach their adulthood, their life span varies from two hours to three days. The short lifespan of a mayfly was thought to be symbolic of vocalist Daisuke.

The patterns formed 25 days after the person's birth are considered to be symbolic of the person's 25th year of life, and indicate potential tendencies and trends for the year. Secondary progressions are considered by the majority of astrologers to be the most important form of progression.

It main church is the San Francisco de Asís founded in 1547. Another important landmark is the Gate or Arch of Tlaltenco, which dates to the colonial period. It served as a customs checkpoint until just after the Mexican War of Independence. It is considered to be symbolic of the area.

This looks at the stroke structures, or sequence of stroke structures, reflecting upon what they are symbols of. Within this context, a strong leftward moving stroke through a signature would be symbolic of removing one's self from life. How that removal manifests depends upon what else is contained within the handwriting.

Sleep is near Sarpedon's head and Death is near his feet. Sleep is almost cradling Sarpedon’s head and it is laid on top Sleep’s heart. This could be symbolic of the fact that Zeus holds Sarpedon near. The grave stele is in an area to help there from being a giant blank area.

Climbing mountains can be symbolic of achieving goals. What motivates a person to climb a mountain may be similar to what motivates a person to contribute to an environmental movement. Earth Optimism is a mechanism for creating environmental change. Pressing issues, such as climate change, have placed environmental issues in the forefront of media.

The flag of Southern Rhodesia consisted of a blue ensign with the Union Jack in canton. The coat of arms was designed to be symbolic of Southern Rhodesia. The lion and thistles came from the coat of arms of Cecil Rhodes, the founder of Southern Rhodesia, and the yellow pick on a green background symbolised mining and farming.

Scouts South Africa uses this badge when new members join, either as a Cub, a Scout or an Adult Leader. The badge is worn on the left front pocket of the uniform, over the heart. The five-pointed stars of the fleur-de-lis are often explained to be symbolic of the ten points of the Scout Promise.

17) immediately after the h text of the Expulsion of the Déssi, Kuno Meyer, Anecdota, I, pp. 15–24. Lugh's projectile weapon, whether a dart or missile, was envisioned to be symbolic of lightning-weapon.O'Rahilly, T. F. Early Irish History and Mythology (1946), pp. 60–65 Lugh's sling rod, named "Lugh's Chain", was the rainbow and the Milky Way, according to popular writer Charles Squire.

Minerva then sent sea-serpents to strangle Laocoön and his two sons, Antiphantes and Thymbraeus, for his actions. "Laocoön, ostensibly sacrificing a bull to Neptune on behalf of the city (lines 201ff.), becomes himself the tragic victim, as the simile (lines 223–24) makes clear. In some sense, his death must be symbolic of the city as a whole," S. V. Tracy notes.S. V. Tracy, "Laocoon's Guilt".

An accompanying music video was directed by Shane Drake and premiered June 20, 2016. The video sees Scott isolated in the woods, where she comes across a knotted rope in a stream. Flashes of thorns, as well as the knots in the rope, are interpreted by Jon Freeman of Rolling Stone to be symbolic of the struggles Scott's character faces, with her eventual disentanglement representing her rising above the tragedy.

This might be symbolic of the gesture he is making to touch the Virgin as she is holding Christ. All three shepherds, as well as Joseph identified by a faint halo, look on with amazement and complete adoration at this infant child born in a barn. Caravaggio's Baroque work is starkly different and revolutionary from Renaissance predecessors. To start, these divine figures are represented as ordinary people of the times.

As part of this process Edward decided to rebuild Windsor Castle, in particular Henry III's palace, in an attempt to construct a castle that would be symbolic of royal power and chivalry.Nicolson, pp. 118–9. Edward was influenced both by the military successes of his grandfather, Edward I, and by the decline of royal authority under his father, Edward II, and aimed to produce an innovative, "self-consciously aesthetic, muscled, martial architecture".Nicolson, p. 121.

In February 2020, the Bank of England introduced a new polymer £20 note, featuring Turner's c.1799 self-portrait, with The Fighting Temeraire in the background. The quote "Light is therefore colour" from an 1818 lecture by Turner, and a copy of his signature as made on his will are also included.Bank of England The painting is used in the 2012 James Bond film Skyfall to be symbolic of Bond's age and current standing within MI6.

The Bishop Andrewes cap as used for University of Cambridge DDs The PhD pileus of the University of Sussex The academic cap or square, commonly known as the mortarboard, has come to be symbolic of academia. In some universities it can be worn by graduates and undergraduates alike. It is a flat square hat with a tassel suspended from a button in the top center of the board. Properly worn, the cap is parallel to the ground.

Linda Infante Lyons has created several pieces of public art in locations such as the Hispanic Cultural Center in Mountain View, where she painted a mural of rufous hummingbirds, intended to be symbolic of the diversity in Alaska. Lyons also painted a mural on the 100-foot wall at the Government Hill Commons and Community Orchard in Anchorage and a mural for the Healthy Alaska Natives Foundation as a part of The Water is Life project.

This was linked closely to the creation of his work Exekution (Execution), which is said to be symbolic of the rejection. Nils Dardel married the author Thora Dardel (1899–1995 – née Klinckowström), which lasted between 1921–1934. Together they had a daughter Ingrid von Dardel (1922–1962) who like her father became an artist. Both her sons Henry Unger (born 1945 – father Gustav Unger) and Nils Ekwall (born 1954 – father Lage Ekwall) in turn were also active Swedish artists.

The company became highly successful due to its toilet products. Das perfected the process to extract the essence of the Neem plant, which he believed to be symbolic of Indian products, which led to the creation of two enduring brands - Margo (soap) and Neem toothpaste. He priced them in such a way as to allow them to be affordable to every strata of society. He also created and marketed a number of other products, including Lavender Dew Powder (for a more upmarket segment).

A selection committee finally came up with the suggestion that the raccoon be used. All agreed as the pesky raccoon was a friend to all campers at Camp Sequassen, being a frequent visitor to camp sites and food boxes. Having chosen an appropriate animal as a totem for the lodge, the committee turned to finding a new name, which was supposed to be symbolic of the Native American background of the Order of the Arrow. After careful research the word "Arcoon" was recommended.

The first attempts to regulate competitive ice hockey matches came in the late 1880s. Before then, teams competed in tournaments and infrequent challenge contests that prevailed in the Canadian sports world at the time. In 1887, four clubs from Montreal formed the Amateur Hockey Association of Canada (AHAC) and developed a structured schedule. In 1892, Lord Stanley donated the Stanley Cup to be symbolic of the Canadian championship and appointed Philip Dansken Ross and Sheriff John Sweetland as its trustees.

Two graves from a well-preserved sixth and seventh-century Anglo-Saxon cemetery at Finglesham have yielded a bronze pendant and a gilt buckle with designs that are related to each other and may be symbolic of religious activity involving the Germanic deity Woden. These objects probably date from the period of the pagan reaction.Commentary and images of both objects can be found in S. Chadwick Hawkes, "Finglesham. A Cemetery in East Kent" and "The Archaeology of Conversion: Cemeteries", both in Campbell, The Anglo-Saxons, pp.

A teardrop tattoo, for example, can be symbolic of murder, or each tear represents the death of a friend. At the same time, members of the U.S. military have an equally well-established and longstanding history of tattooing to indicate military units, battles, kills, etc., an association that remains widespread among older Americans. In Japan, tattoos are associated with yakuza criminal groups, but there are non-yakuza groups such as Fukushi Masaichi's tattoo association that sought to preserve the skins of dead Japanese who have extensive tattoos.

The Japanese word udonge (優曇華) was used by Dōgen to refer to the flower of the uḍumbara tree in chapter 68 of the Shōbōgenzō ("Treasury of the Eye of the True Dharma"). Dōgen places the context of the udonge flower in the Flower Sermon given by Gautama Buddha on Vulture Peak. The udonge flower may be symbolic of mind to mind transmission between the teacher and the student, in this case, Gautama Buddha and Mahākāśyapa. Udonge is also used to refer to the eggs of the lacewing insect.

The overthrow of Slobodan Milošević in Belgrade, Yugoslavia, began after the presidential election on 24 September and culminated in the downfall of Slobodan Milošević's government on 5 October 2000. It is sometimes referred to as the 5 October Overthrow (, "The October 5 Revolution") and sometimes colloquially called the Bager revolucija, translated into English as Bulldozer Revolution, after one of the most memorable episodes from the day-long protest in which an engineering vehicle operator charged the Radio Television of Serbia building, considered to be symbolic of the Milošević regime's propaganda.

The material of a handkerchief can be symbolic of the socio-economic class of the user, not only because some materials are more expensive, but because some materials are more absorbent and practical for those who use a handkerchief for more than style. Handkerchiefs can be made of cotton, cotton-synthetic blend, synthetic fabric, silk, or linen. Handkerchiefs are also used as an impromptu way to carry around small items when a bag or basket is unavailable. They could also serve as a substitute for a bandage over a small injury.

It is also said that it was used to carry documents relating to one's position in the Church. Papers such as those certifying one's ordination and rank would be most relevant when travelling. Carrying them in the Liturgy would be symbolic of bearing one's authority to conduct the Holy things of the Liturgy. During the Mystery (Sacrament) of Ordination, a priest or deacon is taken in procession three times around the Holy Table (altar), after each circuit he bows down before the bishop and kisses his epigonation and his right hand.

Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this would presumably refer to the four "character" scenes. Snow's intent for the film was "a summation of my nervous system, religious inklings and aesthetic ideas". The 45-minute-long zoom–which nonetheless contains edits–that incorporates in its time frame four human events in the room, including a man's death and a woman calling emergency later on, is intended to be symbolic of his intent.

For example, in late 2018, an 11-year-old girl was made pregnant and subsequently refused access to an abortion. The provincial health secretary, Gustavo Vigliocco, defended this decision, claiming that the girl and her family wanted the baby. Eventually, the young girl had to have an emergency cesarean section, 23 weeks into her pregnancy. Modeled after the past Mothers Movement's triangular headscarf, the green handkerchief or pañuelo verde began as a symbol used in pro-choice rallies, but has expanded in meaning to be symbolic of the feminist movement as a whole.

For philosophers of the same period, mathematical expression of philosophical ideals was taken to be symbolic of natural human relationships as well: the same laws moved physical and spiritual reality. For examples see Blaise Pascal, Gottfried Leibniz and Johannes Kepler, each of whom took mathematical examples as models for human behavior directly. In Pascal's case, the famous wager; for Leibniz, the invention of binary computation; and for Kepler, the intervention of angels to guide the planets (citation needed). In the realm of other disciplines, this created a pressure to express ideas in the form of mathematical relationships.

The use of the name is metaphorical as there is no link between the ancient figurines and the Roman goddess Venus; although they have been interpreted as representations of a primordial female goddess. The term has been criticised for being a reflection of Western ideas rather than reflecting the beliefs of the sculptures' original owners, but the original names are unknown as well so the term Venus has persisted. Like many prehistoric artefacts, the exact cultural meaning of these figures may never be known. Archaeologists speculate, however, that they may be symbolic of security and success, fertility, or a mother goddess.

Trotsky then comes to grips with the facts of his impending demise, settling affairs with his wife, pondering the nature of man and humanity ("So even an assassin can make the flowers grow") and reciting some future events that he will never live to know about. Finally he declares that he is in his "last room", though Mrs. Trotsky tries to explain that he is, in fact, unconscious in a hospital. Trotsky accepts that he is fortunate just to have lived for another day after the attack--that this seems to be symbolic of some sort of hope concerning human life.

This poetry is unique in the reference to Charlemagne (the "Christian" King) being friends with a character who could be symbolic of an elf or dwarf figure of the forest, as well Charlemagne trying robbery on divine inspiration. In this friendship, the poem combines Frankish legends of Charlemagne with some Dutch-Germanic mythology. The poem is also unique that a Dutch character Elegast is a hero, most other poems of the time concern Frankish people as the hero. Elegast is possibly symbolic of the Dutch people's pre-Christian myth of an ancient elf or folk hero.

One panel, labeled "Argo," appears to be symbolic of the Moffett Technical Center itself, showing an engineer working in the pilot plant, a chemist with retorts and test tubes, and a scientist at a microscope. In 2011, the NCFST was rebranded as the Institute for Food Safety and Health. The NCFST now operates as a center within the institute, along with new platforms such as the Center for Nutrition Research, Center for Processing Innovation, and the Center for Specialty Programs. IFSH has FDA personnel, IIT faculty and students, and more than 50 food industry-related partner companies.

Among scholars, the spider is thought to be a symbol of Bourgeois' mother, who was a weaver and a tapestry restorer. One scholar in particular, Mieke Bal, even went so far as to posit that the figure of the spider is a direct metaphor for her mother's care and protection with regard to family life. As a child, Bourgeois worked in her mother's shop and was tasked with drawing in the missing elements of worn or damaged tapestries. The incomplete fabrics on and in the cage are thought to be symbolic of that element of her childhood.

On June 15, 1966, he was designated commander of Joint Task Force 728, and made directly responsible to the Secretary of Defense, Robert McNamara. Starbird was given until September 1967 to build the McNamara Line, an electronic surveillance system intended to detect infiltration of South Vietnam by NVA forces from North Vietnam and Laos. The project was given the highest national priority, and Starbird was sent to South Vietnam to confer with General William Westmoreland. Considered by its critics to be symbolic of McNamara's management, in that it was expensive, valued technology over experience, and was generally ineffective, the barrier was never completed, and by March 1969 was shelved.

In order for his aspiring opera singer wife to perform, Charles Foster Kane builds an opera house for her, but the quality of her singing reveals her ineptitude. The urban legend is that Samuel Insull built this opera house for his wife, who was not hired by New York's Metropolitan Opera. Variations of this urban legend also often cite that the "chair" represented by the building's architecture faces West, which was intended to be symbolic of Insull turning his back to New York City's Metropolitan Opera from the geographic standpoint of Chicago. The fact, however, is that Samuel Insull's wife was not an opera singer.

With six floors and a maximum height of 37 metres, the Astoria building was one of the first office towers in the Netherlands. The building was a design by H.H. Baanders and Gerrit van Arkel, two architects who designed many buildings in Amsterdam in a sobre version of Jugendstil which later came to be known as Nieuwe Kunst ("New Art"). The Astoria building has a copper-plated roof with a small tower and decorative cast-iron fencing with EHLB (for Eerste Hollandsche Levensverzekerings Bank) in gold lettering. The mosaic on the Keizersgracht facade shows a guardian angel (intended to be symbolic of the insurance company) and two other figures.

Some campaigners wish to see the concentration of the Parliament's activities back in Strasbourg (one being a campaign called the "Association for European Democracy" launched on 15 March 2007). This is seen to be symbolic of decentralisation of the EU away from Brussels. Emma Nicholson, the only British MEP to support Strasbourg, argues that being next door to the Council of Europe allows MEPs to keep in touch with delegates from the rest of Europe, such as Russia, and that being in Brussels isolates the EU from such influences. Pro-Strasbourg campaigners also argue that Strasbourg offers more independence for Parliament, away from the other institutions and lobby groups in Brussels.

Golden Stool (Sika dwa) in the Ashanti Kingdom, 1935. The introduction of the Golden Stool (Sika dwa) was a means of centralization under Osei Tutu. According to legend, a meeting of all the clan heads of each of the Ashanti settlements was called just prior to declaring independence from Denkyira. In this meeting the Golden Stool was commanded down from the heavens by Okomfo Anokye, chief-priest or sage advisor to Asantehene Osei Tutu I and floated down from the heavens into the lap of Osei Tutu I. Okomfo Anokye declared the stool to be symbolic of the new Asante Union (the Ashanti Kingdom), and allegiance was sworn to the stool and to Osei Tutu as the Asantehene.

The main symbol of the monarchy is the sovereign him or herself, being described as "the personal expression of the Crown in Canada" and the personification of the Canadian state. Thus, the image of the sovereign acts as an indication of that individual's authority and therefore appears on objects created by order of the Crown-in-Council, such as coins, postage stamps, and the Great Seal of Canada. Through the 1800s, effigies and pictures of the monarch—Queen Victoria, especially—came to be symbolic of the wider British Empire, to which Canada belonged. As with other royal symbols, though, the general domestic meaning of the sovereign's portrait altered through the 20th century.

Various theories have been put forward about why Ashoka or his officials chose such places, including that they were centres of megalithic cultures, were regarded as sacred spots in Ashoka's time, or that their physical grandeur may be symbolic of spiritual dominance. Ashoka's inscriptions have not been found at major cities of the Maurya empire, such as Pataliputra, Vidisha, Ujjayini, and Taxila. It is possible that many of these inscriptions are lost; the 7th century Chinese pilgrim Xuanzang refers to some of Ashoka's pillar edicts, which have not been discovered by modern researchers. It appears that Ashoka dispatched every message to his provincial governors, who in turn, relayed it to various officials in their territory.

Jennings discussed the project with the local mine workers and their families, and found them enthusiastic for the venture. He also gained the co-operation of Arthur Horner, who felt that the proposed film would be symbolic of the unity and solidarity felt by all mining communities with the people of Lidice. Filming began in September 1942 and continued through to December. Jennings had decided that no professional actors would be brought in, and his entire cast consisted of untrained local people, although he was careful to ensure that nobody appeared on screen without giving their permission and that anyone who felt uneasy or uncomfortable about being filmed was excluded from shots.

Reviewing a screening of the pilot episode, The A.V. Club found the production values and acting quality of The Neighbors to be far worse than those of The Room, and noted the unexplained presence of women in bikinis in several scenes. Wiseau responded to the criticism by saying that the women were meant to be symbolic of sexually liberated women. The A.V. Club later reviewed the first four episodes made available on Hulu Plus, and summed up the series as an "unpleasant slog" that "actually gets lazier as it progresses", ultimately giving it an F grade. Wiseau himself believes that the fifth and sixth episodes are better than the first four, and submitted the series for Emmy consideration.

The lotus is thought to be symbolic of purity, beauty, spiritual power, life, fertility, growth or, in Tantra, the entire created universe. It is a recurring motif in Hindu (as well as Buddhist and Jain) literature and a lotus growing from Viṣṇu's navel is said to mark the beginning of a new cosmic creation. The elephants are symbolic of royalty and, in Hindu mythology, are also related with cloud and rain; they thus reinforce Śrī-Lakṣmī's stature as the goddess of abundance and fertility. Later Hindu iconography often represents Śrī- Lakṣmī in the form of Gaja-Lakṣmī, standing on a lotus, flanked by two elephants that are shown showering her with water with their trunks.

Khachigian with President Ronald Reagan, First Lady Nancy Reagan, press secretary Larry Speakes, chief of staff Don Regan, and aide Dennis Thomas aboard Air Force One circa 1986. In May 1985, Reagan delivered a Khachigian crafted speech at the former Bergen-Belsen concentration camp in Germany. In the previous month, the Administration had announced that Reagan would visit the Kolmeshohe Cemetery near Bitburg, at the suggestion of Chancellor Helmut Kohl of West Germany, to pay respects to the soldiers interred there. The visit was intended to be symbolic of the goodwill between the two countries, but unbeknownst to the Reagan Administration, 49 of the graves contained the remains of men who had served in the Waffen-SS.

The character of the fox represented in the cartoon can be symbolic of anti-Semitism during Hitler's dictatorship. Stereotypes of the Jewish population were at their height in 1944, for example being cunning and having large noses, and of course, many factors played into part to alienate and exterminate them from society. Therefore, with the master Aryan race being part of Nazi ideology they used propaganda as a tool for exclusion, with Jews becoming the central characters of many films from 1939 onwards. Although the animation does not directly link the character of the fox to Jews, background of other instances doing this using foxes, rats and pests, can suggest its message was to exterminate them as a necessity and not a crime.

An Orange Order banner dedicated to the Ulster Special Constabulary A less common banner theme is the purely local subject, such as a map of Northern Ireland, a local landmark or scene from local industry, or a symbol of Northern Ireland, such as the Red Hand of Ulster. Landmarks depicted often have religious or historical connotations, for example a church or the site of a historical event. Industrial scenes often seem not to mean anything other than a connection with members of the lodge, although they may be symbolic of the Protestant work ethic. Ulster symbols such as flags are more commonly found on bannerettes or in the decoration around the main subject than as banner subjects in their own right.

The end of the war in November 1918 saw Bondfield's election to the General Council of the TUC, the first woman to be thus elevated. In the following months she travelled as a TUC delegate to international conferences, in Bern and later in Washington DC, where she expressed the view that the peace terms being imposed on Germany were unjust. In April 1920 she was a member of a joint TUC-Labour Party mission to the Soviet Union. A few months earlier, Lansbury had visited the incipient Soviet state and had been most impressed after meeting Lenin, whom he judged to be "symbolic of a new spirit", "the father of his people" and "their champion in the cause of social and economic freedom".

Patricia Monaghan states that "There is no evidence that the clover or wood sorrel (both of which are called shamrocks) were sacred to the Celts". However, Jack Santino speculates that "The shamrock was probably associated with the earth and assumed by the druids to be symbolic of the regenerative powers of nature ... Nevertheless, the shamrock, whatever its history as a folk symbol, today has its meaning in a Christian context. Pictures of Saint Patrick depict him driving the snakes out of Ireland with a cross in one hand and a sprig of shamrocks in the other." Roger Homan writes, "We can perhaps see St Patrick drawing upon the visual concept of the triskele when he uses the shamrock to explain the Trinity".

One feature that does not appear in the canons but is often found in stone sculptures and bronzes is the presence of a small bell tied by a string just below the right knee. The bell is interpreted by the scholar Mahadev Chakravarti to be symbolic of Bhikshatana's outcast status, as the bell is symbolic of the Pariah "untouchables" of South India, who traditionally had to ring a bell when entering a Brahmin village. In bronzes, the deer and the trishula were generally cast separately and positioned later in the icon, but since many of these separate pieces have been lost over time, bronzes often appear without them. Bhikshatana is often accompanied by women and bhuta-gana (goblin attendants of Shiva).

British rock and blues guitarist, Eric Clapton's "The Fool" (replica shown) is one of the world's best-known guitars and has come to be symbolic of the psychedelic era. Advances in printing and photographic technology in the 1960s saw the traditional lithography printing techniques rapidly superseded by the offset printing system. This and other technical and industrial innovations gave young artists access to exciting new graphic techniques and media, including photographic and mixed media collage, metallic foils, and vivid new fluorescent "DayGlo" inks. This enabled them to explore innovative new illustrative styles including highly distorted visuals, cartoons, and lurid colors and full spectrums to evoke a sense of altered consciousness; many works also featured idiosyncratic and complex new fonts and lettering styles (most notably in the work of San Francisco-based poster artist Rick Griffin).

The monument, at right, in its original location in 1807, in the Field of Mars The figure of Suvorov was sculpted in bronze by Mikhail Kozlovsky between 1799 to 1801, with his proposed design being approved in January 1800. Suvorov is depicted in the allegorical guise of the god Mars, with a raised sword in his right hand and with a shield in his left, in classical armour and helmet. The face of the figure does not exactly resemble Suvorov, but is intended to be symbolic of a "heroic" figure. The figure stands beside an altar with reliefs of Faith, Hope and Love, on which the papal tiara and crowns of Austria and the Kingdom of Sardinia are placed, protected by the figure's shield, which bears the Russian coat of arms.

Seeing the future This may be linked to the belief, recorded elsewhere, that looking through a holed stone gives a person 'second sight', and some later Christian pilgrim sites retain the holed stones which exist in the area so that pilgrims may get a 'glimpse of heaven.' Connected with this was the belief by that looking through a piece of grass made into a circle one was given second sight into the land of the supernatural, making fairies visible, etc.Second sight Passing through the stone may be symbolic of 'rebirth', however it seems that the idea of transferring the disease or condition to the stone was uppermost in the thoughts of the practitioners. To add weight to this idea it has been recorded that sick children were also passed through double-rooted bramble hoops, split ash trees and even holes in the ground.

The Constitution of 1917 prohibited any public processions or other devotional practices. Hurtado proposed the creation of a huge cross to be placed in the geographic center of Mexico, which he said would be symbolic of how Mexico recognized Christ as its king, and he organized a public ceremony for the laying of the cornerstone of the cross in direct violation of the existing constitution. In anticipation of the laying of the cornerstone, signs were placed throughout Mexico proclaiming Christ the "King of Mexico" and declaring the nation’s devotion to the Sacred Heart. In 1923, an estimated 40,000 Roman Catholics made their way to the site of the cross to take part in the groundbreaking ceremonies at the hill, which was at the time called "La Loma" and is now called the mountain of Christ the King.

For example, the documentary's theory concerning a poster of a minotaur is in fact referencing a poster of a skier, while the film's usage of a German typewriter, interpreted to be symbolic of the Holocaust, was chosen by Kubrick for pragmatic reasons. He concluded that "[Kubrick] didn’t tell an audience what to think or how to think and if everyone came out thinking something differently that was fine with him. That said, I’m certain that he wouldn’t have wanted to listen to about 70, or maybe 80 percent [of Room 237]... Because it’s pure gibberish." In an October 2014 interview with Rolling Stone, Stephen King (who has been vocal in his dislike for Kubrick's adaptation of his novel) said that he had seen the film and that he "watched about half of it and got impatient with it and turned it off".

The Nautilus follows in the footsteps of these men: she visits the waters where Lapérouse's vessels disappeared; she enters Torres Strait and becomes stranded there, as did d'Urville's ship, the Astrolabe; and she passes beneath the Suez Canal via a fictitious underwater tunnel joining the Red Sea to the Mediterranean. In possibly the novel's most famous episode, the above-cited battle with a school of giant squid, one of the monsters captures a crew member. Reflecting on the battle in the next chapter, Aronnax writes: "To convey such sights, it would take the pen of our most renowned poet, Victor Hugo, author of The Toilers of the Sea." A bestselling novel in Verne's day, The Toilers of the Sea also features a threatening cephalopod: a laborer battles with an octopus, believed by critics to be symbolic of the Industrial Revolution.

Illustration of the layout of the abbey as discovered through 20th-century archaeological excavation and its relation to the modern-day great house During an excavation in 1958, the site of the abbey—at the time, heavily wooded and similar to its medieval appearance—was described as Edward had grand ambitions for Vale Royal, as an important abbey, surpassing all the other houses of its order in Britain in scale and beauty. It was further intended to be symbolic of the wealth and power of the English monarchy and his own piety and greatness. He intended the abbey to be more grandiose than his grandfather King John's abbey at Beaulieu, and as a project, it was comparable to his father's Westminster Abbey. Henry, for example, had planned to be buried at Westminster, and Edward may have had similar plans for himself at Vale Royal.

Phallic symbolism was prevalent in the architecture of ancient Babylonia, and in Khametian iconography, the obelisk was considered to be symbolic of the phallus of the masculine earth. The obelisks of ancient Egypt themselves had several functions, existing both as a reference to the cultus of the sun and of the phallus, representing fertility and power. Although phallic architecture as individual pieces was not prevalent in ancient Rome as it was in ancient Greece or Egypt, the Romans were deeply superstitious and often introduced phallus-related components as architectural pieces and domestic items. Archaeologists unearthing a site in Pompei discovered many vases, ornaments and sculptures unearthed revealing the preoccupation with the phallus, also unearthing an 18-inch terracotta phallus protruding from what was believed to have been a bakery with the inscription, "Hic habitat felicitas" (here dwells happiness), and many Romans wore phallus amulets to ward off the evil-eye.

Separating the inmates was intended to serve three purposes: to direct treatment to those who most needed it; to deter others from pauperism; and as a physical barrier against illness, physical and mental. The commissioners argued that buildings based on Kempthorne's plans would be symbolic of the recent changes to the provision of poor relief; one assistant commissioner expressed the view that they would be something "the pauper would feel it was utterly impossible to contend against", and "give confidence to the Poor Law Guardians". Another assistant commissioner claimed the new design was intended as a "terror to the able- bodied population", but the architect George Gilbert Scott was critical of what he called "a set of ready-made designs of the meanest possible character". Some critics of the new Poor Law noted the similarities between Kempthorne's plans and model prisons, and doubted that they were merely coincidental - Richard Oastler went as far as referring to the institutions as 'prisons for the poor'.

Gores of brick paving viewed from the Torre del Mangia The open site was a marketplace established before the thirteenth century on a sloping site near the meeting point of the three hillside communities that coalesced to form Siena: the Castellare, the San Martino and the Camollia. Siena may have had earlier Etruscan settlements, but it was not a considerable Roman settlement, and the campo does not lie on the site of a Roman forum, as is sometimes suggested. It was paved in 1349 in fishbone-patterned red brick with 8 lines of travertine, which divide the piazza into 9 sections, radiating from the mouth of the gavinone (the central water drain) in front of the Palazzo Pubblico. The number of divisions is held to be symbolic of the rule of The Nine (Noveschi) who laid out the campo and governed Siena at the height of its mediaeval splendour between 1292-1355.

For buildings forming part of an English garden cemetery of the period, an unusual choice of architectural style was made at Abney Park: Egyptian Revival style. It had not previously been used on a large scale for a park or cemetery frontage; and for a prominent entrance onto one of the main roads into London, it was clearly designed to catch the eye and be symbolic of the novelty of a wholly non- denominational approach to cemetery layout and design, and the remarkable intention of also establishing a semi-public park. William Hosking was already familiar with Egyptian temple architecture, as evidenced by his contributions to the Encyclopædia Britannica, but he took expert advice from fellow antiquarian scholar Joseph Bonomi junior to achieve higher standards of detailing for the hieroglyphics and other Egyptian facets of the final design. Detail of Hosking, Bonomi, Loddiges' and Collisons' Egyptian Revival entrance showing its botanical approach using Lotus flower heads and sepals (photo: September 2005) Hosking's carefully scaled "Egyptian-Revival" entrance ensemble comprised a carefully studied Temple Lodge or Lodges (with twin North and South components), with dramatic pylons, gates and railings in between.

Marie Antoinette with pouf hairstyle From the 16th to the 19th century, European women's hair became more visible while their hair coverings grew smaller, with both becoming more elaborate, and with hairstyles beginning to include ornamentation such as flowers, ostrich plumes, ropes of pearls, jewels, ribbons and small crafted objects such as replicas of ships and windmills. Bound hair was felt to be symbolic of propriety: loosening one's hair was considered immodest and sexual, and sometimes was felt to have supernatural connotations. Red hair was popular, particularly in England during the reign of the red-haired Elizabeth I, and women and aristocratic men used borax, saltpeter, saffron and sulfur powder to dye their hair red, making themselves nauseated and giving themselves headaches and nosebleeds. During this period in Spain and Latin cultures, women wore lace mantillas, often worn over a high comb, and in Buenos Aires, there developed a fashion for extremely large tortoise-shell hair combs called peinetón, which could measure up to three feet in height and width, and which are said by historians to have reflected the growing influence of France, rather than Spain, upon Argentinians.

The posthumous execution of Cromwell, on the anniversary of the regicide in 1661, struck the imagination of the Italian writer, and State Secretary of Este court in Modena, Girolamo Graziani who involved himself since then in his Il Cromuele (1671), a tragedy that deals with the theme of the dark cruel tyrant, (Oliver Cromwell) and the violated regality (Charles I of England's martyrdom). The plot is full of historical references as well as love affairs between the characters. One of the earliest novels to feature Cromwell, Abbé Prévost's Le philosophe anglais (1731–39), portrays him as a hypocritical womaniser, a deceitful tyrant, and a coward. The protagonist of this novel, Mr Cleveland, is Cromwell's illegitimate son via one of Charles I's cast-off mistresses. Cromwell’s adoption by the French Romantic movement was typified by Victor Hugo's 1827 play Cromwell, often considered to be symbolic of the French romantic movement, which represents Cromwell as a ruthless yet dynamic Romantic hero. A similar impression of a world-changing individual with a strong will and personality was provided in 1831 in the picture by French artist Hippolyte Delaroche, depicting the visit by Cromwell to the body of Charles I after the king’s execution.

Completely new away and third team kits were introduced, while a new all-green goalkeeper strip replaced the previous season's gold and black strip as the primary one for use by the goalkeepers, with a newly styled and trimmed variant of the old gold and black strip which became the secondary strip for use by the goalkeepers in away fixtures. The new all-black away team kit came with gold vertical shoulder trim on the front that enabled the kit to be colour-coordinated with the gold and black goalkeeper strip, although it was sometimes also used with the all-green goalkeeper strip. This gold and black colour scheme was, according to its designer David Blanch, intended to be symbolic of the globe covered with bees (representing the world, to all parts of which the goods of the city were exported) that was featured on the city of Manchester coat of arms. That was because the Manchester City teams in the past have established the unique tradition of always wearing this crest on their shirts when playing at Wembley (or in a major cup final elsewhere) as a symbol of their pride in representing the city of Manchester at a major sporting event.