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21 Sentences With "be suffused"

How to use be suffused in a sentence? Find typical usage patterns (collocations)/phrases/context for "be suffused" and check conjugation/comparative form for "be suffused". Mastering all the usages of "be suffused" from sentence examples published by news publications.

The difference is that before, the show's quieter episodes tended to be suffused with vicious and unrelenting dread.
In France, the trees and shrubbery in a French garden appear to be suffused in a weak orange fog.
The event will be suffused with symbolic references to Mr Xi's favourite topics, from pursuing the "Chinese dream" to creating a "beautiful China".
A self-help book called "The Good Life" might be encouraging or prescriptive, but a novel with that title is bound to be suffused with tart irony.
Eggnog is available on Facebook and Instagram (both are EggnogTheBulldog), so feel free to check up on his home's progress and be suffused with terrible, all-consuming jealousy.
It's a week likely to be suffused with irony, awkwardness, and many questions after the recent turn of events and the many ways a Trump presidency could alter the transportation landscape.
Likewise, a deep friendship could similarly be suffused with some mixture of flavours such as pragma, storgē, agápē and anánkē, in which we feel a profound and fated bond of lifelong connection.
Second, he is bound to be suffused with awe as he looks around at the Remington bronze bronco, the Rockwell "Statue of Liberty," the portraits of Washington and Lincoln, the Swedish ivy on the mantel that has eavesdropped — and leavesdropped — on so much history.
Before my ninth year, anytime I became ill, or fell into water, or fell from a tall peach or willow tree, every time I was wounded or struck, or narrowly escaped death, the kitchen of the thatched house would be suffused with the smell of good things to eat.
The crown, nape, ear coverts, hindneck, and sides of neck are dark grey, and lores and chin are a grey-black. The grey feathers of the sides of the crown may be suffused with dull orange.Higgins et al., p. 678.
The posterior belly, flanks, and vent are off-white. As in the male, feathers on the side of the crown may be suffused with a dull orange, and this may also occur with breast feathers. There are small, off-white marks on the wings and above the bill.Higgins et al.
There are about 7 whorls, which are slightly convex. The shells are whitish, painted with oblique flexuose (angular brownish-green) radiating stripes. Nearly the whole surface can be suffused with bright green by the erosion of the outer layer. The sculpture consists of inconspicuous incremental striae and very oblique subobsolete folds.
The underparts are white with a spotted throat, but may be suffused with orange, pink or red in breeding males. The Sicilian wall lizard differs from island populations of the Italian wall lizard in having a deeper head, more slender form, more speckled (rather than reticulated) markings and the brighter colour of the underparts.
The leaf margin is serrated with small teeth. Leaf colour can vary the upper side generally being dark green and the underside being paler and more silver in colour. Leaves can sometimes be suffused with red or purple colouring. Fuchsia excorticata is uncommon for its characteristic of being deciduous in southern areas of New Zealand, where the majority of its competing species are large evergreen species.
He also frequently collaborated with his compatriots, the conductors James Robertson and Warwick Braithwaite, who said, "At times during performances his artistic temperament would take charge and quite suddenly the whole concerto would be suffused with a glow of intense musical depth and understanding". These collaborations with Braithwaite concluded with a brilliant performance of Franz Liszt's First Piano Concerto in front of Queen Elizabeth during her first Royal Tour of New Zealand in 1954. He was to tour New Zealand four times between 1948 and 1956.Grayson, pp.
At the completion of the west front in 1140, Abbot Suger moved on to the reconstruction of the eastern end, leaving the Carolingian nave in use. He designed a choir (chancel) that would be suffused with light.When the new rear part is joined to that in front, The church shines, brightened in its middle. For bright is that which is brightly coupled with the bright And which the new light pervades, Bright is the noble work Enlarged in our time I, who was Suger, having been leader While it was accomplished.
The wingspan is about 17 mm. The forewings are white with a short dark fuscous mark along the base of the dorsum and a thick irregular dark fuscous streak from the base of the costa to before the middle of the dorsum. The costal edge is dark fuscous to one-fourth, whence an irregular dark fuscous line runs to the dorsum beyond the middle, tending to be suffused with the preceding streak on the dorsal half. A slender dark fuscous streak is found from the middle of the costa to the dorsum before the tornus, dilated towards the dorsum.
Bundahishn 4.12 Ohrmazd, being omniscient, knows of the inevitability of the attack and creates fire (Adur) "with his thought", with which the universe would subsequently be suffused with goodness (life). Upon being attacked, Ohrmazd recites the Ahunawar invocation, thus revealing His ultimate victory to Ahriman, who then falls back confounded for another 3000 years.Bundahishn 1.15 Towards the end of the second cosmic age (the second 3000 years), Ahriman, who until then has resisted the exhortations of his demons, is roused from his impotence by Jeh's beguiling devices, who promises to destroy the creatures of Ohrmazd.Bundahishn 3.1-7 Incited, Ahriman defiles her with a kiss, and from this act Jeh is thenceforth afflicted with menstruation.
On completion of the west front, Abbot Suger moved on to the reconstruction of the eastern end, leaving the Carolingian nave in use. He wanted a choir (chancel) that would be suffused with light. To achieve his aims, Suger's masons drew on the several new elements which evolved or had been introduced to Romanesque architecture: the pointed arch, the rib vault, the ambulatory with radiating chapels, the clustered columns supporting ribs springing in different directions and the flying buttresses which enabled the insertion of large clerestory windows. It was the first time that these features had all been drawn together, and the style evolved radically from the previous Romanesque architecture by the lightness of the structure and the unusually large size of the stained glass windows.
Writing for the majority, Justice Blackmun noted that the courts had not come up with an analytically sound distinction between traditional and non-traditional governmental operations. He noted that the Court had adopted a similar distinction decades earlier in challenges to the federal government's taxation of the operations of state governments, only to reject it as well. The Court denounced any efforts to draw this distinction, whether based on the historical record or on historical grounds, as arbitrary and likely to be suffused with the prejudices of an unelected branch of government as to which governmental functions are proper and traditional and which ones are not. The Court also rejected the theoretical underpinnings of the National League of Cities v.
Application of notes inégales to contemporary performance of music not written in France, for example the music of J.S. Bach, is extremely controversial, and indeed resulted in one of the most heated debates in 20th-century musicology. One school of thought attempted to show that the French practice was actually widespread in Europe, and performance of music by composers as diverse as Bach and Scarlatti should be suffused with dotted rhythms; another school of thought held that even-note playing was the norm in their music unless dotted rhythms were explicitly notated in the score. Evidence on both sides of the argument is compelling; for example 17th-century English writings recommending unequal playing (Roger North's autobiographical Notes of Me, written around 1695, describes the practice explicitly, in reference to English lute music), as well as François Couperin, who wrote in L'art de toucher le clavecin (1716), that in Italian music, Italians always write the notes exactly the way they want them played. Then again, the practice may have been more widespread in some areas, such as England, than others, such as Italy and Germany.

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