118 Sentences With "avant gardist" | Random Sentence Generator

Any avant-gardist of this pertinacity should continue to provoke debate.

Rodin had no avant-gardist desire to reject academic convention, which, nonetheless, rejected him.

He is the closest thing that American opera has to a genuine avant-gardist.

Jed Perl makes the case that Calder was both an avant-gardist and a populist.

Perhaps, had he been born in another era, Bonney would have been a scholarly avant-gardist.

I discovered avant-gardist cuisine at 17 years old, and that's what I've been doing ever since.

Concurrent with this avant-gardist impulse ran another, which took its name from a journal called Contemporáneos.

"Some see him as this true avant-gardist and not at all a comedian," he added of Burroughs.

Sometimes, Watson tells us, the chords were sonorous and melancholy, sometimes fantastic and cheery: obviously an avant-gardist at work.

And Rosalía, a flamenco prodigy from Spain who is a burgeoning pop avant-gardist, isn't strictly speaking, a reggaeton artist.

This is an old avant-gardist story: heralding art that pushes beyond its formal boundaries and fractures long-held illusions.

An avant-gardist who was among the earliest advocates of borrowing from jazz, he died at the Wülzburg camp in 1942.

By turns, she was a nightclub diva, an avant-gardist, a historical preservationist and a seamless synthesizer of then and now.

She's a lifelong avant-gardist and activist, and was part of one of the most influential movements to resist Margaret Thatcher.

This includes lithographs, from avant-gardist Natalia Goncharova's Mystical Images of War series (1914), that manage to be both childlike and stirring.

Ever the avant-gardist, he insists that his latest music has a synesthetic relationship to the paintings of his dear friend Mati Klarwein.

She knew the critical challenges, from Draconianly avant-gardist CalArts, and was taking them head on, with crackling wit and a haunted heart.

J.C. "Retribution" is a dire, cathartic warning from Tanya Tagaq, the Canadian Inuit avant-gardist who won the Polaris Music Prize in 2014.

You can clench and bridle, in the manner of an avant-gardist like Oliver Lake, using the horn to signify something like refusal.

But in his early, vigorously cartoonish paintings of rudimentary symbols and stick figures he showed a precocious understanding of painting as avant-gardist provocation.

By the end of the reading I was convinced: while maybe not an actual oracle, Gozo certainly went beyond my expectations for an avant-gardist.

An unexpected furor of excitement formed around Anthony Braxton, the professorial avant-gardist who has long labored in the space between jazz and modernist composition.

The album is filled with guests, from the writer and activist Janet Mock to the producer and rapper Diddy to the avant-gardist Georgia Anne Muldrow.

There's a lot of gorgeous psychedelia in the vignettes, created by the pioneering electronic avant-gardist Laurie Anderson and the new media artist Hsin-Chien Huang.

Revered in art circles as an avant-gardist par excellence, the chameleonic Francis Picabia (1879-1953) lacks the name recognition of his lifelong friend Marcel Duchamp.

Critic's Notebook The Spanish pop avant-gardist Rosalía was a big winner at the ceremony, where reggaeton and Latin trap artists were snubbed in the major categories.

This technicolor curtain is the creation of the Russian avant-gardist Natalia Goncharova for the 1914 Ballets Russes production of Le Coq d'Or, here presented by Galerie Gmurzynska.

In the wake of her acclaimed 2016 album, Blood Bitch, the Norwegian avant-gardist was encouraged to make an EP to break up the lull between album cycles.

Salle, an Oklahoman schooled at the avant-gardist hotbed of CalArts, in Valencia, California, likewise hit on a sensationally innovative aesthetic, whose promise also stalled, in arbitrary permutations.

He then attended art schools in England and Belgium, most notably the Borough Polytechnic (now London South Bank University), where he studied with the avant-gardist David Bomberg.

It's headlined by Pedro Sá Moraes — singer, songwriter, guitarist and avant-gardist — along with, among others, the rock songwriter Thiago Thiago de Mello and the percussion explorer Sergio Krakowski.

But for all his investment in traditional picture making, it seems Mr. Althoff would prefer to be known as a heroic avant-gardist who disdains and challenges ordinary expectations.

Before that Beethoven, which he will doubtless play with his usual analytical fervor, comes music by Liszt, Messiaen, Scriabin and an oddity: the post-Scriabin avant-gardist Nikolai Obukhov.

Jerome Robbins's landmark choreography, which turned ballet into martial art, would be jettisoned altogether, to be replaced with new work by the Belgian avant-gardist Anne Teresa De Keersmaeker.

He's an avant-gardist known for his work with free improvisers like Cecil Taylor and Oliver Lake, but his Haitian parentage has a way of shining through in his syncopations.

These ruggedly elegant reliefs made mostly from pieces of found, heavily weathered sheet metal could easily be taken for the works of a professional avant-gardist like, for example, Nari Ward.

From 1974 to 2002, Mr. Hiseman and Ms. Thompson were also part of the United Jazz + Rock Ensemble, a collective of avant-gardist German and British jazz musicians that recorded 14 albums.

Mr. Davidovich, a fervent avant-gardist who had moved to New York from Buenos Aires in 22010, embraced video technology as an ideal medium for disrupting the gallery system and reaching new audiences.

He's an avant-gardist known for his work with free improvisers like Cecil Taylor and Oliver Lake, but his Haitian parentage has a way of shining through in the syncopations of his playing.

Last year, Champion teamed up with Capsule Show and Urban Outfitters to sell a limited-run set of directional pieces, including an oversize sweater with distressed edges made with the British avant-gardist Craig Green.

But he's a pop avant-gardist; he likes to make an 800-seat theater feel as intimate as a 70-seat theater, to create public spaces that have the emotional freedom of a living room.

Although Ms. Mamlok was every inch an avant-gardist, she had little truck with electronic music, as she told the journalist Bruce Duffie in a 1996 interview: "Unfortunately I have no connection to it," she said.

And Gerardo Murillo, the avant-gardist firebrand from the Díaz years who called himself Dr. Atl, took a dramatic nationalist stand with a self-portrait in which his head and an image of Mexico's most active volcano merge.

Advertise on Hyperallergic with Nectar Ads PARIS — Indefatigable theorist, poet, painter, filmmaker, playwright, megalomaniac intellectual, and avant-gardist of avant-gardists, Isidore Isou (2390-235) never fails to flummox the senses with the cumulative complexity of his work.

Mr. Johnston was an unusual avant-gardist: His music was so melodically engaging, rhythmically vital and structurally transparent that listeners who were unaware of his tuning experiments and their complex theoretical underpinnings heard his works as essentially neo-Romantic.

"Tony Conrad has slowly been emerging from avant-gardist obscurity over the past few years, and about time," the critic Holland Cotter wrote in The Times on the occasion of Mr. Conrad's solo show at the 80WSE Gallery in 2012.

An accompanying film by Jonas Mekas, the nonagenarian avant-gardist who died in January, suffered from some banal, repetitive imagery, but MusicAeterna made a stylish impact on its own, even given the traces of amplification required by the looming space.

They show Mr. Lester as a central figure in British comedy (a bridge between "The Goon Show" and Monty Python), as well as a pop avant-gardist whose trajectory stalled just as the iconoclastic young directors of the 1970s were getting started.

A MINUS Tanya Tagaq: Toothsayer (Six Shooter) On a widely streamable not-(yet?)-for-sale EP commissioned to add aural buzz to the British National Maritime Museum's "Polar Worlds" exhibit, the throat-singing Inuk avant-gardist assumes all vocal and compositional responsibilities.

Fittingly, Stelmanis' hour-long THUMP Mix includes tracks by Norwegian avant-gardist Jenny Hval, German acid and electro mainstay Helena Hauff, London-based techno producer Karen Gwyer, alongside 2016 material by Canadian compatriots A Tribe Called Red (with Tanya Tagaq), Nautiluss, and Tasseomancy.

It recalls Tarkovsky, Antonioni or the Japanese avant-gardist Hiroshi Teshigahara, rather than more customary Sono comparisons like John Waters or Lars von Trier, and viewers who like their Sono films fast and furious may find its rhythms too slow and its messages too opaque.

Later, the company tried to recover, and seed interest, by issuing a prerelease SoundCloud mix of the album, one bold enough to also include a song like "Hey Brother," sung by the bluegrass star Dan Tyminski, and another penned by the avant-gardist Antony Hegarty (now Anohni).

Sir Peter Maxwell Davies, the prolific English composer long known as an anti-establishment anti-monarchist avant-gardist enfant terrible — but whose work was so renowned that he was named Queen Elizabeth II's official music master anyway — died on Monday at his home in the Orkney Islands of Scotland.

SummerStage is New York's most prolific producer of music and arts alfresco: The concert series began 13 years ago with the jazz avant-gardist Sun Ra at Central Park's Naumburg Bandshell, and now includes over 100 shows (mostly gratis) that span all five boroughs and almost all genres.

Reeves, like Steven Spielberg and the avant-gardist brothers George and Mike Kuchar, made eight-millimeter films in his movie-obsessed youth and, on a trip to America, paid an unannounced visit to his Hollywood idol, the genre director Don Siegel — an act of chutzpah that actually resulted in a job.

The works convince as probably the best of what could be obtained in categories of statue, relief, tableau, funerary figure, reliquary, portrait, altered mannequin, lay figure (a jointed wooden model used by an artist), decorative element, doll, and the odd avant-gardist conceptual whatsit, deployed in combinations to substantiate themes and traditions.

Soupault's sharp but sweet anecdotal memories of fellow experimental artists and antagonists include laudable short portraits of Guillaume Apollinaire, Marcel Proust, James Joyce, sad surrealist René Crevel, novelist Georges Bernanos, painter Henri Rousseau, poet Charles Baudelaire (whom he sketches as a precursor avant-gardist) and lesser-known poets Pierre Reverdy and Blaise Cendrars.

He currently is working on the Swedish avant-gardist Öyvind Fahlström and The Anti-Aesthetics of Rock.

Daniil Kharms (; – 2 February 1942) was an early Soviet-era avant-gardist and absurdist poet, writer and dramatist.

Poundemonium,Mira Friedlander, "Poundemonium a visual delight". Toronto Star, May 3, 1993. Artaud and His Doubles,Vit Wagner, "Confounding the fence-sitters: Avant-gardist unveils work in spirit of Artaud". Toronto Star, May 23, 1996.

Hans Richter (6 April 1888 - 1 February 1976) was a German painter, graphic artist, avant-gardist, film-experimenter and producer. He was born in Berlin into a well-to-do family and died in Minusio, near Locarno, Switzerland.

"Still life with samovar and bread", watercolour painted by Boris Smirnoff Boris Smirnoff (1903 - 2007) was a Franco-Russian cubist, avant-gardist and analytical art painter. Boris Smirnoff was born in Russia. He had two brothers - Alexander and Vladimir. He was the youngest son.

He thereby contributed to change in the entertainment industry's functioning. Always avant-gardist, he was one of the first host/producers to propose shooting live in other or simultaneous countries. He launched countless artists who went on to earn international success. His TV shows' excerpts are oftentimes relayed by media.

For three years, Khookha was a member of a couple of LGBT+ organisations, like Mawjoudin, as a consultant for the trans members, before resigning. According to them, they were unable to stay with the rest of the community because of their political views that are seen as a bit avant- gardist.

Hoogsteder & Hoogsteder, Mathieu Dubus, avant- gardist His posthumous reputation was boosted by the Inleyding tot de hooge schoole der schilderkonst (Introduction to the High School of Painting) of Samuel van Hoogstraten which presented him rather as a Romantic genius avant la lettre, lonely, poor and misunderstood, based mostly on his etchings.

What is on the boards (and the buses) is no less than "a whole culture busting loose," a catharsis of values, an aesthetic revolution. Konyves, the ringleader, is the most avant-gardist, Dadaist, surrealist, multi-media-prone. You must put your reason and sanity aside to read him. \- LOUIS DUDEK, The Montreal Gazette, Feb.

20-22 of November 2008 — I International Festival of Visual Art Wiz-Art. There were screenings of Sean Conway (UK), Boris Kazakov (Russia), Milos Tomich (Serbia), Volker Schreiner (Germany) films and retrospective show of the works of the famous avant-gardist Maya Deren (USA). 50 films were shown, 10 of which were short films of young Ukrainian filmmakers.

Knute taught drawing at the San Francisco Art Institute and wrote art criticism for many years in Art Forum and Art in America. He was a dedicated avant-gardist, showing at the San Francisco Museum of Modern Art and various galleries in San Francisco and New York, and owned a gallery and frame shop in the latter.

He was described as a "form-fixated avant-gardist". By the early 1990s, his sights were set on a "new readability" of German literature. He argued that "literature must be like rock music". After Weiberroman in 1997, Politycki acknowledged his identity as a writer from the "Generation of 1978" (Reinhard Mohr) that he distinguished from the 1968 Movement with its strong protest tradition.

This is a selected list of compositions by Alexander Mosolov. It includes all works with an opus number regardless of the date of publication as well as all known works composed before 1936, as it has been noted that it was "impossible to discern the former avant-gardist in the works written from the late thirties onward" (Frolova-Walker 1998, p. 336n8).

Amauta was founded in 1926 by the prominent socialist essyainst José Carlos Mariátegui. The influential poet César Vallejo was one of its collaborators. There were various splinter groups among the Avant-Gardist poets, whose major exponents were Xavier Abril, Alberto Hidalgo, Sebastián Salazar Bondy and Carlos Germán Belli. Interest in indigenous poetry was resurrected by the work of Luis Fabio Xammar.

2, #20 (Sept. 14–21, 1967). The Last Times #1 and 2 also contained articles by French avant-gardist Jean-Jacques Lebel and Man Suicided by Society by Antonin Artaud, translated by Mary Beach, Plymell's mother-in-law.Bookseller's description (with photo) Issue #1 also contains the first Plymell printed work of R. Crumb that Plymell had "lifted" from the second issue of Yarrowstalks (a Philadelphia-based underground newspaper).

Cugler wrote his work in Romanian, French and Spanish. In all, he was fluent in eight languages, including dialects of Arabic. On original writer, defined by literary historian Paul Cernat as "eccentric", Cugler was not affiliated with any of the avant-garde trends. His work is often thought to have, at least in part, owed inspiration to Urmuz, a solitary avant-gardist of early 20th century Romanian literature.

In 1994, Boltro and his friend Stefano di Battista (saxophonist) entered the French Orchestre Nationnal de Jazz conducted by Laurent Cugny. From 1996 to 2000, Michel Petrucciani engaged Boltro in his sextet. In 1997, Boltro participated at the quintet Di Battista/Boltro with Eric Legnini on piano, Benjamin Henocq on drums and Rosario Bonaccorso on bass. In 2000, he entered the quintet of the avant-gardist Michel Portal up to 2005.

This made it of little interest to the conservative Hungarian art establishment. However, in 1915 he met the great Italian avant-gardist Filippo Tommaso Marinetti and the two painters became close friends. Marinetti invited him to join the Futurist Movement. The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's.

When World War II broke out, Mosolov composed Signal, an opera which dealt with the war. However, the compositions of Mosolov's later life were so uncharacteristic of his earlier style that one scholar noted that it was "impossible to discern the former avant-gardist in the works written from the late thirties onward".Frolova-Walker, "National in Form," p. 336n8. Mosolov lived in Moscow and continued to compose until his death in 1973.

After the scandalous life of the Stridentist group, for a long time Maples Arce was relatively despised by Mexican criticism as a poet, and very few specialists were interested in the study of Stridentist art and literature, which are now better known. So it was an almost completely forgotten writer that the young Roberto Bolaño interviewed in 1976. He is referred to as a former avant- gardist poet in Bolaño's novel Los detectives salvajes (1998), in which he appears as a character.

In the late 1920s, he got involved in Imprenta Sur, a friendly Málaga publishing houseset up by his friends Altoaguirre and Chaves and especially in the launch of Litoral, another Málaga-based avant-gardist literary review. He contributed as editor and poet, specifically involved in the 1929 commemorative issue dedicated to Góngora; at that time he also engaged financiallyVíctor de Lama (ed.), Poesía de la generación del 27: Antología crítica recomendada, Madrid 1997, , p. 433 and entered the board;Ruiz Gisbert 2007, p.

After leaving Germany, Taut gradually moved away from modernism. A colleague remarked that "Like everyone who gets old, Taut is stuck with Renaissance principles and cannot find a way towards the new! I am very disappointed... It is a shame for such an avant-gardist."Modern ve Sürgün – Almanca Konuşan Ülkelerin Mimarları Türkiye’de / Yüksel Zandel Pöğün Before his death in 1938, Taut wrote at least one more book and designed a number of educational buildings in Ankara and Trabzon under commissions from the Turkish Ministry of Education.

The buildings of Mack Scogin Merrill Elam Architects have received much critical interpretation in architectural journals. But they have also attracted clients with avant-gardist aspirations. "Unusually extroverted" was what magistrates asked Mack Scogin Merrill Elam to deliver for the design of a $63 million federal courthouse in Austin, Texas.Architectural Record on Mack Scogin Merrill Elam Architects New York Times architecture critic Nicolai Ouroussoff wrote that the building exhibited a tension "between the desire to uphold core democratic values and a growing sense of instability".

As of the early 2000s, Semenikhin, with her husband Vladimir Semenikhin, has co-founded a foundation to promote the arts in Russia and has, through it, supported exhibitions at State museums and galleries. The foundation was named The Ekaterina Cultural Foundation. It has conducted international exhibitions such as the Knave of Diamonds avant- gardist exhibition in 2004 in the Tretyakov Gallery and in the Russian Museum in St Petersbourg. In 2005, they have opened the first private exhibition halls in the center of Moscow.

Bunny had a traditional and academic education in the arts under Calderon and Laurens. Despite this, Bunny's artistic practice was heavily influenced by, and imitated, his contemporaries. Whilst he was not an avant gardist, Bunny was a modern artist. His early works, before the turn of the century, are described as 'neo-classical style touched with Pre-Raphaelitism' or as symbolist. Mythology, both Christian and classical, provided the subjects for these paintings, seen in the paintings Tritons (circa 1890) and The Descent From the Cross (circa 1898).

On the other hand, as a critical practice, architecture – in a similar way as the relationship between literary criticism and literature - is allowed to pursue its own hermetic, critical inquiry. In terms of architectural production, this sees the development of unbuilt (and even perhaps presently unbuildable) "architectural" models within cyberspace as having equal validity as implemented works, if not even more validity if one defines architecture as a critical activity. Such a position also, by definition, supports an avant- gardist approach to the architectural production.

"avant gardist"Roland Biard, " Histoire du mouvement anarchiste, 1945- 1975" Éditions Galilée, 1976 and/or "Bolschevist".Alexandre Skirda "Autonomie individuelle et force collective, les anarchistes et l'organisation, de Proudhon à nos jours", Éditions AS, 1987 In August 1954 the "Kronstadt" libertarian-communist group published a memorandum condemning the secretive structure and the Leninism of the wider "Libertarian Communist Federation", and were, in 1955, expelled. During 1954 Fontenis himself had increasingly diverted his focus and that of the federation to political and "logistical" support for the "Algerian insurrection".

As of the early 2000s, Semenikhin has created a foundation to promote the arts in Russia and has, through it, supported exhibitions at State museums and galleries. It has conducted international exhibitions such as the Knave of Diamonds avant- gardist exhibition in 2004 in the Tretyakov Gallery and in the Russian Museum in St Petersbourg. In 2005, Semenikhin has opened the first private exhibition halls in the center of Moscow. Since then, it has hosted venues such as the Grace Kelly exhibition in 2009 .

In the same year, she made her Japanese debut with the Osaka Symphony Orchestra and Chofu International Music Festival. Considered to be an avant-gardist and an engaged personality, today there are around 4% women orchestra conductors in the world, Menezes was the second woman to be at the head of a professional orchestra in Brazil at a time when there were even less. She has always been engaged in numerous multidisciplinary projects and her style is considered as innovative. She has worked with composers such as: Thomas Ades, Esteban Benzecry, Lera Auerbach, Philippe Hersant.

Her poems testify of a love for nature, admiration for simple things and grieve for own and interwoven with other people's suffering, and with a religious inspiration. During this time, in 1920, she became acquainted with Fernand Berckelaers (alias Michel Seuphor – Seuphor anagram of Orpheus) and Geert Pijnenburg, who together had launched the avant-gardist review Het Overzicht (she published a poem in the first number of the review). Thanks to the generosity of her many admirers she could consult a foreign doctor. In January 1923 she left Belgium for Luzern in Switzerland.

Luna May Ennis, Music in Art (Boston, 1903), p. 85 online. In 1868, de la Charlerie was one of the founding members of the avant-gardist Société Libre des Beaux-Arts, but died only a year later in Ixelles, a fashionable suburb of Brussels favored by artists. When some of his smaller canvases were part of a retrospective exhibition of Belgian art in 1905, Octave Maus writing in L'Art Moderne praised him among unjustly neglected painters whose works evidenced freshness and sincerity, the latter quality being one of the Société's ideals.

DJ Screw has been a considerable influence in the Houston scene and beyond, "helping to cement his legacy as an underappreciated avant-gardist, creator of a sui generis sound that’s still growing and mutating." Texas governor Rick Perry honored him by making him an official Texas Music Pioneer. The Houston Press named the 1995 album 3 'n the Mornin' (Part Two) as no. 13 on its list of the 25 best Houston rap albums of all time, crediting the release for the way it helped shape Houston's hip-hop culture.

Baur was one of the last composers of the old school. After the war, he remained faithful to his teacher Jarnach's conservative stance, and never became an extreme avant- gardist . Widespread recognition as a composer came comparatively late. Béla Bartók was his strongest stylistic influence at first, but in the 1950s he began to use twelve-tone technique. Anton Webern’s music became his model in works such as the Third String Quartet (1952), the Quintetto sereno for wind quintet (1958)—which also uses aleatory techniques—the Sonata for two pianos (1957), and the Ballata romana (1960) .

The state is also home to many iconoclastic composers, from Revolutionary-era Justin Morgan through electronic/avant-gardist Otto Luening. Vermont's contemporary composers includes Jon Appleton, Dennis Bathory-Kitsz, Henry Brant, Louis Calabro, Vivian Fine, David Gunn, Brian Johnson, Leroy Preston, Laura Koplewitz, John Levin, Peggy Madden, Erik Nielsen, Lionel Nowak, Thomas L. Read, Alan Shawn, Ernie Stires, GD, Su Lian Tan, Dennis Murphy, and Gwyneth Walker. Derrik Jordan is a composer and singer-songwriter, producer and multi- instrumentalist who plays 5 string electric violin, guitar, keyboard, kalimba and percussion. He is a recording artist on Worldsoul Records based in Putney, Vermont.

Guitarist Vernon Reid has said of Shannon that he "wasn't an ideological avant-gardist. He made the music he made from an outsider's view, but not to the exclusion of rock and pop – he wasn't mad at pop music for being popular the way some of his generation are. He synthesized blues shuffles with African syncopations through the lens of someone who gave vent to all manner of emotions…the collision of values in his music really represents American culture." Common characteristics among the incarnations of The Decoding Society include doubled instrumentation (basses, saxophones, or guitars).

The large sculpture hall with the elevated windows of the main façade below the coffered ceiling. Bergsten had attempted a career as an avant-gardist architect throughout the early 20th century, influenced by Austrian Art Nouveau architect Otto Wagner. After a trip through continental Europe in 1907, he instead became inspired by traditional architecture, especially in Turkey and Denmark. When Bergsten won the competition for the art gallery in 1913, he had thus given up his early experimental style to embrace a Classicism which he combined with his preference for reduced volumes and modern concrete construction techniques.

Jean-Marie Serreau (28 April 1915 – 22 May 1973) was a 20th-century French actor, theatre director and a former student of Charles Dullin. Serreau directed the Théâtre de Babylone in Paris during the 1950s-1960s and established the Théâtre de la Tempête at La Cartoucherie in Vincennes in 1970. He created works by avant gardist playwrights such as Samuel Beckett, Jean Genet and Eugène Ionesco, as well as works by Kateb Yacine and Aimé Césaire. Married to Geneviève Serreau, herself an author and theatre director, he was Dominique Serreau's, Coline Serreau's and Nicolas Serreau's father.

Word of the unnamed group's experimentation spread, and in 1969 British guitarist and multi-instrumentalist Phil Lithman, known as Snakefinger, began to participate with them. Around this time the group also made the acquaintance of the mysterious (and perhaps apocryphal) N. Senada, whom Lithman had picked up in Bavaria where the aged avant-gardist was recording birds singing. The two Europeans became great influences and life- long collaborators with the group. In 1971 the group sent a reel-to-reel demo tape to Hal Halverstadt at Warner Brothers, as he had signed Captain Beefheart (one of the group's musical heroes) to the label.

Henoc Beauséjour (; born November 18, 1973), known by his stage name Roi Heenok (), is a Canadian rapper, producer and entrepreneur of Haitian descent from Montreal, Quebec. Roi Heenok has achieved notoriety in France and the French rap market since 2004 as a result of his successful use of Internet marketing. An avant-gardist who always commands his crowd, Roi Heenok was the first viral video star at a time when YouTube & DailyMotion were only starting to be used as branding tools. Considered a legend in the French rap world, Roi Heenok is known for his unique and authentic style of Queens Bridge French rap.

The tour received positive reviews by critics. Christopher Weingarten wrote this for Stereogum after the tour's stop in Los Angeles in April 2019: Rosalía focus on her wildly untraditional take on a centuries-old form, she’s much more than a star of “new flamenco.” She’s an Jodorowsky- evoking avant-gardist, an ambassador for mutant techno, an R&B; hook-crooner and quite possibly a pop star in the making. (...) Part pop show, part interpretive dance performance, part folk tradition showcase, part folk tradition detonator, part avant-techno show where she plays producer El Guincho’s sampler; Rosalía’s tour bravely charts what may be America’s next musical step.

Helios Gomez was the initiator and first president of a professional draftsmen syndicate in Spain with its residency in Barcelona, which he founded in the summer of 1936, to defend the republic through politically engaged posters. At first he was appreciated for his political avant-gardist designs in black and white, but he worked, exposed and published his pieces in Madrid and Catalonia, when he was dislodged from Andalusia in 1926. From Barcelona he was deported by the political authorities. He asked for lodgment first in France and then in Belgium, Netherlands, Germany, and in the Soviet Union, where he met many Rroms from his country.

A compulsive communicator, between 1980 and 1989 Unger was editor in chief of "Bijvoorbeeld", a magazine focusing on creative and applied arts which according to one admirer she "transformed from a rather dusty magazine into a lively and critical [post-modern avant-gardist] periodical". In 1995 she took a position at Amsterdam's "Sandberg Institute", teaching a post graduate course on what she termed "Vrije vormgeving" (loosely, "free design") which placed her at the heart of a rapidly shifting three-way interface between art, design and commerce. It was around 1995 that Marjan Unger's passion for jewelry came to the fore. She launched herself on more than a decade of intensive research.

During the following seven years, Jeannette Vermeersch focused on Party missions; as an agent, she was zealous but a little withdrawn. For example, under the guidance of Jacques Duclos, she organised an extraordinary congress of Communist Youth in 1933, retaking control of a movement suspected of drifting in an "avant-gardist" direction. She was also one of the pivotal members of a new organisation that the Party had asked to be formed, the Union of Young French Women. After the Spanish Civil War began in 1936, she also focused very clearly on getting together a network of people in solidarity with the Second Spanish Republic, in addition to her other responsibilities.

Aline Mayrisch had a great interest in arts and literature and saw herself as a mediator between the German and French cultural worlds. From 1898, she published articles on German painters and literary criticisms, amongst others on L'Immoraliste by André Gide, in the Belgian avant-gardist review L'Art moderne. She maintained friendships and correspondences with numerous writers and intellectuals, such as André Gide, Jean Schlumberger, Jacques Rivière, Henri Michaux, Marie and Théo van Rysselberghe, Marie Delcourt, Alexis Curvers, Annette Kolb, Gertrude Eysoldt, Ernst Robert Curtius and Bernhard Groethuysen. In 1914, she accompanied André Gide and Henri Ghéon to Turkey and in 1927, she travelled to the Gironde and the Limousin with Ernst Robert Curtius.

However, the key models for this type of architecture were both Japanese architecture and the refined abstractions of Ludwig Mies van der Rohe. In Finland this type of architecture is referred to as "constructivism" - with only a family resemblance to the avant-gardist Russian Constructivism - and at that time, the late 1950s and 1960s, stood in opposition to the work of Alvar Aalto, who was increasingly seen in his home country as an idiosyncratic individualist. But the interest in Japan also contained the seeds for Pallasmaa's later concerns; materiality and a phenomenology of experience. It was after returning from teaching in Africa that Pallasmaa turned away from pure constructivism, and took up his concerns with psychology, culture, and phenomenology.

Nick Hathaway is a fictional composer created as an April Fool's Day stunt by the critic and songwriter David Hajdu. Once a year, on April Fool's Day, the Wikipedia entry for Hathaway reads as follows: Nick Hathaway (date unknown, 1915-April 1, 2011) was an American songwriter who wrote innumerable songs in just as many styles, all of which were fittingly ignored during his long lifetime. He is perhaps best remembered for having written the forgettable "Ooka Dooka Dicka Dee," a song that Bob Dylan quoted in an interview in 1962 . In addition, Hathaway composed the music for "Man in a Mousetrap," a conceptual theater work directed by the avant-gardist Jeffrey Cordova and distinguished for having no music.

Translation by Peter Brooke It was both as artists and theorists (in painting and writing) that Gleizes and Metzinger expressed their critical and ideological discourse about the possible meanings and significance of Cubism and contemporary aesthetics. Indeed, Du "Cubisme" was much more than an unorthodox or anti-academic explanation of the avant-gardist innovations seen in Cubist paintings. It was natural that Gleizes and Metzinger, both articulate men, should come not just to theorize on the meaning of Cubism, but to defend the movement against attacks leveled in the wake of the 1911 public exhibitions. The two had exhibited regularly at the important salons (Salon d'Automne and Salon des Indépendants) since around 1903 and held divers official positions within them (e.g.

Early electronic music was made using wave generators and tape- manipulated sounds. Subotnick was among the first composers to work with electronic instrument designer Don Buchla. Buchla's modular voltage-controlled synthesizer, which he called the Electric Music Box and which was constructed partly based on suggestions by Subotnick and Sender, was both more flexible and easier to use, and its sequencing ability was integral to Subotnick's music. In the late 1960s, a time when much United States' academic "avant- gardist" electronic music was highly abstract, (largely concerned with pitch and timbre, where (metric) rhythm might be an afterthought or of no consequence, and simple patterned structures were largely avoided), Subotnick broke with this direction by including sections with metric rhythms – those based on pulses and beats.

Davies was known by friends and colleagues as "Max", after his middle name "Maxwell", and was openly homosexual throughout his adult life. Although he sometimes set sacred texts, Davies was an atheist.Interviewing Davies, Ivan Hewett wrote: "An avant-gardist who uses ancient Christian chants, an atheist who's written pieces entitled Antichrist and Revelation and Fall – clearly there are tensions beneath that carefully controlled surface." 'A Life on the Edge', Daily Telegraph, 7 April 2005, Features Pg. 015. In 2005 his house on Sanday was raided by police, who removed parts of a whooper swan (a protected species under the Wildlife and Countryside Act) which Davies had been planning to eat; he stated he had found the swan electrocuted beneath power lines.

Burt received significant attention for coining the term "elliptical poetry" in a 1998 book review of Susan Wheeler's book Smokes in Boston Review magazine: > Elliptical poets try to manifest a person—who speaks the poem and reflects > the poet—while using all the verbal gizmos developed over the last few > decades to undermine the coherence of speaking selves. They are post-avant- > gardist, or post-"postmodern": they have read (most of them) Stein's heirs, > and the "language writers," and have chosen to do otherwise. Elliptical > poems shift drastically between low (or slangy) and high (or naively > "poetic") diction. Some are lists of phrases beginning "I am an X, I am a > Y." Ellipticism's favorite established poets are Dickinson, Berryman, > Ashbery, and/or Auden. . .

He had already studied composition at Dartington Summer School of Music with French avant gardist Michel Decoust. In the 1970s he was a member of the folk trio Staverton Bridge with Tish Stubbs and Paul Wilson, and later toured the English folk scene as a duo with Tish Stubbs. He devoted much time to folklore research mainly in England's Westcountry, concentrating on gypsies, farming communities and children's songs and tales,For details of a recording session with farmers in Chagford, see: writing several papers on these subjects.See for instance: Sound recordings made by him are held by the British Library Sound Archive, and the Sam Richards Folklore Archive of 600 hours of recordings of song, music and interviews made between 1972–1987 is held by the British Library and the University of Plymouth.

Allmusic awarded the album 5 stars stating: "Of all the recordings made by Gerry Mulligan's Concert Jazz Band in the 1960s, this is the definitive one. ...This music is essential". On All About Jazz Joel Roberts commented: "What sets this ensemble apart isn't so much the compositions (though they're a fine mix of standards and originals) or even the star quality of the soloists (though Mulligan, Clark Terry, Bob Brookmeyer and others provide some memorable solo moments). The key is the cohesiveness of the band as a unit and the crisp, tight arrangements and orchestrations by Mulligan, Brookmeyer and Al Cohn... Mulligan was no avant gardist, but he knew how to push the limits while working within a straight-ahead context, and he knew how to make a band swing".

According to writer Benoît Houzé, "throughout her experiments, Magny always kept an artistic generosity which clearly binds most of her songs, as 'avant-gardist' as they can be, to the tradition of French chanson populaire." Her 1979 album Je Veux Chaanter was recorded with, and included songs written by, children with mental disabilities in the Institut médico-pédagogique at Fontenoy-le-Château, and was performed partly with home- made instruments. In 1980, she released two single-sided spoken word albums, one of poems by Antonin Artaud and the other of text by the Swiss artist Sylvie Duval. Magny moved to live near Aveyron in south-west France, and her recordings became more mellow in tone, her 1983 album Chansons pour Titine even including Cole Porter's "My Heart Belongs to Daddy".

The Société Normande held from 15 June to 15 July 1912 their fourth exhibition, called the Salon de Juin, at the Salle du skating in Rouen. Forewords in the catalog were written by Maurice Raynal and Élie Faure. In his forward, Faure—in addition to scientific, social, ethical and political overtones—included a Bergsonian philosophical overlay of 'intuition', 'creativity' and 'dynamism' to the avant-gardist discourse, something missing from his 1911 preface. Metzinger and Gleizes would do the same in writing the Cubist manifesto Du "Cubisme", published for the occasion of the Salon de la Section d'Or. The president of the 1912 exhibition was Pierre Dumont, the secretary was Camille La Broue, and the committee was formed by Eugène Tirvert, Camille Lieucy, Jacques Villon, Duchamp-Villon and Francis Picabia.

By the 1980s dance had come full circle and modern dance (or, by this time, "contemporary dance") was clearly still a highly technical and political vehicle for many practitioners. Existing alongside classical ballet, the two art-forms were by now living peacefully next door to one another with little of the rivalry and antipathy of previous eras. In a cleverly designed comment on this ongoing rivalry the brilliant collaboration of Twyla Tharp (one of the 20th century's cutting edge Dance avant- gardist/contemporary) and Ballet dance was ultimately achieved. The present time sees us still in the very competitive artistic atmosphere where choreographers compete to produce the most shocking work, however, there are still glimpses of beauty to be had, and much incredible dancing in an age where dance technique has progressed further in expertise, strength and flexibility than ever before in history.

His early friendships were chiefly with artists; and he wrote art criticisms with recognized discernment. In 1868 he was a founding member of the Société Libre des Beaux-Arts, an avant-gardist group whose ideals he championed. Taking a house in the hills near Namur, he devoted himself to sport, and developed the intimate sympathy with nature which informs his best work. Nos Flamands (1869) and Croquis d'automne (1870) date from this time. Paris-Berlin (1870), a pamphlet pleading the cause of France, and full of the author's horror of war, had a great success. His capacity as a novelist, in the fresh, humorous description of peasant life, was revealed in Un Coin de village (1879). In Un Mâle (1881) he achieved a different kind of success. It deals with the amours of a poacher and a farmer's daughter, with the forest as a background.

Goethe (who turned to Aristophanes for a warmer and more vivid form of comedy than he could derive from readings of Terence and Plautus) adapted a short play Die Vögel from The Birds for performance in Weimar. Aristophanes has appealed to both conservatives and radicals in the nineteenth and twentieth centuries—Anatoly Lunacharsky, first Commissar of Enlightenment for the USSR in 1917, declared that the ancient dramatist would have a permanent place in proletarian theatre and yet conservative, Prussian intellectuals interpreted Aristophanes as a satirical opponent of social reform.Aristophanes in Performance 421 BC – AD 2007: Peace, Birds and Frogs Edith Hall and Amanda Wrigley, Legenda (Oxford) 2007, pp. 9–12 The avant-gardist stage-director Karolos Koun directed a version of The Birds under the Acropolis in 1959 that established a trend in modern Greek history of breaking taboos through the voice of Aristophanes.

Werle was born in Gävle, Sweden, and taught himself how to compose, before going on to study musicology at the University of Uppsala from 1948–1950, and then counterpoint with Sven-Erik Bäck from 1949–1952 He sang in the chorus Bel Canto, was active as a jazz musician, and worked as a producer for Swedish Radio from 1958–1970, after which he took a professorship at the National Music Drama School, and then at the Gothenburg Music Academy starting in 1977. Werle was known for his avant-gardist, post- Webernian composition Pentagram for string quartet that won first prize at the Gaudeamus Festival in Bilthoven in 1960. He became known for his vocal and choral music, as well as his operas, such as Drömmen om Thérèse and "Resan", the latter of which he made with psychedelic rock group Mecki Mark Men. Werle also scored the films of Ingmar Bergman, Persona and Hour of the Wolf.

The Kevrenn Alre during the Festival interceltique de Lorient 2009 Kevrenn Alre ("Bagad and Celtic Circle of Auray" in Breton language) is a group of music and dance of Breton traditional inspiration, created in 1951, by railroad employees of the marshalling yard of Auray (Morbihan, Brittany). Eight times national champion of bagadoù and ten times national champion of Breton dance, Kevrenn Alre takes place in an avant-gardist position of a Breton cultural movement (Bagad, Celtic circle, show / concert) and of pioneer by compositions and scenic creations combining modernism, musical fusions and dances. The musicians, devoted workers with a union which makes their strength, built up to themselves a style, a sonority jazz with the addition of a writing desk clarinet stemming from the music school, and the working habits, as the week of repetition before Lorient competition. Training is since its inception in relation to Celtic nations, in his music and in his travels.

Zenghelis' turn to designing bourgeois summer villas in Greece in the early 1980s marked a change in the dynamics of his work: the British architectural journal Architectural Design (no. 51, 1981) noted in regards to his houses in Antiparos, that "Since Elia Zenghelis and Rem Koolhaas formally founded OMA over six years ago, their work, recently described by Bob Maxwell ‘as a series of paradoxes: reductivist yet metaphoric, polemical yet exquisite, modern, yet anti-modern’, has revealed subtle shifts of concern. This idiosyncratic evolution has now moved from Manhattanism to Mediterraneanism; their current project for a series of villas on Antiparos reflects a development of the OMA rationale skilfully crafted with Aegean traditions." This evaluation is somewhat misleading, however, in that after this work Zenghelis still worked in projects in West Berlin, especially the urban infill, part of the IBA Berlin project, in which the city set up a series of invited architectural competitions among avant-gardist architects of the time (including Aldo Rossi, Peter Eisenman and Rob Krier) to design infills on sites throughout the city.

Elliptical poetry or ellipticism is a literary-critical term introduced by critic Stephanie Burt in a 1998 essay in Boston Review on Susan Wheeler, and expanded upon in an eponymous essay in American Letters & Commentary. Since the publication of that essay, and a number of accompanying responses in the same journal elliptical poetry", "ellipticism" and "elliptical poets" have entered the critical discussion of contemporary American poetry as a significant point of reference; Wheeler notes in an introduction to Burt at the Poetry Society "hearing, on several spooky occasions, in conferences with graduate students, 'but I want to be an elliptical poet.'" The original statement of the notion by Burt in the Boston Review article suggested that "Elliptical poets try to manifest a person--who speaks the poem and reflects the poet--while using all the verbal gizmos developed over the last few decades to undermine the coherence of speaking selves. They are post-avant- gardist, or post-'postmodern': they have read (most of them) Stein's heirs, and the 'language writers,' and have chosen to do otherwise.