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39 Sentences With "baroquely"

How to use baroquely in a sentence? Find typical usage patterns (collocations)/phrases/context for "baroquely" and check conjugation/comparative form for "baroquely". Mastering all the usages of "baroquely" from sentence examples published by news publications.

No CGI was used, resulting in intricately detailed and baroquely organic textures and forms.
The implied question: Which is worse, the blatantly, baroquely horrible, or the plausibly deniable?
In many ways the Tenderloin looks like a movie version of poverty: garishly, baroquely, almost implausibly destitute.
Although from a later period, again it's Baroquely painted on a flat ceiling to give the illusion of depth.
And make no mistake, Gilead is weird: Its system of oppression is both baroquely elaborate and extremely narrowly tailored.
The unfriendliness of the skies seems to grow only more baroquely awful with each new incident immortalized on a cellphone.
He became a leading proponent of a style of representation that is baroquely expressive, defiantly salacious, and brazenly, culturally Black.
His campaign was powered by best-selling tracts like Phyllis Schlafly's "A Choice, Not an Echo," steeped in the Birchers' baroquely paranoid style.
I thought of the baroquely pierced and tattooed young woman I'd met some months earlier, in a workshop I taught at a summer writers' conference.
Replete with permanent scowl, crispy jheri-curl, and a closetful of baroquely colorful threads, Cheadle's Davis is the kind of guy who uses "motherfucker" as punctuation.
It's easy to assign a negative value to the baroquely egocentric moreness that is part and parcel of "Selfish" in particular, and the Kim Kardashian West phenomenon in general.
At a cluster of monitors, the showrunners Jordan Cahan and David Caspe pondered whether key bumps were wedding-appropriate, even in the baroquely dissipated world of 1980s Wall Street.
From its opening montage, "Legion" drops you into the baroquely disoriented head space of David Haller (Dan Stevens), who may be insane or may be the world's most powerful telepath.
And here the story of Paddy Hearn, the baroquely unwanted homeless youth, starts to flower into the biography of Lafcadio Hearn, the writer whose reputation would eventually reach across the world.
Times Insider When a photo Jeremy Egner took in 2014 resurfaced recently, what struck him was how long "this baroquely violent and fantastical melodrama" had been a part of his family's life.
Philip Crangi designed them, and they are as baroquely detailed as the hilt of a medieval sword, cast directly from his life-size, hand-drawn renderings, which Lyons carefully unfurls to show me.
Two days after our meeting in Preysler's garden, I saw Vargas Llosa at a news conference held inside the Casa de America in Madrid, in a small room baroquely decorated with cherubs, nudes and gold leaf.
But when the photo popped up most recently, as the series neared its much-anticipated end, what struck me was how long this baroquely violent and fantastical melodrama has been a part of my family's life.
Philip Vanderhyden's "Volatility Smile 3" (2018) is an iteration of his very contemporary, multi-screen digital collage work that in no way blends with its surroundings at the baroquely ornate Federal Reserve Bank in downtown Cleveland.
Even more unfortunate is the cast's collective failure to find a rhythm that would accommodate the play's willful combination of joltingly different tones and styles, ranging from vaudeville sketch material to baroquely ornate speechifying à la Kushner.
Through three seasons of labyrinthine story lines, an ever-rising body count, boundless scheming and exploitation, and a profusion of depravity that sometimes abruptly transmuted into tenderness, Milch's dialogue transformed the frontier demotic into something baroquely profane.
Tarantino was manifestly miffed at the temerity some black writers displayed in questioning his aptitude and ability to address the trauma of African-American slavery in Django Unchained (2012), a gaudy, oft-surreal mélange of intense, baroquely-conceived violence and slapstick comedy.
This exposure has vindicated some of the public cynicism that made Trump's rise possible — because in many cases the newly-exposed scandals were open secrets, known to those in the know, and in some cases they were as baroquely grotesque as any Reddit fantasy.
The vintage-feeling clothes, which included heaps of big hats and opera gloves, were no less theatrical — there were frilly baby-doll dresses, bell-bottom suits in pastels and baroquely ruffled ball gowns, inspired, said Gucci's creative director, Alessandro Michele, by the idea of a mother dressing her child for a special occasion.
A few years later, the column grew into a weekly review program, "Screenwipe," in which Brooker, ensconced in the living room of his South London flat, wryly taxonomized TV conventions ("TV presenters are basically imaginary friends, and they come in four main types ") and delivered baroquely vituperative monologues straight into the camera.
Once you begin to identify such arrangements as grifts, you are bound to discover, in our baroquely capitalist society, that loads of things are essentially grift-shaped, from oddball start-ups to arcane financial services: They begin with a slick appeal, go on to create nothing of concrete value and end, like any good bilking, with your money in new pockets.
Activities include mandatory attendance at baroquely conceived yet joyless song-and-dance sessions led by the hotel's matronly manager (Olivia Colman) and her rotund husband (Garry Mountaine); or, more disturbingly, group outings to the Forest to hunt down Loners, a secret society of hotel escapees that fetishizes singledom—"No sex, or flirting," admonishes their severe leader (Léa Seydoux)—as much as the City endorses traditional domestic pairings.
The heritage of the convent is a gothic church, which was later baroquely modified and had gothic cellars in the location of the current graveyard. Events of the Thirty Years' War significantly reduced the population, leaving just nine inhabitants. The number of citizens was 225 in 2001. The area is served by several bus lines.
Review: Teflon Don. Vibe. Retrieved on July 21, 2010. Ben Detrick of Spin commented on Ross's assumption of his "kingpin" persona, stating "If the Miami rapper has been a shell, though, he's become Fabergé on Teflon Don, his fourth and best album. The songs here are baroquely structured, richly musical creations with humor and emotional depth".
As described by Paul Schrader, "Robert Aldrich's teasing direction carries noir to its sleaziest and most perversely erotic. Hammer overturns the underworld in search of the 'great whatsit' [which] turns out to be—joke of jokes—an exploding atomic bomb."Schrader (1972), p. 61. Orson Welles's baroquely styled Touch of Evil (1958) is frequently cited as the last noir of the classic period.
The film received mixed reviews. It currently has a 40% approval rating on Rotten Tomatoes, based on 5 reviews, with a weighted average]of 4.85/10. Variety wrote: "Despite a fine cast and atmospheric direction by Abel Ferrara, the pic doesn't quite make the grade, though it certainly is worth a look.""Cat Chaser", Variety, 1 January 1989 Entertainment Weekly called the film "baroquely sleazy" and wrote that it failed to make sense.
Aspirants were provided with typescript lectures ("sutras") on metaphysical topics, using idiosyncratic terms like "integrality" and "partitivity." A system of alms provided for funds to be remitted back up the same chain down which these instructions descended. Organizational titles and pseudonyms in the U.B. were generally taken from Sanskrit. Few U.B. writings have become accessible to non-members, but those that have, taken with Jones' writings in the U.B. vein, suggest that their doctrines involved a baroquely intellectualized form of sentimental monotheism.
When it comes to burning up a dance floor, she is still Ms. Jackson." Jon Pareles of The New York Times stated, "Ms. Jackson luxuriates in textures as dizzying as a new infatuation," commended the album as containing "songs so baroquely sumptuous that they're virtually experimental." Pareles added, "Boudoir ballads undulate in torrid slow motion while Ms. Jackson moans like a phone-sex operator, and uptempo tunes hark back to disco, splice mock-operetta to hard rock or, in Better Days, conjure an easy-listening 1960's-pop apotheosis.
Michael Snyder of the San Francisco Chronicle, however, was more favourable, calling it "an utter triumph", adding that it was "enigmatic, sarcastic, provocative and incisive". Spin magazine's Jonathan Gold rated the album 6 out of 10, praising its "deftness" and its "burnished, jackhammer-sheathed-in-a-lubricated-condom presence", but feeling that its multiple genres were a distraction. Writing for AllMusic, Greg Prato gave it a more positive rating of three-and-a-half stars out of five, while calling it one of the band's "underrated releases". New York magazine described the album as "baroquely, nightmarishly weird", praising Mike Patton's vocals.
" Los Angeles Times writer August Brown complimented its "fantastic pillow talk" and wrote that the album "splits the difference between the well-ironed soul revivalism of Adele and R. Kelly's baroquely dirty mind." Brown added that Hawthorne "comes into his own as a vocal powerhouse" and commended the production as "refined and dynamic in a way that's wholly missing from pop radio." However, Slant Magazines Jonathan Keefe found Hawthorne's singing "technically poor" and marred by a "shaky sense of pitch". Keefe noted its musicianship as "simply flawless in recreating a '70s-era R&B; groove" and stated, "Hawthorne just doesn't have the vocal chops to pull off an otherwise solid album.
The novel spans 80 years of Minnie's life, cutting from present to past to show the individuality of a woman and a mother who is determined to save the family's farm. The Philadelphia Inquirer appreciated "Nolan's soaring language and lilting alliterative style [which] suffuse [...] much of the book with a sense of the miraculous" and the The New York Times Book Review found it "richly – even baroquely – told [...] Nolan writes with verve."Random House Dam-Burst of Dreams (published 1981), provided Nolan critical acclaim that compared him to the works of W. B. Yeats and James Joyce. The collection was published four years after Nolan was administered Lioresal but some of the poems were written when Nolan was just 12 years old.
The October 20, 1996 presidential, legislative, and mayoral elections also were judged free and fair by international observers and by the groundbreaking national electoral observer group Ética y Transparencia (Ethics and Transparency) despite a number of irregularities, due largely to logistical difficulties and a baroquely complicated electoral law. This time Nicaraguans elected former- Managua Mayor Arnoldo Alemán, leader of the center-right Liberal Alliance, which later consolidated into the Constitutional Liberal Party (PLC). Alemán continued to privatize the economy and promote infrastructure projects such as highways, bridges, and wells, assisted in large part by foreign assistance received after Hurricane Mitch hit Nicaragua in October 1998. His administration was besieged by charges of corruption, resulting in the resignation of several key officials in mid-2000.
The song consists of a protracted spoken monologue, with a constantly repeated fingerstyle ragtime guitar (Piedmont style) backing and light brush-on-snare drum percussion (the drummer on the record is uncredited), bookended by a short chorus about the titular diner. (Guthrie has used the brief "Alice's Restaurant" bookends and guitar backing for other monologues bearing the Alice's Restaurant name.) The track lasts 18 minutes and 34 seconds, occupying the entire A-side of the Alice's Restaurant album. Due to Guthrie's rambling and circuitous telling with unimportant details, it has been described as a shaggy dog story. Guthrie refers to the incident as a "massacree", a colloquialism originating in the Ozark Mountains that describes "an event so wildly and improbably and baroquely messed up that the results are almost impossible to believe".
Inferno is the violent sequel to Harlem Heroes. Set in the bloodthirsty arena of Inferno, an even more barbaric updating of Aeroball, with the addition of players on motorbikes (and gameplay similar to that featured in Rollerball), sportsmanship is gradually replaced by sensationalist violence and the desire for bloodshed and death on the field. Declining in- game values are shadowed by terrifying levels of boardroom corruption: their own manager, tiring of the Heroes' clean-cut image, is determined to get rid of their contracts, by taking out a contract on his own players. The scene of the Heroes' violent demise is a baroquely ruinous former casino called The Crystal Maze (a metaphor of the human mind, and a title later recycled), rendered in darkly gothic splendour by Massimo Belardinelli.

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