It also has Brookside, a fruit and nut bar line launched nationally last summer.
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Restaurants and bars like Smoke Joint, Mullanes Bar and Grill and Frank's Cocktail Bar line the angles of the intersection.
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I get in the bar line, and pay $53 for a double Tito's and water and what seems like the tiniest bag of M&M's.
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It is now the third-biggest snack bar maker worldwide by market share, the data provider added, coming behind just General Mills' Nature Valley brand and the Clif Bar line of energy snacks.
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It is now the third-biggest snack bar maker worldwide by market share, the data provider added, coming behind just General Mill's Nature Valley brand and the Clif Bar line of energy snacks.
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Oreo first launched its Milka collaboration candy bar line back in November 2016, kicking things off with the classic "Milka Oreo Chocolate Candy Bar" along with the more intense "Milka Oreo Big Crunch Bar" — and both truly tasted like a crunchy Oreo cookie in creamy, dreamy chocolate bar form.
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That's sort of how I feel when I grasp a can of Magners Dark Fruit: Suddenly, a man in sunglasses is shouting over music at me in a tent, or I'm bustling through a rigid bar line to retrieve the one pint I couldn't manage to carry out of a round of four, or the fluorescent light flicks on, then off, then on, above the cloakroom while the sober door girl, at 0.53 AM, tells me they can't find my coat and they're not responsible for the loss.
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Originally, the word bar came from the vertical lines drawn through the staff to mark off metrical units and not the bar-like (i.e., rectangular) dimensions of a typical measure of music. In British English, these vertical lines are called bar, too, but often the term bar line is used in order to make the distinction clear. A double bar line (or double bar) can consist of two single bar lines drawn close together, separating two sections within a piece, or a bar line followed by a thicker bar line, indicating the end of a piece or movement.
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Note that double bar refers not to a type of bar (i.e., measure), but to a type of bar line. Another term for the bar line denoting the end of a piece of music is music end. − Chart of Musical Symbols A repeat sign (or, repeat bar lineNickol, Peter (2008).
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Bar-line shift on rhythm changes B section . In jazz, a bar-line shift is a technique in which, during improvisation, one plays the chord from the measure before or after the given chord either intentionally or as an "accident."Coker, Jerry (1997). Elements of the Jazz Language for the Developing Improvisor, p.83. .
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Bar-line shift's effect on metric accent: first two lines vs. second two linesNewman, William S. (1995). Beethoven on Beethoven: Playing His Piano Music His Way, p.170-71. . or .
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Cadenza-like passages can have dotted barlines, or barlines can be omitted altogether. It is possible to print a small fermata above a bar line; this represents a brief pause between the measures either side of the barline, as in Western notation.
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In 2014, she was featured in a promotional piece for Western Union. Solo signed with LX Ventures, Inc. and Mobio as a "social media influencer" in March 2014. In June 2016, she partnered with Organically Raw to promote their Shanti Bar line of energy and protein bars.
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The Zwiefacher alternates between odd and even time signatures, changing from 3 to 2 beats per bar. The changes may occur regularly - for example, two measures per time signature, may change only once or may change irregularly throughout. Early Zwiefachers were played before the modern bar line was invented.
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The Bun Bar line The Bun Bar line split, from left: caramel, maple and vanilla A Bun Bar whole Bun Bars are a line of candy bars manufactured by Pearson's Candy Company of Saint Paul, Minnesota, and available in the United States. Despite the name, Bun Bars are not bars at all, but actually round and flat, containing a disc made of maple or vanilla-flavored creme, or caramel, coated in milk chocolate and topped with a roasted peanut-chocolate cluster. The forerunners of Bun Bars were originally created in the 1920s by the Wayne Bun Candy Company in Fort Wayne, Indiana. The Vanilla Cream Bun of 1947 was the first receiving the Bun name.
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Podgorica Rail Station Podgorica is a hub of the X-shaped Montenegrin rail network. The Belgrade–Bar line converges with the line to Nikšić and line to Shkodër at the Podgorica Rail Station. The station itself is located to the southeast of the main city square. Podgorica's main railway link (for both passenger and freight traffic) is Belgrade–Bar.
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Former JŽ class 461 passing through Virpazar on the Belgrade-Bar line. New CAF Civity next to passenger train hauled by older former JŽ class 461. Željeznički prevoz Crne Gore (ŽPCG) (Cyrillic: Жељезнички превоз Црне Горе; English: Railway transport of Montenegro) is a joint-stock company that handles passenger transport within Montenegro, as well as operation of the Montenegrin rolling stock.
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There are several models of the Browning BAR; Safari, Long- and ShortTrac, and Lightweight Stalker. Both LongTrac and ShortTrac versions are available in a Mossy Oak takedown, basic, and Stalker variant. The Safari model is the most luxurious model in the BAR-line, with an engraved steel receiver and more luxurious walnut stock. The barrel is long, depending on the cartridge.
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The shuttle approached the station along the R-bar line and at a small distance from the ISS, usually around 600 feet (180 meters), the shuttle performed a slow 360° pitch, during which it exposed its underside, the heat shield, to the ISS. The crew inside the ISS visually inspected and photographed the heat shield to determine whether or not it had been damaged during liftoff and ascent. This maneuver required skilled piloting, as the Shuttle commander must fly very close to the ISS without the station always in full view. After the maneuver is complete the shuttle flew from the R-bar to the V-bar, a 90 degree angle change as seen from ISS and then continued along the V-bar line to close in on the space station and eventually complete the docking.
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Mélancolie is a sophisticated blend of textural inversion, canon and rhythmic compression that essentially determines the piece's outer envelope. Poulenc suggests that the piece should be played with "allegresse et tendresse". ;Tourbillon (Whirlwind) D major, 3/4; Allegro con fuoco (dedicated to Marie Meurice) At first echoing the animated rhythms of Berlioz's Béatrice et Bénédict, it evolves into a more complex beat, avoiding the bar-line.
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That is absurd, because the bar line is a notational, not a musical, matter. But there is no necessity to pay back even within the phrase: it is the metaphor that is wrong." Paderewski also discarded this theory saying: "(...) the value of notes diminished in one period through an accelerando, cannot always be restored in another through a ritardando. What is lost is lost.
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After dissolution of Yugoslavia, 461 class have remain in service with railways of Serbia, Montenegro and Republic of Macedonia. Today there are 46 locomotives operated by Serbian Railways. Most Serbian locomotives were passed to the cargo division in 2015, with 5 units retained for passenger trains on the Belgrade- Bar line. Railway transport of Montenegro operates 10 and Montecargo 8 locomotives of class 461, being only electric locomotive operated in Montenegro.
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They never sold in the United States and were discontinued due to falling sales. In late 2013, Nestlé Australia and New Zealand introduced new additions to the Wonka Bar Line, 170g Big Blocks Bars which were released in four flavours, Wonka Triple Chocolate Whipple Bar, Nutty Crunchilicious, Caramel Hat Trick and Chocolate Tales Bar. More additions included Cookie Creamery, and Mudpuff Caramel Stuff, also released in smaller sizes. These also got discontinued later.
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A type bar line printer was incorporated in the IBM 402 and 403 accounting machines. An IBM 716 line printer, based on the IBM 407 wheel mechanism, attached to an IBM 7090 mainframe at NASA's Goddard Spaceflight Center during Project Mercury. Tabulators built by the U.S. Census Bureau for the 1910 census could print their results. Prior to that, tabulator operators had to write down totals from counter wheels onto tally sheets.
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It begins with a relaxed melody played by muted violins, featuring a repeated "hiccuping" motif. The mood gradually becomes more somber and meditative with an alternation between major and minor modes, resembling many similar passages in the later work of Schubert. There follows a series of dissonant suspensions carried across the bar line, which are extended to extraordinary lengths by Haydn when the same material appears in the recapitulation. James WebsterWebster (1991).
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Bar-line shifts may be caused by a novice having lost their place in the chord progression, but is most often attributable to: "(1)...harmonic generalization, as in the case of playing a II to V7 (+5, +9) progression [II-V-I turnaround] as only a V7 (+5, +9); or (2) the player wanted to play the previous chord (though it has already transpired), but was either pausing momentarily (as in taking a breath), and decides to adopt the 'better later than never' attitude." An example of a "very intentional" bar-line shift may be found on Cannonball Adderley's solo on "So What," "in which he deliberately enters and exits the bridge early, causing considerable tension, since the chord of the A section (D-) is one- half step lower than the chord of the bridge (E-)." first two lines vs. second two lines . Outside of jazz a barline shift may be less than a bar, causing a change in the metric accent of the melody and its cadence.
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Bars topped with walnuts In 1993 Betty Crocker added two new varieties to the four existing Supreme Dessert Bar line of baking mixes it introduced in 1992. The two new flavors, M&Ms; Cookie Bars and Raspberry Bars, joined lemon bars, chocolate peanut butter bars and caramel oatmeal bars. In 2004 Krusteaz added a line of dessert bars to its selection of quick and easy baked goods. The U.S. Navy SEAL Guide to Fitness and Nutrition includes numerous bars in its "lightweight menus".
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The central sixth movement sets verse 9 from the Epistle, "" (You, however, are not of the flesh, but rather of the Spirit). Again beginning in G major, the tenor begins with a fugue theme that stresses the word "geistlich" (of the Spirit) by a long melisma in fast notes, while the opposite "fleischlich" is a long note stretched over the bar-line. The alto enters during the melisma. All five voices participate in a lively fugue, the only one within the motet.
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Whilst playing for the Rangers, Anning was voted to the All-star team twice and being one third of the high scoring "BAR line" with Kenny Booth and Cliff Ryan. For the 1954–55 season, Anning moved to play with the Ayr Raiders in the newly formed British National League. However, he moved backed to the Wembley Lions the following season. He then went to the Brighton Tigers for the 1958–59 season before again returning to the Wembley Lions for the 1959–60 season.
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The network peaked in 1937 at 6,600 kilometres. Unusually for such a large network, only one tunnel was required, the Swan View Tunnel. A few isolated lines were operated, such as the Marble Bar line in the Pilbara and the Hopetoun-Ravensthorpe line on the South Coast. With many lines in need of heavy maintenance, rolling stock in need of replacement and heavy losses being incurred, during the 1950s many branches closed with 1,320 kilometres of the network so treated in 1956/57, although 275 kilometres were subsequently reopened on a seasonal basis.
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Chart.js is a free open-source JavaScript library for data visualization, which supports 8 chart types: bar, line, area, pie (doughnut), bubble, radar, polar, and scatter. Created by London-based web developer Nick Downie in 2013, now it is maintained by the community and is the second most popular JS charting library on GitHub by the number of stars after D3.js, considered significantly easier to use though less customizable than the latter. Chart.js renders in HTML5 canvas and is widely covered as one of the best data visualization libraries.
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According to René Leibowitz, the first movement is "entirely written in the twelve-tone technique, [it] is a sonata movement without the development. Thus the recapitulation follows directly upon the exposition; but, because of the highly advanced twelve-tone technique of variation, everything in this movement is developmental" . The tone row of the first movement is :Movement I tone row : Pople adds a bar line to group the first and the last six pitches () . He also depicts it as: :Movement I tone row Whenever a given row-form is immediately repeated, a reversed coupling of the hexachords is employed to produce a secondary set.
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Source from "The Tyranny of the Bar-Line" by Daniel Gregory Mason; The New Music Review and Church Music Review, vol 9 (American Guild of Organists); 1909 This opinion has also been expressed by music teachers; for example, teacher Jennifer Merry relates the steady beat of a metronome to the structure of contemporary popular music, and says that both factors hinder understanding of rhythm and tempo in young children.How do you teach the difference between counting rhythm and musical rhythm? These criticisms emphasize the importance of intuition, nuances, and style, rather than the rigid, steady beat of a metronome. Many notable composers, including Felix Mendelssohn, Richard Wagner, Giuseppe Verdi, and Johannes Brahms, also criticized use of the metronome.
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In his search to incorporate the philosophy of Simultaneity within western musical systems, Wyer returned to a frequent inspiration; birdsong; struck by the endless combinations and re-combinations of the songs of the dawn chorus he began considering ways to create systems that would enable simultaneous solos that combined in musically intelligent, coherent ways - that necessarily moved away from the western convention of counting a beat for each bar. In 2005 Wyer made his first Time Structured Maps using the same basic scores as might be used for an orchestra but where each bar-line represented a period of 30 seconds rather than a count and each ‘bar’ consisted of a set of instructions for how to improvise during that time period, which might be very specific or left ambiguous. The result was a system that enabled musicians from all backgrounds to play together, and to incorporate other forms such as dance, speech etc. within a score.
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