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"barn dance" Definitions
  1. an informal social event at which people dance traditional country dances
"barn dance" Synonyms
contredanse hoedown contra dance folk dance square dance quadrille country dance ceilidh celebration dance party singsong sing-along function gathering festivity reception carousal jamboree fete social ball carouse blowout reunion frolic shindig hop disco bop do prom beano shindy bash beanfeast bunfight formal More

306 Sentences With "barn dance"

How to use barn dance in a sentence? Find typical usage patterns (collocations)/phrases/context for "barn dance" and check conjugation/comparative form for "barn dance". Mastering all the usages of "barn dance" from sentence examples published by news publications.

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The couple met in 2007 while attending a barn dance at Kanakuk Kamp in Durango, Colo.
Its Saturday night barn-dance slot became the "Grand Ole Opry", the longest-running show on American radio.
He also managed the WWVA Jamboree, a weekly barn dance and radio broadcast in Wheeling, W.Va., from 1966 to 1970.
These styles were jammed together by a transformative technology: radio, and the "barn dance" variety shows that flourished on the airwaves.
Mostly, it just clomps, two-steps and square dances along its relentlessly exuberant way, with sprightly choreography by Connor Gallagher and rowdy barn-dance music, performed by the band onstage.
Harris, who released two albums and her most recent self-titled EP in March, was in northern New Mexico to play the Big Barn Dance in Taos on Sept. 5.
The artist had been on her way to Michael Hearne's Big Barn Dance Music Festival in Taos when she was involved in a three-car collision, according to the Associated Press.
Harris, who released two albums and her most recent self-titled EP in March, was in the northern New Mexico town to play the Big Barn Dance in Taos on Thursday.
Harris, who released two albums and her most recent self-titled EP in March, was in the northern New Mexico town to play the Big Barn Dance in Taos on Thursday.
Harris, who released two albums and her most recent self-titled EP in March, was in the northern New Mexico town to play the Big Barn Dance Music Festival in Taos on Thursday.
After that apprenticeship and his subsequent time in Bill Monroe's band, he formed his own group, the Country Boys, who headlined the Old Dominion Barn Dance in Richmond, Va., from 1953 to 1956.
Always the outsider, Sonja evokes her smugly well-adjusted sister Kate, once a "barn-dance femme fatale" and now also a caring super-mum; Ellen, a massage-therapist; and a psychologist chum called Molly.
Every summer in Vermont, emerging and established writers gather for lectures, readings, workshops and the occasional barn dance at Bread Loaf, one of the oldest and most prestigious writers' conferences in the United States.
Harris had released a self-titled EP in March and had been in New Mexico to perform at Michael Hearne's Big Barn Dance Music Festival, according to the concert listings on her official website.
Harris, who released two albums and her most recent self-titled EP in March, was in the northern New Mexico town to play the Big Barn Dance in Taos Thursday, according to Saving Country Music.
The series opens with a shot of a mural at the Country Music Hall of Fame, which depicts a barn dance, the railway, a church choir, river boats, fiddles, cowboys, a blues musician and slaves in the field.
Plentiful slide guitar and a reliance on barn-dance-ready shuffle rhythms ground the songs in tradition, and the execution is sharp enough that the band's old-school approach is convincing, a believable transformation of country's vintage melancholy.
From there, things took a sad turn as Harris, who was scheduled to play at the Big Barn Dance Music Festival in Taos, went on to speak about her family and what seemed to be their ill-fate living in New Mexico.
Summery blues and whites can be found in many of the pieces, including the dotted chambray Home for Dinner shirt for boys; the chambray and white lace Barn Dance Tonight dress for tweens; and the blue-and-white-striped sleeveless In Town Jumpsuit for women.
Every week for more than 463 years, with the easy, familiar voice of a friend, Mr. Brand invited listeners of the New York public radio station WNYC to his quirky, informal combination of American music symposium, barn dance, cracker-barrel conversation, songwriting session and verbal horseplay.
Hours before the fatal crash, Harris was also present on social media — tweeting and posting a series of videos on her Instagram Stories that documented her road trip through New Mexico, where she was scheduled to play at the Big Barn Dance Music Festival in Taos.
Hazards abound as the patients rack up day counts: A community barn dance that serves alcohol is approached with dread, and it's a nice comic note when the event turns out mostly populated by townspeople about three times the patients' age and not exactly hard-partying types.
Start with the staging at St. Ann's, done up for the occasion (by the marvelous designer Laura Jellinek) like a barn for a barn dance, with glittering streamers, hot pots of chili and the audience seated at wooden tables or on risers on two sides of the action.
Go to a wedding, barn dance, annulment, christening, vehicle tax registration confirmation bash, or all you can eat buffet completion celebration anywhere in the world, and you'll see a swarm of people still not exactly sure how to the the Macarena even though they've been aware of the Macarena longer than they've had the internet or quinoa.
Pieter Breughel the Younger, Wedding Dance in a Barn () Dance program including the barn dance. Traditional dancing (2016) A barn dance is any kind of dance involving traditional or folk music with traditional dancing, occasionally held in a barn, but, these days, much more likely to be in any suitable building. The term “barn dance” is usually associated with family- oriented or community-oriented events, usually for people who do not normally dance. The caller will, therefore, generally use easy dances so that everyone can join in.
Eva remained a regular on the WLS National Barn Dance until 1947.
The Barn Dance in 1940 National Barn Dance was founded by Edgar L. Bill. To him goes the credit for arranging to have a program of "down-home" tunes broadcast from radio station WLS, of which Bill was then director. Having lived on a farm, he knew how people loved the familiar sound and informal spirit of old-fashioned barn dance music. The first broadcast was an impromptu sustaining program.
The group made regular appearances on Renfro Valley Barn Dance until disbanding in 1957.
By the late 1950s, the "golden age" of country shows slowly passed and the Sunset Valley Barn Dance lost much of its popularity. Due to low ratings, the program was later discontinued. Stone and the Sunset Valley Barn Dance were named in Garrison Keillor's Prairie Home Companion song "The Family Radio". In 1983, Gerald Barfuss published the book David Stone in Sunset Valley, which details the history of the Sunset Valley Barn Dance.
Soon afterward, the Sunset Valley Barn Dance became one of the most popular country programs in the Midwest.
Barn dance shows in the United States WLS in Chicago is credited with developing the “barn dance” radio format, which was in large part responsible for the advent of country music in the United States. The National Barn Dance began as a program of old-time fiddling on April 19, 1924, with George D. Hay as the show's host and announcer. A year-and-a-half later, Hay moved to Nashville, Tennessee and brought in an old-time fiddler to launch the WSM Barn Dance; this show is now known as the Grand Ole Opry and remains on the air to this day. Dozens of similar programs cropped up on AM radio stations all across the United States, from New England to Los Angeles, including the WWVA Jamboree in Wheeling, West Virginia (1933), the Renfro Valley Barn Dance in Kentucky (1939), the Louisiana Hayride (1948), the Tennessee Jamboree (1953) and Ozark Jubilee (1954).
Troyl is a colloquial Cornish word meaning a barn dance or céilidh, a social evening of dance, music and song.
Marcella Squires (Lulu Belle) was born in Washington, Illinois; Wiseman was from Spruce Pine, North Carolina. Lulu Belle and Scotty enjoyed enormous national popularity thanks to their regular appearances on National Barn Dance on WLS-AM in Chicago, a rival to WSM-AM's Grand Ole Opry. Barn Dance enjoyed a large radio audience in the 1930s and early 1940s with some 20 million Americans regularly tuning in. The duo married on December 13, 1934, one year after Wiseman became a regular on Barn Dance (Cooper had been a solo performer there since 1932).
Hooper has been the guitarist in the Ceilidh & Barn-Dance Band Pitchfork since 1984, and is also a member of Misalliance.
December 3, 1981 Walter Knott died, survived by his children who would continue to operate Knott's as a family business for another fourteen years. In the 1980s, Knott's built the Barn Dance featured Bobbi & Clyde as the house band. It was during the height of the "Urban Cowboy" era. The "Barn Dance" was featured in Knott's TV Commercials.
Ad National Barn Dance, broadcast by WLS-AM in Chicago, Illinois starting in 1924, was one of the first American country music radio programs and a direct precursor of the Grand Ole Opry. National Barn Dance also set the stage for other similar programs, in part because the clear-channel signal of WLS could be received throughout most of the Midwest and even beyond in the late evening and nighttime hours, making much of the United States (and Canada) a potential audience. The program was well received and thus widely imitated. National Barn Dance ended its broadcast in 1968.
In 1925, prior to network radio or syndication, Hay brought his Barn Dance concept to Nashville, Tennessee. The result was a show called the WSM Barn Dance. It became so popular that on December 10, 1927, Hay renamed it the Grand Ole Opry. WSM became one of the first NBC affiliates in 1927, and the Opry is still on the air today.
In 1939, the Dinnings had a program on WENR in Chicago, Illinois. They first gained national exposure on the NBC Radio show "Barn Dance".
The Old American Barn Dance is an American country music television series carried by the DuMont Television Network from July 5 to September 13, 1953.
ABC Barn Dance is an early country and Western music show on American television, a simulcast of the popular radio program National Barn Dance, a title that was also sometimes used for the TV version. It also included some folk music. The show aired on Monday nights from February 21 to November 14, 1949 on ABC-TV. Originally broadcast from 8:30 to 9 p.m.
The Old Barn Dance was filmed from November 27 to December 9, 1937. The film had an operating budget of $49,191 (equal to $ today). The film had a negative cost of $50,179 (equal to $ today). The Old Barn Dance was filmed on location in the Alabama Hills of Lone Pine, California, Kernville, California, and Red Rock Canyon State Park on Highway 14 near Cantil, California.
A million soldiers saw his concerts and he was awarded six battle stars. After his discharge in 1946, he joined the "Sage Riders", performing on the National Barn Dance. The "Sage Riders" comprised Ray Klein, Dolph Hewitt and Don "Whytsell" White. He was married for the second time in 1946 to Marcella "Sally" Ebert, who was one of the square dancers at the National Barn Dance.
After the war the Fairmont Hotel in San Francisco hosted a syndicated radio show featuring Bob Wills & His Texas Playboys. Wills opened the Wills Point nightclub in Sacramento. 400 South Long Beach Boulevard in the suburb of Compton in Los Angeles, California was the site of California's largest barn dance. The Town Hall Barn Dance ran on Friday and Saturday nights from 1951 through 1961.
At WLW, he was host of a weekday morning program that included children's songs and riddles and "tidy-up time", during which he encouraged young listeners to pick up their clothes and toys. Besides his work on radio, O'Halloran toured the Eastern United States with a barn dance production After he went to Cincinnati, he made personal appearances with the Boone County Jamboree. in 1949, he was a master of ceremonies on the ABC Barn Dance, a segment of the National Barn Dance that was broadcast on ABC-TV. O'Halloran led a musical group, Hal O'Halloran's Hooligans, whose instruments included bass, clarinet, fiddle, guitar, harmonica, jug, kazoo, and washboard.
Prairie Farmer WLS National Barn Dance Crew photograph dated June 16, 1934 in "WLS Family Album 1935." Chicago: The Prairie Farmer Publishing Company, 1934, p. 30\.
The singing of "Oakie Boogie" is the only performance by Guthrie in a film--Ernest Tubb's Hollywood Barn Dance in 1947.Pugh, Ernest Tubb, p. 120: "Tubb's good friend and 'Oklahoma Hills' star Jack Guthrie makes his only film appearance, singing 'Oakie Boogie' as a special guest toward the end [of Hollywood Barn Dance]." Ella Mae Morse also recorded a version for Capitol which reached number 23 in 1952.
The Barn Dance is a Mickey Mouse short animated film first released on March 15, 1929, as part of the Mickey Mouse film series; it was the first of twelve shorts released during that year. It was directed by Walt Disney with Ub Iwerks as the head animator. The title is written as Barn Dance on the poster, while the full title is used on the title screen.
The Bradley Stoke Rotary Club hosts a variety of meetings and events such as knitting and an annual barn dance, the 2018 dance raising £600 for Bristol Children's Charity.
An estimated 400 people were attending the barn dance in the auditorium, where Biddy O'Toole's songs were broadcast. She was one of Uncle Tim's Barn Dance Troupe, which broadcast a weekly show from the stage. Soon after the next act started, featuring Canadian soldier Eddy Adams singing "The Moonlight Trail", a cry of fire was heard. The crowd struggled to get out of the auditorium, but the lights went out due to the fire.
Cari Norris, Kentucky Folkweb (ed.), Lily May Ledford as Traditional Artist -- excerpt. 1998. Retrieved: 2009-09-01. In 1936, Ledford won a music competition at Mount Vernon, Kentucky, and the following year made her radio debut on WLS Chicago's National Barn Dance. Shortly after this appearance, she was recruited by John Lair for his new radio program, Renfro Valley Barn Dance, which was initially broadcast from Cincinnati and later moved to Mount Vernon.
Di Første Jul is Damli's first Christmas album, and first singing in her native Norwegian. All songs are ballads here, aside from the festive barn dance anthem "Vinder og Snø’".
The Sunset Valley Barn Dance was an American country music radio and later television program broadcast by KSTP of St. Paul, Minnesota, which ran for nearly 20 years, starting in 1940.
Amburgey was born in Neon, Kentucky (since absorbed into Fleming-Neon). She and her two sisters were spotted by radio barn-dance impresario John Lair and invited to join the cast of the WSB Barn Dance in Atlanta in 1938. The Amburgey sisters were given the hayseed names of Minnie, Marthie, and Mattie. After Amburgey left the group and teamed with her husband, mandolin player James Carson, in the 1940s, the stage name stuck and she became Martha Carson.
In 1950, Blanchard left the "Sage Riders" to concentrate on a solo career. During the 1950s, he hosted the "Red Blanchard Show" and the "Merry-Go-Round Show". He also appeared on shows such as "Smile-A-While" and the "Armed Forces Radio Services" and also worked as an author, publishing books and writing columns for newspapers. In 1959, the National Barn Dance was transferred from WLS to WGN, where it changed name to the WGN Barn Dance.
Avalon Time premiered as The Avalon Variety Show on October 1, 1938 with host Red Foley. Clyde Julian "Red" Foley was born June 17, 1910 in Blue Lick, Kentucky. Foley began his career in broadcasting in 1930 while still attending school at Georgetown College to perform with the house band on WLS-AM's National Barn Dance. In 1937, Foley, with producer John Lair, created the radio program Renfro Valley Barn Dance for WHAS in Louisville, Kentucky.
Tennessee Barn Dance was a live American country music program broadcast by WNOX radio in Knoxville, Tennessee. It began in January 1942 and was held at the Old Lyric Theatre in Knoxville.
Bickers currently works with a country-and-western covers band called Montana Rain, which also features singer Nicola Rain, bass player John Rain and barn-dance folk duo Pete and Mannie McClelland.
In the mid-1950s, Neal and her band, The Ranch Girls, were featured on the Old Dominion Barn Dance. Besides performing music, she worked as a disc jockey on radio in Pittsburgh.
Radio announcer Jay Stewart, who had worked with Bond on an earlier West Coast country & western show, Hollywood Barn Dance, was hired as master of ceremonies.Bond, Johnny. The Tex Ritter Story 1976 Chappell.
Snipp, Snapp, Snorum and Basalorum are four other villages in the vicinity.Karl Fahlgren: Skellefte sockens historia (1953), p. 80. Printed at Almqvist & Wiksells boktryckeri AB Hej has a flea market and barn dance.
They were among the first country music stars to venture into feature motion pictures, appearing in such films as Village Barn Dance (1940), Shine On, Harvest Moon (1938), County Fair (1941) and The National Barn Dance (1944). The couple retired from show business in 1958, except occasional appearances, going on to new careers in teaching (Wiseman) and politics (Cooper). Cooper served two terms from 1975 to 1978 in the North Carolina House of Representatives as the Democratic representative for three counties.
In addition to country musicians, comedians such as the Illinois Quarantine appeared on the show. Regular guests of the show included Fiddlin 'Hank, Kim Weston, Cactus Slim, Trapper Nash and Glenn Burklund. In 1948, Stone also brought the show to KSTP-TV, the newly established television station, and aired the Sunset Valley Barn Dance on television. There were also touring shows under the Sunset Valley Barn Dance name which played in small communities where a live broadcast to radio wouldn't be possible.
The Encyclopedia of Disney Animated Shorts . Retrieved on March 17, 2008. featured Minnie joining Mickey, Horace, and Clarabelle in a barn dance. Among them, Clarabelle seems to be the actual star of the short.
Following this, Plane Crazy was released as a sound cartoon on March 17, 1929. It was the fourth Mickey film to be released after Steamboat Willie, The Gallopin' Gaucho, and The Barn Dance (1928).
A fictionalized account of the show's origins, The National Barn Dance (1944), was filmed by director Hugh Bennett from a screenplay by Hal Fimberg and Lee Loeb. The film starred Jean Heather, Charles Quigley, Robert Benchley, Mabel Paige and Charles Dingle, while Pat Buttram and Joe Kelly appeared as themselves. Paramount Pictures reportedly paid WLS $75,000 for the rights in 1943. ABC Barn Dance, a filmed TV series featuring some of the radio performers, was telecast on ABC from February 21-November 14, 1949.
Twmpath () is a Welsh word literally meaning a hump or tump, once applied to the mound or village green upon which the musicians sat and played for the community to dance. Twmpath dawns were organised by Urdd Gobaith Cymru in the late 1950s and 1960s, a form of barn dance, for the entertainment of young people, mainly from rural areas. These events remained popular until the rise of discos in the 1970s. Twmpath is used today to mean a Welsh version of the barn dance or céilidh.
Skeeter Bonn (Junior Lewis Boughan) was born in Sugarville; he moved to Canton when he was 13. In the 1950s, he was a country music performer on several national radio shows, including the WLS National Barn Dance.
In addition he also worked as a DJ and Program Director at WHOK in Lancaster, Ohio. He also appeared on radio shows Renfro Valley Barn Dance and Midwestern Hayride on WLW out of Cincinnati, Ohio in 1951.
The first (and first live) country music program on network television was Village Barn, broadcast from 1948-50 by NBC from a New York City nightclub. From the late 1940s through the 1950s, the U.S. networks carried a handful of other country music shows, including Hayloft Hoedown and ABC Barn Dance (ABC); Saturday Night Jamboree (NBC); and Windy City Jamboree and The Old American Barn Dance (DuMont). NBC and later ABC also aired Midwestern Hayride. The shows, however, were generally short-lived summer replacements and had few if any well-known performers.
In 1925, the National Life and Accident Insurance Company established WSM, the first radio station in Nashville that could reach a regional audience. In September of that year, WSM began airing rural musicians from the Nashville area, namely Humphrey Bate, Sid Harkreader, and Uncle Dave Macon. Realizing the popularity of old-time music, WSM hired George D. Hay, a Chicago radio announcer and host of the National Barn Dance on Chicago's WLS. Hay adapted his show's format to WSM, where it was to be called the WSM Barn Dance.
A barn dance can be a ceilidh, with traditional Irish or Scottish dancing, and people unfamiliar with either format often confuse the two terms. However, a barn dance can also feature square dancing, contra dancing, English country dance, dancing to country and western music, or any other kind of dancing, often with a live band and a caller. Modern western square dance is often confused with barn dancing in Britain. Barn dances, as social dances, were popular in Ireland until the 1950s, and were typically danced to tunes with rhythms.
The 2015 festival had a mixed programme with a barn dance on the Friday night, cello concert on Saturday and a classical concert of Vivaldi's Gloria and Mozart Requiem on Sunday taking place between 7 and 9 August.
Accompanying that melody is another voice that is strictly chordal and only limited vocabulary of harmonies. In this stylized barn dance, Barber recreates the American idiom of a fiddler with another person accompanying them on the harmonica or accordion.
139 In 1959, episodes were edited together with segments from The Old American Barn Dance and Jimmy Dean's Town and Country Time (a local Washington, D.C. program) and syndicated by producer Bernard L. Schubert under the title, Your Musical Jamboree.
Coa Inducks - Excerpt of the comic story The Rural Eggs-Pert He wouldn't have reacted this way if he wasn't her relative. In the last panel of the story "Barn Dance Doctor", Grandma refers to Ludwig as her "cityfied cousin".Coa Inducks - Excerpt of the comic story Barn Dance Doctor Since it was stipulated by Don Rosa that her father was a Coot and her mother was a Gadwall, it's not clear if Ludwig Von Drake is related to Elvira Coot through her father or her mother. Elvira could have an Austrian ascendancy to explain her kinship to Ludwig.
The duo performed (with Martha on guitar) as the "Barn Dance Sweethearts". By the time of her divorce from James Carson in 1950, Martha had begun making solo appearances on Knoxville's WNOX radio. However, she couldn't record because the Barn Dance Sweethearts' label, Capitol, had them contracted through 1957 and refused to let her go solo, instead trying to pair her up with other male singers.[ Martha Carson] at Allmusic She began doing session work instead, appearing on The Carlisles' "Too Old to Cut the Mustard" and other recordings by that group of unrelated performers headed by WNOX stalwart Bill Carlisle.
On December 10, 1927, he debuted his trademark song, "Pan American Blues" (named for the Louisville and Nashville Railroad's Pan-American), on a program then known as the WSM Barn Dance. At that time Barn Dance aired after NBC's classical music show, the Music Appreciation Hour. While introducing Bailey, WSM station manager and announcer George D. Hay exclaimed on-air, “For the past hour, we have been listening to music largely from Grand Opera, but from now on, we will present ‘The Grand Ole Opry.’” "Pan American Blues" was the first recording of a harmonica blues solo.
Humphrey Bate and His Augmented String Orchestra," but Hay eventually changed the name to the more rural-sounding "Dr. Humphrey Bate and His Possum Hunters."Hurst, 81-83. In 1927, Hay changed the name of WSM's Barn Dance to the "Grand Ole Opry.
Carolyn (left) and Mary Jane Dezurik The DeZurik Sisters (also known as The Cackle Sisters) were two of the first women to become stars on both the National Barn Dance and the Grand Ole Opry, largely a result of their original yodeling style.
Vendor booths sell crafts and other items with demonstrations. The show also has side shows such as a coconut shy, plate smashing and tombolas. A barbecue, hog roast and bar provide refreshments.t. A traditional barn dance is held on the last Saturday.
Chicago Sun-Times. June 15, 1994. 95 Gobel initially pursued an entertainment career as a country music singer, performing on the National Barn Dance on WLS radio and later on KMOX in St. Louis. In 1942 Gobel married his high school sweetheart, Alice Rose Humecki.
The station briefly moved to the 1230 frequency in 1941, and to its current 920 frequency a few months later. In the late 1940s and 1950s, the station's Saturday Night Barn Dance was one of the most popular and influential radio programs in Ontario.
After a few tentative attempts and several nightclub appearances, she finally landed a guest slot on the Barn Dance radio program on Chicago's WGN in 1968. Chicago proved to be inspirational, as it was from Chicago DJ Chris Lane that she took her stage name.
Hunter and his close friends, travel back to his family home in Michigan after sharing a deep secret with his conservative father. They all get ready for a barn dance and one by one they get stalked by a pitchfork one armed crazy person.
This show was attended by all ages and classes. A big fan of the Old Dominion Barn Dance, Virginia Governor William "Bill" Munford Tuck (1946-1950) had a private box reserved for him where he would frequently attend the show on Saturday nights. The Lyric Theater was built in 1913 and demolished in 1963. The show also toured at times. The June 7, 1947, issue of The Free Lance–Star in Fredericksburg, Virginia, carried an advertisement promoting the appearance of "20 Radio Stars," the "entire cast" of the Old Dominion Barn Dance for two shows at James Monroe High School on June 9, 1947.
For a few months after ABC's 1960 purchase of it and the format change, the "bright new sound" that began in May 1960 was broadcast from the Prairie Farmer Building. WLS didn't make the move to downtown Michigan Avenue's Stone Container Building, located at 360 North Michigan Avenue, until October of that year. Thirty years later, it would move once more, to 190 North State in downtown Chicago. It was the scene of the National Barn Dance, which featured Gene Autry, Pat Buttram, and George Gobel, and which was second only to the Grand Ole Opry (itself a local National Barn Dance spinoff) in presenting country music and humor.
A horse trader named Gene Autry (Gene Autry) arrives in Grainville with his horses and outfit prepared to put on a barn dance to attract potential horse buyers to an auction. The horse trading business has been affected lately by the increased use of tractors to replace horses for farm work. Radio station owner Sally Dawson (Joan Valerie) approaches Gene and offers him a contract to sing on a program sponsored by Thornton Farming Equipment, the area's leading manufacturer of tractors. Unconvinced that tractors could ever replace horses, Gene refuses her offer, but is still attracted to her and invites her to his barn dance that night.
" The Barn Dance was broadcast after NBC's Music Appreciation Hour, a program featuring classical music and grand opera. One day in December 1927, the final music piece on the Music Appreciation Hour depicted the sound of a rushing locomotive. After the show ended, "Judge Hay" opened the WSM Barn Dance with this announcement: Hay then introduced the man he dubbed "The Harmonica Wizard," DeFord Bailey, who played his classic train song, "The Pan American Blues," named for the crack Louisville and Nashville Railroad passenger train The Pan-American. After Bailey's performance, Hay commented, "For the past hour, we have been listening to music taken largely from Grand Opera.
Village Barn Dance is a 1940 American comedy film directed by Frank McDonald, written by Dorrell McGowan and Stuart E. McGowan, and starring Richard Cromwell, Doris Day, George Barbier, Esther Dale, Robert Baldwin and Andrew Tombes. It was released on January 30, 1940, by Republic Pictures.
After Avalon Time, Foley returned to National Barn Dance and also became a lifelong member of the Grand Ole Opry. He also hosted Ozark Jubilee, the first popular country music television series, in the 1950s. Foley died of respiratory failure on the night of September 19, 1968.
From then until approximately 2013, the Gatherin' was emceed by Wayne Combs, who is also an entertainer on the Barn Dance and other Renfro Valley shows, and a DJ at WRVK. For 2014 and 2015 episodes, Billy Keith hosted the show. The 2016 host is Scotty Bussell.
Later in life, Wakely performed at the Grand Ole Opry and National Barn Dance. His nightclub act visited Las Vegas, Reno and other venues. He did a Christmas USO Tour with Bob Hope. He made a few recordings on the Coral, Decca/Vocalion and Dot labels.
In 1925, WSM Barn Dance went on the air from Nashville. It was renamed the Grand Ole Opry in 1927 and NBC carried portions from 1944 to 1956. NBC also aired The Red Foley Show from 1951 to 1961, and ABC Radio carried Ozark Jubilee from 1953 to 1961.
Around 1935, he returned to performing on the radio as a member of the WLS Chicago National Barn Dance troupe, which was broadcast over NBC on Saturday evenings. He soon became a featured performer on the show, which he stayed with for five years until shortly before his death.
Phillips developed a circuit of dance halls and bands to play for them. Among these halls in 1942 were the Los Angeles County Barn Dance at the Venice Pier Ballroom, the Town Hall Ballroom in Compton, the Plantation in Culver City, the Baldwin Park Ballroom, and the Riverside Rancho.
The National Barn Dance is a 1944 American comedy film directed by Hugh Bennett and written by Lee Loeb and Hal Fimberg. The film stars Jean Heather, Charles Quigley, Robert Benchley, Mabel Paige, Charles Dingle and Pat Buttram. The film was released on September 24, 1944, by Paramount Pictures.
Decorative brickwork at Opryland Hotel depicting Ryman Auditorium with Minnie Pearl and Roy Acuff The Grand Ole Opry started as the WSM Barn Dance in the new fifth-floor radio studio of the National Life & Accident Insurance Company in downtown Nashville on November 28, 1925. On October 17, 1925, management began a program featuring "Dr. Humphrey Bate and his string quartet of old- time musicians." On November 2, WSM hired long-time announcer and program director George D. Hay, an enterprising pioneer from the National Barn Dance program at WLS in Chicago, who was also named the most popular radio announcer in America as a result of his radio work with both WLS and WMC in Memphis, Tennessee.
He joined the United States Navy in 1942, married Mary Louise Strode of Canton in 1945, and received an honorable discharge from the Navy in 1946. He won a singing championship in Illinois in 1949, and by 1951 he was on the Iowa Barn Dance Frolic on WHO (AM) in Des Moines, Iowa. After that he was a regular on the WLS National Barn Dance from Chicago, WLW Midwestern Hayride from Cincinnati, and WWVA Jamboree from Wheeling, West Virginia. In addition to his ten or so singles on RCA Victor, he also had a single on Sims Records, No. 325 "Let Me Be The One", backed with "Off To Vietnam (In The Green)".
Renfro Valley is a neighborhood located just off Interstate 75 in Mount Vernon, a city in Rockcastle County, Kentucky, United States. The community of Renfro Valley (which has its own United States Post Office, zip code 40473) includes the Renfro Valley Entertainment Center. Since being founded by local area native John Lair and others in 1939, Renfro Valley Entertainment Center has hosted the Renfro Valley Barn Dance, a traditional country music show which gave entertainers such as Hank Snow, Hank Williams, Red Foley, and Homer and Jethro the spotlight early in their careers. The Barn Dance and other programming originating in Renfro Valley was broadcast over the CBS Radio Network until the late 1950s.
A second program was launched in the 1930s by National Barn Dances then-president John Lair in Renfro Valley, Kentucky; the Renfro Valley Barn Dance still takes place weekly but is no longer aired on radio (although a sister program, the Renfro Valley Gatherin, does still air weekly on Sunday mornings).
On July 16, 1934, at age 19, she married fellow National Barn Dance performer Donald Francis "Red" Blanchard. The marriage was doomed from the start. They quickly separated and were divorced shortly thereafter. She immediately married 34-year-old Indiana native Myrl "Jack" Dumbauld on November 17, 1936, in Chicago, Illinois.
The Renfro Valley Barn Dance has been held in Renfro Valley since 1939. Owensboro has ROMP (River Of Music Party) the last part of June every year. Other festivals include the Forkland Heritage Festival and Revue in Gravel Switch. Lexington is host to the oldest bluegrass music festival in the state.
Old Dominion Barn Dance is an American country music radio show broadcast over WRVA, Richmond, Virginia each Saturday night. Mary Workman, better known as "Sunshine Sue" was the host (1946–1957). Gregg Kimball of the Library of Virginia said of the program, "It was unique because it featured a female host and gained a national audience through syndication on CBS radio." In 1957, Carlton Haney began the New Dominion Barn Dance, which WRVA broadcast until 1964. The music and humor show was broadcast live on radio in over 38 states and Canada and were transmitted to military personnel overseas via recordings on the Armed Forces Radio Service. The broadcasts originated at the Lyric Theater (later renamed the WRVA Theater) on North 9th Street and East Broad Street.
Hay launched the WSM Barn Dance with 77-year-old fiddler Uncle Jimmy Thompson on November 28, 1925, and that date is celebrated as the birth date of the Grand Ole Opry. Some of the bands regularly on the show during its early days included Bill Monroe, the Possum Hunters (with Humphrey Bate), the Fruit Jar Drinkers with Uncle Dave Macon, the Crook Brothers, the Binkley Brothers' Dixie Clodhoppers, Sid Harkreader, DeFord Bailey, Fiddlin' Arthur Smith, and the Gully Jumpers. Judge Hay liked the Fruit Jar Drinkers and asked them to appear last on each show because he wanted to always close each segment with "red hot fiddle playing." They were the second band accepted on Barn Dance, with the Crook Brothers being the first.
In 1930, as a freshman at Georgetown College, Foley was chosen by a talent scout from Chicago's WLS-AM to sing with producer John Lair's Cumberland Ridge Runners, the house band on National Barn Dance. His first single, "Life is Good Enough for Me / The Lone Cowboy", was released in June 1933 on the Melotone label. In 1937 he returned to Kentucky with Lair to help establish the Renfro Valley Barn Dance stage and radio show near Mt. Vernon in 1939, performing everything from ballads to boogie-woogie to blues. In late 1939, Foley became the first country artist to host a network radio program, NBC's Avalon Time (co-hosted by Red Skelton), and he performed extensively at theaters, clubs and fairs.
Foy publicly humiliates Albert, who impulsively challenges Foy to a duel in a week's time to win back Louise. Anna then spends the week teaching Albert how to shoot. During a barn dance the night before the duel, Anna gives Foy a Mickey. After leaving the dance, Albert and Anna kiss before heading home.
Farm workers harvest the crop whilst singing. At night they meet at the barn dance for more singing and dancing. Later, a man and a woman declare their love for each other, that "you could have knocked me over with a feather". The pair's song number is imitated by a male trio, one impersonating the woman.
Dan Coombs, one of Culver City’s first mayors, and Arbuckle re-opened the Plantation Club near MGM Studios on Washington Boulevard, Culver City, as Roscoe Arbuckle’s Plantation Café on August 2, 1928. By 1930, Arbuckle sold his interest and it became known as George Olsen’s Plantation Café, later The Plantation Trailer Court and then Foreman Phillips County Barn Dance.
The Old Barn Dance is a 1938 American Western film directed by Joseph Kane and starring Gene Autry, Smiley Burnette, and Joan Valerie. Written by Bernard McConville and Charles F. Royal, the film is about a cowboy and his buddies whose horse selling business is threatened by a tractor company that claims horses are out of date.
Weinstock, pp. 215–216 Leno would return later as himself in the season two episode "City on the Edge of Forever". Toddy Walters provided the vocals for the song used at "The Drunken Barn Dance" (which is a parody of "My Heart Will Go On"). Walters was romantically involved with Parker at the time the episode was being produced.
In 1953, he appeared on radio WGST out of Atlanta, Georgia. He became a member of Jimmie Smith and His Texans, which often made appearances at the Joe Cotton Rhythm Ranch. He recorded a few more singles at this time as well. In 1954 he played regularly on WGST and on the WSB Barn Dance, with Jimmie Smith.
There was a studio at the transmission site which was located north west of Delano. A live program called "The Barn Dance" was broadcast on weekends and the public was invited to visit during the show. The station was put up for sale in 1999, with Lotus Communications acquiring it. The sale was consummated on August 24.
Littlefield choreographed the ballet and performed as the main character, Princess Aurora. John Martin, a critic from The New York Times described the production “charming within its limitations.” Some of Littlefield's most well-known productions were Barn Dance, Café Society, Ladies’ Better Dresses, and Terminal. In spring of 1937, the company toured Europe to perform the routines.
Mickey is wooing another mousie and takes her to a barn dance with a lot of the usual comedy ticks following. There are some laughs in it." The Film Daily (February 17, 1929): "This is another of the adventure of Mickey Mouse and his sweetie. The villain cat tries to take gal driving in his auto, which is wrecked.
Bowes was born in Roxboro, North Carolina in 1941. She began singing in elementary school. By the time she was 13 years old, she was appearing on TV programs including WDVA Virginia Barn Dance in Danville, WRXO-AM in Roxboro and other radio programs in North Carolina. In 1958, Bowes participated in the Pet Milk Company's nationwide talent search.
In 1928, Roberts was hired, through the agency of Bradley Kincaid, by the National Barn Dance radio show in Chicago. He was paid $50 a week. After only two weeks he quit the show and moved back to Kentucky. The reason was that he was unable to sleep due to the noise of the big city.
She was married to Godfrey's director, Saul Ochs. She appeared on other programs such as National Barn Dance, Club Fifteen, Melody Lane With Jerry Wayne, Bouquet For You, and Sing It Again. She hosted her own 15-minute variety program, Waitin' For Clayton (also known as The Patti Clayton Show), which ran on CBS Radio from 1945 to 1947.
She joined the WLS radio family in 1941 with little training, having only worked on the vaudeville bill with movie cowboy Buck Jones. She quickly had her own morning show, "Smile-A- While," with the WLS Rangers and also appeared Saturday nights on the Barn Dance, choosing her stage name based on British singer Vera Lynn. According to the WLS archives, "she was placed on staff after one audition," after meeting with Program Director Harold Safford and Production Director Al Boyd. She appeared on the Barn Dance with such talent as Pat Buttram (later famous in the role of Mr. Haney on the TV series Green Acres), Arkie the Arkansas Woodchopper,Arkie's hit I'm in the Jail House Now was featured in the George Clooney movie O' Brother Where Art Thou.
Davis was popular across Canada as the star of numerous Canadian Broadcasting Corporation (CBC) network series of the 1950s and '60s, including television’s 'Rope Around the Sun', ‘Swing Your Partner’, 'Red River Jamboree', and 'Trail Riding Troubadour' and radio’s ‘Prairie Trails’ and ‘Red River Barndance’. His ‘Stu Davis Show’ was also heard on daily broadcasts for CBC Radio through much of the 1950s. He developed an early following in the United States from his Sonora and RCA Victor recordings (1940s) and several appearances on such American radio shows as Chicago's 'National Barn Dance', Minneapolis' 'Sunset Valley Barn Dance', and New York's ‘Prairie Pals’ and ‘Town Hall'. Many of his more than 300 songs were published by Gordon V. Thompson (Canada), Empire Music (Canada), Bob Miller (USA), Peer International (USA), and Hill & Range (USA).
In 1939 they became regulars on the Renfro Valley Barn Dance radio program. Haynes was drafted into the US Army and served in the medical corps in the Pacific. He reunited in Knoxville in 1945 with Burns, who had served in Europe. In 1947, the duo moved to Cincinnati, Ohio and were working at WLW-AM on the station's Midwestern Hayride.
An avalanche of telephone calls and letters indicated a definite demand from the public for this type of broadcast, and National Barn Dance was born. It first aired on WLS on April 19, 1924 and originated from the Eighth Street Theater starting in 1931. The show was picked up by NBC Radio in 1933.Young, William H. and Young, Nancy K. (2007).
Eva Alaine Overstake (July 23, 1917 - November 17, 1951), professionally known as Judy Martin, was an American country music singer, performing from the early 1930s to the late 40s on the WLS-AM's National Barn Dance in Chicago. She was the second wife of Country Music Hall of Fame member Red Foley and is the grandmother of Christian country music singer Debby Boone.
WLEY broadcast the "Polish Barn Dance," hosted by Zeb Zarnecki, along with other programs for the local Polish community. It is not related to today's 107.9 WLEY-FM in Aurora. The station's studios and transmitter were located on Harlem Ave, in Elmwood Park. It had an ERP of 320 watts at a height above average terrain (HAAT) of 240 feet.
The Big D Jamboree began in 1947 as The Lone Star Barn Dance, but was renamed October 16, 1948. It was held in the Dallas Sportatorium. The show was initially produced by Al Turner and Ed McLemore, and then later by Johnny Hicks and Johnny Harper. The number of musicians who performed regularly rose from 20 to 50 by 1953.
Phillips promoted country- western barn dance programs at a string of dance halls in the Los Angeles area in the 1940s, led by the old Town Hall building, situated at 400 South Long Beach Boulevard, in Compton, California, near Long Beach, which had a capacity of around 3,000.The Encyclopedia of Country Music. Compiled by staff of the Country Music Hall of Fame.
Buttram performed in college plays and on a local radio station, then became a regular on the National Barn Dance broadcast on WLS (AM) in Chicago. He also had his own program on CBS. Buttram in 1944 Buttram went to Hollywood in the 1940s and became a sidekick to Roy Rogers. However, because Rogers already had two regulars, Buttram was dropped.
Wylie Gustafson founded his band, The Wild West Show, in 1988 in Los Angeles at the Palomino Club where they were regulars on Ronnie Mack's Barn Dance. It was there that Gustafson showcased the first version of the Wild West Show which then included guitarist Will Ray. The group developed their sound alongside artists such as Dale Watson, Lucinda Williams, Dwight Yoakam, Rosie Flores and Dave Alvin.
Rogers was the leader of the band "The Rocky Mountain Boys". They are best known for their 1954 hit "Hydrogen Bomb", which was featured in the soundtrack of the movie "The Atomic Cafe". Rogers' fans know him as "The American Folk Balladeer". In the 1950s, Rogers was a popular radio and television star in Amarillo, Texas, most notably in the TV series "The Panhandle Barn Dance".
Shelton played with a wide variety of people throughout several genres in his career. The most notable of them were Jim and Jesse, whom he spent most of his professional career with. He played with Mac Wiseman, and the Country Boys where Mac at the time was working for WRVA the Old Dominion Barn Dance in Richmond. Playing with Mac was Allen's first recording experience.
Hale was born in Pikeville, Tennessee on May 21, 1883. He lived in Iowa for several years before moving to Nashville to work as a farmer and salesman. Hale first gained regional fame as a banjo player in the early 1900s, and taught the instrument to Chattanooga banjoist Homer Davenport. He joined the Grand Ole Opry (then called the WSM Barn Dance) in 1926.
They were a regular act on the CKNX Barn Dance radio show and later on CKNX television."Hanover Honours Mercey Brothers". Blackburn News, By Kirk Scott, July 1, 2014 Larry Mercey wrote several of the group's hit songs. After the Mercey Brothers band broke up, Mercey began a solo career, living in Waterloo, Ontario and fronting the Larry Mercey Trio with George Lonsbury and Al Alderson.
According to a Billboard writer, the album's lyrics revolve around Cook's experiences living "the hard-knock life". A commentator for the National Post said Hey Y'all was composed of "sexually charged honky tonkers" and "classic weepers". When discussing Hey Y'all's first set of songs, Newman wrote that "the twang factor goes to 11". The opening track is "Stupid Things", which Doerschuk said has a "barn-dance hook".
Altman, 343–348. While Benchley's books and Paramount contract were giving him financial security, he was still unhappy with the turn his career had taken. By 1944 he was taking thankless roles in the studio's least distinguished films, like the rustic musical National Barn Dance. By this time Robert Benchley's screen image was established as a comic lecturer who tried but failed to clarify any given topic.
At this time, the piper Joe Hutton lived nearby at Gilsland, Cumberland and was a frequent visitor. George's son John also took up the smallpipes, and was broadcast by the BBC in 1953, on Children's Hour, presented by Huw Wheldon,.Woodhorn Museum ArchiveProfile by Forster Charlton, NPS Magazine, 1985. John and George made several broadcasts subsequently on the BBC's Barn Dance programme, playing pipe and fiddle duets.
Clements was born near Empire, Alabama. In 1928, his career began when he joined Otto Gray and his Oklahoma Cowboys touring show and was signed to the National Barn Dance at WLS in Chicago.Carlin 2003, p. 68. In 1930, he performed on WSM Grand Ole Opry for the first time.Plantenga 2004, p. 205. In 1933, he became a member of the Bronco Busters, led by Texas Ruby.
His goal was now to become a teacher. Meanwhile, he continued to perform on the "Jamboree". When Miami faculty members discovered that he was playing rock and roll for a square dance they warned him not to continue with such "lower forms of music". McCoy replied that he was willing to quit his work at the barn dance if they would give him a scholarship.
In keeping with its original purpose, the village also holds an annual barn dance in the ballroom. Due to its unusual shape and local importance for the small village, the ballroom has become a defining landmark for Bee. The ballroom was added to the National Register of Historic Places on October 14, 1981. The ballroom is featured in Jon Bois' multimedia fictional work 17776.
This Sunday there were two men with him in the boat, Endre Sjurson Kvammen and Jon Tjoflot. In Granvin, Nils Tjoflot played at a barn dance, and the dance lasted until late in the night. It was already morning when the three had to travel back on the sailboat to Tjoflot. Nils sat in the bow with his fiddle and Endre was at the helm.
When a man from Richmond, Virginia wanted to produce a live show with Red and Don on Easter weekend of 1955, the two went to Richmond, along with John Palmer on bass and Mack Magaha on fiddle, and played together on stage for the first time. After playing the Old Dominion Barn Dance the day before, a radio show in Richmond, the group was offered a regular job at the Barn Dance. They accepted and Reno & Smiley and the Tennessee Cut-Ups were formed, recording their first session in August 1956 while releasing a single record every six weeks, with Carlton Haney as their manager. The group was popular in the southeast and mid-Atlantic, when the duo started the first early morning country music TV show on December 31, 1956 in Roanoke, Virginia called Top o' the Morning, the show airing every weekday.
The program is no longer broadcast, but a live show bearing its name takes place on Saturday nights at the Renfro Valley Entertainment Center in Renfro Valley, Kentucky. A sister program, the Renfro Valley Gatherin' (established in 1943), continues to air. PBS did a documentary series on American Roots Music called "In the Valley Where Time Stands Still", which is a film about the history of the Renfro Valley Barn Dance.
The producer on hand fell in love with her "giggle" and auditioned her instead at WLS-AM for a group called the Prairie Ramblers. Blevins and the Ramblers became regulars on WLS's National Barn Dance program. The Prairie Ramblers also backed Blevins on most of her hits with ARC Records, Decca, and RCA Victor. In 1934, Blevins' repertoire included "Montana Plains", a reworking of a song originally called "Texas Plains".
Blevins further altered the composition, which became her signature song, "I Want to Be a Cowboy's Sweetheart". Released in 1935, the song made Blevins the first female country recording artist to have a million seller. It was awarded a gold disc by the RIAA. Blevins performed on National Barn Dance until the 1950s, and worked with Gene Autry, Pat Buttram, Red Foley, the Girls of the Golden West and George Gobel.
The fourth movement is an “exuberant and joyous barn dance,”Carter, p. 45 and functions as the finale of the complete set. This movement in particular captures the idiomatic sounds and styles of a fiddler and his or her accompanying harmonica or accordion player. With a tonal center on F, the primary harmonies used are F-major and B-flat major chords, the I and IV harmonies respectively.
Chicago jazz vocalist Erin McDougald recorded the song 50 years later on her album The Auburn Collection (2004). In 1951, Frigo returned to Chicago, primarily working as a studio bassist and arranger. He also led the band at Mr. Kelly's, a popular Rush Street nightspot. Between 1951 and 1960 he played fiddle hoedowns and novelties with the Sage Riders, the house band for the WLS radio program National Barn Dance.
When Bob Wills played the Los Angeles Country Barn Dance at the Venice Pier for three nights shortly before he broke up his band to join the U.S. Army during World War II, the attendance was above 15,000. Fearing the dance floor would collapse, police stopped ticket sales at 11 p.m. The line outside at that time was ten deep and stretched into Venice.The King of Western Swing - Bob Wills Remembered.
Steve Gulley (September 20, 1962 – August 18, 2020) was an American singer- songwriter of bluegrass music. He rose to prominence as a cast member at the Renfro Valley Barn Dance. He was one of the founding members of the band Mountain Heart, where he was lead singer until leaving in 2006. He went on to form Grasstowne and later Steve Gulley & New Pinnacle, along with recording solo and collaboration albums.
John Archambault is an American children's book author, poet, story teller, and musician. He is known best for his best selling children's book Chicka Chicka Boom Boom. Among his most recognizable children's books are Knots on a Counting Rope, Barn Dance, Boom Chicka Rock, Here Are My Hands, and The Birth of a Whale. Archambault was an avid reader from a young age, ultimately sparking his interest in writing.
Historical figures such as Harry Lauder and more recent ones such as John Major (dancing on a board bearing an image of Margaret Thatcher) have been made. Some Punch and Judy Professors also use jig dolls to attract a crowd. One has a jig doll of Charlie Chaplin. In the UK, some folk dance bands have a jig doll to entertain the audience in the interval of a barn dance.
There, Glenn was introduced to the general manager at WLS radio where he initially started working as a placard holder for WLS's weekly show, The National Barn Dance. While at WLS he would be promoted to information clerk and eventually prompted to Promotion Director in 1933. In 1945, Glenn would marry his wife to be, Elaine Cooper. Once married, Glenn would accept a job as Executive director of Frequency Modulation Magazine.
The signal of WSB radio reached far into rural areas and was an important factor in creating country music "stars", similar to the role of WSM in Nashville. WSBs best known country music program was the WSB Barn Dance. From August 1926 until October 1928, the Sears Agricultural Foundation hosted a radio show, broadcast from the Atlanta Sears tower (now Ponce City Market) called "Dinner Bell R.F.D.". R.F.D. stood for the club "Radio Farmers' Democracy".
Later, Howard performed on a national radio show, Virginia Barn Dance. At Louisiana Hayride with Faron Young and Webb Pierce, Howard met Hank Williams Sr. and Elvis Presley. Howard shook Williams' hand, and he observed how the audience loved Williams so much he received a standing ovation before he had even sung. Howard's own career wasn't going anywhere, but he was making $50 to $60 a week, good money at the time.
His mother explains that she met his father, a Native American named Chief Running Water, at the 12th annual "Drunken Barn Dance". However, Chief Running Water informs him that his mother is a slut and that he saw her with Chef later that night at the dance. Chef tells Cartman that his mother preferred Mr. Garrison over him. At a bar, Mr. Garrison admits to Cartman that he had sex with Mrs.
In the fall of 1931 Herschel Overstake took his three daughters to Chicago to audition for radio station WLS. The program director was so impressed with their performance in the audition he immediately scheduled them for a guest appearance the following Saturday on the WLS National Barn Dance. The girls were an immediate hit with the WLS listeners and they were hired for regular Saturday night appearances on the show to begin in January 1932.
Durham first performed professionally at age 11, appearing on Billy Mize's TV show. He performed solo and occasionally with his brother Wayne on local shows such as Town Hall Party, Trading Post, and Cliffie Stone's Hometown Jamboree and in 1953 he joined Cousin Ebb's Squirrel Shooters, which was the house band for the Pumpkin Center Barn Dance. Following this he played with Jolly Judy and the Go-Daddies and with Gene Davis's Palomino Riders.
Hay was born in Attica, Indiana, United States. In Memphis, Tennessee, after World War I, he was a reporter for the Commercial Appeal, and when the newspaper launched its own radio station, WMC-AM, in January 1923, he became a late-night announcer at the station. His popularity increased and in May 1924 he left for WLS-AM in Chicago, where he served as the announcer on a program that became National Barn Dance.
Annual events, such as a barn dance organised by the Bothenhampton village hall committee, take place in the John Holt play area. In 1801 the population was 334 and in 1901 this was still only 423. New houses were built between the 1st and 2nd world wars and there was a lot of building in the 1960s. By 1980 the population had grown to approx 1200 and by 2001 it had become 2186.
In 1950, he signed with Capitol Records, and later in the 1950s moved to Kapp Records. In 1950 he recorded "Christmas Island" with the Dinning Sisters. He continued with the Barn Dance well into the 1960s, and re-signed to Columbia that decade, re-recording many of his songs in stereo. Atcher, like Gene Autry, was a shrewd businessman, and bought several businesses and invested in banking with the proceeds from his career.
He created an alter ego for the WNOX's Mid-Day Merry-Go-Round and Tennessee Barn Dance shows called Hot Shot Elmer, a bumbling buffoon in costume who would "interrupt" Carlisle's own performances. His leaps on stage won him the moniker "Jumpin' Bill." Carlisle's guitar style was noted for its precision and speed, and he employed yodeling as a vocalist. Like his brother, he released many songs which included humorous, veiled references to sexuality.
From 1955 until 1978, Circle 8 Ranch was a weekly country and western television program broadcast each Tuesday night on Wingham, Ontario's CKNX, Channel 8. It began as a radio program called the CKNX Barn Dance on CKNX's AM sister station. The half-hour variety show was first hosted by broadcaster Johnny Brent, then later by musician Ernie King. The program featured popular country acts of the local, provincial and national stage.
Later they joined WLS National Barn Dance. By 1938 Louise Massey was a star solo singer with the Westerners and with other shows on NBC Radio Programs in N.Y. City. Louise's 1934 recording of "When the White Azaleas are Blooming" sold three million copies and earned her a lifetime recording contract with Columbia Records. In 1940 Louise and Milt bought a ranch on the Hondo River, but retained her previous residence as a second home.
It was Vincent's last American hit single. The song was used in the movie Hot Rod Gang for a dance rehearsal scene featuring dancers doing the West Coast Swing. Vincent and His Blue Caps also appeared several times on Town Hall Party, California's largest country music barn dance, held at the Town Hall in Compton, California. Town Hall Party drew in excess of 2,800 paid admissions each Friday and Saturday, with room for 1,200 dancers.
Air Castle of the South: WSM and the Making of Music City (University of Illinois Press, 2011). It is primarily associated with the popularization of country music through its weekly Saturday night program, the Grand Ole Opry, the longest-running radio program in history. The Opry began as the WSM Barn Dance on November 28, 1925, with Uncle Jimmy Thompson as the first performer.History of the Opry, Grand Ole Opry. Retrieved August 26, 2018.
Stone's career at Capitol was successful, but he was ultimately better known for his successes in radio. He recorded six albums with a backing band which went under various names, including Cliffie Stone & His Orchestra, Cliffie Stone & His Barn Dance Band, Cliffie Stone & His Hometown Jamboree Gang, Cliffie Stone & His Hepcats, and Cliffie Stone's Country Hombres. His 1955 hit, "The Popcorn Song", peaked at No. 14 on Billboard magazine's singles charts in 1955.
In the early 1930s, while working at KWK in St. Louis, Ford took the stage name The Duke of Paducah. In 1937, he founded the Renfro Valley Barn Dance with Red Foley and John Lair. More radio work followed when he became a regular on Plantation Party, an NBC Radio show in Cincinnati and Chicago. From 1942-1959, Ford was a regular on the Grand Ole Opry where he became a member.
In 1943, she joined the USO to help the war effort as part of the show highlighted by Roy Smeck, the anointed "King of the Ukulele." She was the lead singer of a swing trio called the Meri-Maids, all Wisconsin girls, that also featured Ruth Sanfheil and Mary Rumachick. They toured extensively in military hospitals in the United States throughout the war. They primarily sang songs popularized by the Andrews Sisters and Barn Dance favorites the Dinning Sisters.
Steinway historians Miles Chapin and Rodica Prato call it the "best- known art-case Steinway" in the world. Architect Eric Gugler designed the , mahogany case piano (serial number 300,000). The case is decorated with scenes depicting American music and dance, each gilded in gold leaf. The tableaux, designed by artist Dunbar Beck, depict people dancing the Virginia reel, chanting by Native Americans, cowboys singing during a cattle drive, a barn dance, and African American slaves singing in the fields.
He designed the Honduras mahogany case for the Steinway & Sons grand piano (1938) – serial number 300,000 – in the East Room. Albert Stewart modeled the large gilded eagles that are its legs. Dunbar Beck painted its gold-leaf mural that depicts five scenes of indigenous American music—a New England barn dance, a cowboy with guitar, a Virginia reel, a pair of black field hands singing, and Native American ceremonial dancers.Steinway Grand Piano, from White House Historical Association.
The first was the cancellation of the network broadcast in 1952. After a few years, audiences finally began to wane, and the program ceased live performances after 1957. The show continued to air on WLS until 1959 when ABC bought the station and changed the format to Top 40 rock and roll, canceling National Barn Dance outright. The show moved to Chicago's WGN-AM, with Orion Samuelson as the show's host, until it finally left the air in 1968.
The town of Sandwich has an annual festival period towards the end of August when a number of events are staged. During Sandwich festivals of the past there have been European markets, motorcycle meets, an illuminated boat parade or dressed ship parade on The Quay, a street Barn Dance, various concerts (both classical and modern pop/rock), Simultaneous Chess Tournament with Grand Master John Emms and a vintage Car Show. The festival usually lasts for eight days.
It also teaches them the universal responsibility of mankind, to care for life. Academic subjects include Language, Filipino, Mathematics, Geometry, and Cultural Arts (which is divided into 4 subject areas, namely: History, Geography, Botany, and Zoology). Agriculture, Home Arts, Music, Character Education, Physical Education and Scouting have innovative programs. School activities such as Exhibits, Poetry Festivals, Fashion Shows, Scouting Investiture, Barn Dance, Formal Dining, Intramurals, Musical Presentations and others are held to complement the academic and special subjects.
The show was followed by a Saturday night radio barn dance and a weekly TV show. Due to a heavy TV schedule and the decline in Don Reno's health, their touring schedule was restricted. In November 1964, the group parted ways with Reno keeping the band name and adding his son, Ronnie Reno, on mandolin to work more road dates. The two reunited briefly in 1965 to play a college concert at Temple University in Philadelphia, Pennsylvania.
Her biggest role during her short- lived career was the 1946 film Abilene Town, starring Randolph Scott and Lloyd Bridges. In 1947 and 1948 she had only three film appearances, only one of which was credited, that one being the 1947 film Hollywood Barn Dance. Her last appearance was uncredited, in the 1948 film Arch of Triumph. She retired afterwards, and settled in Burbank, California, where she was living at the time of her death on February 27, 1997.
After his appearance in Detroit, Stephens went on a tour in an attempt to replicate the commercial success of Mellie Dunham. Stephens played at various venues across the Eastern United States, which included a radio guest spot in Chicago and several guest appearances on the Grand Ole Opry (then called the WSM Barn Dance) in Nashville. In March 1926, Stephens traveled to New York to record several sides for Columbia Records. They remain his only known recordings.
Woody's hungrily standing by a table laden with food, and just as he's about to really feast, Wally ejects him from the barn. Woody then dresses up as a femme fatale and vamps Wally into letting him enter the barn dance. Woody's main object is to get food; Wally's, to dance with this new gal who has really excited him. Thus, we see a struggle on the one hand for food; on the other, the enjoyment of dancing.
James ‘Chick’ Stripling was born in Tifton, Georgia March 4, 1916. Chick started working fiddle contests, square dances and random radio shows in the early part of his career. Gene Stripling (no relation) hired Chick on the spot in 1939 to work at Atlanta’s radio station WSB for the “Barn Dance Show.” Chick worked there for the better part of 8 years and was one of the most popular fiddler/comedians to be heard in Atlanta.
Dudley Laufman (2009) Dudley Laufman is a renowned contra and barn dance caller and musician. Laufman attended his first dance as a boy while working at the Mistwold Farm in Fremont, New Hampshire in 1948. He was a founding member of the Canterbury Country Dance Orchestra. He is a recipient of a 2009 National Heritage Fellowship awarded by the National Endowment for the Arts, which is the United States' highest honor in the folk and traditional arts.
Amburgey was born into a family of six children in Neon, Kentucky. At the age of 11 she learned guitar and banjo, and performed with her sisters as the Sunshine Sister band. Together they left home when Jean was 13 and were hired to play daily on WKLP-AM in Lexington, Kentucky in 1938. They moved to Atlanta, Georgia in 1940 to sing on WSB Barn Dance; she began using the nickname Mattie at this time.
The play opens with Jean walking on the stage, the set being the kitchen of the manor. He drops the Count's boots off to the side but still within view of the audience; his clothing shows that he is a valet. Jean talks to Christine about Miss Julie's peculiar behavior. He considers her mad since she went to the barn dance, danced with the gamekeeper, and tried to waltz with Jean, a mere servant of the Count.
A major function of the Ladies Association is its commitment to fostering a sense of community among Park residents by planning social activities for adults and children. These activities include a Halloween Party for the children and a Holiday Party for adults. Recently the Ladies Association has also sponsored a barn dance, an Easter egg hunt, a Victorian picnic, and a High Tea. Residents' professions and occupations range widely and include business persons, professionals, academics, and artists.
The East Texas Yamboree, a four-day event held annually during the third weekend of October in Gilmer, Texas, celebrates the sweet potato (called a "yam" in the United States) as a former cash crop, drawing thousands of tourists to the city for the occasion. The event has been held in Gilmer since 1935. Festivities at the event include the Queen’s Coronation and Pageant, a carnival, two parades, a barn dance, livestock shows and a marching contest.
The barn dance of the title is the occasion which brings together Minnie Mouse and her two suitors: Mickey and Peg-Leg Pete. The latter two and their vehicles are first seen arriving at Minnie's house in an attempt to pick her up for the dance. Mickey turns up in his horse-cart while Pete in a newly purchased automobile. Minnie initially chooses Pete to drive her to the dance but the automobile unexpectedly breaks down.
They soon appeared on the Wheeling Jamboree radio barn dance show on AM station WWVA. Clifton published a songbook in 1955 called 150 Old Time Folk and Gospel Songs, which soon became one of the most influential songbooks of its time. His songbook included many songs such as "Little Maggie", "I'll Be All Smiles Tonight", "Long Journey Home", and "Little Whitewashed Chimney". Because of the popularity of Clifton's songbook, these songs quickly became recognizable standards in the bluegrass world.
Blevins took her stage name from silent film star and world- champion roper, Monte Montana, with whom she had an opportunity to work early in her career. She made one feature-length movie called Colorado Sunset with Smiley Burnette and Gene Autry. Barn Dance also introduced her to her future husband, Paul E. Rose. Rose was a stage manager for Gene Autry at the time, and was always around when Autry was performing, which just so happened to be when Patsy was performing.
Steamboat Willie was released on November 18, 1928, and was a big success. Disney quickly gained huge dominance in the animation field using sound in his future cartoons by dubbing Plane Crazy, The Gallopin' Gaucho and the nearly completed The Barn Dance. Mickey Mouse's popularity put the animated character into the ranks of the most popular screen personalities in the world. Disney's biggest competitor, Pat Sullivan with his Felix the Cat, was eclipsed by Mickey's popularity and the studio closed in 1932.
Carson began her professional music career at age 17 in 1932, performing with her sisters Evelyn and Eva Alaine (AKA: Judy Martin) Overstake as the Three Little Maids on WLS's National Barn Dance in Chicago. Carson also performed briefly as Winnie in the trio Winnie, Lou, and Sally (WLS). The Overstake sisters also performed as The Little Country Girls. From 1938 to 1939 she recorded under the name Lucille Lee with the Sweet Violet Boys, also known as The Prairie Ramblers.
In 1963, they signed to Transatlantic Records and released their first studio album, This is The Ian Campbell Folk Group. The group made television appearances throughout the 1960s including Hootenanny Show, Barn Dance and Hullabaloo. They established a substantial audience and played concerts at the Royal Albert Hall and the Royal Festival Hall and at the Newport Folk Festival in 1964. In 1965, their version of Bob Dylan's "The Times They Are a-Changin'" reached No. 42 in the UK Singles Chart.
They were regulars on The Hollywood Barn Dance, a successful weekly CBS Radio program broadcast on Saturday nights,Sharon Lee Willing, No One to Cry to: A Long, Hard Ride Into the Sunset with Foy Willing of the Riders of the Purple Sage (Sharon Willing, 2006):41. and hosted by Foy Willing and emceed by Cliffie Stone.Don Cusic, The Cowboy in Country Music: An Historical Survey with Artist Profiles (McFarland, 2011):57.JEMF quarterly, Vols 45–52 (John Edwards Memorial Foundation, 1979):112.
Caroline and Mary Jane Dezurik, 1940 The DeZurik Sisters were two of the first women to become stars on both the National Barn Dance and the Grand Ole Opry, largely a result of their original yodeling style. Carolina Cotton and Patsy Montana were also early cowgirl yodeling singers. Carolina Cotton (born Helen Hagstrom, 1925-1997) began to perform while still a youngster. Known as the Yodeling Blonde Bombshell, she went on to appear on radio shows, numerous Western movies, and early television.
Tom Owen, a musician on the WLS Barn Dance radio program, heard them play at a dance club in 1932 and asked them to join his group as dancers. They accepted, and toured with Owen for the next two years. In 1934, they once again got offers to play music, this time for Indiana radio stations WAE and WJKS. Not long after this, Texas Crystals, a pharmaceutical company, offered to sponsor the Monroes for a radio program of their own.
Sanders was originally a disc jockey in Elizabethtown, Kentucky and later a performer at the Lincoln Jamboree and Renfro Valley Barn Dance. He recorded a few rockabilly songs in 1957 under the name Curly Sanders before making his Grand Ole Opry debut in 1959. A year later, he signed with Liberty, reaching #18 on the country charts with "A World So Full of Love" and #20 with "Lonelyville". In 1968, Sanders won Top New Male Vocalist at the Academy of Country Music.
O'Halloran debuted in radio as a singer at WCFL in Chicago and later became an announcer there. In 1930, he moved to WLS, also in Chicago, working a morning shift. By October 1931, he had become WLS's chief announcer. For five years, he was master of ceremonies for the National Barn Dance on WLS, with two of those years also being broadcast on NBC radio. In 1934, O'Halloran left WLS to work as an announcer at WOR radio in New York City.
Bush bands play music for bush dances, in which the dance program is usually based on dances known to have been danced in Australia from colonial times to the folk revival in the 1950s. Contemporary dances, set in the traditional style, are also featured at bush dances. Some popular traditional bush dances are Stockyards, Haymaker's Jig, Galopede, Brown Jug Polka, Virginia Reel and barn dance. Popular contemporary bush dances include Blackwattle Reel, Jubilee Jig, CHOGM Pentrille, Knocking Down His Cheque and Midnight Schottische.
In 1940, the station KSTP launched a series of new programs, including the Sunset Valley Barn Dance, which was broadcast on Saturday evenings. The goal of the channel was to deliver "true american folk music in its original form" to listeners. The first show was broadcast on October 26, 1940 from the St. Paul Auditorium (now known as the Roy Wilkins Auditorium). It was produced by David Stone, who was previously the original announcer at the Grand Ole Opry in Nashville.
Greene was born in Maryville, Tennessee, and learned to play guitar when he was ten years old. His first involvement with the music industry came when he was still a teenager, working as a disc jockey at radio station WGAP in Maryville. By the age of 18, Greene was a regular on the Tennessee Barn Dance show on WNOX (Knoxville, Tennessee). In the early 1950s he moved to Atlanta, Georgia, where he formed his own band, The Peach Tree Boys.
It has two men's football teams that play in the Oxfordshire Senior Football League and two youth teams that play in the Oxford Mail Youth League Garsington Cricket ClubGarsington Cricket Club plays in the Oxfordshire Cricket Association League Division Five. The Club also has teams that compete in local darts and Aunt Sally leagues. The Garsington Society seeks to expand the knowledge of Garsington and its surrounding areas historically and geographically with talks held from time to time. The Society holds an annual barn dance.
Charles Leighton, a native New Yorker, taught himself to play the harmonica at the age of twelve. At age sixteen (1937), he toured the U.S., playing lead harmonica in vaudeville theaters with harmonica groups such as the Philharmonicas and the Cappy Barra Harmonica Gentlemen. During the early 1940s, he worked in Hollywood, both in the studio and on screen, appearing in motion pictures for Columbia and RKO. He played country music on the radio with the Hollywood Barn Dance and The Hoagy Carmichael Show.
Harrison achieved the rank of petty officer first class while serving in the United States Navy. When he was 17, Harrison attended a barn dance, where he met his future wife, Joanne Rhue, the daughter of Joseph Rhue, a county judge, who later became one of the lead attorneys for Philip Morris in North Carolina. They married in 1960. Before they married, however, Harrison stole a car, and after he was arrested, was given a choice by the judge to go to prison or the military.
The boys have trouble adjusting to Western life on the ranch and long to return to the city. While they spy on Gene as he proposes to Peggy at a barn dance, general store owner Frank Welch (Stanley Andrews), Legs's secret partner, leads a cattle rustling raid. The local ranchers chase after the rustlers, but the cattle seem to vanish. The ranchers do not suspect Welch, but when the boys see him riding out from behind a waterfall on their ranch, they realize what has happened.
The episode follows Eric Cartman, one of the show's child protagonists, becoming curious about the identity of his father. He discovers that his father is most likely a man his mother had sexual intercourse with during an annual party called "The Drunken Barn Dance". Meanwhile, his friends Stan, Kyle and Kenny participate on America's Stupidest Home Videos, after filming Cartman playing in his yard with plush toys. The episode was written by Trey Parker and staff writer David A. Goodman, and directed by Parker.
Until 1928, he was musical director at a variety of London theatres. Ernest is today best known for his "Grasshopper's Dance", and the rest of his compositions have slipped into obscurity. He primarily composed dances and descriptive pieces for light orchestra: the waltzes "Queen of the North", "Pastorella", "La Gitana" and "Valse-Berceuse" amongst others, the march "Pennon and Plume", a barn dance "The Careless Cuckoos", the polka "Midnight Chimes", the descriptive piece "A Hunting Scene" and incidental music to A Kiss for Cinderella.
In 1954, Stanley Donen directed Seven Brides for Seven Brothers which featured a "Barn Dance" where the seven sisters are fought over by the seven brothers and their rivals. As he was popular at this time, the choreography was by Michael Kidd. Oklahoma! debuted as a film in 1955, keeping Agnes DeMille's choreography for the dream ballet intact. Many additional musicals made the transformation from stage to the big screen including Brigadoon (1954), Guys and Dolls (1955), Carousel (1956), West Side Story (1961), and The Wiz (1978).
The girls continued to perform and record their music and became acquainted with other regular WLS performers such as Gene Autry, George Gobel, The Hoosier Hot Shots, Red Foley, and others. Foley took an interest in young Eva. In 1933, six months after his first wife Pauline died in childbirth, he married Eva Overstake. The "Three Little Maids" continued to perform and record as a trio and by 1933 had their own daily radio show on WLS in addition to regular performances on the National Barn Dance.
The cartoon was directed by Chuck Jones (credited as Charles M. Jones), with the story by Michael Maltese, voices by Mel Blanc, and original music by Carl Stalling. The animation was credited to Lloyd Vaughan, Ken Harris and Ben Washam, with Harry Love receiving a credit for effects animation. The distinctive layouts were designed by Maurice Noble and the backgrounds produced by Phil DeGuard. bcdb.com May 9, 2011 Uncredited are Stalling's quotations of "Powerhouse" and "Egyptian Barn Dance" (in the opening credits), by Raymond Scott.
When WGN Barn Dance was cancelled in 1969 Blanchard began an extensive tour of more than 250 engagements a year. In the 1960s and 1970s, he purchased several radio stations in Illinois and Iowa, with his business partners, Dolph Hewitt and Harry Campbell. During a broadcast from the "Dinner Bell Show" at WLS, he was elected Honorary Mayor of Pittsville, Honorary Chief of Police, and Honorary Chief of the Fire Department, by his hometown of Pittsville. He retired to Florida and died in 1980.
Mickey with Minnie Mouse in Building a Building (1933) In Mickey's early films he was often characterized not as a hero, but as an ineffective young suitor to Minnie Mouse. The Barn Dance (March 14, 1929) is the first time in which Mickey is turned down by Minnie in favor of Pete. The Opry House (March 28, 1929) was the first time in which Mickey wore his white gloves. Mickey wears them in almost all of his subsequent appearances and many other characters followed suit.
He did some studio work for RCA that year, but had relocated to Knoxville again where he worked with Homer and Jethro on WNOX's new Saturday night radio show The Tennessee Barn Dance and the popular Midday Merry Go Round. In 1949, he left WNOX to join June Carter with Mother Maybelle and the Carter Sisters on KWTO. This incarnation of the old Carter Family featured Maybelle Carter and daughters June, Helen, and Anita. Their work soon attracted attention from the Grand Ole Opry.
Travis was a popular radio performer throughout the 1940s and 1950s. He appeared on many country music television shows, co-hosting a show "Merle Travis and Company" with his wife Judy Hayden around 1953. He was a regular member of the Hollywood Barn dance broadcast over radio station KNX, Hollywood, and of the Town Hall Party, which was broadcast first as a radio show on KXLA out of Pasadena, California and later as a TV series in 1953–1961. However, his personal life became increasingly troubled.
In another episode, he states, "We Druckers skin out early." And in the Green Acres episode "The Agricultural Student", Sam throws on his toupé and says he is "Young Sam Drucker" when a young blonde co-ed named Terry Harper needs a date for the barn dance. Besides being the town grocer, Sam Drucker is also Hooterville's postmaster, constable, Justice of the Peace, and Superintendent of Schools. And he is the editor, publisher, and apparently sole employee of the Hooterville World-Guardian, the town's weekly newspaper.
Foley had an older brother, Clarence "Cotton" Foley (1903–1988), who in 1939, along with brother Red, John Lair, and Whitey Ford, co-founded the Renfro Valley Barn Dance in Rockcastle County, Kentucky. Foley's first wife was Axie Pauline Cox, who died giving birth to their daughter Betty. Betty (1933–1990) married Bentley Cummins in 1948 and had three children: Clyde Foley Cummins, a country music performer; Charlotte Jean; and Patrick Bentley. On August 9, 1933, Foley married his second wife, Eva Alaine Overstake.
The Meri-Maids, from left to right, Ruth Sanfheil, Mary Rumachick, and Marjorie Lynn, who toured with the Roy Smeck USO Show during World War II. Marjorie Lynn (Lynne) (July 21, 1921 Finley, Wisconsin - June 19, 2016 Ann Arbor, Michigan) was a singer who gained fame from WLS-AM radio in Chicago and the National Barn Dance, the precursor to the Grand Ole Opry. She began as a country-western singer and then transitioned to the swing style when she and her trio joined the United Service Organizations (USO) tour.
Renfro Valley Barn Dance was an American country music stage and radio show originally carried by WLW-AM in Cincinnati, Ohio on Saturday nights. It debuted on October 9, 1937 from the Cincinnati Music Hall and moved to the Memorial Auditorium in Dayton, Ohio. It was hosted by John Lair, Red Foley, Cotton Foley, and Whitey Ford. The show later moved to larger quarters near Mt. Vernon, Kentucky in November 1939 and was carried by WHAS-AM in Louisville, the NBC Radio Network and WCKY-AM in Cincinnati.
On New Year's Eve, Jack kisses Lee at a barn dance, and later that night, his mother visits Lee's bedroom for a talk. She reveals that the family was poor during Jack's childhood, and that he worked hard to put himself through college and law school. She asks Lee to give Jack up, rather than jeopardize his career, and Lee agrees. On the way back to New York via Canada (to bypass Pennsylvania), Jack tells Lee that he loves her, and tries to persuade her to jump bail, but she refuses.
Resident bands included The Billo Smith Orchestra, The Cloudland Big Band, The Rick Farbach Sextet, Jim Diamond & The Lancers, The Hi-Marks, The Sounds of Seven, and The Seasons of the Witch. The dance programs in those times covered old time (Barn Dance, Gypsy Tap, Canadian 3-Step, Pride of Erin, Old Time Waltz and in a roped off area at one end of the ballroom, jive), 'Modern' (Jazz Waltz, Quickstep, Foxtrot) and later The Twist and other popular dance crazes. Cloudland Ballroom was said to be the finest ballroom in Australia.
This gave them some time apart from the group and they shared a kiss they then talked of how they missed each other in the last few weeks since their one on one date. Tim told Anna he felt a connection with her. Towards the late afternoon, Tim told the girls he had a surprise set for the evening – a traditional barn dance. At nights' end, he thanked the girls for a great day and handed an envelope over which was a one on one date invitation and Natalie was selected.
Hen Hop is a 1942 drawn-on-film animation short by Norman McLaren, in which a hen gradually breaks apart into an abstract movement of lines as it dances to a barn dance. One of a number of drawn-on-film animated works created by McLaren, Hen Hop was animated by inking and scraping film stock, with colour added optically afterwards. To make Hen Hop, McLaren spent days in a chicken coop to capture what he called "the spirit of henliness." The film was produced by the National Film Board of Canada.
Sonny Dae and His Knights was an American vocal and instrumental group in the early 1950s. The group was the first to record the hit song "Rock Around the Clock". The group comprised Italian-American singer Sonny Dae (born Paschall Salvatore Vennitti, May 24, 1928 - February 1987), pianist Hal Hogan, guitarist Art Buono, and Mark Bennett, bassist, and/or drummer. It was a novelty group that billed itself as "instrumental, vocal and fun makers", and had a regular slot on the Old Dominion Barn Dance radio show in Richmond, Virginia.
Button Moon - Boat Race was released on 6 July 2009 in the UK. It comprised 10 episodes. Button Moon - Talent Show was released in 2010 in the UK. It Comprised 3 episodes which are: Button Moon Talent Show, Dolly Teapot and The Fox and Hen. (Series 1): The Good Luck Bird; The Persian Market; Barn Dance; Music in the Air; Cinders and the Magic Beans (Other series): Button Hole Pond; Cows on Button Moon; Buttonhole Pond; Boat Race; and Buttonhole Pond (iTunes): Season 6 of Button Moon can now be purchased on iTunes UK.
Mainer took jobs at local radio stations to increase the visibility of his relative's ensemble, recording classics such as Take Me in the Lifeboat. During this time, he appeared on many regional stations including WBT in Charlotte, WPTF in Raleigh, WNOX in Knoxville and WPAQ in Mount Airy. Mainer performed in a series of live radio shows with The Mountaineers, sponsored by Crazy Water Crystals laxatives. In 1934, J.W. Fincher, the head of the company, observed their popularity at the first gig, the Crazy Water Crystal Barn Dance, a radio program out of Charlotte.
The Northumbrian Gathering is an annual gathering held in Morpeth, Northumberland celebrating the traditional culture of Northumberland and the wider North East region. The gathering is held over a weekend in mid April and celebrates music, dance, crafts and dialects of the county, including reenactments of famous events including battles, exhibitions, competitions and workshops. The Border Cavalcade and Pageant through the town happens ever year and draws crowds. The 50th gathering took place in 2017, and consisted of several traditional dances, workshops, musical performances, a barn dance and the Border Cavalcade and Pageant.
Freed's relationship with the band started in the mid-90s, when Freed was touring with his now-defunct group, Dirtball, a critically acclaimed band that Allmusic.com called "alt- country at its finest." Freed saw the young Truckers band at a festival in Georgia and said to himself, "My God, these guys are somethin' else." Freed and his bandmates asked the Truckers to play the Capital City Barn Dance, a monthly series of alt-country shows they put on at various venues in Richmond in the 1990s, and a friendship was born.
He was born in Pittsville, Wisconsin, the third son of William and May (Jackson) Blanchard. In his teens he learned to play guitar, fiddle and banjo. Inspired by the "Blue Yodeler" Jimmie Rodgers, he purchased his first guitar at the age of fourteen. In 1930, accompanied his two older brothers, Hillis and Nolney, he made his singing debut on radio station WISN in Milwaukee, Wisconsin, calling himself the "Texas Yodeler". In 1931, he performed on the National Barn Dance at WLS in Chicago as a member of "Rube Tronson's Texas Cowboys".
Rounsaville also had construction permits for UHF stations in Louisville, Kentucky (WQXL- TV) and Cincinnati, Ohio (WQXN-TV) which were never placed in operation.An article on the history of WQXI-TV relates how the station shared a house in the northeast Atlanta area of Buckhead at 3165 Mathieson Drive with WQXI radio. In addition, the programming included old movies, live interview shows, a Saturday-evening barn dance and a live Bingo game show. Because expensive UHF converters were required, the station could not attract enough viewers to make the station successful.
They were "at home" in the presence of the Carter Family, Charlie Oaks, Arthur Smith and many others. They appeared at the Renfro Valley Barn Dance, on radio stations in Cincinnati, and finally, they would be some of the first old-time musicians to enter the recording studios. One particularly profitable area for them was the coal fields of Virginia. It was in In Bonny Blue Coal Camp, Virginia in 1926 that they encountered a general store owner specialising in phonograph records, who recommended them to Columbia records.
At A&M; Records, Starr recorded a song called "The French Song" that was produced by Herb Alpert. It was recorded in both French and English. In 1964, at a time when The Beatles dominated the music charts, "The French Song" was an international success that made Starr the first Canadian artist to have a record sell over a million copies. The popularity of the song led to a tour of the United States and appearing on the Louisiana Hayride radio show and on Chicago radio station WLS (AM) popular National Barn Dance.
Some restoration work was done on stained glass windows in the 2000s, and in April 2010, it was announced that the church required extensive roof repairs and an appeal for a quarter of a million euro was launched while a Government heritage building grant was received in early May. Further fundraising events included a Whist Day in December 2010 and a Barn Dance in January 2011, along with a Sale of Work, and a fundraising website. The works, which were managed for around 150,000 euro eventually, were completed by 2012.
After 1942 Atcher fought in the Army in World War II and returned to performing in 1946, charting hits which included "Why Don't You Haul Off and Love Me" and "I Must Have Been Wrong". In 1948 Atcher signed on with WLS and became a performer on their National Barn Dance. As one of their biggest stars, he continued to chart national hits, including "I'm Thinking Tonight of My Blue Eyes". He released two long plays entitled Early American Folk Songs in 1948, which were among the earliest LPs Columbia Records issued.
Where traditional square dancing exists as a community social dance, sometimes in the form of a barn dance or a cèilidh, people often dress up, though their clothing is not square-dance-specific. In the United States, lines between the forms of square dancing have become blurred. Traditional- revival groups typically adopt very casual dress, and traditional-revival choreographers have begun to use basic movements that were invented for modern western square dance forms. A few modern western callers incorporate older dances from various traditions, such as New England or Appalachian, into their programs.
Her sister Irene would later record with Columbia Records under the name Martha Carson. In 1947 she married Salty Holmes, and in 1950 they moved to Chicago, Illinois to appear on National Barn Dance on WLS-AM. Soon Jean began appearing on the Grand Ole Opry opposite Holmes as Mattie & Salty under the name Mattie O'Neil. In 1956 she recorded a few rockabilly recordings under the name Jean Chapel with Sun Records; one of the tunes, "Welcome to the Club", was issued as a B-side of a single by Elvis Presley.
Known during her solo career as Judy Martin, she was one of the Three Little Maids on National Barn Dance and a sister of country music songwriter Jenny Lou Carson. Red and Eva had three daughters: Shirley Lee (Boone), Julie Ann (Neely), and Jenny Lou (Pankratz), who recorded with their parents on Decca as the Little Foleys. Shirley Lee Foley married actor-singer Pat Boone in 1953. Their daughters are Cherry Boone, Linda Lee, Laura Gene and country and Christian music singer Debby Boone. She died in 2019.
Stookey is the son of Richard Phelps Stookey, an attorney and novelist, and Martha Milton Stookey, an actor, stage director, and teacher. Both parents came from musical families: Martha's father was an Army bugler and cornet player, and Richard's grandparents were church and barn-dance musicians whose descendants include Noel Paul Stookey of the folk trio Peter, Paul & Mary. Stookey spent his early childhood in the Basque village of Banca. He attended French American International School and Lowell High School in San Francisco and Lycée Hoche in Versailles, France.
Like Mickey's previous cartoon, Steamboat Willie, The Barn Dance was planned as a sound cartoon, and there are many sound gags, including Mickey using a passing duck as a horn for his car. The dance also demonstrates the studio's increasing facility with mixing cartoon action with musical rhythm. This short is notable for featuring Mickey turned down by Minnie in favor of Pete. It is also an unusual appearance of the Pete character; previously depicted as a menacing villain, he is portrayed here as a well-mannered gentleman.
Larson brothers guitars were popular with the country and western singers on WLS-AM in Chicago and the National Barn Dance. They were played by Marjorie Lynn, the Prairie Ramblers, Arkie, the Arkansas Woodchopper, Gene Autry, and Patsy Montana. On 25 June 1965, Bob Dylan went on stage at the Newport Folk Festival with an electric guitar. Dylan and the band rehearsed only three songs, leaving much of the audience wanting more. This performance signaled Dylan's move towards a rock n’ roll with lyrical content and meaning, changing the genre forever.
Haynes and Burns met in 1936 during a WNOX-AM audition in Knoxville, Tennessee when they were both 16 years old. Known as Junior and Dude (pronounced "dood'-ee"), the pair was rechristened Homer (Haynes) and Jethro (Burns) when WNOX Program Director Lowell Blanchard forgot their nicknames during a 1936 broadcast. In 1939 they became regulars on the Renfro Valley Barn Dance radio program in Renfro Valley, Kentucky. They were drafted into the U.S. Army during World War II but served separately; they reunited in Knoxville in 1945, and in 1947 they performed on WLW-AM's Midwestern Hayride in Cincinnati.
Roy Acuff Record sales declined during the Great Depression, but radio became a popular source of entertainment, and "barn dance" shows featuring country music were started by radio stations all over the South, as far north as Chicago, and as far west as California. The most important was the Grand Ole Opry, aired starting in 1925 by WSM in Nashville and continuing to the present day. Some of the early stars on the Opry were Uncle Dave Macon, Roy Acuff and African American harmonica player DeFord Bailey. WSM's 50,000-watt signal (in 1934) could often be heard across the country.
In 1933 they moved to Chicago's WLS, the Prairie Farmer Station. Now Paul ("Hezzie", on his washboard), "Gabe" (on clarinet) and Ken (tenor guitar). With the addition in 1934 of Frank Delaney Kettering on bass fiddle, the Hoosier Hot Shots became the quartet that they would remain until the 60s. In the late 1930s, the group had a five-minute radio show on NBC sponsored by Alka-Seltzer and appeared on National Barn Dance on WLS-AM in Chicago, Illinois; they also had a radio program for one season (1949-1950) on the Mutual Broadcasting System.
The village has a village hall built in 1955 which among other events holds the annual village barn dance. The village had a forge; a wheelwright; a school; a post office; three pubs and a windmill, all of which, other than one of the pubs (Fox and Hounds), are now private houses. The Fox and Hounds closed in 2012 and is now The Solstice Wellbeing Centre providing psychotherapy; yoga; qigong, and meditation, and is also used by local tai chi and gongfu (kung fu) schools. The village is home to former England Cricketer and Sky Sports commentator Nick Knight.
Instead, Glosson remained in Chicago to join the WJJD Suppertime Frolic programming. He managed to become a popular local attraction for his ability to include unusually harmonic riffs and sounds in his stage act. Glosson did eventually go to Hollywood to accept an opening as a radio host in 1934, but returned to the Midwest by the end of the year. In 1936, while being a featured performer on Renfro Valley Barn Dance, Glosson recorded his self-penned song "Arkansas Hard Luck Blues", which was highlighted by an early example of talking blues, a style later popularized by Bob Dylan.
William Bradley Kincaid (July 13, 1895 – September 23, 1989) was an American folk singer and radio entertainer.Bradley Kincaid , Nashville Songwriters Foundation Hall of Fame. Accessed July 4, 2012. He was born in Point Leavell, Garrard County, Kentucky but built a music career in the northern states. His debut radio performance came in 1926 on the National Barn Dance show on WLS-AM in Chicago, Illinois. A prolific composer of folk and country music tunes, the first edition of his 1928 songbook called My Favorite Mountain Ballads sold more than 100,000 copies; later editions brought the total to 400,000.
In 2009/2010 the monument underwent a £1.2 million restoration. The majority of funding came in the form of a £891,000 grant from the Heritage Lottery Fund with the Friends of the Sir John Barrow Monument collecting grants and donations for the rest. The restoration included a series of structural improvements to make the monument watertight, the most noticeable of these being the addition of a copper roof covering the stone dome, which was itself removed and rebuilt. The official reopening was on Sunday 22 August 2010 and was marked by a gala at Ford Park, barn dance and firework display.
Stripling would periodically leave the “Barn Dance Show” to tour with Bill Monroe, and by 1958 he asked Jim and Jesse McRynolds if he could start working on the WVOP Valdosta radio show. He was also known to work with Flatt and Scruggs, toured with Ernest Tubb and played the fiddle for Johnny Carson at political rallies in the 1946 race for governor in Georgia. Chick also played the bass fiddle for Jimmy Martin and the Stanley Brothers in 1962. One of his last jobs was in 1966, playing with the New River Boys as a comedian.
Thompson continued making appearances on Barn Dance (renamed the Grand Ole Opry in 1927) throughout 1926 and 1927, but as the show became more structured, Thompson's role was minimized. Hay grew impatient with Thompson's general unreliability, and the two bickered over such things as Thompson's penchant for drinking a jug of whiskey before each program to "lubricate" his playing arm, and Thompson's tendency to play well over his allotted time. In 1928, Thompson made only two appearances on the program. In 1926, Thompson went to Atlanta, where he recorded two traditional tunes, "Billy Wilson" and "Karo" for Columbia Records.
Both "Rockin' Country Style" and an earlier single distributed by Republic Records were produced by Murray Nash in Nashville. When Atco showed no interest in renewing his recording contract, Nash and Axton advertised Reeves's services around Nashville and secured a four-record deal with Decca Records. He recorded in 1957 and 1958 with little success, and later focused on the music scene in Florida disc jockeying on WQIK Radio and hosting his own country music show. In the 1970s and 1980s, Reeves became the executive producer of Jamboree USA, a long-running barn dance show, while promoting several successful country music festivals.
He taught himself to play guitar and fiddle so he could play at local square dances, and his first job in music was performing on radio in Kansas City on KMBC in 1928. He started at WLS in 1930, performing on their National Barn Dance, and became one of the show's most popular performers, continuing there until 1959. During this time he also released records for Columbia Records and Conqueror Records. Book of sheet music 'THE ARKANSAS WOODCHOPPER'S WORLD'S GREATEST COLLECTION OF COWBOY SONGS WITH YODEL ARRANGEMENT' copyright 1931 published by M.M. Cole Publishing House, Chicago contains 35 songs, 64 pages.
In 1985, Block moved to Venice, California, he landed a job as the house drummer for the Palomino Club for the Ronnie Mack Barn Dance show in 1987, he held the job until his departure to Nashville in 1995. Block also worked as a bandleader, actor, dancer and singer at The Walt Disney Company. A national commercial for Disney led to additional commercials for Carrows Restaurants, Miller beer and Kentucky Fried Chicken. In 1991, Block met and married his wife Jill Rochlitz, and Western Beat was created at the Highland Grounds coffee house in Hollywood in the same year.
He then returned for another seven- year stint with National Barn Dance. In 1941, the same year he made his first of only two film appearances (portraying himself) with Tex Ritter in the Western, The Pioneers, Foley signed a lifetime contract with Decca Records. He also released "Old Shep" in 1941, a song he wrote with Arthur Willis in 1933 about a dog he owned as a boy (in reality, his German shepherd, poisoned by a neighbor, was named Hoover). The song, later recorded by many artists including Hank Snow and Elvis Presley, became a country classic.
After Parry-Thomas' death whilst driving Babs at Pendine Sands in 1927, Major Ken Thomson carried on, joined by Ken Taylor, under the new name of Thomson & Taylor. Reid Railton, who had previously worked for Parry-Thomas at Leyland joined them as Technical Director and chief designer. Campbell Shed, pale blue, centre Blue Bird In 1926 Malcolm Campbell had opened the 'Campbell Shed' at Brooklands, trading in racing sports cars. As the name suggests, this was a simply constructed wooden shed but it grew bigger and bigger, even being used to hold a barn dance in 1931.
Ballard Shut's family was particularly musical on her father's side. Her paternal grandmother, Velma Ballard Mitchell (née DeWeese), was first an accomplished pianist and then an organist later in life, and Velma's father, (Grover Seldon DeWeese) was a barn dance fiddler who was also the proprietor of a dairy farm in Miami County, Kansas. DeWeese's fiddle, passed down to her from her father, hangs in a showcase in Ballard Shut's home. Still other members of Ballard Shut's great-grandmother's family history (Esther DeWeese (née Reimal)), had been either musicians, traveling thespians, and even early silent film stars.
Produced in a year and 6 months, its hand- drawn animation was supervised by Eric Goldberg, and its computer animation by Adam Green. To achieve the 1928 look, aging and blur filters were added to the image, while for the CG part, they created new models, faithful to the character designs of 1928. The look of Pete's clothing and car were inspired by his design in the 1929 short The Barn Dance. Originally temporary, the production team incorporated archival recordings of Walt Disney's Mickey Mouse voice from 1928 to 1946, and spliced it into the character's dialogue.
The Grand Ole Opry is a weekly American country music stage concert in Nashville, Tennessee, founded on November 28, 1925, by George D. Hay as a one- hour radio "barn dance" on WSM. Currently owned and operated by Opry Entertainment (a division of Ryman Hospitality Properties, Inc.), it is the longest-running radio broadcast in US history. Dedicated to honoring country music and its history, the Opry showcases a mix of famous singers and contemporary chart-toppers performing country, bluegrass, Americana, folk, and gospel music as well as comedic performances and skits. It attracts hundreds of thousands of visitors from around the world and millions of radio and internet listeners.
John F. Kennedy and Richard Nixon participated in the first televised presidential debate in Washington, D.C. in 1960. Over the course of the 1960s and 1970s, concurrent with the development of color television, the evolution of television led to an event colloquially known as the rural purge; genres such as the panel game show, western, variety show, barn dance and rural-oriented sitcom all met their demise in favor of newer, more modern series targeted at wealthier suburban and urban viewers. Around the same time, videotape became a more affordable alternative to film for recording programs. Stations across the country also produced their own local programs.
Diddy Wishingwell figure in top of Weebles Barn Dance playset Weebles is a range of children's roly-poly toys originating in Hasbro's Playskool division on July 23, 1971. Tipping an egg-shaped Weeble causes a weight located at the bottom-center to be lifted off the ground. Once released, gravity brings the Weeble back into an upright position. Weebles have been designed with a variety of shapes, including some designed to look like people or animals. The catchphrase "Weebles wobble, but they don't fall down" was used in advertising during their rise in popularity in the 1970s and during successive relaunches in the early 2000s.
Believing that Gene is involved in the finance company's scheme, the farmers confront him at a barn dance and a major fight breaks out. Afterwards, when Gene learns the truth from Sally about how he has been used to promote tractor sales, he promises the farmers that he will provide horses to all of them to get them through the harvest. Meanwhile, Thornton demands that Sally return his advance payment since Gene will no longer be performing on the radio show. Fearing for her father's health and with no other option available, Sally agrees to broadcast recordings of Gene's barn dances to continue promoting the tractor company.
Glosson was born the seventh child of George and Cora Glosson in Judsonia, Arkansas. He changed his middle name to Elonzo because he disliked his uncle he was named after. Originally working as a cotton picker, Glosson was taught the rudiments of the harmonica by his mother before beginning his professional musical career in 1925, on KMOX Radio, in St. Louis. Glosson traveled around the Midwest for performances in small-time venues before auditioning as a cast member for WLS Chicago's National Barn Dance in 1930, alongside many other musical acts, including Gene Autry, who attempted to persuade Glosson to pursue an acting career with him, in Hollywood.
They toured in 2012 with Drunken Barn Dance, an alt-folk band helmed by attorney/musician Scott Sellwood and released an all-original album Raise A Glass Broken Land in 2013. Later that year Cockerham debuted an EP of instrumental jazz recordings as bandleader, pianist, composer, and arranger of his 9-piece troupe Savoy in Color, titled The World You’re in Is Perfect, heavily influenced by the Gil Evans-Miles Davis collaborations of the 1950s & '60s. The group began to perform publicly in NYC in 2014, and features session horn players Joe Ancowitz and Geoff Countryman who also appeared on Ghostface Killah's 2014 album 36 Seasons.
The idea quickly took hold with sponsors and artists, and was embraced by the press. The original concept was to be named “Back to the Barn”, a metaphorical reference to a return to the early days of the Opry, originally called the Saturday Night Barn Dance. While similar in that it was a live radio broadcast with a traditional announcer at a podium, it added contextual relevance by also including journalist- interviewer Craig Havighurst, who had written a historical biography of WSM’s influence on Music City called Air Castle of the South. The show was to have a third, musical host - Americana icon Jim Lauderdale.
His break came in December 1933, when he was hired by Gene Autry to play accordion on National Barn Dance on Chicago's WLS-AM, on which Autry was the major star. As sound films became popular, Hollywood sought musical talent for Western films; and in 1934, producer Nat Levine cast Autry and Burnette in their film debut (unbilled) as part of a bluegrass band in Mascot Pictures' In Old Santa Fe starring Ken Maynard. Burnette sang and played accordion, and the film included two of his compositions. He had other small parts until a secondary, but more prominent role in the 1935 serial The Adventures of Rex and Rinty.
A fourth Mickey short, The Barn Dance, was also put into production; however, Mickey does not actually speak until The Karnival Kid in 1929 when his first spoken words were "Hot dogs, Hot dogs!" After Steamboat Willie was released, Mickey became a close competitor to Felix the Cat, and his popularity would grow as he was continuously featured in sound cartoons. By 1929, Felix would lose popularity among theater audiences, and Pat Sullivan decided to produce all future Felix cartoons in sound as a result. Unfortunately, audiences did not respond well to Felix's transition to sound and by 1930, Felix had faded from the screen.
Jesse Donald "Uncle Jimmy" Thompson (1848 – February 17, 1931) was an American old-time fiddle player and singer-songwriter. He is best remembered as the first performer to play on Nashville's Grand Ole Opry (then called the WSM-AM Barn Dance), appearing with founder and host George D. Hay on the evening of November 28, 1925. The positive response generated by Thompson's performance would be an important influence on the show's creative direction in its formative years. While Thompson made only a handful of recordings late in his life, his cantankerous and eccentric personality and his fiddle skills have made him one of the best-known icons of early country music.
Rafer Guzman of Newsday states that "[p]laying spot-the- influence is the most fun you'll have during this expensive-looking, slow- moving plod through familiar territory." Joe Williams of the St. Louis Post- Dispatch states that "[i]nstead of developing characters, Kosinski pours most of his imagination into the annihilated landscapes and futuristic gadgetry." Michael Phillips of the Chicago Tribune states that "[w]hen you go to a futuristic, dystopian, post-apocalyptic barn dance starring Tom Cruise and his space guns, you expect a little zap with your thoughtful pauses." Peter Travers of Rolling Stone calls it "arid and antiseptic, untouched by human hands".
In Britain, square dance clubs are affiliated with the British Association of American Square Dance Clubs, which also organizes the teaching of modern western square dance to Callerlab definitions. Most square dance events in Britain are run according to the Callerlab syllabus by a caller who is either a member of Callerlab or of the Square Dance Callers Club of Great Britain, and the level of dancing is indicated on the publicity material, as in "Mainstream" or "Mainstream with Pre-Announced Plus". Céilidh and barn dance events are also often advertised as being square dance events. Square dance attire varies by the type of dance and by region.
Upon his discharge he returned to WHAS, performing on their Old Kentucky Barn Dance, and signed a contract with MGM Records. WHAS expanded into a television division in 1950, and the next year Atcher formed a new band, the Red River Ramblers, who performed on the WHAS children's show T-Bar-V Ranch every weekday at 4PM. Randy, the star of the show, and his sidekick, Cactus (played by Tom Brooks, brother of actor and comedian Foster Brooks), sang songs, performed skits, and gave parenting tips. In 1953, White Castle began advertising its hamburgers through the show, the first of several companies who contracted product placement.
Resting Places: The Burial Sites of More Than 14,000 Famous Persons, third edition, McFarland 2016, Scott Wilson; p88 Access to the hamlet can be difficult in extreme weather as there are only two roads leading to it. There are very few amenities in Old Milverton. However, in the Parish Hall a pre- school playgroup takes place on a regular basis and there is a bus which runs to the nearby towns of Warwick and Leamington Spa and back once a day. The annual flower show and village fête took place for the 116th time in September 2013 featuring attractions such as vegetable growing, flower arranging and a barn dance.
Renfro Valley Entertainment Center, the home of the Gatherin' and Barn Dance, has been under separate ownership from WRVK since 1978. At that time the radio station's then-owners, Cochran-Smith Broadcasting of Nashville, chose to move the studios, offices, and transmitter approximately one mile north of the entertainment center, to their present location on Red Foley Road. (Cochran Smith's group of partners had leased the entire entertainment center from Lair in 1966, then exercised their option to buy it in 1968. When they sold the facility back to Lair and his new partners, they kept ownership of WRVK, and moved it out of the Valley.).
At Southwest Miami high school in Miami, he put together a rock and roll band called "Charlie McCoy and the Agendas" as a guitarist and singer. At age sixteen he reluctantly accompanied a friend to visit a country barn dance radio show in Miami called the "Old South Jamboree". Upon their arrival, McCoy's friend left him in the crowd and went to talk to Happy Harold, the host of the show, with the intention of coaxing McCoy up on stage to sing. McCoy's performance that night, along with the positive response from the audience, led to him and his rock band being signed to the Old South Jamboree.
A full social program is the tradition of the annual conference. From our staple events such as Merch-Swap, Charity Auction and Wine & Cheese night, to new and innovative events including NAAUChella, NAAUCing Dead, Barn Dance and Welcome to Country, NAAUC introduces new event ideas to colleges that focuses on inclusiveness and engagement. Night outings to renowned landmarks and activities unique to the host city are also popular, and in the past have included trips to the Fremantle Prison, AFL games at the Melbourne Cricket Ground as well as others. In-house functions and a black-tie ball held at the end of the conference week are a highlight for many.
Born in Stockton, California, Stone's father was country musician Herman the Hermit. The family moved to Burbank, and early in his life, he played bass in the big bands of Freddie Slack and Anson Weeks in Southern California, as well as working at local radio stations KXLA, KFI, KFVD, KFWB and KFOX-AM 1280 in Long Beach. Starting in 1935, Stone appeared on the Los Angeles-based radio shows Covered Wagon Jubilee, Hollywood Barn Dance, Dinner Bell Roundup, and Lucky Stars, singing as well as performing comedy routines and acting as host and DJ in the mid-1940s. In 1939, he married his first wife, Dorothy, and they had four children.
Git 'Long Little Dogies by Clara Mcdonald Williamson, 1945 Starting in 1943, Williamson took several classes in drawing and painting at Southern Methodist University and the Dallas Museum School. She quickly began working on what she called "memory paintings" that referred to incidents from her early rural life; these became a dominant theme in her oeuvre. Often the underlying story or event figures in the title. Examples include Chicken for Dinner (1945), The Girls Went Fishing (1945–46), Standing in the Need of Prayer (1947, showing a revival meeting by torchlight), Texas Barn Dance (1951), The Day the Bosque Froze Over (1953), and The Night Before Christmas (1954).
Stephen Wade grew up in Chicago in the 1950s and 1960s where, early on, he came to know a number of vernacular musicians who had moved north to the city from the Mississippi Delta and the Southern Appalachians. Wade started playing blues guitar at age eleven, and by his teens, began focusing on the five-string banjo. Wade met banjo player and singer Fleming Brown at Chicago's Old Town School of Folk Music in early 1972 and by the mid-‘70s, Brown passed his classes over to Wade to teach. In 1972, Wade also began accompanying Brown's teacher, Doc Hopkins, the celebrated Kentucky-born, WLS National Barn Dance performer.
Jenkins was born in Harris, North Carolina,Trischka, Tony, "Sonny Osborne", Banjo Song Book, Oak Publications, 1977 as the last of ten children. He began playing the fiddle as a plucked instrument, switched to guitar and later to a home-made banjo he and his brother Verl had built.Bogdanov, Woodstra, Erlewine 2003, p. 375Erbsen 2003, p. 119 He bought his first real banjo in 1927, and soon fell under the influence of Smith Hammett and Rex Brooks, two early banjo players who did much for the development of Jenkins' style. In 1934, he appeared on the radio show Crazy Water Barn Dance over WBT in Charlotte, North Carolina with his newly formed group, the Jenkins String Band.
A member of a musical family, Edenton grew up near Mineral, Virginia. His first instrument was a banjo ukelele, and he was performing with his two brothers and cousins at square dances around the area by age 6. After serving in the United States Army during World War II, he joined guitarist Joe Maphis as the bassist in a group called the Korn Krackers, appearing on the Old Dominion Barn Dance radio show on Richmond, Virginia station WRVA. He subsequently moved to Knoxville, Tennessee, where he worked at radio station WNOX and was temporarily sidelined with tuberculosis before moving to Nashville, Tennessee and beginning to play acoustic guitar on the Grand Ole Opry.
New York City record label Okeh Records began issuing hillbilly music records by Fiddlin' John Carson as early as 1923, followed by Columbia Records (series 15000D "Old Familiar Tunes") (Samantha Bumgarner) in 1924, and RCA Victor Records in 1927 with the first famous pioneers of the genre Jimmie Rodgers and the first family of country music the Carter Family.78discography.com The Online Discography Project. Many "hillbilly" musicians, such as Cliff Carlisle, recorded blues songs throughout the 1920s. During the second generation (1930s–1940s), radio became a popular source of entertainment, and "barn dance" shows featuring country music were started all over the South, as far north as Chicago, and as far west as California.
As described in a film magazine, Patricia Morley (Dana) is a pretty, young bride whose flirtatious ways during their honeymoon at a summer resort keep her husband Henry (Cummings) in a state of constant anxiety. Henry's jealousy is attributed to a strain of Spanish blood, although any husband would be puzzled by Patricia's activities. When Patricia, at an old fashioned barn dance, acts out the role of a chicken hatching out of an egg and dances with other men due to Henry's sprained ankle, Henry's wrath blazes up, and he accuses her of being in love with another man and threatens to leave her. He packs his things, goes to New York City, and files for divorce.
Eagle Mount is a private non-profit organization which does not take government funding, instead relying on private donors, grants, and foundations. In-kind donations such as program equipment, ski passes and rental services, horses and hay, and more also facilitate the variety of programs. Support has come from The M.J. Murdock Charitable Trust and the Dennis and Phyllis Washington Foundation. Three annual events held in support of Eagle Mount Bozeman's programs include the Western Rendezvous, a barn dance and auction fundraiser; the Crystal Ball, a black tie event; and Digger Days, a collaboration with local construction companies to let people of all ages drive heavy equipment with the support of professional operators.
Jones was making records under his own name for King by 1944 and had his first hit with "It's Raining Here This Morning." His recording career was put on hold when he enlisted in the United States Army during World War II. Discharged in 1946, he recorded again for King. Through 1946-1949, when he and several Opry cast members (Clyde Moody and Chubby Wise among them) were invited to become a part of the burgeoning world of television by Washington D.C. entrepreneur Connie B Gay, and became a cast member at the Old Dominion Barn Dance, broadcast over WRVA in Richmond, Virginia. In March 1946, he moved to Nashville, Tennessee and started performing on the Grand Ole Opry.
Táncház (literally "dance house") is a dance music movement which first appeared in the 1970s as a reaction against state-supported homogenised and sanitised folk music. They have been described as a "cross between a barn dance and folk club", and generally begin with a slow tempo verbunkos (recruiting dance), followed by swifter csárdás dances. Csárdás is a very popular Hungarian folk dance that comes in many regional varieties, and is characterized by changes in tempo. Táncház began with the folk song collecting of musicians like Béla Halmos and Ferenc Sebő, who collected rural instrumental and dance music for popular, urban consumption, along with the dance collectors György Martin and Sándor Timár.
When Terhune was 23, an uncle, "a left-handed fiddler", Terhune recalled, convinced the young man to come with him to a talent contest where Max won first prize with his whistling routines. He began seeking work in vaudeville houses and soon played with acts like the Hoosier Hotshots and toured 46 weeks with Roy Lee Brown's Hickville Follies. Terhune said when he received an excellent newspaper review ("Max Terhune made a tremendous hit with his bird and barnyard animal imitation.") while playing a Chevrolet dealers' convention in Muncie, Indiana he was able to use it as an introduction in 1932 to the National Barn Dance radio program on WLS in Chicago.
The Coon Creek Girls were a popular all-female "string band" in the Appalachian style of folk music (a precursor of country music) which began in the mid-1930s. Created (and named) by John Lair for his Renfro Valley Barn Dance show, the band originally consisted of sisters Lily May and Rosie Ledford (from Powell County, Kentucky) along with Esther "Violet" Koehler (from Indiana), Evelyn "Daisey" Lange (from Ohio)and Norma Madge Mullins (from Renfro Valley, Kentucky). On June 8, 1939, when King George VI and Queen Elizabeth visited the White House of President Franklin D. Roosevelt, there were numerous musical acts, including Lawrence Tibbett, Marian Anderson, and Kate Smith. Also included were a troupe of Bascom Lunsford's square dancers and the Coon Creek Girls.
At 17, after she graduated from high school, she sent an audition record to KMBC in Kansas City, Missouri, and was signed to a five- year contract to perform on the Brush Creek Follies barn dance show as "Sally Carson," and with a group called The Rhythm Rangers. The show was broadcast nationwide on the Columbia Broadcasting Service, and has been described as "one of the biggest music programs in the country" at the time. A newspaper columnist described her opening in Kansas City: > “She walked out into the spotlight and the crowds went ‘Ahhhh!’.” A couple > of minutes later she brought down the house! That’s the history in brief of > Sally Carson’s first appearance as a regular songstress last Saturday on > KMBC’s Brush Creek Follies.
The 2009 festival, held over the weekend 24–26 July, included musical performances by Florence and the Machine, PJ Harvey - in her only UK solo appearance of the year, Chic, Will Young, Tinchy Stryder, VV Brown, Kid Creole and the Coconuts, Mercury Rev, Goldie Lookin' Chain, Wild Beasts, Roots Manuva, Candi Staton, Bon Iver, Phoenix, Alessi's Ark, Alela Diane, Micachu and the Shapes, Golden Silvers, Seth Lakeman and Laura Marling. Comedians appearing included Frankie Boyle, Marcus Brigstocke, Lee Mack and Michael "Atters" Attree. Other events included a barn dance, a show by the English National Ballet, and Hugh Fearnley-Whittingstall's River Cottage tent. Changes from the previous year included a late-night Silent Disco to avoid waking children, and the number of toilets were tripled.
At Republic Pictures, his cowboy skills gained him stunt work and a small acting part at the age of 18 in a 1935 Gene Autry film, The Singing Vagabond. He followed this with bit parts and additional stunt work as "George Letz" in mostly low- budget films. These included Springtime in the Rockies (1937) with Autry; The Purple Vigilantes (1938) with Robert Livingston; the serial The Lone Ranger (1938); Outlaws of Sonora (1938) with Livingston; The Old Barn Dance (1938) and Gold Mine in the Sky (1938) with Autry; Under Western Stars (1938), with Roy Rogers; Pals of the Saddle (1938) with John Wayne; Billy the Kid Returns (1938), Come On, Rangers (1938) and Shine On, Harvest Moon (1938) with Rogers. Those had all been Westerns.
Some network programs held on into the television era: Don McNeill's Breakfast Club, one of the first and longest-running morning shows in the country, hosted by Don McNeill, ran from 1933 to 1968. Other long-running ABC programs included the National Barn Dance, running from 1924 to 1960, and Paul Harvey's daily commentary, which ran from 1951 until his death in 2009. In 1958, ABC collaborated with its sister television network to produce the first national stereophonic sound broadcasts, when it simulcast The Plymouth Show (one of two shows hosted by Lawrence Welk at the time); the TV side broadcast one audio channel and the radio side broadcast the other in synchronization; viewers had to tune into both devices to achieve the stereophonic effect.
Their new custom involved the different groups joining together on a tour around the villages of East Kent, beginning at Canterbury Cathedral and going through Ramsgate, Cliftonville, and Herne Bay before ending in a barn dance at Wickhambreaux. In October 1957, Field was introduced to Jack Laming of Walmer, who as a boy had performed in a hoodening troupe earlier in the century. Laming taught Field more about the historical hoodening tradition, and together they unearthed an old hooden horse that was stored at Walmer's Coldblow Farm; this artefact was later placed on display at Deal Maritime and Local History Museum. In June 1961 Field and his wife established the first Folkestone International Folklore Festival as a biannual celebration of folk customs; it continued for 28 years.
The Baldock Festival is a cultural festival which started in 1983 and takes place on the first weekend in May. The festival consists of events throughout the town and the local area, such as museum trips, a barn dance, cheese tasting, brewery tours, clairvoyance evening, cricket match, comedy sketches, family quiz night, mystery tour, open gardens, history talks, and several music events, some of which feature local bands. The festival culminates in the Historic Street Fair held in the High Street, on the second and final weekend where stallholders dress in clothing of the era and help to portray what life was like in the historic town. The Baldock Beer Festival takes place during the first weekend where local and national real ales, real ciders and continental lagers may be sampled.
"Dim Lights, Thick Smoke (And Loud, Loud Music)" is a country song written by Joe Maphis, Rose Lee Maphis and Max Fidler. It was originally recorded in December 1952 by the bluegrass duo Flatt & Scruggs, and later released by Joe & Rose Lee Maphis in 1953 as a single. Joe Maphis said he started the song after moving from barn dance shows in Virginia and Chicago to playing in a honky-tonk in Bakersfield, California, in a band that included Buck Owens on back-up vocals.Dorothy Horstman, Sing Your Heart Out, Country Boy, Vanderbilt University Press, 1996 It is also said that Joe Maphis wrote the song one Saturday night (presumably in 1952) while driving home to Los Angeles from Bakersfield after seeing Buck Owens perform at the Blackboard Cafe.
On April 19, the station aired its first National Barn Dance. The station shared time on the frequency with WCBD until November 11, 1928, at which point it began sharing time with WENR. In 1931, the station's power was increased from 5,000 watts to 50,000 watts, and the station began sharing the transmitter of WENR near Downers Grove, Illinois."NBC Acquires WENR", Richsamuels.com. Retrieved August 25, 2018. In 1938, the station's transmitter was moved to Tinley Park, Illinois. WLS's transmitter building in Tinley Park 1954 station logo Sears opened the station in 1924 as a service to farmers and subsequently sold it to the Prairie Farmer magazine in 1928. The station moved to the Prairie Farmer Building on West Washington in Chicago, where it remained for 32 years.
Renfro Valley, Kentucky (near Richmond) is home to Renfro Valley Entertainment Center and the Kentucky Music Hall of Fame and is known as "Kentucky's Country Music Capital", a designation given it by the Kentucky State Legislature in the late 1980s. The Renfro Valley Barn Dance was where Renfro Valley's musical heritage began, in 1939, and influential country music luminaries like Red Foley, Homer & Jethro, Lily May Ledford & the Original Coon Creek Girls, Martha Carson, and many others have performed as regular members of the shows there over the years. The Renfro Valley Gatherin' is today America's second oldest continually broadcast radio program of any kind. It is broadcast on local radio station WRVK and a syndicated network of nearly 200 other stations across the United States and Canada every week.
The stage at the Ryman Auditorium where many of the legendary artists have performed After debuting in 1925, the local country music radio program known as the Grand Ole Opry (originally called the WSM Barn Dance) became a Nashville institution. Broadcast over clear-channel AM radio station WSM, it could be heard in 30 states across the eastern part of the nation. Although not originally a stage show, the Opry began to attract listeners from around the region who would go to the WSM studio to see it live. When crowds got too large for the studio, WSM began broadcasting the show from the Hillsboro Theatre (now Belcourt Theatre) in 1934. The Opry moved to East Nashville's Dixie Tabernacle in 1936 and then to War Memorial Auditorium in 1939.
The early days of KIRX featured many music and interview programs broadcast live from the studios, along with local high school and college sports by remote. One early program that survives to this day is 'Party Line', a 6-day per week call-in show where community members can buy, sell, or trade items. The 'KIRX Barn Dance', broadcast live from Reiger Armory in Kirksville on Saturday nights, was also a popular show. During the 1950s and 1960s most local music programming gave way to the 'stacks of wax', 45's and LP's featuring a wide variety of singers and bands, often left to the discretion of the DJ. The decision was made in 1983 to feature an all-country music format with the slogan "Music Country KIRX".
Having made many of the instruments he still uses, Nick Pynn started his musical career in the mid-80s with the Leigh-on-Sea 'soil music' barn-dance band, The Famous Potatoes. He played fiddle, banjo, mandolin, mandocello and viola on their albums, The Sound of the Ground, It Was Good for My Old Mother, and Born in a Barn. Jane Bom-Bane in 2009 Pynn joined Steve Harley in 1990 on acoustic guitar and fiddle, taking the lead guitar role in 1996. The 'Stripped to the Bare Bones' tour of 1998 with Pynn accompanying Harley on mandocello, dulcimer, acoustic guitar and violin was released on CD :Stripped to the Bare Bones from the Jazz Café, London, and the two-man show received a 5 star review at the Edinburgh Festival.
Renfro Valley, Kentucky is home to Renfro Valley Entertainment Center and the Kentucky Music Hall of Fame and is known as "Kentucky's Country Music Capital," a designation given it by the Kentucky State Legislature in the late 1980s. The Renfro Valley Barn Dance was where Renfro Valley's musical heritage began, in 1939, and influential country music luminaries like Red Foley, Homer & Jethro, Lily May Ledford & the Original Coon Creek Girls, Martha Carson, and many others have performed as regular members of the shows there over the years. The Renfro Valley Gatherin' is today America's second oldest continually broadcast radio program of any kind. It is broadcast on local radio station WRVK and a syndicated network of nearly 200 other stations across the United States and Canada every week.
Retrieved: 16 December 2008. In 1926, Sam and Macon appeared together on the WSM Barn Dance (which later became the Grand Ole Opry) and recorded several sides, including Sam's guitar solos, "Buck Dancer's Choice" and "Knoxville Blues." Shortly afterward, a recording scout suggested Macon form a larger band, and Sam, Kirk, guitarist Hubert Gregory, and bassist Golden Stewart joined with Macon as "Uncle Dave Macon and the Fruit Jar Drinkers" (Macon chose the name "Fruit Jar Drinkers", ignoring the fact that another band was already using a similar name). The band made several Opry appearances, and travelled to New York to record several tracks, including "I'm Goin' Away in the Morn" and "Bake That Chicken Pie" (by the time it recorded, the band's line-up had shifted to include Macon's neighbor, fiddler Mazy Todd).
The Grand Ole Opry is a weekly country music concert show in Nashville, Tennessee, which began as a radio barn dance on November 28, 1925, by George D. Hay and has since become one of the genre's most enduring and revered stages. Each show consists of multiple guest artists as well as Opry members, who are selected by Opry management based on several factors including critical and commercial success, respect for the history of country music and commitment to appearing on the program. Publicly, once a new member is chosen, an existing member will ask the new member to join the Opry live on-air during the broadcast, usually when the new member is performing as a guest. Being invited to become a member of the Grand Ole Opry is considered one of country music's crowning achievements.
Withers's thirteenth birthday party saw 60 young guests come in costume and participate in a balloon dance and jitterbug contest; this party earned a two-page pictorial spread in Life magazine. Withers's "sweet sixteen" party in 1942, with 150 invited guests and a hayride and barn dance on the program, was filmed by Paramount Pictures for the Hedda Hopper's Hollywood series. The short was transferred to 16 mm film for viewing by U.S. troops overseas during World War II. Withers had her eighteenth birthday party at Madison Square Garden with a circus theme and invited U.S. servicemen and their dates to be her guests. Her twenty-first birthday party was planned for a nightclub with 200 guests, but after coming down with the flu, Withers served cake and ice cream and watched movies in her personal suite at home with 12 close friends.
The festival has now expanded to cover the whole weekend, when the Bear appears not on Plough Tuesday but on the second weekend in January. On the Saturday of the festival, the Bear progresses around the streets with its attendant "keeper" and musicians, followed by traditional dance sides (mostly visitors), including morris men and women, molly dancers, rappers and longsword dancers, clog dancers, who perform at points along the route. The Bear dances to a tune (reminiscent of the hymn "Jesus Bids us Shine") which featured on Rattlebone and Ploughjack, a 1976 LP by Ashley Hutchings, along with a spoken description of the original custom that had partly inspired the Whittlesey revival. "Sessions" of traditional music take place in public houses during the day and evening, and a barn dance or ceilidh, and a Cajun dance end the Saturday night.
Poster for Shadows of Tombstone, 1953 Allen began his singing career on radio station KOY in Phoenix, Arizona, after which he became better known as a performer on the National Barn Dance on WLS in Chicago. When singing cowboys such as Roy Rogers and Gene Autry were very much in vogue in American film, in 1949 Republic Pictures in Hollywood gave him a screen test and put him under contract. Beginning in 1950, Allen starred as himself in 19 of Hollywood's Western movies. One of the top-ten box office draws of the day, whose character was soon depicted in comic books, on screen Allen personified the clean cut, God-fearing American hero of the wild West who wore a white Stetson hat, loved his faithful horse Koko, and had a loyal buddy who shared his adventures.
Rosalie Allen, a "singing cowgirl" from Pennsylvania, who went on to host her own "western" radio show in New York City ~ 1947 Other than the National Barn Dance, broadcast out of Chicago starting in 1924, and the Grand Ole Opry in 1925, American Country Western performers had only live performances and records to promote their music. When radio grew in popularity in the late 1920s and early 1930s, the powerful recording company RCA Victor feared that free music would devastate their record business. RCA first attempted to prevent artists from appearing on the radio and then successfully stopped the growth of more powerful FM stations. But radio ownership grew from 2 out of 5 U.S. homes in 1931 to 4 out of 5 homes in 1938, and stations began to broadcast live shows featuring various artists, sometimes with a live audience.
At the age of 18, Travis performed "Tiger Rag" on a local radio amateur show in Evansville, Indiana, leading to offers of work with local bands. In 1937 Travis was hired by fiddler Clayton McMichen as guitarist in his Georgia Wildcats. He later joined the Drifting Pioneers, a Chicago-area gospel quartet that moved to WLW radio in Cincinnati, the major country music station north of Nashville. Travis' style amazed everyone at WLW and he became a popular member of their barn dance radio show the "Boone County Jamboree" when it began in 1938. He performed on various weekday programs, often working with other WLW acts including Louis Marshall "Grandpa" Jones, the Delmore Brothers, (in Alton Delmore's book "Truth is Stranger Than Publicity" on pages 274–275, Alton describes how he taught Merle Travis how to read and write music)Truth is Stranger Than Publicity 1995 ed.
This in turn has been performed by a number of artists in the folk music and country music traditions, including the New Lost City Ramblers."Take a Drink on Me" [Me II-Z26] on Folk Music Index at Ibiblio.org It shares some words with Frank Hutchison’s 1927 ballad “Coney Isle”.Waltz and Engle “Coney Isle” "Cocaine Habit Blues" :A third, very closely related to this version is the one also commonly known as “Cocaine Habit Blues”, recorded by the Memphis Jug Band in 1930 (credited to Jennie Mae Clayton).Kemper Kokaine song Nr.004, p.283 It was a jug band standard, later recorded by the Panama Limited Jug Band and by Jerry Garcia in Mother McCree's Uptown Jug Champions in 1964. Its introductory verse is “Oh cocaine habit mighty bad”. "Croquet Habits" :This disguised version of "Cocaine Habit Blues" was recorded by Freeny's Barn Dance Band in 1930.
The Opry then moved to the War Memorial Auditorium, a downtown venue adjacent to the State Capitol, and a 25-cent admission fee was charged to try to curb the large crowds, but to no avail. In June 1943, the Opry moved to Ryman Auditorium. Roy Acuff Ryman Auditorium, the "Mother Church of Country Music" One hour of the Opry was nationally broadcast by the NBC Red Network from 1939 to 1956, and for much of its run, it aired one hour after the program that had inspired it, National Barn Dance. The NBC segment, originally known by the name of its sponsor, The Prince Albert Show, was first hosted by Acuff, who was succeeded by Red Foley from 1946 to 1954. From October 15, 1955 to September 1956, ABC-TV aired a live, hour-long television version once a month on Saturday nights (sponsored by Ralston-Purina) that pre-empted one hour of the then-90-minute Ozark Jubilee.
They signed with King Records, where they worked as a house band and recorded singles on their own, and two years later signed with RCA Records. The pair was fired along with several other stars by new management at WLW in 1948 and, after a brief tour, they moved to Springfield, Missouri and performed on KWTO- AM with Chet Atkins, the Carter Family and Slim Wilson.. In 1949 they moved to Chicago and appeared on National Barn Dance on WLS-AM; and later appeared on television programs including Ozark Jubilee, The Beverly Hillbillies, The Johnny Cash Show and The Tonight Show. The pair recorded more than 50 albums during their career and won a Grammy for the best comedy performance in 1959 for "The Battle of Kookamonga," a parody of Johnny Horton's "Battle of New Orleans." Haynes, who owned Fender Stratocaster serial number 0001, died on August 7, 1971 of a heart attack in Hammond, Indiana.
Described by Cincinnati television producer Len Goorian as "the closest thing I've ever seen to a living leprechaun," the Plymouth, Indiana-born Robert Gerald Shreve broke into radio following a stint in the U.S. Navy as a singer on Hoosier Hop and Calling All Poets for WOWO in Fort Wayne. He subsequently appeared on "National Barn Dance" for WLS in Chicago, and Club Matinee for ABC in New York, before accepting an offer from WLW in Cincinnati. As a staff tenor for WLW, he sang the favorite hits of the day, sometimes duetting with other local talent such as Betty Clooney, the sister of Rosemary Clooney. In 1950, WLW added television to their service and Shreve was in the vanguard of talent to make the leap from radio to TV. In August 1950, he appeared in comedy skits on WLWT's Cincinnati at Sunset, the first local program to receive national broadcast via NBC.
Thereafter, he proved himself able to provide whatever the hungry airwaves needed: an on-air announcer, a mellow singing voice, a movie host, an able vaudevillian, a soft-shoe dancer, or a cornpone comedian. It was in the latter category that he made his first significant local success in The General Store, a half-hour comedy show in the style of Lum and Abner that aired on WLWT Mondays through Fridays at 3:30 p.m. Set in the mythic rural burg of Broken Tooth, Measley County USA (Population: 43), The General Store top-lined Bill Thall as store proprietor Willie, but Shreve stole every episode as his brain-dead employee Elmer Diffledorfer, who wore a sideways deerstalker cap and a necktie that stood up of its own accord. This is the same outfit that he wore, portraying the "Country Cousin Alvin" on the "Old American Barn Dance" on the DuMont Television program of the 1953 summer replacement season.
In 1938, the Kahn Orchestra reformed to perform a special one-off concert, in what could possibly have been the Kahn Orchestra’s last ever concert. The show was held in honor of the unveiling of the enormous Golden Age Aviation Mural installed at Roosevelt Field Airport: the mural was painted by the artist Aline Rhonie Hofheimer (a pilot in her own right) who had been commissioned to paint a fresco mural on the north brick wall of Roosevelt Field Hangar F. The mural commemorated the history of aviation from 1908 to 1927 ending with Charles Lindbergh's trans-Atlantic flight. After Rhonie's mural was completed, there was an artist's reception and party held at Roosevelt Field Airport on October 15, 1938. The invitation’s read, ‘You are invited to attend a party and barn dance given in honor of Aline Rhonie commemorating her achievement in the completion of the world’s largest aviation fresco depicting the history of aviation.’ It was at this reception that ‘"A" Roger Wolfe Kahn Orchestra’ performed.
Born and raised on a farm in Royalton, Minnesota, Mary Jane (February 1, 1917 - 1981) and Carolyn DeZurik (December 24, 1918 - March 16, 2009) were part of a family of seven. Their father Joe played fiddle, their sisters sang, and their brother Jerry played accordion and guitar. Inspired by their family and the sounds of the animals and birds around them, they developed an astonishing repertoire of high, haunting yodels and yips that soon had them winning talent contests all over central Minnesota. In 1936, they signed a contract to appear regularly on Chicago radio station WLS-AM's National Barn Dance, and were hired in 1937 to perform on Purina Mills' Checkerboard Time radio show, where they sang as The Cackle Sisters. In 1938, the sisters recorded six songs for Vocalion Records: "I Left Her Standing There" (Vocalion 4616-A), "Arizona Yodeler" (Vocalion 4616-B), "Sweet Hawaiian Chimes" (Vocalion 4704-A), "Guitar Blues" (Vocalion 4704-B), "Go To Sleep My Darling Baby" (Vocalion 4781-A) and "Birmingham Jail" (Vocalion 4781-B).
While stereotyped as rural music, the Country music format is common and popular throughout the United States and in some other countries (particularly Canada and Australia, both of which share much of the same Anglo-Saxon and Celtic roots as the United States). Country has been a popular radio format since the early days of music radio, dating back to the early days of radio itself when barn dance radio programs were widely popular; however, the format was indeed originally a predominantly rural phenomenon, especially on AM radio. Decades worth of efforts at mainstreaming the format eventually paid off when country radio became widely popular among a large number of FM radio stations that signed on in the suburban United States in the 1980s and early 1990s. For most mainstream country stations, the emphasis is generally on current pop country, following the same process as top 40; the remaining music in a particular station's library generally uses music from the past fifteen years (shorter for "hot country" or "new country" stations), with the exact music used varying depending on the station and the style of music the listener wants to hear.
CBU's Campus Activities office hosts a range of annual social and recreational events, including: Fortuna Bowl, an intramural flag football championship game with men's and women's teams on the campus front lawn in November; Midnight Madness, a high-energy event which kicks off the basketball season by introducing the men's and women's basketball teams to hundreds of cheering students packed into the events center. School spirit is raised with games and relays like the dunk contest and 3-point shootout, and free food and prizes for the fans; Yule, a formal dinner and night of entertainment at a premier Southern California venue where the year’s Mr. & Ms. CBU are revealed in early December; Late Night Breakfast, held during Finals Week of each semester, where school faculty and staff serve up breakfast to students; and TWIRP (The Woman Is Required to Pay), a week-long event where female students invite male students to fun activities and events throughout the week. Highlights of the week include: a Barn Dance, complete with a caller, square dancing, and costume contest, on- and off-campus events including concerts, Angels and Dodgers baseball games, and trips to Disneyland, Sky Zone and other Southern California excursions.

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