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31 Sentences With "be elastic"

How to use be elastic in a sentence? Find typical usage patterns (collocations)/phrases/context for "be elastic" and check conjugation/comparative form for "be elastic". Mastering all the usages of "be elastic" from sentence examples published by news publications.

"Ethical standards must be elastic to stretch with the times," he adds.
What counts as offensive is subjective, so "hate speech" laws can be elastic tools for criminalising dissent.
Because boats are often bought for recreational purposes, their demand tends to be elastic — highly responsive to price changes.
Because boats are often bought for recreational purposes, their demand tends to be elastic — highly responsive to price changes.
Perhaps the trailing edge would be elastic and then fixed tightly to the hips in a belt that could tighten the sheet up.
This definition is intended to be elastic and dynamic — yet the bill provides no insight on how drone operators are to be informed of such restrictions.
The time inside of a painting would not be linear, would not proceed from beginning to end, but would rather be elastic, circular, self-referential, and self-reflective.
A currency should be "basically something with a store of value," he said, adding that currencies need to be "elastic" to be able to support varying economic and financial conditions.
"The music was designed to be elastic so you could play a riff an extra three or four times to give people backstage time to figure out what they were doing," Mr. Grode said.
Topology considers shapes to be elastic and malleable — able to be stretched or squished without their fundamental nature being changed, as long as no new holes are punched and no pieces are newly joined together.
One day, Christiansen was in a meeting at André Balazs's yet-to-open London hotel, Chiltern Firehouse, admiring "the line strokes of the pink paint on the wall," he said, when he realized that many of his references came from the same mind, or, rather, two minds: Karl Fournier and Olivier Marty of the Paris-based architecture firm Studio KO. 11 Photos View Slide Show ' Fournier and Marty, who created the Chiltern's lived-in Edwardian look and who had previously designed elegant, earthy homes for Pierre Bergé (Yves Saint Laurent's former business and romantic partner) and the Italian aristocrat Marella Agnelli, are known less for their aesthetic, which tends to be elastic, as they are for their ability to cleverly mix periods and moods in creating spaces that channel a voluptuous tranquillity: placid Berber compounds in Marrakesh, for instance, or a gracefully blackened wood barn on France's Brittany coast.
Polyhydroxybutyric acid synthesized from pure PHB is relatively brittle and stiff. PHB copolymers, which may include other fatty acids such as beta-hydroxyvaleric acid, may be elastic.
Solid fat prevents cross-linkage between gluten molecules. This cross-linking would give dough elasticity, so it could be stretched into longer pieces. In pastries such as cake, which should not be elastic, shortening is used to produce the desired texture.
Wynne, 1940, p. 206. He swiftly organized new defensive lines, telephoning Ludendorff that this time the defense would be elastic because the front line was so readily observed. If forced the front line defenders would withdraw and the battle would be fought at the second line, which was mostly on a reverse slope, easily observed by artillery observers. Counter-attacking infantry were now using stormtrooper tactics.
It is further assumed that individuals will eventually experience diminishing marginal utility. Finally, wages and prices are assumed to be elastic (they move up and down freely). The classical model assumes that traditional supply and demand analysis is the best approach to understanding the labor market. The functions that follow are aggregate functions that can be thought of as the summation of all the individual participants in the market.
In principle, if the thickness of the sample is within few micrometers, the primary beam will be completely attenuated by scattering with other electrons or lattices. In fact, the primary beam interaction process could be elastic or inelastic. For the first case, no loss of energy happens, this is known as a backscattered electron. On the other hand, in case of inelastic interaction process, the emitted electron from the sample from eV to 30 KeV.
Padded weapons used in American-style battle gaming are often used with full force blows. The thrusting tips must be elastic and compressible. The foam should be open cell of a density greater than or equal to 2.3 lbs per square inch. In addition, between the core and the thrusting tip there should be placed a ridged punch protector consisting of either a pipe end cap or small plastic or leather disk.
The demand for a good is said to be elastic (or relatively elastic) when its elasticity is greater than one. Revenue is maximised when price is set so that the elasticity is exactly one. The good's elasticity can also be used to predict the incidence (or "burden") of a tax on that good. Various research methods are used to determine price elasticity, including test markets, analysis of historical sales data and conjoint analysis.
Collisions are of three types: #perfectly elastic collision #inelastic collision #perfectly inelastic collision. Specifically, collisions can either be elastic, meaning they conserve both momentum and kinetic energy, or inelastic, meaning they conserve momentum but not kinetic energy. An inelastic collision is sometimes also called a plastic collision. A “perfectly inelastic” collision (also called a "perfectly plastic" collision) is a limiting case of inelastic collision in which the two bodies coalesce after impact.
The function of dougong is to provide increased support for the weight of the horizontal beams that span the vertical columns or pillars by transferring the weight on horizontal beams over a larger area to the vertical columns. This process can be repeated many times, and rise many stories. Adding multiple sets of interlocking brackets or dougong reduces the amount of strain on the horizontal beams when transferring their weight to a column. Multiple dougong also allows structures to be elastic and to withstand damage from earthquakes.
By contrast, the yarn in knitted fabrics follows a meandering path (a course), forming symmetric loops (also called bights) symmetrically above and below the mean path of the yarn. These meandering loops can be easily stretched in different directions giving knit fabrics much more elasticity than woven fabrics. Depending on the yarn and knitting pattern, knitted garments can stretch as much as 500%. For this reason, knitting was initially developed for garments that must be elastic or stretch in response to the wearer's motions, such as socks and hosiery.
In plastic limit analysis of structural members subjected to bending, it is assumed that an abrupt transition from elastic to ideally plastic behaviour occurs at a certain value of moment, known as plastic moment (Mp). Member behaviour between Myp and Mp is considered to be elastic. When Mp is reached, a plastic hinge is formed in the member. In contrast to a frictionless hinge permitting free rotation, it is postulated that the plastic hinge allows large rotations to occur at constant plastic moment Mp. Plastic hinges extend along short lengths of beams.
Presented by the American Theatre Wing, the Awards celebrated "outstanding contributions to the current American theatre season." According to The New York Times, these awards "do not designate their recipients as 'best' or 'first' but the classifications in which they are given will be elastic from year to year." The ceremony, hosted by Brock Pemberton, was broadcast on radio station WOR and the Mutual Network. The awards got their nickname, "Tonys", during the ceremony itself when Pemberton handed out an award and called it a "Toni", referring to the nickname of Antoinette Perry, co-founder of the American Theatre Wing.
These meandering loops can be easily stretched in different directions giving knit fabrics much more elasticity than woven fabrics. Depending on the yarn and knitting pattern, knitted garments can stretch as much as 500%. For this reason, knitting is believed to have been developed for garments that must be elastic or stretch in response to the wearer's motions, such as socks and hosiery. For comparison, woven garments stretch mainly along one or other of a related pair of directions that lie roughly diagonally between the warp and the weft, while contracting in the other direction of the pair (stretching and contracting with the bias), and are not very elastic, unless they are woven from stretchable material such as spandex.
For example, a skein of cotton would be 80 turns on a reel of 54 inches circumference, making 120 yards, while the standard length for wool worsted would be 80 yards. The tension of the yarn as it was wound onto the reel was important because it would be elastic and so a standard tension was required to ensure uniformity. For a given reel, this would be determined by the friction of the setup and so the test hanks would be made and measured in other ways to calibrate the device. The Science Museum in London has an 18th-century wrap reel in its collection which was made for Richard Arkwright's first cotton mill in Derbyshire.
A system is said to be elastic if any deformations caused by applied forces will spontaneously and completely disappear once the applied forces are removed. The calculation of the stresses (stress analysis) that develop within such systems is based on the theory of elasticity and infinitesimal strain theory. When the applied loads cause permanent deformation, one must use more complicated constitutive equations, that can account for the physical processes involved (plastic flow, fracture, phase change, etc.) Engineered structures are usually designed so that the maximum expected stresses are well within the realm of linear elastic (the generalization of Hooke’s law for continuous media) behavior for the material from which the structure will be built. That is, the deformations caused by internal stresses are linearly related to the applied loads.
In economics, elasticity is the measurement of the percentage change of one economic variable in response to a change in another. An elastic variable (with an absolute elasticity value greater than 1) is one which responds more than proportionally to changes in other variables. In contrast, an inelastic variable (with an absolute elasticity value less than 1) is one which changes less than proportionally in response to changes in other variables. A variable can have different values of its elasticity at different starting points: for example, the quantity of a good supplied by producers might be elastic at low prices but inelastic at higher prices, so that a rise from an initially low price might bring on a more-than-proportionate increase in quantity supplied while a rise from an initially high price might bring on a less-than- proportionate rise in quantity supplied.
Kanga, Kara and Kirpan – three of the five Ks In Sikhism, the Five Ks ( Pañj Kakār) are five items that Guru Gobind Singh commanded Khalsa Sikhs to wear at all times in 1699. They are: Kesh (uncut hair), Kangha (a wooden comb for the hair), Kara (an iron bracelet), Kachera (a 100% cotton tieable undergarment, must not be elastic), and Kirpan (an iron dagger large enough to defend oneself ) . The Five Ks are not just symbols, but articles of faith that collectively form the external identity and the Khalsa devotee's commitment to the Sikh rehni, "Sikh way of life". A Sikh who has taken Amrit and keeps all five Ks are known as Khalsa ("pure") or Amritdhari Sikh ("Amrit Sanskar participant"), while a Sikh who has not taken Amrit but follows the teachings of the Sri Guru Granth Sahib is called a Sahajdhari Sikh.
Individual footprints and the collectiveness of social groups carry culture and symbolic materiality that can strongly complement a dynamic urban environment. Urban projects then need to be elastic and open to constant transformations, innovative ways to create inclusive areas and represent the local features that empower social relations and spatial experience. Beautifying and modernizing the city should not come at the expense of losing its national and local “touch” to fit global conventions, but push against social demand and constrictions in a way that sustainable and efficient projects are motivated and a homogeneous society can coexist. Architectural projects and landscaping need to push for the maximization of spaces, opportunities and economic investments in a strict frame of ethics that allows all members of the population an access to dignified qualities of life with healthy environments with ample opportunities for cultural, artistic, educational and professional recreation.
Typically, sets of the usual tableware items are excluded from the term; instead the objects produced are mostly decorative vessels such as vases, jugs, bowls and the like which are sold singly. The term originated in the later 19th century, and is usually used only for pottery produced from that period onwards. It tends to be used for ceramics produced in factory conditions, but in relatively small quantities, using skilled workers, with at the least close supervision by a designer or some sort of artistic director. Studio pottery is a step up, supposed to be produced in even smaller quantities, with the hands-on participation of an artist-potter, who often performs all or most of the production stages.Cooper, 206; Jacobs, 19; Osborne, 132; this is famously and most emphatically stated by Bernard Leach on the first page of his A Potter's Book (Faber, 1940) But the use of both terms can be elastic.
Weight transfer during cornering, acceleration or braking is usually calculated per individual wheel and compared with the static weights for the same wheels. The total amount of weight transfer is only affected by four factors: the distance between wheel centers (wheelbase in the case of braking, or track width in the case of cornering) the height of the center of gravity, the mass of the vehicle, and the amount of acceleration experienced. The speed at which weight transfer occurs as well as through which components it transfers is complex and is determined by many factors including but not limited to roll center height, spring and damper rates, anti-roll bar stiffness and the kinematic design of the suspension links. In most conventional applications, when weight is transferred through intentionally compliant elements such as springs, dampers and anti-roll bars, the weight transfer is said to be "elastic", while the weight which is transferred through more rigid suspension links such as A-arms and toe links is said to be "geometric".

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