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19 Sentences With "bass speaker"

How to use bass speaker in a sentence? Find typical usage patterns (collocations)/phrases/context for "bass speaker" and check conjugation/comparative form for "bass speaker". Mastering all the usages of "bass speaker" from sentence examples published by news publications.

These coming equipment include microwave oven, loudspeaker, bass speaker and vehicle equipment, etc.
And no, even with that bass speaker under your ass, it's not going to feel like the thump of a big ol' Kicker subwoofer in the hatch, but I tested the car in quiet and reserved Amsterdam, not LA. All Minis are built upon a modified version of the same iDrive computer system we've already seen in our ScreenDrives of the Rolls-Royce Dawn and BMW 530i.
Mechanically percussive hooks; dubstep-style drops distorted to sound like beatboxing, or a car's bass speaker turned up too loud; voices that would sound gawky even if they weren't gargling pixelated buckets of Auto-Tune; lyrics that combine rap and middle-school disses, as if trying to capture how social media-damaged adolescents talk; weird drums and sampled noises thrown in for the sake of clutter — on 1000 gecs, these elements are strewn all over the place, and swerve between comic juxtapositions.
In 2016, he added various other amp heads including a silverface Ampeg SVT classic and Barefaced bass speaker cabinets.
The Pulsor is under development. The Pulsor makes it possible to play the BassBox live allowing greater manipulation of the bass speaker than with the prerecorded sounds. The Pulsor also enables the BassBox to be played with the Stratifier.
Bass cabinets have thicker wood panels than electric guitar amps, and often have stronger internal bracing. This reduces the likelihood of unwanted cabinet buzzes or rattles, which are more likely with bass cabinets due to the lower sound frequencies output. "Open back" bass speaker cabinets are uncommon, because the configuration increases difficulty in clearly reproducing low-frequency tones.
The BassBox is an acoustic instrument. The sound of this instrument is created by the overblowing of two flutes that obtain their air from a large fast-moving bass speaker. The sound does not resemble the sound of a flute but that of a wooden percussion instrument with many overtones. The instrument can be heard in the composition "The Day".
Production of both body styles ended in Japan in March 2014, with stocks available for sale until October 2014. Indonesian market SX-4 received updates, including new speedometer, redesigned dashboard, new wheel and grill design, mid bass speaker, HID projector headlamps, and AUX port on the headunit. While the X-Road variant discontinued due to low sales. ;2012 Suzuki Indonesia launched new variant, named RC1.
Yellow paint on a piece of film wrap over a bass speaker playing very loud music. In many settings, loud music is not tolerated by property owners, and may be grounds for certain civil actions, such as eviction from rented property. Property owners at locations where patrons visit temporarily, such as hotels, campgrounds, or businesses, may order those who play loud music to leave the property.
He explains that the song "was the first time the bass sound had been heard in all its excitement ... To get the loud bass sound Paul played a different bass, a Rickenbacker. Then we boosted it further by using a loudspeaker as a microphone. We positioned it directly in front of the bass speaker and the moving diaphragm of the second speaker made the electric current." Combined with this was the conscious desire to be different.
A transmission line loudspeaker is a loudspeaker enclosure design which uses an acoustic transmission line within the cabinet, compared to the simpler enclosures used by sealed (closed) or ported (bass reflex) designs. Instead of reverberating in a fairly simple damped enclosure, sound from the back of the bass speaker is directed into a long (generally folded) damped pathway within the speaker enclosure, which allows far greater control and use of speaker energy and the resulting sound.
Weinstein, p. 23 The need for a loud volume in metal bands is even more paramount in large performance venues, such as stadiums. To get a loud enough bass sound to compete with the loudly amplified electric guitars and the large drum kits used in metal, metal bassists typically use large bass speaker cabinets stacked on top of each other–"bass stacks"–powered by high-wattage amplifiers. Traditional heavy metal bands were early users of "bass stacks".
It is generally not possible to combine high efficiency (especially at low frequencies) with both compact enclosure size and adequate low frequency response. In general, to maximize low- frequency performance, a larger cabinet size is needed. enclosure schematic (cross-section). Most bass speaker cabinets employ a vented bass-reflex design, which uses a port or vent cut into the cabinet and a length of carefully measured tubing or pipe to increase the low-frequency response and improve the speaker system's efficiency.
The Octavium was utilized by several recording artists of that era, most notably the Grateful Dead, bassist Monk Montgomery, bassist Nathan East, and the Pointer Sisters. The Octavium speaker and Dones's subwoofer technology were also utilized, in a few select theaters, to reproduce low pitch frequencies for the 1974 blockbuster movie Earthquake. During the late 1960s, Dones's Octavium was favorably reviewed by audiophile publications including Hi-Fi News and Audio Magazine. Another early subwoofer enclosure made for home and studio use was the separate bass speaker for the Servo Statik 1 by New Technology Enterprises.
The Ampeg Portaflex is a small, lightweight, yet powerful bass amplifier head. It is small and light enough to be carried with one hand, yet powerful enough to run a large bass stack. The power handling capabilities of a speaker cabinet or individual speaker are always given in relation to a specific impedance (a measure of electrical resistance); the most common impedance ratings in bass speaker systems are 8 ohms and 4 ohms, although some equipment is rated down to 2 ohms or even more rarely to 1 ohm.
It is located in a five-floor building, with three of the floors dedicated to a different period in the Beatles history. The first floor covers 1959–1962, while the second and third cover 1963–1966 and 1967–1970, respectively. Objects exposed include George Harrison's Futurama guitar, John Lennon's Sergeant Pepper medals, the cello from "I Am the Walrus" and Pete Best's Premier drum. Other items displayed are Paul McCartney's bass speaker, Lennon's custom-made egg chair, the "All You Need Is Love" doll from the BBC Our World broadcast, and gifts that Elvis Presley gave to the Beatles.
Although microphone usage varied somewhat according to the requirements of each song, the group's recordings at Abbey Road most often employed Neumann U47 or U67 microphones for electric guitars and one or more Neumann U47s (unidirectional); U48's "figure eight" (bidirectional) pickup pattern for vocals and most other instruments. The AKG C-12 was used as well, particularly on the bass (speaker) amplifier. Early in their recording career the drums usually were recorded with only two microphones: one overhead (an AKG D19 or STC 4038) and one for the bass drum (such as an AKG D20). Later, more microphones were used on the drums.
The electric bass was much easier to amplify to stadium-filling volumes using large bass speaker cabinets and amplifiers than an upright bass. The electric bass also began to be used as an expressive solo instrument, as exemplified by the performances of Jaco Pastorius and Stanley Clarke. In the 1970s, the main chordal rhythm instruments were often electric instruments such as the Rhodes electric piano or electric clavinet, often run through effects units such as fuzz, phasers, or wah-wah pedals and amplified through loud keyboard amplifiers. The jazz fusion rhythm section followed the lead of the rock rhythm sections of the era, and used banks of speakers and powerful amplifiers to create a massive sound large enough for stadium concerts.
GSMArena rated the phone positive from initial impressions with the phone because of the flagship-like design and build, good screen, good performance, and bloatware-free OS. They criticized the lack of space for the notification bar, lack of IP rating, and lack of a headphone jack. OnePlus Nord received positive reviews from Tom's Guide reviewer Richard Priday, citing its many cameras, 90 Hz display, great design for a mid-range phone, and excellent battery life. They criticized the macro camera, the average performance, the lack of wireless charging, and the fact that OnePlus Nord won't be coming to the United States. The Verge reviewer Jon Porter recommended the phone to the vast majority of customers, with some minor caveats, like the mono, downward-firing, low bass, speaker, and the 90 Hz refresh rate screen not being fully utilized because of the not-quite-flagship processor.

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