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5 Sentences With "banqueter"

How to use banqueter in a sentence? Find typical usage patterns (collocations)/phrases/context for "banqueter" and check conjugation/comparative form for "banqueter". Mastering all the usages of "banqueter" from sentence examples published by news publications.

The principal banqueter is joined by six participants, all of whom hold cups in their right hands.
Banqueter playing the kottabos, a playful subversion of the libation, ca. 510 BC, Louvre As with modern dinner parties, the host could simply invite friends or family; but two other forms of social dining were well documented in ancient Greece: the entertainment of the all-male symposium, and the obligatory, regimental syssitia.
A banqueter reaches into a krater with an oenochoe to replenish his kylix with wine, c. 490–480 BC, Louvre The Greeks are thought to have made red as well as rosé and white wines. Like today, these varied in quality from common table wine to valuable vintages. It was generally considered that the best wines came from Thásos, Lesbos and Chios.
The Museum of Fine Arts, Boston purchased the statue in December 1901 from E.P. Warren, who bought the terracotta figure in Paris, in 1901, from a vendor who acquired it in Thebes.Ibid. The terracotta figure depicts Polyphemos, the Cyclops and antagonist of Odysseus in book nine of Homer’s Odyssey, as a dignified banqueter consuming wine. This figure depicts the scene in The Odyssey where, in order to escape death, Odysseus tricks Polyphemos to become highly intoxicated.Homer, The Harvard Classics-The Odyssey of Homer, trans.
Certainly, observation of the sculpture seems to bear this out. The martyr almost turns away from the pain, his upper body and head reaching upwards towards the skies, with his clear, almost peaceful eyes, focussed in the direction of God. Others take Bernini's depiction of Lawrence even further: describing the martyr as being "reclined on his left elbow languidly as any Roman banqueter", and thwarting his torturers with "a carved attitude of rapture". Another art historian, Avigdor Poseq, interprets the expression a little differently: “the calm face was apparently meant to convey the intensive of the martyr’s fear of God.” He continues by suggesting that Bernini presented Lawrence with an outstretched to hand to indicate the martyr’s desire to be turned over by his torturers, thus exposing even more of his flesh to the flames below.

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