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12 Sentences With "be deaf to"

How to use be deaf to in a sentence? Find typical usage patterns (collocations)/phrases/context for "be deaf to" and check conjugation/comparative form for "be deaf to". Mastering all the usages of "be deaf to" from sentence examples published by news publications.

This is not to say that Sheikh Hasina, the prime minister, will be deaf to China's overtures.
A good critic is also a reporter, and he is not required to be deaf to the concerns of other diners.
This has caused them to be deaf to concerns that many voters have about the effects of immigration on wages and public services.
It's not obvious that we should have more certainty about the Biden theory of electorate than the Sanders one — that voters will be deaf to Republican efforts to paint him as an authoritarian communist.
Apple can't afford to be deaf to the desires of those potential buyers, and part of its motivation for introducing the iPhone Plus models was to tap into the enthusiasm for phablet devices across Asia.
DAVOS, Switzerland (Reuters) - Pope Francis told members of the world's wealthy political and economic elite on Wednesday that they should not be deaf to the cry of the poor and must consider their own role in creating inequality.
In case I happened to be deaf to the gossip around the show, the gallery was kind enough to provide me with Jerry Saltz's review when I requested images — perhaps to help me come to the conclusions shared by others.
Ellie sends another message, sad that Greenwood has not replied. He begins to craft a response with a made up excuse as to why he can't meet her but changes his mind and doesn't reply. The next morning, Greenwood begins learning sign language, pretending to be deaf to avoid speaking, though in his head he clearly answers people and wishes he could talk to them. He later has a moment of clarity and responds to Ellie, telling her he would love to meet her.
" In a 1986 paper he gave on "the kind of free-riding that both arouses moral indignation in some people, and arguably saps the initiative of innovators," he examined the difficulties of the various proposed solutions and suggested: > The fourth possibility is to do nothing. Let the free-riders ride. This is > often a good thing; for consumers it is such a good thing that I will not > take time to defend it. It does require judges to be deaf to complaints that > "It isn't fair.
The Princess is so overjoyed when she finds Deaf Robert that she forgets her anger and instead speaks in a gentle voice and is surprised to find he can hear her. He explains, Wymps had gone to his christening and that his father, The Minstrel had wished he would be deaf to every sound that was not beautiful. After much convincing, Deaf Robert returns to the Palace with Princess Prunella to become her playfellow. For weeks the Princess is overjoyed, until Deaf Robert grows unhappy and the wonderful look disappears from his face as he wishes to go back to the town and the forest.
Stewart argues that our traditionally vision-centric reading habits cause us to be "deaf" to these permutations. In his 1999 book Between Film and Screen: Modernism's Photo Synthesis, Stewart draws on ideas in film theory—specifically the work of Gilles Deleuze as well as British screen theory and its emphasis on the cinematic apparatus—to argue that as an art form cinema is haunted by its basis in still photography. While cinema creates the illusion of live action, this is only made possible by a strip of still frames as they speed past the projector. Stewart is interested in the ways in which film tries, and often fails, to repress this stillness in its representations of time and movement.
"The Lip Reader" was writer Carol Leifer's first produced script for Seinfeld. As had become a signature of the show, Leifer drew on her real life experiences for the storylines. While working as a stand-up comedian, Leifer used a car service for traveling between shows; preferring to have "some peace and quiet" during her rides, she was annoyed that she consistently ended up with drivers who would talk to her even when she buried her face in a magazine. She added in Elaine's pretending to be deaf to both tie her plot in with George's and raise the down-to-earth experience of not wanting to talk with drivers to a level of absurdity.

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